It’s mission impossible! Why BritBox will never rival Netflix

The new streaming service may offer the best British dramas in TV history – but it seems hamstrung from the start. We dig into its offering to spare you the bother ... and another subscription

One of the best offerings on BritBox – the new archive streaming site officially launched by ITV and the BBC today – is arguably the greatest single-series British TV drama ever made: Tinker Tailor Soldier Spy, the 1979 BBC adaptation of John le Carré’s espionage novel.

But the opening of another digital bank of programming will confront even the most assiduous viewer with a new parody of the children’s counting song – Netflix, Amazon, Apple, BritBox, Disney, Why?

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Meet Erika the Red: Viking women were warriors too, say scientists

Researchers re-create the face of a woman buried with an impressive collection of weaponry for a National Geographic documentary

Think of a Viking warrior and you probably imagine a fearsome, muscular, bearded man. Well, think again. Using cutting-edge facial recognition technology, British scientists have brought to life the battle-hardened face of a fighter who lived more than 1,000 years ago. And she’s a woman.

The life-like reconstruction, which challenges long-held assumptions that Viking warrior heroes such as Erik the Red left their women at home, is based on a skeleton found in a Viking graveyard in Solør, Norway, and now preserved in Oslo’s Museum of Cultural History. The remains had already been identified as female, but her burial site had not been considered a warrior grave “simply because the occupant was a woman”, according to archaelogist Ella Al-Shamahi.

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Tim Robbins: ‘With the exception of America’s native tribes, we’re all new here’

The actor, director and activist talks about his return to the Stephen King universe and his frustrations with the state of the US

There’s an unmissable sense of the now in the second season of Castle Rock, Hulu’s anthology series recombining the best-known works of Stephen King. The Maine hamlet of Jerusalem’s Lot, first dreamed up by the master of the macabre as a feral vampire stronghold, contends with a more earthbound set of problems in its newest iteration. The opioid epidemic sweeping New England has seeped into town, driving area pharmacists to install locked glass cases for select products. More pressing still is the mounting tension in town between the Somalian immigrant community and the largely Caucasian local populace, each distrustful and fearful of the other. The impending turf war reflects a widening cultural divide in American life, as xenophobic sentiments gain traction with an increasingly vocal faction of reactionaries.

Related: The best Stephen King movies … ranked!

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Auteurs assemble! What caused the superhero backlash?

They’ve conquered the box office. Now it’s payback time. As they are attacked by filmmakers like Martin Scorsese, are TV and movie superheroes fighting a losing battle against reality?

Alan Moore’s celebrated 1986 series Watchmen revolved around a conspiracy to kill off masked vigilantes, and in effect that’s what it did in real life. Compared with the complex, mature, literary nature of Watchmen, most other comic-book titles looked juvenile and two-dimensional. This was at a time when “comic-book movies” meant Christopher Reeve’s wholesome Superman series, and when the only inhabitant of the Marvel movie universe was Howard the Duck. The entire industry had to up its game, and a new era of mature “graphic novels” was born.

Now we appear to have come full circle – which is fitting for a story so heavy with clock symbolism. With uncanny timing, HBO’s lavish new Watchmen series arrives at a moment when comic-book movies are again in what you might call a decadent phase of the cycle. They have decisively conquered our screens and our box offices, with ever grander and more improbable forms of spectacle, to the extent that we’re now beginning to question how much more of them we need. Could Watchmen kill off the superheroes once again?

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Meghan: I was warned the British tabloids would destroy my life

Royal speaks of struggling to cope with her new life in interview for ITV documentary

The Duchess of Sussex has revealed she was warned before her marriage to Prince Harry that the British tabloids would “destroy” her life, as she spoke of struggling to cope with the reality of being part of the royal family.

In an interview for the ITV documentary Harry & Meghan: An African Journey, she said the last year had been “hard” and that she had had “no idea” of what she would face.

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‘We good now China?’ South Park creators issue mock apology after ban

Facetious statement comes after reports that show was banned in China after episode critical of the country

South Park’s creators have responded with a mock apology to reports that China has censored the programme, ridiculing the country and comparing President Xi Jinping to Winnie the Pooh.

The “apology” from Trey Parker and Matt Stone comes after reports on Monday that China had scrubbed all episodes, clips and content related to the long-running comedy cartoon from Chinese streaming and social media platforms in response to a recent episode that was critical of the country.

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Monty Python at 50: a half-century of silly walks, edible props and dead parrots

In this rare glimpse inside the BBC archives, we reveal the exasperated internal memos, the furious letters from wing commanders – and David Frost’s bid to bring them down

In a memo sent in 1969, the BBC head of comedy seems to have lost his sense of humour. “Please will you have a word with the writers?” said Michael Mills. “I haven’t reacted to the funny titles that have appeared on the scripts so far. I hoped that they would cease of their own accord.”

The titles that irritated him included “Bunn Wackett Buzzard Stubble and Boot”, apparently a spoof legal firm, which came to be shortened to Bunwackett. The show, meanwhile, had the working title The Circus. Now, though, Mills had had enough: “The time has come when we must stop having peculiar titles and settle on one overall title … Please would you have words with them and try to produce something palatable?”

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Emmys 2019: Fleabag and Game of Thrones win big at Brit-dominated awards

Phoebe Waller-Bridge’s comedy was the surprise victor while the final season of HBO’s fantasy drama picked up the most Emmy awards

It was a British invasion at the 71st Emmy awards, with Game of Thrones taking home the prize for best drama and Phoebe Waller-Bridge’s Fleabag sweeping most of the comedy awards in a night that saw numerous nods to stars from across the pond.

The biggest question heading into the night was whether Emmy voters would reward perennial juggernaut Game of Thrones for its divisive final season. The show was nominated for 32 awards – the most for any single season of television ever – and had already won 10 Creative Arts Emmys last week. Game of Thrones took home the night’s final prize for outstanding drama series and a best supporting actor nod for American star Peter Dinklage – bringing its total to 12 awards and breaking its own 2015 record for the most awards given to a series – but was otherwise shut out of the telecast.

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Aardman’s 20 best films – ranked!

From early experiments in claymation TV to its forthcoming Shaun the Sheep big-screen sequel, we rate the animation studio’s output

After it was used for a perfume ad, Nina Simone’s jazz classic made it into the top 10 in the autumn of 1987. Inspired, no doubt, by the (non-Aardman) video for a successful re-release of Jackie Wilson’s Reet Petite earlier in the year, this music video became a second bite at claymation-meets-1950s. Peter Lord, who directed, went with a sultry singing cat and some artistic shots of piano keys.

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The 50 best comedians of the 21st century

From apocalyptic standup Frankie Boyle to the many hilarious faces of Tina Fey, Steve Coogan, Sharon Horgan and Kristen Wiig, we present the funniest comics of the era

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Amazon’s Lord of the Rings TV show to be filmed in New Zealand

Auckland beats Scotland to NZ$1.3bn contract for what is expected to be the most expensive TV series ever made

New Zealand will reprise its starring role as Middle Earth with confirmation Amazon Studios will film its new Lord of the Rings television series on its shores.

The country – where Sir Peter Jackson filmed the original Lord of the Rings and Hobbit movies – beat rival Scotland to be named the production location for the series, set to be the most expensive TV show ever made.

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‘I got the guy!’ My 17-year manhunt for a $50m art criminal

For years, documentary-maker Vanessa Engle has been on the trail of a notorious swindler who escaped from prison and disappeared into thin air. Then one day, the phone rang ...

You probably haven’t heard of Michel Cohen. Do a search and you get Michael Cohen, the Trump fixer who went to jail. Wrong one. Though this one did go to jail, too. He’s French, born in 1953 on an estate in a poor suburb of Paris and his first job was to sell the Encyclopedia Britannica door-to-door, which he was very good at.

Cohen later went to the US and started selling French paté, then prints. He got into the art world, became a dealer, sold Picassos, Monets, Chagalls. For a while he lived the dream, drove fast cars, had a house in Malibu with his German wife and two kids, a chef, horses, everything. He got into the options market. That didn’t go so well, so he got into debt. Cohen started to put loans and artworks that weren’t his into the market; the hole got bigger and bigger. In the end he disappeared, having swindled the New York art world out of $50m.

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‘75% of the audience get it!’ How Count Arthur Strong conquered comedy

As the dyspeptic old-school entertainer embarks on a tour, his creator Steve Delaney reflects on dedicating his life to one character

Comedy has its careerists: thrusting tyros zeroing in on the fame, the TV gigs, the movie roles. But there are other, more circuitous routes to the top. The fictional Count Arthur Strong certainly took one, via the dog days of vaudeville and bit parts in Hammer horrors. His creator Steve Delaney took one too, meandering from drama school to a carpentry career to the slow gestation of his alter ego, away from the circuit’s bright lights.

The Count is a star now; his sitcom – co-written with Graham Linehan – ran for three series to 2017. But he was once an oddity on the Edinburgh fringe, where I started watching him at the turn of the century – an experience never to be forgotten, for various reasons. Yes, this blithering, dyspeptic old-school entertainer was a creation of near-genius, and Delaney’s blood vessel-busting performance a spectacle to behold. But – wow! – those early shows could be gruelling. The joke was in Arthur’s frustration and confusion, as his own waning powers (of memory, movement, syntax) thwarted this or that overreaching set piece. Often, Delaney took that joke to painful, patience-fraying extremes.

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The 100 best TV shows of the 21st century

Where’s Mad Men? How did The Sopranos do? Does The Crown triumph? Can anyone remember Lost? And will Downton Abbey even figure? Find out here – and have your say

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German Millionaire quizshow fan wins €1m – after 15 years trying

Jan Stroh built replica studio in his cellar, complete with palm trees and sound effects

A German lawyer who spent 15 years re-enacting episodes of the TV quizshow Who Wants to Be a Millionaire? in his cellar, said his hobby had paid off as he walked away with the top prize this week.

Jan Stroh, 35, even crudely reconstructed the studio of the German version of the programme in the basement of his Hamburg home, complete with palm trees and exotic seascape backdrop, victory glitter and sound effects.

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Terry Gilliam says he disagrees with John Cleese’s worldview

Director says Brexit makes him ‘terminally depressed’ while fellow Python Cleese backs it

Terry Gilliam has said he disagrees with the way his friend and fellow Monty Python member John Cleese sees the world, following comments from the latter endorsing Brexit and criticising the makeup of London.

The Python animator and Hollywood director despairs of Donald Trump and Brexit, both of which make him “terminally depressed”. Cleese has previously faced a backlash for voicing support for the UK leaving the EU, and for saying London was no longer an English city.

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Valerie Harper, Emmy award-winning star of TV series Rhoda, dies aged 80

Harper was a breakout star on The Mary Tyler Moore Show, then the lead of her own series, Rhoda

Valerie Harper, who stole hearts and busted TV taboos as the brash, self-deprecating Rhoda Morgenstern on back-to-back hit sitcoms in the 1970s, has died aged 80.

Longtime family friend Dan Watt confirmed Harper died on Friday, adding the family was not immediately releasing any further details. She had been suffering from cancer for years, and her husband said recently he had been advised to put her in hospice care.

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China: A New World Order review – are we conniving with a genocidal dictatorship?

This documentary dared to do what politicians the world over would not, asking tough questions of Xi Jinping’s hardline rule

The drink Mihrigul Tursun’s captors offered her was strangely cloudy. It resembled, she said, water after washing rice. After drinking it, the young mother recalled in China: A New World Order (BBC Two), her period stopped. “It didn’t come back until five months after I left prison. So my period stopped seven months in total. Now it’s back, but it’s abnormal.”

We never learned why Tursun was detained – along with an estimated one million other Uighurs of Xinjiang province, in what the authorities euphemistically call re-education centres – but we heard clearly her claims of being tortured. “They cut off my hair and electrocuted my head,” Tursun said. “I couldn’t stand it any more. I can only say please just kill me.”

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Home and Away star Ben Unwin dies aged 41

Actor, who played Jesse McGregor in the soap and directed Chumbawumba’s Tubthumping video, was found dead last week

Home and Away actor Ben Unwin has died aged 41, New South Wales police have confirmed.

The actor, who appeared as cult character Jesse McGregor in the long-running soap opera, was found dead close to Australia’s eastern Gold Coast on 14 August. The cause of death is currently unknown.

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‘I didn’t want to do an ITV drama’: Matthew Macfadyen on making it big in the US

One of the stars of last year’s breakout hit Succession, the actor is getting used to being recognised in the US. He talks about juggling success with family life – and why he’s starring in a film about electricity

Matthew Macfadyen was idling on the stoop of his boutique Manhattan hotel last month when a man walked past and said warmly: “I loved you in Billions.” Macfadyen, at 44, is one of the handful of male British actors on US TV – among them Benedict Cumberbatch, Dominic West and the actor for whom Macfadyen was mistaken, Damian Lewis – whom to American eyes can appear indistinguishable. “Thank you!” he replied, cheerfully. (Macfadyen is extremely polite, and inclined to be grateful for any recognition at all.) “Then he came back two minutes later and said: ‘Succession! So sorry.’” He roars with laughter.

Tom Wambsgans, the role Macfadyen plays in Succession, is robustly against type. In the 14 years since he played Darcy to Keira Knightley’s Elizabeth Bennett in Pride and Prejudice, Macfadyen’s career has leaned heavily towards period drama. He did Anna Karenina and Little Dorrit. When the pilot script for Succession reached him, he had just played Mr Wilcox in the BBC adaptation of Howards End. Tom, the ambitious, oleaginous husband to an Elisabeth Murdoch-type heiress was as far from these foppish roles as Macfadyen could get, a gift even before the show took off. “I thought: ‘I don’t know if this is going to have a life and I don’t know where the characters are going to go. But it’s clever and farcically funny.’” At the very least, he thought, “it’ll show I can do an American accent”.

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