From Hogwarts to inter-galactic space: how Alfred Enoch’s career rocketed

He gained cult status in Harry Potter, despite not even wanting to audition, then matured in How to Get Away With Murder. What’s the actor doing now? Playing 1,000-year chess in deep space

At the age of 10, Alfred Enoch was cast as Gryffindor student Dean Thomas in Harry Potter and the Philosopher’s Stone. While it wasn’t the most prominent role, Thomas was one of the few black or Asian characters in the third-highest-grossing film series ever – and this, allied with his boyish good looks, has lent Enoch cult status among Potterheads. “Not to downplay it,” says Enoch, “but I wasn’t an integral character. I’ve expressed that to people and they still say, ‘Yeah, but I saw you and you looked like me.’”

Enoch was cast after catching the Potter team’s eye during a performance at Shakespeare’s Globe in London. However, he’d earlier declined the chance to audition when producers held an open call at his school. “I didn’t go for Harry Potter in the beginning because I couldn’t think of any black characters,” he says.

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No Michael K Williams? No Anya Taylor-Joy? All the Emmy shocks and snubs

The Emmys were crushingly predictable, as usual – but even in a year of unparalleled horror, surely shows other than The Crown and Ted Lasso deserved a look-in

Ted Lasso and The Crown triumph

Emmys 2021: the full list of winners

If anyone knew anything about the Emmys this year, they knew with absolute certainty that The Crown would win every award going. Because, although The Crown has always been well made, it has also always been fusty and inconsequential. But last year’s series had everything: sex, fights, betrayal, Gillian Anderson going full Spitting Image. The Crown was the solid gold favourite in every category going into the awards last night, so much so that any loss would have been considered seismic.

And guess what? It didn’t lose anything. In every category in which The Crown was nominated, it won. Best drama. Best drama actor. Best drama actress. Best supporting actor, best supporting actress, best writing, best directing. It was exactly as you would expect – and therefore quite boring.

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Emmys 2021: Ted Lasso and The Crown triumph while no actors of color win

The big night for TV saw triumphs for Brits – including Olivia Colman, Kate Winslet and Michaela Coel – yet a diversity problem remains

The 73rd Emmy awards mostly stuck to the predicted script on Sunday, celebrating favorites Ted Lasso, The Queen’s Gambit, and The Crown, in an awards-stuffed return to a (mostly) normal ceremony that celebrated diversity yet handed all the acting awards to white performers.

Related: Emmys 2021: the full list of winners

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Dan Aykroyd: ‘I still have the lizard brain of a 20-year-old’

The actor, 69, talks about crying over his kids, not being able to cook and still having 80% of his dance moves

I am actually one of the few people on the planet who is a heterochromiac syndactylite. I have webbed middle toes on both feet. I also have different coloured eyes: one is brown, one is green. I don’t know how many of us there are: I heard seven.

I think I still have the lizard brain of a 20-year-old. I wake up every morning and I have the same vision, the same perception – except when I start to move. The lag between my perception of how young I feel and that mobility… There’s a lag there.

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Behind the scenes of Andrew Neil’s departure from GB News

Sources say presenter was in legal battle with rightwing channel’s bosses over his £700,000-a-year contract

When Andrew Neil took a leave of absence from GB News a fortnight after its 13 June launch, the rightwing news channel and its star presenter spent weeks insisting he was taking a long break to “recharge [his] batteries”.

The reality, sources have told the Guardian, is that rather than merely being on holiday Neil was locked in an increasingly fierce legal battle with the channel’s bosses from mid-July, with the station in turmoil as their lead presenter attempted to renegotiate and then exit a four-year contract believed to worth about £700,000 a year.

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Emmys 2021 predictions: who will win and who should win?

Will Ted Lasso sweep the comedy awards? Will it finally be I May Destroy You’s time? How will The Crown, with 24 nominations, fare?

Nominees: The Boys (Amazon), Bridgerton (Netflix), The Crown (Netflix), The Mandalorian (Disney+), Lovecraft Country (HBO), Pose (FX), The Handmaid’s Tale (Hulu), This Is Us (NBC)

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The Activist: reality TV show to be ‘reimagined’ as documentary after backlash

CBS says it will drop X-Factor-style competition from celebrity-fronted show after widespread criticism

A reality TV show that planned to pit activists against each other in an X-Factor style contest judged by celebrities is to be drastically “reimagined” after it sparked a backlash from campaigners.

The Activist, which had been due to air in the US in late October, prompted incredulity among many campaigners and elsewhere when its format was revealed last week, with many labelling it a “tone-deaf” distortion of true activists’ values.

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MJ Rodriguez on Pose and making Emmy history: ‘I want to play anything: trans, cis, superhero, alien’

Her huge-hearted portrayal of Blanca has made Rodriguez the first trans performer to be up for a leading actress Emmy. Will she take the crown on Sunday? We join her for a Zoom call with a twist

MJ Rodriguez can see me but I can’t see her. This is not the sort of existential issue that afflicted pre-pandemic interviews, but minutes before my Zoom encounter with the actor and singer I get an email from Rodriguez’s rep saying she will no longer be appearing on camera. This comes hot on the heels of another message saying Rodriguez, who this year became the first trans actor in history to be nominated for an Emmy award in a lead acting category, for her fantastic performance in Pose, would rather I didn’t ask her about the ballroom scene. Which is basically the entire world of Pose, Ryan Murphy and Brad Falchuk’s era-defining drama, set in the New York underground vogueing culture of the late 1980s and early 1990s.

I take from this nervy preamble two things. First, constantly being seen as the living embodiment of the importance of representation is exhausting, and curiously diminishing. And second, Rodriguez is ready to walk out of the shadow of her character on Pose: Blanca Evangelista, the no-nonsense “house mother” who takes all of queer New York under her wing, has a seemingly never-ending supply of wise words for them, and a heart bigger than any disco ball.

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The Activist: ‘tone-deaf’ new TV show has activists compete to lobby G20 leaders

CBS programme has caused a social media storm for its crass choice of format and ill-qualified judges

Producers have billed it as an exciting new twist on reality television: an X-Factor style competition between campaigners that will give them the chance to lobby world leaders at the G20.

But The Activist, a show announced last week by the American network CBS, has already learned to its cost that people power can be unpredictable, ruthless and highly effective.

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Alanis Morissette criticises ‘salacious agenda’ of HBO film about her life

The singer has spoken about about Jagged, premiering at the Toronto film festival, for its ‘reductive take’ on her life

Alanis Morissette has spoken out against a new HBO documentary about her life and its “salacious agenda” as it premieres at the Toronto film festival.

The 47-year-old singer had agreed to be interviewed for the film Jagged but has released a statement to express disappointment in how her story has been told. She said she was interviewed “during a very vulnerable time” during her third postpartum depression amid lockdown.

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Hurry up and wait: the joys of slow culture

In the streaming age, sleeper hits such as Schitt’s Creek and The Morning Show have replaced quick successes, confirming culture is a marathon not a sprint

If one thing guarantees a TV hit in 2021, it’s a lukewarm reception. Take Ted Lasso, a sitcom about a perky, naive American football coach transplanted on to British soil. Its first season premiered last summer to barely any fanfare – but little by little came mass critical reconsideration. The show ended up a smash hit, breaking the record for most Emmy nominations for a first season of a comedy. Its second series, concluding next month, has made it one of the most talked-about shows of the year.

Related: The Guide: Staying In – sign up for our home entertainment tips

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The proof is in: TV really does rot your brain

A new study reveals the terrifying truth that too much television lowers your volume of grey matter. But TV is the defining art form of our age – so I refuse to quit

Until now, claims that television makes you stupid have only been backed up by anecdotal evidence. True, at a certain point it does seem that people who watch vast amounts of TV do become so intellectually impaired that they start involuntarily clapping along to theme tunes like imprisoned sea lions performing for fish, but that isn’t anything you could write a medical paper about.

Now, sadly, science has trundled along to back it up. According to Dr Ryan Dougherty, from Johns Hopkins Bloomberg School of Public Health in Baltimore, the more television you watch in middle age, the lower your volume in grey matter. Examining the viewing habits of 599 American adults between 1990 and 2011, Dougherty found that those who watched an above average amount of television showed reduced volume in their frontal cortex and entorhinal cortex. Basically, your mum was right: TV really does rot your brain.

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Karen Gillan: ‘You should have seen my fight routines when I started – I looked like spaghetti’

Her big break in Doctor Who led the Scottish actor to Hollywood. She talks her new film, Gunpowder Milkshake, the Jumanji hotpants furore – and why she worries she might be a bit, well, boring …

Karen Gillan’s house in the US is, she says, “like a little piece of Scotland in Los Angeles”. She is sipping coffee in her living room. The wallpaper behind her is a forest of brown, beige and mallards. When Vogue shot here last year, it described Gillan’s taste in interiors as “quirky”. “Yeah,” she sputters. “It’s all old trinkets.”

A piece of Scotland in Los Angeles is not a bad description of Gillan herself. Born in Inverness, she has lived in LA on and off for years. It’s a love-hate relationship. “I never feel settled here. It’s a real issue of mine.” Whenever she’s in LA, she gets the feeling that it’s not where she’s meant to be. Then she flies off and makes a film. “I come back and think …” – she does a cartoonish swooning sigh – “… It’s nice to be home. Then in a week I’m like: I’ve got to move.”

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From Schitt’s Creek to Kevin Can F**k Himself: the perils of swearing in your TV show title

Once seemingly a fast track to cancellation, TV shows are again dancing around the censors with almost-curse words in their titles. But do they still make viewers go WTF?

When Eugene and Dan Levy were first pitching their idea for a comedy about a wealthy family who go broke, there was one major stumbling block: the name. When several channels asked them to change the title from Schitt’s Creek to something less vulgar, the Levys doubled down. They pulled out pages from a phone directory to prove that there were actual people with the sweary surname. “If CBC was doing a news broadcast with the name Schitt, would you not use it?”, Eugene Levy told the Toronto Star. “They said: ‘Yes, we would air the name.’” After throwing it at the network’s wall, they finally got Schitt to stick.

But when it aired in 2015, the series was not without its issues. NPR had to spell out the word when talking about it; some channels, such as CBS, had to flash up what’s known as “the lower third” – subtitles literally spelling it out – every time they mentioned it on air. Some TV and radio stations were reduced to simply calling it “Creek”, presumably confusing both Dawson’s Creek and Jonathan Creek fans in the process.

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‘I got the shotgun. You got the briefcase’ – how The Wire’s Omar changed TV

He was the terrifying stick-up man who loved his gran, shopped in his pyjamas and tenderly kissed his boyfriend. We remember Omar’s great scenes – and pay tribute to Michael K Williams, the actor who brought him to life

Playing stick-up man Omar Little on The Wire, Michael K Williams was tough, frightening and brutal – his face scarred, his smile wide, toting a shotgun and wearing a long trenchcoat. So viewers of David Simon’s intricate TV portrait of Baltimore’s streets, docks, schools and politics felt the rug pulled from under them when they first saw him kiss his boyfriend in episode four of season one.

It was a moment that subverted audience expectations and signalled the complexity, ambition and depth that The Wire – which is often placed at or near the top of lists of the all-time greatest TV shows – was aiming to achieve. This is not a character you’ve seen before, the show seemed to be saying. These aren’t your usual stereotypes and cliches. A similar moment saw Idris Elba’s drug chief Stringer Bell attend a business studies class.

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The Wire star Michael K Williams dies aged 54

The actor was best known for his role as Omar Little in the HBO series, and also starred in Boardwalk Empire

The actor Michael K Williams, best known for his role as Omar Little in The Wire, has died at the age of 54.

Confirming his death to the Hollywood Reporter, Williams’s representative said that it was “with deep sorrow that the family announces the passing of Emmy-nominated actor Michael Kenneth Williams. They ask for your privacy while grieving this unsurmountable loss.”

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‘I went to school drunk in a bikini’: how Sophie Willan turned her chaotic life into sitcom gold

She won a Bafta for Alma’s Not Normal – and that was just the pilot episode. As the full series launches, the ex-standup talks about growing up in care, getting the comedy bug in Ibiza and finally hitting the big time

Earlier this year, Sophie Willan went through an extraordinary run of extreme highs and lows. She was filming her sitcom Alma’s Not Normal, a project she started working on years ago, when her grandmother died. She had brought Willan up for part of her childhood and inspired a character in the show. The day after, Willan found out she had been Bafta nominated for comedy writing.

A few weeks later, while she watched the ceremony on a laptop on a picnic bench outside the converted barn she was staying in, Willan was named the winner. Her response, posted on Instagram by castmate Jayde Adams, is the most joyous thing you may see all year: Willan takes off on a victory lap, magnificent red sequinned dress matching a tractor in the background, sprinting and shouting “What the fuck?” over and over. “I woke up all the kids that had been put to bed in the house next door,” says Willan, laughing. “It was fabulous. It was surreal.”

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Sarah Harding, singer with Girls Aloud, dies aged 39 from breast cancer

Fans and figures from show business pay tribute to pop star who was diagnosed in August 2020 and wrote memoir during her illness

The pop singer and TV personality Sarah Harding, who had 21 UK Top 10 singles as a member of Girls Aloud, has died aged 39 from breast cancer.

Her mother, Marie, announced her death on Instagram, prompting a flood of tributes from fans and figures from show business. Geri Horner, the Spice Girls singer and a judge on the TV talent show that created Girls Aloud, wrote: “Rest in peace, Sarah Harding. You’ll be remembered for the light and joy you brought to the world. X”

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‘Images were suddenly powerless’: how the arts responded to 9/11

On the 20th anniversary of the attack on New York’s Twin Towers, we consider how artists, writers, film-makers and comedians have attempted to grasp that momentous day and it’s legacy

As the world clustered, transfixed, around television screens, watching and rewatching footage of a plane gliding into the top of New York’s twin towers and a tiny, anonymous man plummeting to earth, another scene was unfolding on the ground, as panic-stricken families stumbled through the smoke and rubble to gather up their children from schools and kindergartens.

Art Spiegelman and Françoise Mouly stood four blocks away with their daughter, watching the second tower fall “in excruciatingly slow motion”. As art director of the New Yorker magazine, Mouly knew that she would have to come up with a rapid response. “I felt that images were suddenly powerless to help us understand what had happened. The only appropriate solution seemed to be to publish no cover image at all – an all-black cover. Then Art suggested adding the outlines of the two towers, black on black. So from no cover came a perfect image, which conveyed something about the unbearable loss of life, the sudden absence in our skyline, the abrupt tear in the fabric of reality,” she later recalled.

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Last Night in Soho review – a gaudy romp that’s stupidly enjoyable

Edgar Wright’s time-travel film plays like a 60s pop song building towards a big climax

The nostalgia gauge is code-red on Last Night in Soho, a gaudy time-travel romp that whisks its modern-day heroine to a bygone London that probably never existed outside our fevered cultural imagination. It’s the era of Dusty Springfield and Biba; great music, cool threads. British writer-director Edgar Wright takes a grab-bag of 1960s ingredients, paints them up and makes them dance to his tune. His film is thoroughly silly and stupidly enjoyable. To misquote William Faulkner, the past isn’t dead, it’s propping up the bar at the Café de Paris.

“You like that retro style, huh?” a classmate remarks to Eloise Turner, a 21st-century design student – and you can bet your house she does. Eloise is up from deepest Cornwall to attend the London College of Fashion, still haunted by her mother’s suicide and struggling to find her feet in a city that’s not like the one she expected. Thomasin McKenzie plays her as your classic fairytale ingenue, guileless and wide-eyed, entirely out of her depth. She’s eyeing the future but her feet are stuck in the past.

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