China clamps down on cartoons in latest morality move

Entertainment industry told to uphold ‘truth, goodness and beauty’ and remove vulgar and violent content

China’s broadcasting regulator said it will encourage online producers to create “healthy” cartoons and clamp down on violent, vulgar or pornographic content, as Beijing steps up efforts to bring its thriving entertainment industry to heel.

The National Radio and Television Administration said in a notice posted late on Friday that children and young people were the main audience for cartoons, and qualified agencies need to broadcast content that “upholds truth, goodness and beauty”.

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Roger Michell: a quiet genius still hitting his stride | Peter Bradshaw

The director’s death aged 65 is a huge blow for British cinema, whose very best qualities – of wit, intelligence and subtlety – Michell exemplified

Roger Michell was the TV and movie director who had a midas touch with actors and with a particular type of English material: witty, literate, poignant and romantic. Michell was a master at directing anything on the continuum between Jane Austen and Richard Curtis, and knew what animated both.

Related: Roger Michell – a career in pictures

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‘Astronauts check our scripts!’: inside the new age of sumptuous sci-fi TV

With clone emperors in haute couture and exotic wolf-lizards poised to attack, Foundation and For All Mankind herald a new era of ravishing spectaculars. Can they do for sci-fi what Game of Thrones did for fantasy?


Dynastic infighting, the decline and fall of a mighty empire, tyrannical rulers and fantastical beasts. You might be forgiven for thinking that Apple’s Foundation – starring Jared Harris and The Hobbit’s Lee Pace – is staking a claim as heir presumptive to the iron throne of Westeros. Or at least that the new adaptation of Isaac Asimov’s seminal series of books – a galactic saga that takes place over several centuries – might succeed in doing for science fiction what Game of Thrones did for fantasy.

Certainly, sci-fi TV has never looked so sumptuous, with court scenes resplendent with couture that wouldn’t look out of place at the Met Gala, and as many candles and torches as there are strip lights. But for David S Goyer, the showrunner charged with bringing the ambitious story to TV, the influence of the fantasy hit was more nuanced.

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Y: The Last Man review – a stale, male manbaby mess

Disney+’s new drama imagines what the world would look like if there was just one man left on Earth … by sidelining the women who would be in control. What a waste of time

There is much to say about the protagonist of Y: The Last Man (Disney+ in the UK), had we but time and space. For the sake of practicality, let us confine commentary to this: having a whining slacker manbaby as the sole surviving male after a mysterious plague wipes out the rest of XY humanity and upon whom the future of everything depends feels … yeah, about right. Why not get this last undeserved heap of attention, resources and every other goddamned thing shovelled at your emblematically incompetent ass?

I should possibly have recused myself from watching the series until I was in a better mood. On the other hand, there’s something inescapably irritating about switching between looking at the television screen and a phoneful of real-life headlines and not being able to pick out much difference between the fictional dystopia and reality.

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Netflix acquires works of Roald Dahl as it escalates streaming wars

Content deal over author of children’s classics such as Matilda and The BFG is firm’s biggest to date

Netflix has acquired the works of Roald Dahl, the author of children’s classics including the BFG, Fantastic Mr Fox and the Witches, in the streaming company’s biggest content deal to date.

The agreement struck by Netflix, which already has a deal in place with the Roald Dahl Story Company (RDSC) to license 16 titles, will help it build its content arsenal in the streaming wars against rivals including Disney+, Amazon Prime Video and HBO Max.

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The Many Saints of Newark review – Sopranos prequel keeps it in the family

Michael Gandolfini is goosebump-inducing as the young Tony Soprano, amid race riots and antagonism towards rival African American gangs

Maybe it was inevitable that the greatest TV show in history should spawn a feature-length prequel that is somehow disappointing: it is watchable but weirdly obtuse with a tricksy narrative reveal that doesn’t add much. The Many Saints of Newark, co-written by the Sopranos’ legendary creator David Chase and directed by Alan Taylor, gives us the childhood of a leader: the teenage Tony Soprano, growing up in New Jersey in the 1960s, specifically the time of the 1967 Newark riots, which caused the “white flight” racism that explains the older Tony having that palatial home way out there in the suburbs that he drives up to in the opening credits each episode.

Young Tony is portrayed with goosebump-inducing deja vu by Michael Gandolfini, son of the late James Gandolfini, who played the role on TV. Tony’s sleepy-eyed sensitivity, his melancholy, his glowering resentment and dangerous hurt feelings are there in embryo. His father, Johnny, is played by Jon Bernthal, and his terrifying mother Livia by Vera Farmiga who gives a superb rendering of Livia’s own haughty mannerisms. But you could spend this entire movie hanging on for the first sign of those all-important petit mal fainting fits that the TV show said originated in Tony’s dad. Is history being rewritten, or misrememberings corrected?

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From Hogwarts to inter-galactic space: how Alfred Enoch’s career rocketed

He gained cult status in Harry Potter, despite not even wanting to audition, then matured in How to Get Away With Murder. What’s the actor doing now? Playing 1,000-year chess in deep space

At the age of 10, Alfred Enoch was cast as Gryffindor student Dean Thomas in Harry Potter and the Philosopher’s Stone. While it wasn’t the most prominent role, Thomas was one of the few black or Asian characters in the third-highest-grossing film series ever – and this, allied with his boyish good looks, has lent Enoch cult status among Potterheads. “Not to downplay it,” says Enoch, “but I wasn’t an integral character. I’ve expressed that to people and they still say, ‘Yeah, but I saw you and you looked like me.’”

Enoch was cast after catching the Potter team’s eye during a performance at Shakespeare’s Globe in London. However, he’d earlier declined the chance to audition when producers held an open call at his school. “I didn’t go for Harry Potter in the beginning because I couldn’t think of any black characters,” he says.

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No Michael K Williams? No Anya Taylor-Joy? All the Emmy shocks and snubs

The Emmys were crushingly predictable, as usual – but even in a year of unparalleled horror, surely shows other than The Crown and Ted Lasso deserved a look-in

Ted Lasso and The Crown triumph

Emmys 2021: the full list of winners

If anyone knew anything about the Emmys this year, they knew with absolute certainty that The Crown would win every award going. Because, although The Crown has always been well made, it has also always been fusty and inconsequential. But last year’s series had everything: sex, fights, betrayal, Gillian Anderson going full Spitting Image. The Crown was the solid gold favourite in every category going into the awards last night, so much so that any loss would have been considered seismic.

And guess what? It didn’t lose anything. In every category in which The Crown was nominated, it won. Best drama. Best drama actor. Best drama actress. Best supporting actor, best supporting actress, best writing, best directing. It was exactly as you would expect – and therefore quite boring.

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Emmys 2021: Ted Lasso and The Crown triumph while no actors of color win

The big night for TV saw triumphs for Brits – including Olivia Colman, Kate Winslet and Michaela Coel – yet a diversity problem remains

The 73rd Emmy awards mostly stuck to the predicted script on Sunday, celebrating favorites Ted Lasso, The Queen’s Gambit, and The Crown, in an awards-stuffed return to a (mostly) normal ceremony that celebrated diversity yet handed all the acting awards to white performers.

Related: Emmys 2021: the full list of winners

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Dan Aykroyd: ‘I still have the lizard brain of a 20-year-old’

The actor, 69, talks about crying over his kids, not being able to cook and still having 80% of his dance moves

I am actually one of the few people on the planet who is a heterochromiac syndactylite. I have webbed middle toes on both feet. I also have different coloured eyes: one is brown, one is green. I don’t know how many of us there are: I heard seven.

I think I still have the lizard brain of a 20-year-old. I wake up every morning and I have the same vision, the same perception – except when I start to move. The lag between my perception of how young I feel and that mobility… There’s a lag there.

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Behind the scenes of Andrew Neil’s departure from GB News

Sources say presenter was in legal battle with rightwing channel’s bosses over his £700,000-a-year contract

When Andrew Neil took a leave of absence from GB News a fortnight after its 13 June launch, the rightwing news channel and its star presenter spent weeks insisting he was taking a long break to “recharge [his] batteries”.

The reality, sources have told the Guardian, is that rather than merely being on holiday Neil was locked in an increasingly fierce legal battle with the channel’s bosses from mid-July, with the station in turmoil as their lead presenter attempted to renegotiate and then exit a four-year contract believed to worth about £700,000 a year.

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Emmys 2021 predictions: who will win and who should win?

Will Ted Lasso sweep the comedy awards? Will it finally be I May Destroy You’s time? How will The Crown, with 24 nominations, fare?

Nominees: The Boys (Amazon), Bridgerton (Netflix), The Crown (Netflix), The Mandalorian (Disney+), Lovecraft Country (HBO), Pose (FX), The Handmaid’s Tale (Hulu), This Is Us (NBC)

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The Activist: reality TV show to be ‘reimagined’ as documentary after backlash

CBS says it will drop X-Factor-style competition from celebrity-fronted show after widespread criticism

A reality TV show that planned to pit activists against each other in an X-Factor style contest judged by celebrities is to be drastically “reimagined” after it sparked a backlash from campaigners.

The Activist, which had been due to air in the US in late October, prompted incredulity among many campaigners and elsewhere when its format was revealed last week, with many labelling it a “tone-deaf” distortion of true activists’ values.

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MJ Rodriguez on Pose and making Emmy history: ‘I want to play anything: trans, cis, superhero, alien’

Her huge-hearted portrayal of Blanca has made Rodriguez the first trans performer to be up for a leading actress Emmy. Will she take the crown on Sunday? We join her for a Zoom call with a twist

MJ Rodriguez can see me but I can’t see her. This is not the sort of existential issue that afflicted pre-pandemic interviews, but minutes before my Zoom encounter with the actor and singer I get an email from Rodriguez’s rep saying she will no longer be appearing on camera. This comes hot on the heels of another message saying Rodriguez, who this year became the first trans actor in history to be nominated for an Emmy award in a lead acting category, for her fantastic performance in Pose, would rather I didn’t ask her about the ballroom scene. Which is basically the entire world of Pose, Ryan Murphy and Brad Falchuk’s era-defining drama, set in the New York underground vogueing culture of the late 1980s and early 1990s.

I take from this nervy preamble two things. First, constantly being seen as the living embodiment of the importance of representation is exhausting, and curiously diminishing. And second, Rodriguez is ready to walk out of the shadow of her character on Pose: Blanca Evangelista, the no-nonsense “house mother” who takes all of queer New York under her wing, has a seemingly never-ending supply of wise words for them, and a heart bigger than any disco ball.

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The Activist: ‘tone-deaf’ new TV show has activists compete to lobby G20 leaders

CBS programme has caused a social media storm for its crass choice of format and ill-qualified judges

Producers have billed it as an exciting new twist on reality television: an X-Factor style competition between campaigners that will give them the chance to lobby world leaders at the G20.

But The Activist, a show announced last week by the American network CBS, has already learned to its cost that people power can be unpredictable, ruthless and highly effective.

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Alanis Morissette criticises ‘salacious agenda’ of HBO film about her life

The singer has spoken about about Jagged, premiering at the Toronto film festival, for its ‘reductive take’ on her life

Alanis Morissette has spoken out against a new HBO documentary about her life and its “salacious agenda” as it premieres at the Toronto film festival.

The 47-year-old singer had agreed to be interviewed for the film Jagged but has released a statement to express disappointment in how her story has been told. She said she was interviewed “during a very vulnerable time” during her third postpartum depression amid lockdown.

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Hurry up and wait: the joys of slow culture

In the streaming age, sleeper hits such as Schitt’s Creek and The Morning Show have replaced quick successes, confirming culture is a marathon not a sprint

If one thing guarantees a TV hit in 2021, it’s a lukewarm reception. Take Ted Lasso, a sitcom about a perky, naive American football coach transplanted on to British soil. Its first season premiered last summer to barely any fanfare – but little by little came mass critical reconsideration. The show ended up a smash hit, breaking the record for most Emmy nominations for a first season of a comedy. Its second series, concluding next month, has made it one of the most talked-about shows of the year.

Related: The Guide: Staying In – sign up for our home entertainment tips

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The proof is in: TV really does rot your brain

A new study reveals the terrifying truth that too much television lowers your volume of grey matter. But TV is the defining art form of our age – so I refuse to quit

Until now, claims that television makes you stupid have only been backed up by anecdotal evidence. True, at a certain point it does seem that people who watch vast amounts of TV do become so intellectually impaired that they start involuntarily clapping along to theme tunes like imprisoned sea lions performing for fish, but that isn’t anything you could write a medical paper about.

Now, sadly, science has trundled along to back it up. According to Dr Ryan Dougherty, from Johns Hopkins Bloomberg School of Public Health in Baltimore, the more television you watch in middle age, the lower your volume in grey matter. Examining the viewing habits of 599 American adults between 1990 and 2011, Dougherty found that those who watched an above average amount of television showed reduced volume in their frontal cortex and entorhinal cortex. Basically, your mum was right: TV really does rot your brain.

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Karen Gillan: ‘You should have seen my fight routines when I started – I looked like spaghetti’

Her big break in Doctor Who led the Scottish actor to Hollywood. She talks her new film, Gunpowder Milkshake, the Jumanji hotpants furore – and why she worries she might be a bit, well, boring …

Karen Gillan’s house in the US is, she says, “like a little piece of Scotland in Los Angeles”. She is sipping coffee in her living room. The wallpaper behind her is a forest of brown, beige and mallards. When Vogue shot here last year, it described Gillan’s taste in interiors as “quirky”. “Yeah,” she sputters. “It’s all old trinkets.”

A piece of Scotland in Los Angeles is not a bad description of Gillan herself. Born in Inverness, she has lived in LA on and off for years. It’s a love-hate relationship. “I never feel settled here. It’s a real issue of mine.” Whenever she’s in LA, she gets the feeling that it’s not where she’s meant to be. Then she flies off and makes a film. “I come back and think …” – she does a cartoonish swooning sigh – “… It’s nice to be home. Then in a week I’m like: I’ve got to move.”

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From Schitt’s Creek to Kevin Can F**k Himself: the perils of swearing in your TV show title

Once seemingly a fast track to cancellation, TV shows are again dancing around the censors with almost-curse words in their titles. But do they still make viewers go WTF?

When Eugene and Dan Levy were first pitching their idea for a comedy about a wealthy family who go broke, there was one major stumbling block: the name. When several channels asked them to change the title from Schitt’s Creek to something less vulgar, the Levys doubled down. They pulled out pages from a phone directory to prove that there were actual people with the sweary surname. “If CBC was doing a news broadcast with the name Schitt, would you not use it?”, Eugene Levy told the Toronto Star. “They said: ‘Yes, we would air the name.’” After throwing it at the network’s wall, they finally got Schitt to stick.

But when it aired in 2015, the series was not without its issues. NPR had to spell out the word when talking about it; some channels, such as CBS, had to flash up what’s known as “the lower third” – subtitles literally spelling it out – every time they mentioned it on air. Some TV and radio stations were reduced to simply calling it “Creek”, presumably confusing both Dawson’s Creek and Jonathan Creek fans in the process.

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