‘People want imperfection’: Hiam Abbass on Succession, Ramy and playing complex women

She is enigmatic Marcia Roy in Succession, but as the Egyptian-American mother in the award-winning Ramy, she’s a hoot. The Palestinian actor examines her many-layered roles

You would be hard pressed to find two TV characters in 2021 with less in common than Marcia Roy and Maysa Hassan. The former is the enigmatic, sophisticated wife of billionaire patriarch Logan Roy in the HBO hit Succession. While the series is dominated by huge personalities, she is a mysterious presence – albeit one who is despised by Logan’s children. The latter, on the other hand, is an open book – the unfiltered, sometimes offensively so, Egyptian-American mother of the title character in the Golden Globe-winning comedy Ramy.

But they are played by the same actor, Hiam Abbass, whose ability to switch from calamity to calm speaks to a varied career across theatre, cinema and, latterly, award-winning television series. Though she has lived in Paris since the late 80s, the Palestinian actor was born in Nazareth, Israel, and started her career with the then-burgeoning Palestinian National Theatre, El-Hakawati. Though the company toured Europe, it was far from an easy existence back at home. “The Israeli authorities didn’t like all of the activities happening at our theatre,” explains Abbass, a warm presence who is fluent in English, Arabic, French and Hebrew. “They would come in and close it down. Part of my work there was dealing with how, politically, we could stay open. Travelling to Europe opened my eyes a little to the possibility of breathing some different air. It was hard to work all the time to justify your being.”

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Bear Grylls: ‘There’s no point getting to the summit if you’re an arsehole’

The TV adventurer talks near-death experiences, what he learned from Eton and why he decided to go public about his religious faith

“The ninjas of the future,” says Bear Grylls, “are going to be those who can learn how to navigate the fear. It’s like a firefight. You can’t move backwards. You’ve got to move towards it, you know?” Not really. But I’ve never been in a firefight. And if I saw one, I doubt I’d move towards it. Like most people, I’ve been raised in mimsy, risk-averse Britain. Few of us have acquired the wild wisdom of Edward Michael “Bear” Grylls OBE. Unlike the 46-year-old TV adventurer, we have never simmered a sheep’s eyeball in geyser water, paused on Everest to reflect on the corpse of a late friend, wrestled snakes, outrun lions, or broken our backs parachuting. Rather, we’ve been raised in a land where a PE lesson can consist of Tudor-dancing.

Grylls wants to change all that. He wants kids to embrace fear and risk. “If you meet somebody who says they don’t have fear, it means one of two things: one, they’re not telling the truth; or two, they’re not going for anything big enough in their life. What I’ve learned through many trips and many failures is that you have got to move towards the difficult stuff. And the irony is that the things we fear most often dissipate.”

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Bachelor host Chris Harrison steps aside amid racism row

Harrison, who defended contestant who attended ‘old south’ party, says he is ‘deeply remorseful … [for] excusing historical racism’

Chris Harrison, the host of the hit reality series The Bachelor, said on Saturday he was “stepping aside” from ABC’s hit franchise for a “period of time”, following comments in defense of a current contestant caught up in a racism storm.

The contestant, Rachael Kirkconnell, appears to have liked social media posts featuring the Confederate flag while photos have also emerged purportedly showing her at an “old south”-themed college party several years ago, according to reports.

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It’s a Sin: ”There is such a raw truth to it”

How well does the Russell T Davies drama capture the 1980s Aids crisis? Influential queer figures who lived through it and in its wake – including Owen Jones, Rev Richard Coles, Lisa Power and Marc Thompson – give their verdicts

A joyful yet devastating series centred on a group of friends whose lives are changed irrevocably by the HIV/Aids epidemic, It’s a Sin is not only the most talked-about TV show of 2021 so far, but also Channel 4’s most watched drama series in its history. Russell T Davies’s 80s-set series has started conversations around Britain about the realities, both political and personal, of living through the HIV/Aids crisis, led to an increase in people getting tested for HIV, and helped raise awareness about preventive medication (PrEP) and the effective treatment now available for people living with the virus.

To discuss these topics, we convened a roundtable discussion with influential queer figures who lived through the crisis, and those who have grown up in its wake. Taking part in the conversation are Lisa Power, a co-founder of LGBT charity Stonewall who also volunteered for Switchboard during the Aids crisis; the Rev Richard Coles, the vicar of Finedon in Northamptonshire and former member of the pop group the Communards; Marc Thompson, an HIV activist, the director of the Love Tank CIC and the co-founder of PrEPster; Guardian columnist and author Owen Jones; Omari Douglas, who plays the character Roscoe in It’s a Sin; and Jason Okundaye, a writer and the co-founder of Black & Gay, back in the day, a digital archive honouring and remembering black queer life in Britain.

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Catherine O’Hara on the joy of Schitt’s Creek: ‘Eugene Levy is the sweetest man!’

The biggest TV hit of the pandemic? A comedy about a family holed up against their will. Its star discusses warmth, wigs and why she loves playing Moira Rose

Catherine O’Hara and I spend most of our time together anxiously apologising to one another, me for my terrible wifi connection, her for what she describes as her “ramblings”. Her infraction is more forgivable. A frozen Zoom screen is just annoying. O’Hara’s verbal meanderings (“Oh dear, what am I on about?”) are far more fun, swooping among the highlights from her career as a comedy cult star in the 1970s (the Canadian sketch show SCTV), 80s and 90s (Beetlejuice, Home Alone), and then Christopher Guest’s series of brilliant and largely improvised films (Waiting for Guffman, Best in Show, A Mighty Wind and For Your Consideration).

Now, at 66, she has peaked yet further, with her glorious performance as Moira Rose in Schitt’s Creek, the most endearing sitcom to come along in yonks. The show came to an end last year after six seasons and it went out with fireworks, setting the record for the most Emmys won by a comedy series in a single season. One went to O’Hara, almost 40 years after she won her first, for her writing on SCTV, in which she starred alongside John Candy, Harold Ramis and, most importantly, her Schitt’s Creek co-star Eugene Levy.

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Radical, angry, creative: British women lead a screen revolution

The Golden Globe nominations prove that the industry is in the throes of a sea change for female writers and directors

Corks popped across the film industry when three female directors made history by getting Golden Globe nominations last week. Alongside Regina King and Chloé Zhao was British newcomer Emerald Fennell, until now best known as Camilla in The Crown and for stepping into Phoebe Waller-Bridge’s shoes as show runner on Killing Eve. Her alarming feminist thriller, Promising Young Woman, picked up a clutch of coveted nominations.

“When those directors’ names were announced I ran around the room screaming,” said Jessica Hobbs, one of the directors on The Crown. “I messaged Emerald who couldn’t believe it. I told her I knew it was coming.”

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Massive Attack: ‘You resurrect ghosts when you bring something back from the past’

Robert Del Naja, of the Bristol pioneers, talks about the power and danger of nostalgia as well as his work collaborating with Adam Curtis

Musicians have been faced with an impossible puzzle since March 2020: with gigs and festivals mothballed for the foreseeable future, how to maintain a profile? For Massive Attack, a solution was probably less of a reach than for many artists. After all, for the Bristolian pioneers, sound and vision have been interacting in unconventional ways for decades.

Related: The Guide: Staying In – sign up for our home entertainment tips

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‘I think I’ve written more Sherlock Holmes than even Conan Doyle’: the ongoing fight to reimagine Holmes

Arthur Conan Doyle’s master detective has been endlessly rewritten. But nearly a century after the author’s death, how new writers portray him remains contested

The first ever mention of Sherlock Holmes came in A Study in Scarlet, published in Beeton’s Christmas Annual of 1887. Dr Watson is looking for lodgings, and meets an old acquaintance who knows of someone he could share with, but does not recommend.

Young Stamford looked rather strangely at me over his wine-glass. ‘You don’t know Sherlock Holmes yet,’ he said; ‘perhaps you would not care for him as a constant companion.’

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Toyah Willcox: ‘My mother always wanted me altered in some way. I was never right’

The singer and actor has had a productive pandemic – and gone viral from her kitchen. She talks about escaping her childhood, sexual harassment and persuading her rock star husband to dress in a tutu

Of all the celebrity offerings that have come out of the pandemic, the gloriously weird videos made by Toyah Willcox and her husband, Robert Fripp, are surely the most compelling. It is possible, within each short clip, to cycle through every feeling from wanting to cover your eyes while being unable to look away, to the dawning realisation you may be watching a profound piece of performance art. Mostly, it is impossible not to laugh. There they are in their cosy Worcestershire kitchen, perhaps with the dishwasher open in the background, with Willcox, accessorised with mouse ears, tap-dancing, bouncing off the Aga. Both dressed in black tutus at the end of their garden, the pair dance across the screen to music from Swan Lake. Fripp lies on the floor of the hallway, while Willcox – dressed in red PVC and devil horns – performs the Kinks’ You Really Got Me on the stairs. It’s joyous.

Willcox has been uploading their Sunday Lockdown Lunch videos since April last year; they also do a weekly agony aunt session, and Willcox does her own Q&A, talking about her life and long career as an actor, pop star and general cultural fixture for the past 40 years. It started, she says, as a way to occupy Fripp, the musician and founder of the prog rock band King Crimson. “Here I am in this house with this 74-year-old husband who I really don’t want to live without,” she says. “He was withdrawing, so I thought: ‘I’m going to teach him to dance.’ And it became a challenge.” They posted a video, and it took off. “It was: ‘Wow, I’ve never experienced the power of that connection.’”

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Saved by the Bell actor Dustin Diamond dies aged 44

The actor, who played Screech in the high-school sitcom, had recently been diagnosed with stage 4 lung cancer

Actor Dustin Diamond, best known for playing Screech on high school sitcom Saved by the Bell, has died at the age of 44.

Diamond had been diagnosed last month with stage 4 small cell carcinoma, or lung cancer, and been in treatment ever since. His representative Roger Paul confirmed the news of his death.

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From The Sopranos to Twin Peaks: the best TV isn’t timely – it’s prescient

The popularity of classic shows in the past year is about more than nostalgia – what pulls us back in is their relevance to today

At least Covid struck during the age of “peak TV”. After all, were this not a time when the shows being piped into our living rooms were better, smarter, starrier, more plentiful and more readily available than ever before, what would we have done to stay on an even keel through a year in lockdown?

Pretty much what we did anyway, it turns out. Because the viewing trend of the past 12 months, which few saw coming, has been a clamour for the classics. At a time when there is more box-fresh prestige entertainment than you can shake a battered remote at, viewers on both sides of the Atlantic decided instead to reacquaint themselves with old friends: Rodney Trotter, Jerry Seinfeld and, overwhelmingly, Tony Soprano.

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Confused about GameStop? Five films to watch to help you pretend to understand the stock market

You don’t have to be a redditer or a big investor to enjoy these Hollywood blockbusters that double as the perfect educational resource

The GameStop debacle has put the stock market on everyone’s radar this week – even those who rarely pay it any attention. Many are depicting the incident as a David-and-Goliath battle between small investors gathering on Reddit message-boards and Wall Street powerbrokers finding themselves unexpectedly on the back foot at their own game. Billions of dollars are in the balance.

Along with such major news events, though, come the instant internet experts. Let’s face it: most of us understand diddly squat about the stock market and rely on Hollywood to inform us about an industry that it portrays as a place in which, to quote from the tyrannical, fictional Gordan Gekko: “lunch is for wimps”.

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Lupin’s Omar Sy: ‘We wanted to show what the French are capable of’

The actor stars in Netflix’s biggest French-language hit as a gentleman thief. He and the director, Louis Leterrier, explain how the drama drew in 70 million fans worldwide

“We wanted to show what the French were capable of in terms of making a series, but frankly we didn’t expect it to do what it has.” Omar Sy, the star of the latest Netflix smash hit, Lupin, is speaking over the phone from Senegal. The line between London and Dakar isn’t great, but the charm that has helped his slick, charismatic character – a modern day gentleman thief – connect with audiences around the world is still evident.

Streaming services have been the dominant source of cultural output in the past year, so the chances are that you have at least heard of Lupin, even if you haven’t got round to bingeing Netflix’s biggest French language hit to date. Ranking in the Top 10 on the platform in multiple countries – climbing to No 2 in the UK and the US – as well as being projected to have reached 70 million households in the first month of streaming, Lupin is a family-friendly show – perhaps one of the elements that has given it an edge over the likes of Bridgerton and The Queen’s Gambit.

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Bridgerton inspires rise in demand for classical pop song covers

Netflix drama’s use of string versions of Ariana Grande and Billie Eilish hits has tripled streaming figures for Vitamin String Quartet

The success of Netflix’s Bridgerton has produced some unexpected trends, such as huge increases in people searching online for Regency fashion items including corsets. But the latest is a dramatic rise in the number of people streaming classical cover versions of contemporary pop songs.

Vitamin String Quartet, the group that provide most of the classical versions of Ariana Grande, Billie Eilish and Maroon 5 songs in the modernised costume drama, have had a 350% increase in the number of people streaming their work since the show was released in December.

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Permanent PJs and pivoting designers: how the pandemic hit the fashion world

Our fashion editor on a year in which sweatpants soared, masks went designer, Topshop tumbled – and a pause fuelled hopes of a reset

I was on the Eurostar, somewhere between St Pancras and Paris, when a senior member of the Guardian team called and suggested that it might be a good idea for me to turn around at Gare du Nord and return to London.

It was 3 March 2020. This was not the plan. The plan had been to go to the Chanel show and report for the news pages. Instead, it was the beginning of all plans – work and otherwise – disintegrating.

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Larry King dies, Tom Brokaw retires – and the ‘heroic age’ of TV news slips further away

Experts agree the great days of US news broadcasting are long gone, but this week still brought poignant reminders

As Tennyson – and Withnail’s Uncle Monty – had it, the old order changeth, yielding place to new. Larry King, whose death was announced on Saturday, was not the only giant of US TV news to leave the scene this week.

Related: Larry King, talk-show titan who lit up worlds of politics and showbiz

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Larry King, talk-show titan who lit up worlds of politics and showbiz

The CNN host had a profound effect on American broadcasting – and the heart of the brand was 7,445 editions of Larry King Live over 25 years

A measure of Larry King’s impact on American television journalism was that for three decades, the easiest way of giving fictional cinematic politicians credibility was a scene in which they appeared on King’s CNN show.

His peak year was 1998, in which King, who has died aged 87, shared the big screen with John Travolta as a minimally disguised Bill Clinton in Primary Colors, Warren Beatty as a maverick Democrat senator in Bulworth, and Will Smith in the conspiracy surveillance thriller Enemy of the State.

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Larry King, famed cable news interviewer, dies aged 87

Broadcaster and celebrity interviewer had been hospitalized in Los Angeles with symptoms of coronavirus

Larry King, the American broadcaster and cable news interviewer of celebrities and public figures, has died. He was 87 and had been hospitalized at Cedars-Sinai medical center in Los Angeles with symptoms of the coronavirus.

Related: Larry King: 'The secret of my success? I'm dumb'

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‘In Paris, we are terrified of vulgarity’: lessons in French style from Call My Agent!

The costume designer from the hit French show on how the clothes make the characters – and how you can channel their effortless chic

In France, the hit Netflix series Call My Agent! is called Dix Pour Cent in reference to the fee charged by French cinema agents. For those in the know, the name says it all. For others, like me, the reference was opaque at first, but it sent the message that this is a show – unlike others representing a cliched take on French life, such as Emily in Paris – that positions itself as an insider’s peek into the capital and its movie business.

The many cameos from A-list actors playing themselves – with Charlotte Gainsbourg and Sigourney Weaver lined up to appear in season four; Weaver called the series “a love letter to the business” – similarly underlines the show’s proximity to the authentic professional world, something that is subtly shown, too, through its clothes.

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Cobra Kai: from dumped YouTube gambit to Netflix smash hit

Turning a sequel to The Karate Kid into a TV series might not have sounded wise but this blockbuster show has found life in a tired franchise

A modern TV reboot of classic 80s teen film The Karate Kid sounds like an almost comically bad idea. It’s the sort of suggestion you can imagine a creatively desperate TV executive leaving for himself in a panicky Partridgean voice note while drunk on a Tuesday night. So many ways it could go spectacularly wrong, and virtually none where it could go right. And yet, with that very same back-of-a-fag-packet premise, Cobra Kai – the smash new Netflix series – has gone miraculously right, racking up 73 million viewers, according to the streamer’s latest figures.

Related: 'There's chunks of wisdom': How The Karate Kid launched MMA careers

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