Massive Attack: ‘You resurrect ghosts when you bring something back from the past’

Robert Del Naja, of the Bristol pioneers, talks about the power and danger of nostalgia as well as his work collaborating with Adam Curtis

Musicians have been faced with an impossible puzzle since March 2020: with gigs and festivals mothballed for the foreseeable future, how to maintain a profile? For Massive Attack, a solution was probably less of a reach than for many artists. After all, for the Bristolian pioneers, sound and vision have been interacting in unconventional ways for decades.

Related: The Guide: Staying In – sign up for our home entertainment tips

Continue reading...

‘I think I’ve written more Sherlock Holmes than even Conan Doyle’: the ongoing fight to reimagine Holmes

Arthur Conan Doyle’s master detective has been endlessly rewritten. But nearly a century after the author’s death, how new writers portray him remains contested

The first ever mention of Sherlock Holmes came in A Study in Scarlet, published in Beeton’s Christmas Annual of 1887. Dr Watson is looking for lodgings, and meets an old acquaintance who knows of someone he could share with, but does not recommend.

Young Stamford looked rather strangely at me over his wine-glass. ‘You don’t know Sherlock Holmes yet,’ he said; ‘perhaps you would not care for him as a constant companion.’

Continue reading...

Toyah Willcox: ‘My mother always wanted me altered in some way. I was never right’

The singer and actor has had a productive pandemic – and gone viral from her kitchen. She talks about escaping her childhood, sexual harassment and persuading her rock star husband to dress in a tutu

Of all the celebrity offerings that have come out of the pandemic, the gloriously weird videos made by Toyah Willcox and her husband, Robert Fripp, are surely the most compelling. It is possible, within each short clip, to cycle through every feeling from wanting to cover your eyes while being unable to look away, to the dawning realisation you may be watching a profound piece of performance art. Mostly, it is impossible not to laugh. There they are in their cosy Worcestershire kitchen, perhaps with the dishwasher open in the background, with Willcox, accessorised with mouse ears, tap-dancing, bouncing off the Aga. Both dressed in black tutus at the end of their garden, the pair dance across the screen to music from Swan Lake. Fripp lies on the floor of the hallway, while Willcox – dressed in red PVC and devil horns – performs the Kinks’ You Really Got Me on the stairs. It’s joyous.

Willcox has been uploading their Sunday Lockdown Lunch videos since April last year; they also do a weekly agony aunt session, and Willcox does her own Q&A, talking about her life and long career as an actor, pop star and general cultural fixture for the past 40 years. It started, she says, as a way to occupy Fripp, the musician and founder of the prog rock band King Crimson. “Here I am in this house with this 74-year-old husband who I really don’t want to live without,” she says. “He was withdrawing, so I thought: ‘I’m going to teach him to dance.’ And it became a challenge.” They posted a video, and it took off. “It was: ‘Wow, I’ve never experienced the power of that connection.’”

Continue reading...

Saved by the Bell actor Dustin Diamond dies aged 44

The actor, who played Screech in the high-school sitcom, had recently been diagnosed with stage 4 lung cancer

Actor Dustin Diamond, best known for playing Screech on high school sitcom Saved by the Bell, has died at the age of 44.

Diamond had been diagnosed last month with stage 4 small cell carcinoma, or lung cancer, and been in treatment ever since. His representative Roger Paul confirmed the news of his death.

Continue reading...

From The Sopranos to Twin Peaks: the best TV isn’t timely – it’s prescient

The popularity of classic shows in the past year is about more than nostalgia – what pulls us back in is their relevance to today

At least Covid struck during the age of “peak TV”. After all, were this not a time when the shows being piped into our living rooms were better, smarter, starrier, more plentiful and more readily available than ever before, what would we have done to stay on an even keel through a year in lockdown?

Pretty much what we did anyway, it turns out. Because the viewing trend of the past 12 months, which few saw coming, has been a clamour for the classics. At a time when there is more box-fresh prestige entertainment than you can shake a battered remote at, viewers on both sides of the Atlantic decided instead to reacquaint themselves with old friends: Rodney Trotter, Jerry Seinfeld and, overwhelmingly, Tony Soprano.

Continue reading...

Confused about GameStop? Five films to watch to help you pretend to understand the stock market

You don’t have to be a redditer or a big investor to enjoy these Hollywood blockbusters that double as the perfect educational resource

The GameStop debacle has put the stock market on everyone’s radar this week – even those who rarely pay it any attention. Many are depicting the incident as a David-and-Goliath battle between small investors gathering on Reddit message-boards and Wall Street powerbrokers finding themselves unexpectedly on the back foot at their own game. Billions of dollars are in the balance.

Along with such major news events, though, come the instant internet experts. Let’s face it: most of us understand diddly squat about the stock market and rely on Hollywood to inform us about an industry that it portrays as a place in which, to quote from the tyrannical, fictional Gordan Gekko: “lunch is for wimps”.

Continue reading...

Lupin’s Omar Sy: ‘We wanted to show what the French are capable of’

The actor stars in Netflix’s biggest French-language hit as a gentleman thief. He and the director, Louis Leterrier, explain how the drama drew in 70 million fans worldwide

“We wanted to show what the French were capable of in terms of making a series, but frankly we didn’t expect it to do what it has.” Omar Sy, the star of the latest Netflix smash hit, Lupin, is speaking over the phone from Senegal. The line between London and Dakar isn’t great, but the charm that has helped his slick, charismatic character – a modern day gentleman thief – connect with audiences around the world is still evident.

Streaming services have been the dominant source of cultural output in the past year, so the chances are that you have at least heard of Lupin, even if you haven’t got round to bingeing Netflix’s biggest French language hit to date. Ranking in the Top 10 on the platform in multiple countries – climbing to No 2 in the UK and the US – as well as being projected to have reached 70 million households in the first month of streaming, Lupin is a family-friendly show – perhaps one of the elements that has given it an edge over the likes of Bridgerton and The Queen’s Gambit.

Continue reading...

Bridgerton inspires rise in demand for classical pop song covers

Netflix drama’s use of string versions of Ariana Grande and Billie Eilish hits has tripled streaming figures for Vitamin String Quartet

The success of Netflix’s Bridgerton has produced some unexpected trends, such as huge increases in people searching online for Regency fashion items including corsets. But the latest is a dramatic rise in the number of people streaming classical cover versions of contemporary pop songs.

Vitamin String Quartet, the group that provide most of the classical versions of Ariana Grande, Billie Eilish and Maroon 5 songs in the modernised costume drama, have had a 350% increase in the number of people streaming their work since the show was released in December.

Continue reading...

Permanent PJs and pivoting designers: how the pandemic hit the fashion world

Our fashion editor on a year in which sweatpants soared, masks went designer, Topshop tumbled – and a pause fuelled hopes of a reset

I was on the Eurostar, somewhere between St Pancras and Paris, when a senior member of the Guardian team called and suggested that it might be a good idea for me to turn around at Gare du Nord and return to London.

It was 3 March 2020. This was not the plan. The plan had been to go to the Chanel show and report for the news pages. Instead, it was the beginning of all plans – work and otherwise – disintegrating.

Continue reading...

Larry King dies, Tom Brokaw retires – and the ‘heroic age’ of TV news slips further away

Experts agree the great days of US news broadcasting are long gone, but this week still brought poignant reminders

As Tennyson – and Withnail’s Uncle Monty – had it, the old order changeth, yielding place to new. Larry King, whose death was announced on Saturday, was not the only giant of US TV news to leave the scene this week.

Related: Larry King, talk-show titan who lit up worlds of politics and showbiz

Continue reading...

Larry King, talk-show titan who lit up worlds of politics and showbiz

The CNN host had a profound effect on American broadcasting – and the heart of the brand was 7,445 editions of Larry King Live over 25 years

A measure of Larry King’s impact on American television journalism was that for three decades, the easiest way of giving fictional cinematic politicians credibility was a scene in which they appeared on King’s CNN show.

His peak year was 1998, in which King, who has died aged 87, shared the big screen with John Travolta as a minimally disguised Bill Clinton in Primary Colors, Warren Beatty as a maverick Democrat senator in Bulworth, and Will Smith in the conspiracy surveillance thriller Enemy of the State.

Continue reading...

Larry King, famed cable news interviewer, dies aged 87

Broadcaster and celebrity interviewer had been hospitalized in Los Angeles with symptoms of coronavirus

Larry King, the American broadcaster and cable news interviewer of celebrities and public figures, has died. He was 87 and had been hospitalized at Cedars-Sinai medical center in Los Angeles with symptoms of the coronavirus.

Related: Larry King: 'The secret of my success? I'm dumb'

Continue reading...

‘In Paris, we are terrified of vulgarity’: lessons in French style from Call My Agent!

The costume designer from the hit French show on how the clothes make the characters – and how you can channel their effortless chic

In France, the hit Netflix series Call My Agent! is called Dix Pour Cent in reference to the fee charged by French cinema agents. For those in the know, the name says it all. For others, like me, the reference was opaque at first, but it sent the message that this is a show – unlike others representing a cliched take on French life, such as Emily in Paris – that positions itself as an insider’s peek into the capital and its movie business.

The many cameos from A-list actors playing themselves – with Charlotte Gainsbourg and Sigourney Weaver lined up to appear in season four; Weaver called the series “a love letter to the business” – similarly underlines the show’s proximity to the authentic professional world, something that is subtly shown, too, through its clothes.

Continue reading...

Cobra Kai: from dumped YouTube gambit to Netflix smash hit

Turning a sequel to The Karate Kid into a TV series might not have sounded wise but this blockbuster show has found life in a tired franchise

A modern TV reboot of classic 80s teen film The Karate Kid sounds like an almost comically bad idea. It’s the sort of suggestion you can imagine a creatively desperate TV executive leaving for himself in a panicky Partridgean voice note while drunk on a Tuesday night. So many ways it could go spectacularly wrong, and virtually none where it could go right. And yet, with that very same back-of-a-fag-packet premise, Cobra Kai – the smash new Netflix series – has gone miraculously right, racking up 73 million viewers, according to the streamer’s latest figures.

Related: 'There's chunks of wisdom': How The Karate Kid launched MMA careers

Continue reading...

How France’s Lupin became the surprise Netflix hit of the season

The charming series combines Ocean’s Eleven’s slickness with the implausibility of National Treasure to become the first French series to crack the US top 10

The greatest trick by Lupin, a new French series on Netflix, is disguising substantiveness in plain sight. The show, created by the British showrunner George Kay and inspired by the beloved French character Arsène Lupin, packages over 115 years of inspiration (dating back to the character’s invention by writer Maurice Leblanc in 1905) in a slick, swift escape easily binged in a day. Its star, the French actor Omar Sy, towers over his scene partners, perpetually unreadable yet brimming with charisma; his character, Assane Diop, is a con man with a heart of gold able to turn his outsized presence into an uncatchable master of deception.

Related: Call My Agent: get au fait with the smash hit French comedy-drama

Continue reading...

Phoebe Dynevor: ‘Bridgerton’s come at a moment when people need it’

The actor on hitting her stride as the spirited star of the Regency romp. Still, she says, she can’t let her grandparents see her steamiest scenes…

It was the gift you never knew you needed, and might even have spurned if you had been offered it in advance: an eight-part Regency romance, set in a candy-coloured England where the wisteria forever blooms around the colonnades of pretty much every stately home you’ve ever seen on film.

But it’s estimated that 63 million viewers around the world will have tuned into Bridgerton in its first four weeks on Netflix – and it is a success owing, in no little part, to the on-off love affair between a brooding duke and the pearl of the season’s debutantes. In its on phases, this is so steamy and intimate that you’d do well to have one of the series’s many feathered fans to hand.

Continue reading...

Joan Bakewell: ‘The world is full of such interesting people’

Joan Bakewell had been a broadcasting pioneer for more than half a century. And she’s still as forthright as ever. Here, she talks to Sophie Heawood about the empowerment of women, her newly streamlined life and why Boris has got it all wrong about the virus

Joan Bakewell writes in her memoir, The Centre of the Bed, about the moment she became an adult. It was 1949 and she was 17, a hard- working grammar schoolgirl from the industrial north, when her frustrated, depressive mother found a photograph of Joan kissing a boy and set fire to it in front of her eyes. Joan felt deep shame, but the shame began to transmogrify.

“Suddenly I was savagely and tremblingly angry,” she writes. “I was being forged in some bitter fire of my mother’s will, and I must survive the moment and emerge as myself. That was the end of innocence, not the loss of virginity or any fumbling that fell short of it. It was when I crossed into adulthood, knew my own mind and was sure of who I was.” Soon afterwards she left for university, where she joyfully discovered the world of ideas, as well as the one of sex, even though, as a student of the Cambridge women’s college Newnham, such things were banned.

Continue reading...

Vive l’indifférence! Netflix’s Room 2806 exposes France’s #MeToo apathy

Centred on a sex-assault case involving former French presidential hopeful Dominique Strauss-Kahn, this docuseries reveals worryingly outdated attitudes

Most people will have only the haziest recollection of the fallout that occurred after the French presidential hopeful and then head of the International Monetary Fund Dominique Strauss-Kahn was accused of sexually assaulting a room attendant in a New York hotel in 2011. That allows the Netflix documentary Room 2806: The Accusation to possess all the qualities of a slick political thriller. Who will be believed? The immigrant, hotel cleaner, a single parent living in a flat in the Bronx or the globally powerful, immensely rich politician?

This tense, four-part documentary has astonishing material to work with. There is plenty of CCTV footage, filmed from the ceiling, of chambermaid Nafissatou Diallo making her way to the presidential suite, and later, visibly distressed, being shepherded by her supervisor to a subterranean network of shabby staff offices in the bowels of the building, away from the gilded foyer, where she wipes away tears and recounts how she has been assaulted by Strauss-Kahn as she cleaned his rooms.

Continue reading...

Ben Chaplin: ‘The last thing I wanted to be was the new Hugh Grant’

The Game On actor has had Hollywood success without becoming an A-lister. But working with Malick, Stone and Francis Ford Coppola has made for an interesting career

Sitting in the Los Angeles sun in a T-shirt and a hoodie, Ben Chaplin has a coffee cup in one hand and a cigarette between two fingers of the other. He is chipper this morning, if a little wary about technology, after a mishap last year.

“My first Zoom thing was also my first ever Seder dinner,” says the 51-year-old actor. “My girlfriend is Jewish and I was feeling like this total charlatan, this goy, among all her elderly relatives.” Suddenly, the screen turned blue and a curved white line emerged, guided by an unseen hand. “This older voice asked: ‘What’s going on?’ And then you start to see the classic cartoon penis. I’m embarrassed by how funny I found it. I was thinking: ‘Are they going to draw hairs on the balls?’ But then it cut off. Apparently, a kid from one of the families was responsible. Good on him. Hahaha!”

Continue reading...

‘Weird is good’: Paul Bettany and Elizabeth Olsen on superhero sitcom WandaVision

She’s a chaos magician. He’s a density-changing synthezoid. Are Scarlet Witch and Vision really classic sitcom material? The stars of Marvel’s foray into TV reveal how it all came about

Marvel’s 2020 should have gone much differently. Its Black Widow movie and The Eternals should both have been released last year, with Shang-Chi and the Legend of the Ten Rings imminent. But the pandemic struck and now all three have been booted into the middle distance. And so it has now been 18 months since we last heard from the Marvel Cinematic Universe, when Avengers Endgame became the highest-grossing movie ever. And in that vacuum, the question of what happens next has only grown more intense. But the answer might not be what anybody expected. Marvel is about to break its silence with WandaVision – and it’s a huge departure. Not only is it the first TV show produced by Marvel Studios, it is also presented in the form of a half-hour sitcom. It is no exaggeration to call WandaVision the weirdest thing Marvel has ever done.

“Weird is good,” says Marvel Studio president Kevin Feige from beneath his trademark baseball cap. “I like weird. After Endgame, after the completion of a 23-movie Infinity Saga, we were soul-searching about what was coming next. WandaVision being our first for Disney+ is perfect. It was always about pushing the boundaries of storytelling, doing something we could only do with the narrative structure of television.”

Continue reading...