How Neighbours was shunted off air by All Creatures Great and Small

Longest-running programme in Australian television history loses out to homegrown British drama

The residents of Ramsay Street have survived almost four decades of affairs, disasters and terrible haircuts – but in the end it might be the popularity of a 1930s Yorkshire vet that finally kills off Neighbours.

The long-running soap opera that launched the careers of Kylie Minogue, Guy Pearce and Margot Robbie faces the axe after Channel 5 confirmed it would stop airing the series this summer. The broadcaster no longer wants to spend millions of pounds a year on the show and is instead looking to use its programme budget to reach upmarket audiences with original British dramas – driven by the success of All Creatures Great And Small, its hit revival of the series about rural life in the Yorkshire Dales.

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My award goes to… our film critics reveal their personal Oscars shortlists

Ahead of the official Academy nominations on Tuesday, Observer film critics pick their own favourites

Amid the hype over her acclaimed performance as Diana, Princess of Wales in Spencer, Kristen Stewart briefly stopped awards pundits dead in their tracks when, upon being asked about her Oscar buzz, she drily admitted, “I don’t give a shit.” Sacrilege! Some of the best films and performances of all time haven’t been considered by the Academy, she continued. “There’s five spots. What the fuck are you going to do?”

Nobody disagrees with Stewart on any of this: just ask our critics, whose ideal Oscar ballots below are knowingly far from the expected reality of next week’s nominations. That the actor’s comments made showbiz headlines anyway speaks to the strange aura the Oscars maintain as a gold standard of cinematic achievement: for several months a year, people fret and discuss and strategise about them, while companies expensively campaign for them, only to spend the rest of the year complaining that they don’t mean anything anyway. Even Stewart’s scepticism emerged while on the campaign trail, being interviewed on a Variety podcast named Awards Circuit. Should she win for Spencer, she’ll doubtless turn up and give a humbly grateful speech anyway. That’s the game. Nobody gives a shit about the Oscars, after all, except when everyone does.

Here, then, are our critics’ picks of who and what should be on those Oscars shortlists. Guy Lodge

PETITE MAMAN

Summer of Soul

The Green Knight

Titane

Censor

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Neighbours needs good friends to survive after UK network axes iconic soap

Network Ten to pause filming after Channel 5 announces it will stop airing the show in August

The Australian soap Neighbours, which launched the international careers of countless local stars including Kylie Minogue, Jason Donovan, Margot Robbie and Guy Pearce, has been axed in the UK in a move likely to sound the death knell for the iconic show.

The UK’s Channel 5 announced it would no longer air the program and unless it is picked up by another UK broadcaster the show will end its record-breaking 36-year run in August.

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Lata Mangeshkar, legendary Bollywood singer, dies at 92

The singer who defined music and melody for generations in India has died in Mumbai

Lata Mangeshkar, one of India’s biggest cultural icons and considered one of the country’s most influential singers, has died in Mumbai aged 92.

Prime minister Narendra Modi lead tributes for the “nightingale of Bollywood”, saying: “She leaves a void in our nation that cannot be filled. The coming generations will remember her as a stalwart of Indian culture, whose melodious voice had an unparalleled ability to mesmerise people.”

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Red poets’ society: the secret history of the Stasi’s book club for spies

For seven years, the East German security service’s poetry group met in Berlin to discuss literature. But there was more to it than just learning about iambic pentameter

At the height of the tense second phase of the cold war, a group of Stasi majors, propaganda officers and border guards convened at a heavily fortified compound in socialist east Berlin. From spring 1982 until winter 1989, they gathered once every four weeks, from 4pm until 6pm, at the House of Culture inside the premises of the Felix Dzerzhinsky Guards Regiment (the Stasi’s paramilitary wing), in Berlin’s Adlershof district. They met in a first-floor room adorned with portraits of East German leader Erich Honecker and Vladimir Ilyich Lenin that was closed with a security seal overnight.

But the Stasi men did not gather to gameplan nuclear war scenarios, work up disinformation campaigns or fine-tune infiltration techniques. They set out to learn about iambic pentameter, cross-rhyming schemes and Petrarchan sonnets. The group, which internal memos referred to as the Working Circle of Writing Chekists (a reference to the fearsome Bolshevist secret police, the Cheka), produced two anthologies over this seven-year period. I got hold of a copy of one shortly before I moved to Berlin in 2016. The slim paperback, its title Wir Über Uns (“We about us”) falling down the front page in curling calligraphic letters, felt like something out of a Monty Python sketch, or a spin-off from the film The Lives of Others. How had a secret police synonymous with the suppression of free thought ended up writing poetry? Over the coming months I tried to track down former members of the circles, and contacted them to see if they could tell me more.

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Helen Mirren says questions over playing Golda Meir ‘utterly legitimate’

Maureen Lipman criticised decision to cast Mirren as former Israeli prime minister as she is not Jewish

Dame Helen Mirren has said questions over the choice to have her play Israel’s first female prime minister, Golda Meir, are “utterly legitimate”.

The Academy award-winning actress said there was “a discussion to be had” about the suitability of certain actors for certain roles.

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I was shooting coke between chapters of Dostoevsky – but eventually books would save me from addiction

At first, I could hardly get through a novel. But slowly reading – and writing – saved me from a life of drugs, rehab and jail

When I was in tenth grade in Tampa, Florida, I was, like millions of other high school students, assigned to read The Catcher in the Rye for English class. Like millions of other high school students, I was extremely fragile. I was holding on by a thread. I was 15 and spent much of my time at school, on the days I would go, doing OxyContin, Xanax, cocaine and speed in the bathroom. I jittered and itched through class, and my internal life was, to say the least, stifled. It would continue to be stifled for the next few years, until it became so claustrophobic that I attempted suicide. Needless to say, I was pretty hit or miss with school assignments. But I had always liked to read. I decided to crack Salinger’s book and read a chapter or two. I stayed up all night and finished it. I came into class the next day wired, eyes wide: it felt as if I had been hooked up to a car battery. I remember walking into the classroom and saying to my English teacher, “What the hell was that?”

I didn’t know anything about the book. I didn’t know that the men who shot John Lennon and Ronald Reagan were both obsessed with it. I didn’t know that it was the subject of endless think pieces debating the ethical ramifications of Holden Caulfield’s character. I didn’t know Salinger stormed the beaches on D-Day, carried scars from his years in war. I just got sucked in. It is a funny, polarising little book. I remember my girlfriend at the time saying she hated it, that she couldn’t get through it. But my teacher told me that every year at least one person does what I did, gets hooked up to the car battery. Looking back, it makes sense that someone in my particular situation would have this reaction to it. In fact, it is almost embarrassing just how cliched it is. But that’s what happened. And, in what would become a theme of my life, what stuck with me more than any of the particular content of the book was the feeling of being sucked in, of losing time trapped in someone else’s words and turbulent emotions.

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Marian Keyes: ‘Rehab was one of the happiest times of my life’

As her beloved character Rachel returns, older and sober, the Irish author discusses her own journey from addiction to recovery - and the sexist snobbery that surrounds her work

Marian Keyes is in bed. It’s two o’clock in the afternoon, but she has just got back from a funeral and was feeling chilly. “It was a beautiful send off,” she says in her southern Irish lilt, as reassurance that she’s OK to talk. She is wearing a lilac hoodie and flashes a pastel pink manicure (a Keyes heroine would know the shade) as she rearranges the pillows to get comfy. Within a few minutes it feels as if we are both having tea and biscuits under the duvet at her Dún Laoghaire home outside Dublin, as she gives me a virtual tour of her bedroom.

So far, so Marian Keyes. Loved by readers for her chatty style and satisfying storylines, she was for many years dubbed the queen of chick lit, a phrase now as passé as Daniel Cleaver’s chat-up lines in Bridget Jones’s Diary. In fact, her novels have tackled hefty issues such as addiction (Rachel’s Holiday), bereavement (Anybody Out There), domestic violence (This Charming Man) and depression (The Mystery of Mercy Close), always with her trademark lightness of touch. Yet despite selling more than 35m copies over the years, she is too often dismissed as a popular writer of books with pink covers (both of which are fine by her, thanks for asking).

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‘And the loser is …’: Are music awards shows in crisis?

With plummeting ratings and accusations of racial and gender bias, the Brits and Grammys are facing a battle to stay relevant

Once upon a time, the Brit awards and the Grammys were an annual staple in the TV calendar of even the most casual music fan. Drawing millions of viewers, the ceremonies offered a feast of entertainment, ranging from the unpredictable to the spectacular. Think Chumbawamba chucking a bucket of ice water over John Prescott at the 1998 Brits or Lady Gaga emerging from an egg at the Grammys in 2011. More recently, Brits sets by Stormzy and Dave have marked an important shift in mainstream recognition of Black British talent.

For audiences, however, the shine seems to have worn off. Last year’s ITV broadcast of the Brits, which was postponed from February to May due to Covid-19, recorded 2.9 million viewers – a figure that plunged for the fourth year running. The 2021 Grammys were the lowest rated in history, delivering an audience of just 8.8 million viewers for CBS, down a staggering 53% on the year prior. (These declines aren’t exclusive to music award ceremonies: the Oscars also recorded a 58.3% dip in viewers last year.)

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‘They just worked’: reports of CDs’ demise inspires wave of support

Format might not have romance of vinyl but its versatility and reliability will never be topped, say supporters

After languishing in his car boot for several years, Jordan Bassett’s CD collection – mostly dating back to his teenage years – will soon be on proud display in his newly converted home office space.

Bassett, a commissioning editor at the NME, has no means of playing the CDs and, in any case, his musical tastes have moved on. But the 100-150 thin, shiny 5in discs have sentimental value – and, who knows, one day they may be part of a revival similar to vinyl among music aficionados.

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How $1bn push into podcasts led to Spotify’s growing pains

Streaming firm is facing a cocktail of crises, from culture wars to competition concerns

He was supposed to be Spotify’s biggest acquisition, one who would transform the music streaming company into a one-stop shop for all kinds of online audio.

But controversy over “misinformation” on Joe Rogan’s podcast precipitated a hellish week for the Swedish firm as high-profile boycotts, a social media backlash and a share price drop challenged the viability of its meteoric growth.

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‘My first time holding a gun’: from Myanmar student to revolutionary soldier – a cartoon

Faced with increasing state violence, young people across Myanmar are learning to fight. This is one young woman’s story

In the year since the 1 February coup, young people across Myanmar have risked their lives to resist military rule.

At least 295 young people aged 18-25 have been killed in the military’s suppression of the pro-democracy movement. More than 1,000 have been arrested, according to the Assistance Association for Political Prisoners. In response, thousands have left their homes and families to train as revolutionary fighters.

JC is a young artist and illustrator from Myanmar’s ethnic Karen community. She was born in Myanmar and raised on the Thai-Myanmar border

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‘I was astonished’: how a TikToker sent his dad’s unreleased 43-year-old song viral

Zach Smith recorded himself jamming out to a tune he found in his car. Now it’s racked up 3m plays – and might be on its way to Marvel

Zach Smith never expected the song to go so viral.

On 4 January, the 19-year-old pressed play on an old track he found in his car; he was struck by how catchy it was – he’d never heard this song before.

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‘A regressive, embarrassing disappointment’: how And Just Like That ruined Sex and the City

The final episode of the sequel did nothing to redeem it. It was bafflingly tone-deaf, cringe-makingly crass and seemingly written by people who had never heard of the original

That sound you can hear – that faint but persistent chuckle – is Kim Cattrall laughing. The actor was the only one of the original Sex and the City cast to decline to join And Just Like That …, the sequel to the much-loved, era-defining show. The rest of them stayed, and suffered. But at least they were getting paid. Viewers – if they did stay, which many of us did out of a potent blend of desperate hope that things would improve, and fascinated horror as they did not – had no such solace. The end of the 10-episode run has now been reached, with the finale refusing to redeem anything that had gone before.

It could have, should have, been great. The idea of best friends Carrie, Charlotte and Miranda returning to navigate the complexities of female life and friendship in their 50s – a rare televisual sight – was a fine one (even if Cattrall’s Samantha would be missed). New writers and characters were brought in to address the glaring whiteness and heteronormativity of the original. Michael Patrick King was in charge, as he had effectively been for much of Sex and the City.

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Rudy Giuliani doesn’t need a monster costume to scare children | Sam Wolfson

Trump’s lawyer was revealed to be a contestant on The Masked Singer – and when Robin Thicke storms off in protest, you know you’ve got problems

It’s like something from a Guillermo del Toro film: a grotesque fantasy creature disrobes, only to reveal an even more horrifying monster underneath. But that’s what viewers will see when the US version of The Masked Singer, Fox’s incognito singing competition, returns at the end of this month.

The show, in which a panel of judges and the audience try to guess the identity of celebrity vocalists dressed in furry theme-park costumes, is taped in advance of airing. But Deadline reports that at the first episode’s climax, when the eliminated singer reveals their true identity, it was Rudy Giuliani whose head popped out of the costume. Judges Ken Jeong and Robin Thicke walked off the set in protest. Quite a good reflection of how bad a guy you have to be when rape-culture chanteur Thicke, the singer of Blurred Lines, decides you’re beyond the pale.

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Pixies frontman Black Francis: ‘Kim Deal? We’re always friends – but nothing is for ever’

As the alt-rockers release a live box set, their frontman answers your questions on Bowie, his 40 new Pixies songs and the alarming sexuality of his pets

Come on Pilgrim is the greatest debut album by anyone, ever. Discuss. mungoslut

I will partially agree, at least to appear humble. But seeing as I’m not so humble … I was listening to Murmur by REM a lot just before Come on Pilgrim and that was hugely influential on me as a songwriter. I’m going to be cocky and say: we were even better than Murmur.

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James McAvoy: ‘Play Hamlet? Nah – he’s always seemed a bit of a moaner to me’

He came blazing out of Glasgow like a rocket, scoring hits and acclaim. As he returns to the stage in a hard-rapping, homoerotic Cyrano de Bergerac, the star talks about partygate, snout size – and tackling Lear when he hits 100

James McAvoy is talking about Cyrano de Bergerac, the long-nosed, lovestruck poet he first played on stage in 2019, and is now about to reprise. But every now and again he interrupts himself with off-piste observations that have nothing to do with 17th-century libertines and doomed love triangles. It slowly becomes clear that he is inside his car, which is parked at the stage door of the Harold Pinter theatre in London, ready to jump into rehearsals after our chat.

“What’s this guy doing?” he says, in his meta commentary of people-watching. “Oh my God. There’s a labourer walking down the road and he doesn’t have any trousers on. He’s just in long johns and he has got the biggest penis I think I’ve ever seen.” Wait, how can he tell? “Because he’s wearing long johns! And he’s packing a nine-inch –”

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The Betrayal of Anne Frank by Rosemary Sullivan review – who tipped off the Nazis?

Despite controversy surrounding its findings, the work of a ‘cold case team’ powerfully illuminates what it was like to live under a genocidal regime

On 4 August 1944 Gestapo officer Karl Josef Silberbauer, together with three Dutch policemen, marched into a spice merchant’s on Amsterdam’s Prinsengracht and demanded: “Where are the Jews?” It was a piercing moment in 20th-century history, one that never becomes dulled by retelling. Within minutes Silberbauer and his accomplices had located a dummy bookshelf, behind which lay a secret suite of rooms where two families had been hiding for two years. Placed under arrest, these eight men and women were subsequently sent to concentration camps in the east from which only one, the business’s owner, Otto Frank, returned.

We know all this because one of Frank’s first postwar acts was to publish the journal that his 15-year-old daughter had kept during their immuration. The Diary of Anne Frank became a canonical text, one of the few accounts we have of living through Hitler’s Final Solution in real time. And it is Anne’s face – peaky, clever, ferociously alive – that has become the emblem of all the evil unleashed by antisemitism in Europe’s terrible mid-century. Yet despite the story being so familiar, there is one detail that remains a mystery. Who tipped off the authorities that there were people hiding at the back of Prinsengracht 263?

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Will Wordle still be free after the New York Times buyout?

Will the hit game imminently be locked behind a paywall or stay as it is? What about ads? The NYT’s head of games explains the plan

In a month of spectacular video game industry buyouts, symbolised by Microsoft’s incredible $68bn swoop for Activision Blizzard, there is one purchase that has sent paroxysms of fear across the planet. On Monday, the New York Times revealed that it had bought the viral megahit Wordle for a “low seven figure sum”. The web-based word puzzle, which launched in October, was originally intended as a gift from software engineer Josh Wardle to his partner. But it has become a viral sensation, amassing an audience of millions – and key to its appeal is the fact that it’s free, with no ads.

So what does a big newspaper like the New York Times want with a game like Wordle, and what happens next?

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A surfing god rides The Cradle of Storms – Chris Burkard’s best photograph

‘This is Josh Mulcoy, the godfather of cold-water surfing, catching a wave in Alaska. The place is so windy and wild, it’s known as The Cradle of Storms’

The Aleutian Islands are fabled in surfing. Part of the Pacific Ring of Fire, they’re a raw chain of islands connecting Alaska to Russia. The area is known as The Cradle of Storms because it’s so windy and wild.

Most of the islands are made up of tundra and there are big active volcanoes. This island, Umnak, is home to a very small Aleut community. I went there in 2013. The planning alone took two years. You need to be completely self-sustained. You need to charter a small plane and have enough food and supplies for your entire stay, with the means to charge all your equipment.

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