Category Archives: Culture

Do we really need a new version of Home Alone?

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A new trailer has surfaced for Home Sweet Home Alone, which looks to be a sequel that’s also a carbon copy of an original that doesn’t need bettering

The trailer for the Disney+ movie Home Sweet Home Alone is really quite something. In it, a large and chaotic family tie themselves in knots ahead of a holiday to Tokyo only to discover that, in their haste, they have accidentally left one of their children behind. While they scramble to return to their home, the boy is left to fend for himself – a danger that is only compounded when two sly burglars pick his home to be robbed. What follows is an orgy of cartoonish violence as the abandoned boy jerry-rigs a selection of household items to cause maximum damage to the intruders. Brilliant.

Basically, then, Home Sweet Home Alone appears to exist in order to answer one simple question: what if Home Alone was, um, Home Alone?

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William Shatner in tears after historic space flight: ‘I’m so filled with emotion’

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Star Trek actor, 90, says ‘I hope I never recover from this’ after becoming oldest human in space on Jeff Bezos rocket New Shepard

The Star Trek actor William Shatner declared himself “overwhelmed” at becoming the oldest human in space, at the age of 90, during a brief but successful second crewed flight on Wednesday of Blue Origin’s New Shepard rocket ship from the west Texas desert.

The Canadian, who for four decades played Captain James Kirk, the fearless commander of the USS Enterprise, broke down in tears at the landing site as he described to the private space company’s founder, the Amazon tycoon Jeff Bezos, the profundity of his almost 11-minute leap to the stars.

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K-boom! How the unstoppable stars of K-pop went gunning for the art world

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First came K-cinema, then K-pop and K-TV. Now South Korea’s young stars are conquering the world with K-art. But what do their dark visions say about their nation’s psyche – and ours?

Ohnim is having a blue period, just like Picasso. Over Zoom from a gallery in Seoul, the Korean rapper Song Min-ho, better known as Mino to K-pop fans but Ohnim in the art world, shows me a painting he finished the previous evening in collaboration with artist Choi Na-ri. It depicts a blue crouched figure, like a depressed version of Rodin’s Thinker. It may be still wet but will soon be shipped to London’s Saatchi Gallery for an art fair that showcases work by three of Korea’s biggest K-pop stars.

The meeting of K-pop and K-art is making the art world lick its lips. Businessman David Ciclitira, who set up the StART Art Fair at the Saatchi, says: “K-pop stars have immense reach through their social media. Guys like Mino, Henry Lau and Kang Seung-yoon, whose work will be in the show, have six to seven million followers each on Instagram. In Seoul, fans queue round the block just to see a work of art by any of them. Then they fight each other to buy. I don’t suppose it’ll be quite like that at the Saatchi Gallery, but you never know.”

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Squid Game is Netflix’s biggest debut hit, reaching 111m viewers worldwide

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The dystopian drama tops the streaming service’s charts in more than 80 countries, bumping aside recent Regency-era romp, Bridgerton

Dystopian South Korean drama Squid Game has become Netflix’s most popular series ever, drawing 111 million fans since its debut less than four weeks ago, the streaming service said Tuesday.

The unprecedented global viral hit imagines a macabre world in which marginalised people are pitted against one another in traditional children’s games. While the victor can earn millions in cash, losing players are killed.

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The Invisible Life of Euridice Gusmāo review – sisters fight the pain of patriarchy

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This gorgeous and moving melodrama finds two women in 1950s Rio under suffocating family expectations – and sees what happens when they are defied

‘What do you want from life?” a husband drunkenly yells at his wife in Karim Aïnouz’s gorgeous and very moving melodrama set in 1950s Rio de Janeiro. The man’s wife is Euridice (Julia Stockler) and what she wants is to be a classical pianist. Her husband is angry and hurt: why can’t she just be happy in the kitchen? Adapted from a novel by Martha Batalha, this is the story of Euridice and her sister Guida (Carol Duarte): their inner conflicts and rebellion against the suffocating patriarchy of home.

The film beings a few years earlier: Euridice is 18 and applying to study music in Vienna. Her heart is broken when boy-mad Guida runs away with a no-good sailor to Greece, promising to write when she is married. Predictably, she returns with a baby bump and no wedding ring. There’s an appalling homecoming scene when their dad, a baker, violently shoves Guida out of the house; she’s nine months pregnant at the time (and the film never lets us forget that violence can be done to these women at any time of a man’s choosing). Unforgivably, Guida’s dad says that Euridice has left Rio and is living in Vienna. The truth is she’s up the road, married to an insightless oaf.

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Belfast review – Kenneth Branagh’s euphoric eulogy to his home city

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Nightmarishness meets nostalgia as Jamie Dornan and Judi Dench star in a scintillating Troubles-era coming-of-age tale

There is a terrific warmth and tenderness to Kenneth Branagh’s elegiac, autobiographical movie about the Belfast of his childhood: spryly written, beautifully acted and shot in a lustrous monochrome, with set pieces, madeleines and epiphanies that feel like a more emollient version of Terence Davies. Some may feel that the film is sentimental or that it does not sufficiently conform to the template of political anger and despair considered appropriate for dramas about Northern Ireland and the Troubles. And yes, there is certainly a spoonful of sugar (or two) in the mix, with some mandatory Van Morrison on the soundtrack. There’s a key climactic scene about how you disarm a gunman in the middle of a riot if you have no gun yourself, which has to be charitably indulged.

But this film has such emotional generosity and wit and it tackles a dilemma of the times not often understood: when, and if, to pack up and leave Belfast? Is it an understandable matter of survival or an abandonment of your beloved home town to the extremists? (Full disclosure: my own dad left Belfast for England, though well before the era of this film.)

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Sally Rooney turns down Israeli translation on political grounds

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The writer has refused to sell Hebrew translation rights to her latest novel Beautiful World, Where Are You due to her stance on the Israel-Palestine conflict

Sally Rooney has turned down an offer from the Israeli publisher that translated her two previous novels into Hebrew, due to her stance on the Israel-Palestine conflict.

The Irish author’s second novel Normal People was translated into 46 languages, and it was expected that Beautiful World, Where Are You would reach a similar number. However, Hebrew translation rights have not yet been sold, despite the publisher Modan putting in a bid.

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‘I could do with more readers!’ – Abdulrazak Gurnah on winning the Nobel prize for literature

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His lyrical novels about exile and loss enjoy critical acclaim but modest sales. Now he’s Zanzibar’s second most famous son – and £840,000 richer. The writer talks about racism on British buses, Priti Patel, and why books have to entertain

Abdulrazak Gurnah seems preternaturally calm for someone who has suddenly found themselves in the full glare of the world’s media. “Just very good,” he answers when I ask how he’s feeling. “A little bit rushed, with so many people to meet and speak to. But otherwise, what can you say? I feel great.” I meet the newly minted Nobel literature laureate surrounded by books in his agent’s office in London, the day after the announcement. He looks younger than his 73 years, boasts a full head of silver hair, and speaks evenly and deliberately, his expression barely changing. The adrenaline rush, if he experienced one, is hardly in evidence. He even slept quite well.

All the same, a little over 24 hours ago, he was merely the critically acclaimed author of 10 novels, at home in his kitchen in Canterbury, where he lives after having retired as a professor of English at the University of Kent. Now, a new level of celebrity beckons – albeit of a rarefied kind. The Swedish Academy’s citation referred a little ponderously to “his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents”. Others celebrate the lyricism of his writing, its understated, wistful brilliance.

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Brusque cops and femmes fatales: discovering Gilles Grangier’s forgotten noir gem

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Le Désordre et la Nuit, shown as part of a retrospective for the great thriller director at Lyon’s Lumière film festival, is a well-crafted treat for fans of the genre

A big feature, and an even bigger pleasure, of this year’s Lumière film festival in Lyon is the retrospective for the French master of policiers and crime, Gilles Grangier, a director who enjoyed great commercial success in movies and later in TV from the 1950s to the 80s, working with actors such as Jean Gabin and Lino Ventura and the great screenwriter Michel Audiard (father of Jacques). He was a working-class film-maker who came up from the streets of Paris, and started in the movies as a stuntman, grip, prop boy, any job he could get.

Grangier is a name perhaps eclipsed now by Jean-Pierre Melville and made to feel obsolete in the 60s by the New Wave as he was making the kind of well-crafted, unpretentious genre pictures that the new generation of revolutionaries affected to despise (while admiring the Hollywood equivalent). But his movies here have been a revelation – the late Bertrand Tavernier, the founder of this festival, was always a great ally of Grangier’s – particularly his amazingly dry, witty, briskly unsentimental lowlife crime melodrama Le Désordre et la Nuit from 1958. This thriller was adapted by Grangier and Audiard from a novel by the French wartime journalist Jacques Robert, celebrated for his 1945 reports from Berlin and being one of the few writers who saw the inside of Hitler’s bunker.

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‘My God, we were mobbed so much!’ – how we made Overload, by Sugababes

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‘Some people thought our vocals sounded sarcastic. I felt like I was just being a normal teenager, moody as hell’

We made Overload at Mayfair Studios in Primrose Hill. We were running between two rooms, recording the poppier stuff for our debut album, One Touch, with Matt Rowe, who was famous for his work with the Spice Girls. And then, in the other room, working on Overload with [co-producer/writer] Cameron McVey and his team. The writing process was pretty organic, everyone adding lyrics and melodies. But for me, Cameron was instrumental in Overload. He has a way of pulling the best out of you, and he loved to ask us what was going on with our schooling, our mates, going out.

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Timothée Chalamet’s Wonka: is it so wrong to find him scrumdiddlyumptious?

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The actor’s in-costume Instagram post has caused social media users to accuse the film-makers of “making Willy Wonka sexy” – but Wonka-lust is hardly new

In a sentence I never thought I’d ever write, Timothée Chalamet has revealed his Wonka on Instagram. Chalamet is, of course, currently filming the Willy Wonka movie prequel, and his post last night gave the world its first look at this new iteration.

Judging by the internet, there are essentially two ways to react to it. The first is to be disgusted that Hollywood has bastardised one of the all-time great children’s characters by inventing a brand new backstory, with no input from its creator, for cash. The second is just to get really, really horny.

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‘Solved’: the mystery of the ‘slut’ scrawled on The Grapes of Wrath manuscript

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Swedish academics think they can explain why the derogatory term appears at the end of Steinbeck’s text

The word “slut” scrawled at the end of the manuscript for John Steinbeck’s seminal novel The Grapes of Wrath may have been explained, thanks to a handful of Swedish academics.

The Grapes of Wrath was written by Steinbeck in a frenzy of creativity in under 100 days, between May and October 1938. Independent press SP Books released the first ever facsimile of the handwritten manuscript last week, showing Steinbeck’s increasingly tiny handwriting, his swear words, which were excised from the final novel – and a faint “slut”, written in red, at its conclusion.

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Squid Game’s success reopens who pays debate over rising internet traffic

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Demand for capacity grows on back of hit Netflix shows, online games and more

The breakout success of the South Korean drama Squid Game has prompted a local broadband provider to launch legal action to force the maker, Netflix, to help pay for the huge surge in traffic, the latest flashpoint in the argument over who should carry the burden of the spiralling costs of data fuelled by the global streaming boom.

From Netflix’s latest global sensation and livestreamed Premier League football matches on Amazon Prime Video, to bandwidth-busting traffic when hit online games such as Fortnite or Call of Duty are updated, the demand for internet capacity has undergone unprecedented growth in recent years.

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Capsule of 1765 air reveals ancient histories hidden under Antarctic ice

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Polar Zero exhibition in Glasgow features sculpture encasing air extracted from start of Industrial Revolution

An ampoule of Antarctic air from the year 1765 forms the centrepiece of a new exhibition that reveals the hidden histories contained in polar ice to visitors attending the Cop26 climate conference in Glasgow.

The artist Wayne Binitie has spent the past five years undertaking an extraordinary collaboration with scientists of the British Antarctic Survey (BAS), who drill, analyse and preserve cylinders of ice from deep in the ice sheet that record past climate change.

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‘It was John who wanted a divorce’: McCartney sets the record straight on Beatles split

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Rock history has painted Paul McCartney as the man who broke up the band. Now he reveals that it was Lennon who was first to look for a way out

It remains the most analysed break-up in rock history: the one that set the template. When the Beatles split more than 50 years ago and Paul McCartney, John Lennon, George Harrison and Ringo Starr went their separate ways, it was McCartney who shouldered most of the blame.

But now McCartney is setting the record straight for good. “I didn’t instigate the split. That was our Johnny,” he has insisted in a candid and detailed interview to be broadcast later this month.

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Bolshoi performer dies in accident on stage during opera

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Man, 37, said to be killed by falling decor in set change during Rimsky-Korsakov opera

A performer at Moscow’s renowned Bolshoi theatre was killed on Saturday in an accident on stage during an opera, the theatre said.

The Bolshoi, one of Russia’s most prestigious theatres, said the incident occurred during a set change in Sadko, an opera by Russian composer Nikolai Rimsky-Korsakov.

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Tom Morello: ‘We came within a baby’s breath of a fascist coup in the US’

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Lockdown and ‘looking after the grandmas’ may have kept the Rage Against the Machine guitarist away from recent protests – but he refuses to be silenced

Tom Morello has made more than 20 albums, as a founding member of Rage Against the Machine – the political rap-rock band who have sold 16m records, and whose 1992 track Killing in the Name has become a perennial protest anthem – and of the bands Audioslave and Prophets of Rage. He also plays solo under the name the Nightwatchman, and has toured with Bruce Springsteen’s E Street Band. His unique approach to the guitar, which he has self-deprecatingly described as “making R2-D2 noises”, has led to him regularly being voted as one of the greatest guitar players of all time. His latest album, The Atlas Underground Fire (released on 15 October), features a series of collaborations recorded in lockdown – with Springsteen, Eddie Vedder, Damian Marley and Bring Me the Horizon, among others. He is a celebrated “nonsectarian socialist” political activist, famed for performing at demonstrations – he played at Occupy events across the US and Europe – and a co-founder of the nonprofit “social justice” organisation Axis of Justice.

You recorded your new album in lockdown. Did the pandemic also mean you missed out on the ongoing protests in the US?
Not only was there a global plague to contend with, there was the US political situation and the white supremacy comeuppance, all happening at a time when I was locked down with my 97-year-old mom, my 90-year-old mother-in-law, and two kids going crazy trying to learn remotely. I was unable to be on the literal frontlines for the first time in my adult life, because I’m trying to keep the grandmas alive, you know. So in the middle of the George Floyd protests I recorded a song called Stand Up, with Imagine Dragons, the great trans soul singer Shea Diamond and Bloody Beetroots as well. I was trying, from the bunker, to contribute in any way I could. But you’re absolutely right: that’s my bread and butter. I’m at the front of that march for 30 years, and now, you know, there’s a plumbing problem, or one of my kids broke a window with a basketball, so that’s my day

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Bob Mortimer: ‘I’m comfortable with getting older, but I try not to look in the mirror’

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The comedian, 62, on growing up shy in Middlesbrough, losing his dad, meeting Vic Reeves, and the deep contentment of fishing

I was quite a shy boy. Growing up in Middlesbrough, I felt a bit of an outsider. My three elder brothers are funny and boisterous and I was in awe of them. I felt like an appendage. It’s probably the curse of being a younger kid. I’ve seen some become the loudest because they fight for their place, and others retreat to the fringes. I was in the latter group.

If you’re the quietest at home, it’s tough to find a voice. I’ve always been quite a good mate to have because of that. If I ever did make a connection with anyone, it was very precious to me. My friendships are everything.

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‘I thought there was nothing better than communism’: Lea Ypi on life after a Stalinist regime

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When the state fell, Ypi went from party Pioneer to traitor - in this extract from her acclaimed memoir she reveals the trauma of discovering the truth about her family and her country

• Read an interview with Lea Ypi

Every year on 1 May, portraits of Stalin were carried by the workers through the streets of Tirana to celebrate socialism and the advance towards communism. On Workers’ Day, TV programmes started earlier: you could follow the parade, then watch a puppet show, then a children’s film, then head out for a walk wearing new clothes, buy ice-cream and, finally, have a picture taken by the only photographer in town, who usually stood by the fountain near the Palace of Culture.

The first of May 1990, the last May Day we ever celebrated, was the happiest. Or perhaps it just seems that way. Objectively, it could not have been the happiest. The queues for basic necessities were getting longer and the shelves in the shops looked increasingly empty. But I did not mind. Now that I was growing up I was no longer fussy about eating cheap feta cheese or old jam rather than honey. “First comes morality, then comes food,” my grandmother cheerfully said, and I had learned to agree.

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Sindhu Vee and her father go back in time: ‘As a child, I was always copying him’

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The comedian and her dad recreate a childhood photo and talk about early days in India, agoraphobia and swapping banking for comedy

Born in New Delhi in 1969, Sindhu Vee spent her childhood in India and the Philippines, before throwing herself into academia, getting degrees from Oxford, Montreal and Chicago universities. In her early 40s, she traded the world of investment banking for standup comedy. Her career quickly ascended, with appearances on QI, Have I Got News for You, Radio 4 and Netflix’s forthcoming adaptation of Matilda. She lives in London with her husband and three children; she is currently touring her new show Alphabet.

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