Category Archives: Culture

Summer in the city: A Igoni Barrett on a rainy bus ride in Lagos

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The writer on a stressful commute in Nigeria’s largest city on a day of downpours in 2007

• Read other authors on their memorable urban summers

It had been raining all day the way an old goat pees, in fits and starts, with bleats of sunshine in between. This was a weekday in July 2007, the magical year I moved to Lagos, and only a few months into the nine-to-five that lured me over. The excitement of waking up every day at 5am and catching a jam-packed danfo bus for the two-hour commute had since curdled in my wannabe-writer’s heart. I was standing at Obalende bus stop that afternoon after work, with no bus in sight for the past 40 minutes and rumours of a citywide gridlock swirling around, when the rain started again, a sun shower, proof, they say, that a lion is being born.

Fare hikes were expected on days of heavy traffic, but this time the fare had tripled. Outraged howls rent the air

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‘I’m angry about a lot of things’: Japanese actor Minami on her new eco-drama with Johnny Depp

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The actor and painter explains why the world needs to see Minimata, the new film about the mercury poisoning scandal that W Eugene Smith helped expose

Like Cher or Madonna, Minami is a one-name wonder. “I have my French and Japanese family names,” the 34-year-old actor says over video call from a pink hotel room in Tokyo. “But ‘Minami’ is simpler.” She gives a single, decisive nod. “Just write ‘Minami.’” She chose the mononym at 13 when she featured in her first film, Battle Royale, a gory cult thriller about schoolchildren fighting to the death on an uninhabited island. “When I went back to school, everyone said: ‘Your arms are all bruised, you have scratches, what’s going on?’ They thought my parents were beating me.”

Even when telling a story like this with dark undertones, her manner is insistently perky, as though she doesn’t want the listener to misread her as dour. When I ask about her Battle Royale audition, for instance, she blithely recalls “walking into the room and there were 10 men, and they asked me if I could do a handstand, and two of the men held my legs against the wall to help me …” I must be grimacing because she breaks off from the anecdote to reprimand me lightheartedly: “Don’t make that face! It was all fine.”

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Lockdown sensation Su Lee: ‘I believe in sharing vulnerability – it relieves the pain’

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The South Korean designer turned songwriter uses goofy, DIY pop to explore issues such as depression and social anxiety

If we could boil Gen Z internet, with all its anxieties and goofiness and creativity and openness, down into a person, the result would be Su Lee. The South Korean musician’s DIY pop songs shrug off frivolities such as love and sex in favour of bopping through the exhaustion and annoyance of having your brain chemistry work against you. Chuck in some videos featuring handmade wall art in “groovy chick” colourways and a dollop of ironic goofiness and Lee’s “spokesperson of Gen Z” status is pretty much assured. A case in point: when she logged on to Zoom for our interview, she asked: “Will we put this out as a video?” which made me feel ancient (and horrified).

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Amazon moves production of Lord of the Rings TV series to UK

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Show has been shot in New Zealand so far but filming will move to UK from June 2022

Amazon has made the surprise decision to move production of its $1bn-plus Lord of the Rings series from New Zealand to the UK, rejecting tens of millions of dollars in incentives to shoot the TV show in the same location as the blockbuster films.

Amazon, which four years ago paid $250m to secure the TV rights to JRR Tolkien’s works after founder Jeff Bezos demanded a Game of Thrones-style hit for its streaming service, chose to film the first series in New Zealand after competitive bids from around the world.

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Brandon Flowers’ teenage obsessions: ‘I considered an Oasis tattoo’

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As the Killers release a new album, their frontman recalls his youthful love of Cheers, the Goonies and bonding over Bowie in Las Vegas

I grew up in Henderson, just outside Las Vegas. When I was eight, we moved to Nephi, this rural town in Utah. So at the same time I was falling in love with music, I was also being introduced to rodeos and farming. I didn’t realise the impact, but now if I hear the right song, I’m instantly transported back to the clouds, woods and mountains of the American west.

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Bowie, bed-hopping and the blues: the wild times of Dana Gillespie

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She tamed Keith Moon, got laughed into bed by Bob Dylan and went to a young David Bowie’s house for tuna sandwiches – but the blues singer’s 72 albums are what really define her

“No one has understood how deeply rooted in music I am because they got distracted by my tits,” Dana Gillespie complains.

Now 72, the singer and songwriter’s curvaceous figure ensured she regularly appeared in both tabloids and films from the 1960s to 80s but, she says, this was a mere sideline: music was always her mission in life, it’s just that the British refuse to take her seriously. In Austria and Germany – where she has enjoyed hit singles and hosted a long-running radio show – they do. Ditto in India, where she records devotional music with leading Indian musicians. But in Britain she is too often been relegated to “lover of” status for her string of flings with the likes of Bob Dylan, David Bowie, Mick Jagger and Michael Caine. “I’m Britain’s best-kept secret,” says Gillespie, and she may well be correct.

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Pedro Almodóvar’s films – ranked!

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With his new film, Parallel Mothers, to be shown at Venice film festival, we take a look through the director’s ribald, pell-mell and beautifully colour co-ordinated output

Airline staff and passengers take drugs and act out their sexual fantasies as their plane prepares for an emergency landing. Not so much Airplane! as a sexed-up The High Life, but frothier. Best watched with tequila, poppers and the campest chums you can find.

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Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo

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This romantic animation about a paraplegic woman’s relationship with a marine biology student suffers for its sweetness

This gorgeous-looking, swooningly romantic anime feels like it could win over YA audiences: it’s heartfelt, unthreatening and rather lovely. Its representation of disability does feel a bit iffy in places, though: presenting a 24-year-old paraplegic woman, Josee, as fundamentally in need of fixing or rescue. Near the start she meets Tsuneo, a dreamily gorgeous diver and marine biology student, who saves her hurtling out of control down a hill in her wheelchair. She is a helpless victim – and not for the last time in the movie.

When Tsuneo walks Josee back to her apartment, her grandmother hires him as a part-time carer. The job involves spending a couple of hours with Josee every day. The one rule is that he can’t take her outside. At first, Tsuneo can’t stand his petulant and demanding client, who calls him “my servant” and orders him around. But slowly he’s smitten and develops something worryingly like a saviour complex. It turns out that Josee’s overprotective grandmother has kept her confined at home to make sure she is safe. As a result, she is childish and emotionally immature, but a fiercely talented artist.

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Russell Tovey: ‘Queer people in my generation have section 28 in our blood’

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As he hits the stage in Constellations, Tovey talks babies, what he’d say to Oliver Dowden and why he finally understands The History Boys

Russell Tovey is trying to lick his elbow. It’s a ritual every performer has to go through in the opening scene of Nick Payne’s play Constellations – the response to a flirtily issued challenge from a stranger – but it seems particularly suited to someone whose physical presence combines goofiness and sex appeal in equal measure. The resulting ripple of laughter in a packed house feels mildly alarming after months of social distancing, but for Tovey it’s a reassuring sign of a return to normal. “It hasn’t felt as alien as I thought it was gonna be,” he says, adding that gaps between seats could feel “like you’re playing to a show that hasn’t sold that well”. Judging by the queues outside, there’s little danger of that.

We meet the next day at the bottom of a lightwell in the middle of a rehearsal studio in Covent Garden. It’s technically outside, which is better for Covid, the PR assures us – a reminder that normal is, in fact, some way away. Tovey is dressed in grey chinos and a darker sweater that chime with his now more-salt-than-pepper hair. The erstwhile History Boy is turning 40 in November (he played sixth-former Rudge in the Alan Bennett hit at the age of 23), though he still somehow manages to look younger than his years. The run-up to this milestone obviously hasn’t panned out as expected. In 2020 he was supposed to be on Broadway, performing in Who’s Afraid of Virginia Woolf? alongside Rupert Everett, and, as he told one interviewer, “putting the feelers out” on how to have a baby.

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‘I had no confidence, no money’: the pop stars kept in limbo by major labels

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Raye is one of the world’s most listened-to artists, but her label wouldn’t let her make an album. She’s the latest example of stars who say their music is being sidelined

At the end of June, Raye smashed through the shiny and carefully controlled veneer that usually surrounds music stars. The British pop singer’s numerous hit singles had made her one of the world’s 200 most popular artists on Spotify, but her label Polydor hadn’t allowed her to make even one album from a four-album record deal she signed back in 2014.

“I’ve done everything they asked me, I switched genres, I worked seven days a week, ask anyone in the music game, they know,” she vented on Twitter. “I’m done being a polite pop star.” Polydor responded saying they were “saddened” to read Raye’s tweets and the two have since parted ways.

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More than Friends? Are David Schwimmer and Jennifer Aniston really dating?

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The Friends reunion seemed pointless – until now. If it paved the way for Ross and Rachel to get together in real life, the world might explode with joy. So why do I have a sinking feeling?

Initially, this year’s Friends reunion didn’t exactly offer much in the way of entertainment. There was Justin Bieber dressed as a potato, and there was that meme about Matt LeBlanc looking like someone’s Irish uncle. Apart from that, the whole thing felt like an elaborate attempt to give James Corden even more air time.

But that was then. Because now that David Schwimmer and Jennifer Aniston are dating, the Friends reunion has become an important historical document and must be preserved for ever.

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Peaceophobia: Muslim men who love their modified motors

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Mistaken for drug dealers? Monitored by police? A new play staged in a Bradford car park weaves stories of everyday racism, faith and petrolheads


“I don’t go out, I don’t really go clubbing, I don’t drink, I don’t do none of that,” says Sohail Hussain, who is explaining how all encompassing his hobby is. “All my money goes on cars – for me it’s an investment.”

Hussain is one of three actors starring in Peaceophobia, a piece from collaborative theatre company Common Wealth and Fuel that interweaves stories about Islam, faith and modified car culture. Set in a car park in Bradford, the three drivers – Casper Ahmed, Mohammad Ali Yunis and Hussain – chat pistons and prayer over the constant hum of engine noise and tension.

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‘To dive into yourself is scary’: the anxiety and awesome alt-rock of Liars

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For 20 years, Angus Andrew has made Liars one of rock’s most interesting, slippery acts – and by microdosing drugs to help understand his fears, he’s written his masterpiece

One night, Angus Andrew woke to a blood-curdling scream. Rushing out into the darkness of the bush around his house in a remote part of Australia’s Ku-ring-gai Chase national park, he encountered a giant python attacking a kangaroo. “You could hear the kangaroo trying to breathe, I tried to bash the snake off it but my wife was all ‘nature, nature, you have to let it happen’,” he says. “The roo’s eyes are stuck in my brain – it was visceral.”

Surrounded by menacing beasts, with no roads, shops, sewerage, or running water, isolation characterises the latest in a very long line of homes and workplaces for the sole remaining member of Liars, the alt-rock band Andrew co-founded 20-odd years ago. Though they emerged from the New York scene that also spawned the Strokes, Yeah Yeah Yeahs and LCD Soundsystem, Liars perplexingly remain a cult concern.

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Shayne Oliver: ‘Being a Black weirdo is harder than being any other kind’

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He’s DJ’d naked, put a great dane on the catwalk – and now with an album, Shayne Oliver is on a mission to bring New York’s queer underground to the world. Is the former Hood by Air designer the 21st century Andy Warhol?

Interviewing Shayne Oliver is a conversational rollercoaster. We hurtle from cult 90s guitar bands to Arthur Jafa, from the problem with political correctness to the pressure on creatives, from Kanye West to Vin Diesel, with little warning of which thrill or spill is next. “I’m such a scatterbrain,” he says at the end of our call. “I’m sorry.”

But Oliver is far from a scatterbrain. He is best known as a fashion designer, the former vogue-dancer who founded the critically adored label Hood By Air, or HBA, in 2006. However, he is no longer limiting himself to clothes. Oliver is moving into music, having formed Anonymous Club – a “creative studio” focused on young talent that began as a series of parties. The studio’s debut release is Screensavers Vol 1, a compilation album based on Oliver’s demos, executive produced by Yves Tumor.

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Bleed With Me review – three’s a crowd in taut bloodsucking horror

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Amelia Moses’ feature debut keeps us guessing as to who is the hunter and who is the prey as a holiday in the woods turns sour

Writer-director Amelia Moses makes her feature debut with this tautly constructed work of psychological horror which, although far from perfect, certainly suggests she’s a talent to watch out for. Like British film-maker Rose Glass’ outstanding horror-adjacent breakthrough Saint Maud, Moses’ story circumnavigates a relationship between two women, one that is charged with an intensity that’s more than platonic but less than erotic, and inflected by an unequal power distribution.

The story takes place in Canada. We largely we see it unfold through the eyes of Rowan (Lee Marshall, excellent), a young office drone who meets the more confident and glamorous Emily (Lauren Beatty) at work when Emily saves her from a sexually predatory co-worker. With the pair having become friends, Emily invites Rowan to come with her for a holiday stay in a secluded, snow-capped cabin in the woods along with Emily’s boyfriend Brendan (Aris Tyros).

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Marvel and DC face backlash over pay: ‘They sent a thank you note and $5,000 – the movie made $1bn’

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As the comics giants make billions from their storylines and characters, writers and artists are speaking out about their struggles for fair payment

Watch any superhero movie and you will see a credit along the lines of “based on the comic book created by”, usually with the name of a beloved and/or long-dead writer or artist. But deep, deep in the credits scroll, you will also see “special thanks” to a long roster of comic book talent, most of them still alive, whose work forms the skeleton and musculature of the movie you just watched. Scenes storyboarded directly from Batman comics by Frank Miller; character arcs out of Thor comics by Walt Simonson; entire franchises, such as the Avengers films or Disney+ spinoff The Falcon and the Winter Soldier, that couldn’t exist without the likes of Kurt Busiek or Ed Brubaker.

The “big two” comic companies – Marvel and DC - may pretend they’ve tapped into some timeless part of the human psyche with characters such as Superman and the Incredible Hulk, but the truth is that their most popular stories have been carefully stewarded through the decades by individual artists and writers. But how much of, say, the Marvel Cinematic Universe’s (MCU) $20bn-plus box office gross went to those who created the stories and characters in it? How are the unknown faces behind their biggest successes being treated?

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Kiefer Sutherland and Rob Reiner: how we made Stand By Me

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‘River Phoenix was like a 13-year-old James Dean. There was so much soul there’

This was the only audition where I did the reading and was hired right there in the room. I absolutely adored Spinal Tap, so to get that kind of affirmation from a director like Rob Reiner at that time in my life was really powerful.

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Drawing a blank: can artistic talent ever be taught?

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While Romantics insist artists are born not made, some of the best painters, sculptors and modern artists followed conventional teaching

Genius cannot be taught but skills can. And even the wildest, most visionary of artists relies on the techniques they were taught. If you want to make digital art, you need to learn to code. A training in film will help with moving-image art. So much is obvious. But today we’re in thrall to a vacuous Romanticism that insists artists are born not made.

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True Stories: Spaces review – impressive short docs from folk horror to a Lebanese marvel

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This short film collection from the True Story platform ranges across continents to look at how we interact with our environments

Deeply psychogeographical, this collection of documentary shorts from the streaming platform True Story roams among spaces old and new, and across continents. Personal and public memories are intertwined, creating portraits of how human beings interact with their environments, and vice versa.

Paul Heintz’s nocturnal Shānzhài Screens is a meditative study of liminal urban spaces, shot in a Chinese district that specialises in fine-art reproductions. Rectangular frames populate the screen, from flickering apartment windows, hurried video calls, to endless replicas of Van Gogh’s Sunflowers. Authenticity is elusive, and loneliness reigns.

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How the ‘art of the insane’ inspired the surrealists – and was twisted by the Nazis

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The author of an acclaimed new book tells how Hitler used works by psychiatric patients in his culture war

On a winter’s day in 1898, a stocky young man with a handlebar moustache was hurrying along the banks of a canal in Hamburg, north Germany. Franz Karl Bühler was in a panic, fleeing a gang of mysterious agents who had been tormenting him for months. There was only one way to escape, he thought. He must swim for it. So he plunged into the dark water, close to freezing at this time of year, and struck out for the far side. When he was hauled on to the bank, soaked and shivering, it became clear to passersby that there was something odd about the man. There was no sign of his pursuers. He was confused, perhaps insane. So he was taken to the nearby Friedrichsberg “madhouse”, as it was known then, and taken inside. He would remain in the dubious care of the German psychiatric system for the next 42 years, one of hundreds of thousands of patients who lived near-invisible lives behind the asylum walls.

Bühler’s incarceration disturbed him, but it also marked the beginning of a remarkable story, one in which he played a leading role. It reveals the debt art owes to mental illness, and the way that connection was used to wage history’s most destructive culture war.

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