‘This is not an easy treasure hunt’: puzzle book offers readers chance to win €750,000 golden casket

Clues in The Golden Treasure of the Entente Cordiale could lead readers in the UK and France to a historic treasure presented by Britain to the French president in 1903

For all the armchair puzzlers for whom sudokus and crosswords have palled over the long months of lockdown, a fiendish new literary conundrum is about to slide on to bookshelves – with a rather lucrative and unusual reward.

Artist Michel Becker tracked down and bought the golden casket given to France by the UK ahead of the signing of the entente cordiale on 8 April 1904, which attempted to end centuries of antagonism between the two countries. Presented to French president Émile Loubet in July 1903, the casket was wrought by Goldsmiths and Silversmiths Company in London and contained a scroll celebrating friendship between the two countries. Valued at €750,000 (£646,000), the intricately decorated box is now the prize for whoever solves the clues in Becker’s forthcoming treasure hunt book, The Golden Treasure of the Entente Cordiale.

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‘Sometimes, it’s shocking’: Raoul Peck on his bold new colonialism series

The Oscar-nominated film-maker behind I Am Not Your Negro returns with Exterminate All the Brutes, a dense new HBO docuseries about a horrifying history

Truly, what else was there left to say about race in America after the words of James Baldwin? This is what Raoul Peck found himself contemplating after the success of his 2016 documentary, I Am Not Your Negro, which was nominated for an Academy Award and won an Emmy, a Bafta and a César award. He was confounded and disappointed to realize that some audiences, particularly in Europe, weren’t fully comprehending the work of what he calls “one of the best, if not the best analyst of what racism is”, believing it to be primarily an American concern.

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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‘Film-making? Bring it on!’: ex-stockbroker Farah Nabulsi on her Oscar nomination

The British Palestinian is up for an Oscar with her debut, filmed at a notorious Israeli flashpoint called Checkpoint 300. The London-based director talks about her shocking visits to the Middle East

Farah Nabulsi was at home in west London when she found out her film The Present had been nominated for the Oscar for best live action short. She’d persuaded her teenage sons to stay home and watch the announcement. When she heard her name, she jumped up on the table. Her eldest looked at her as if she’d gone mad. He’d got it into his head that this was the actual ceremony and she had lost. “He was like, ‘Why are you so happy? They didn’t pick you.’ He killed the moment.”

The film is Nabulsi’s directing debut, a powerful 20-minute piece of humanist cinema about a Palestinian man, Yusef (Saleh Bakri), who wants to surprise his wife with a fridge as an anniversary gift. He takes the couple’s young daughter, Yasmine (Mariam Kanj), shopping. But their big day out is ruined by two encounters with Israeli soldiers at a checkpoint. Yasmine is a witness to her dad’s humiliation – she tugs on his sleeve, reminding him to bite his tongue, to swallow the soldiers’ insults. It is a study of injustice that – like the best shorts – doesn’t try to cram too much in.

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‘Brilliant and versatile’ Observer and Guardian journalist Sarah Hughes dies at 48

Hughes’ work ranged from hard-hitting overseas reports, to sport and television writing as well as candid accounts of coping with cancer

Tributes have been paid to Sarah Hughes, the Observer and Guardian journalist who has died from cancer.

Hughes, a mother of two, was a hugely respected journalist whose work ranged from hard-hitting and acclaimed overseas reportage, to the television and entertainment writing that she went on to specialise in.

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‘A lovely bit of squirrel’: Paul Ritter’s most memorable roles

Ritter carved out a wonderful career, culminating in the acclaimed Chernobyl – but he’ll be remembered most as oddball patriarch Martin Goodman in Friday Night Dinner

Paul Ritter, who died on Monday at the age of 54, is destined to be remembered as the dad from Friday Night Dinner. And rightly so. If you think of Ritter, or Friday Night Dinner for that matter, one image will almost certainly be seared into your mind: Ritter, walking around with his top off like it was the most normal thing in the world, complaining about the heat, or enquiring after a “lovely bit of squirrel”.

That role, and that image, brought Ritter a level of fame he had previously never achieved. Before the sitcom, which began in 2011, he had worked solidly in a number of small screen parts, usually playing characters who were professions first and people second – Detective Sergeant in 1998’s Big Cat, Geography Teacher in 2007’s Son of Rambow and Prisoner Louis in Hannibal Rising from the same year – while tending to a growing reputation on the stage. In 2006, he was nominated for an Olivier award for Coram Boy, and a Tony three years later for The Norman Conquests.

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Friday Night Dinner star Paul Ritter dies of brain tumour at 54

Ritter, who also appeared in films including Harry Potter and the Half-Blood Prince, died at home alongside his wife and two sons

The actor Paul Ritter has died of a brain tumour at the age of 54, his agent has told the Guardian. Ritter who starred as the family patriarch Martin in Channel 4’s Friday Night Dinner alongside Tamsin Greig, Simon Bird and Tom Rosenthal died on Monday.

In a statement, his agent said that the actor, who also appeared in numerous films including Harry Potter and the Half-Blood Prince and Quantum of Solace, died at home with his family by his side.

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‘They are living maps’: how Richard Mosse captured environmental damage in the Amazon

In a new set of photos, environmental degradation in the Amazon is explored to shine light on ‘a hideously complex story’

In his 20s, Irish photographer Richard Mosse made his first foray into photojournalism by capturing postwar Balkan nations. This experience led to a realisation that the medium was inadequately suited to capture complex, layered narratives. “You have to put the thing in front of the camera, and when that thing is an abstraction, far bigger than a human figure, it’s very difficult to do,” he explained in a recent podcast with Monocle.

The subjects he found himself covering over the next two decades were equally abstract and complex as the first, ranging from conflict in DR Congo to the refugee crisis in Europe. However, in his search for ways to subvert the medium and bend it to his will, he eventually managed to create his own unique brand of photography, characterised by the use of infra-red film and other technology rooted in military reconnaissance.

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Pino Palladino, pop’s greatest bassist: ‘I felt like a performing monkey!’

One of the world’s most celebrated bass players has worked with everyone from Adele to Elton John, the Who and D’Angelo. But the Welsh musician has hidden from the spotlight – until now

By his own admission, Pino Palladino is not a man much accustomed to giving interviews. “Very reticent,” he nods during a Zoom call, his accent speaking noticeably louder of his childhood in Cardiff than his current home in LA. “You know, there was a time when I was featured in all sorts of musicians’ magazines, and then I just thought to myself, ‘Move over, there’s people out there that actually need the publicity.’ Not to blow smoke up my own arse,” he adds hurriedly, “but really I just didn’t want to see or hear from myself.”

It’s a remark in keeping with the astonishing career of one of the most celebrated bass players in the world. It’s hard not to blanche when you consider the sheer number of records that have been sold featuring his work. He played on not one but two of the biggest selling albums of the 21st century: Adele’s 21 and Ed Sheeran’s Divide, as well as with Rod Stewart, Elton John, Bryan Ferry, Simon and Garfunkel and Keith Richards. They’re the biggest names in a startlingly diverse back catalogue of collaborations: Palladino’s playing is the thread that links Perfume Genius with Phil Collins, Harry Styles with Chris de Burgh, and Nine Inch Nails with De La Soul. Indeed, his versatility and omnipresence is a running joke within the music industry. When another fabled bass player, Pink Floyd’s Guy Pratt, got married, he opened his groom’s speech with the words: “I’m only here today because Pino couldn’t make it.”

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Ryley Walker: ‘Going two days sober was impossible since I was a kid’

He was hailed as the new Nick Drake, but addiction nearly destroyed him. Now he writes songs ‘in a state of joy’ and, after stacking shelves for minimum wage, has released his best work yet

Speaking on a video call from Massachusetts, Ryley Walker is obscured by a blaze of sunlight coming through a large open window as he filters out the air in his apartment. “I must give up smoking,” the singer-songwriter frowns, lighting up his third cigarette.

Given how much Walker has had to give up over the last few years – emerging from the drug and alcohol dependency that shaped his adult life – it’s hard to begrudge him one last remaining vice. Walker, who attempted suicide as a consequence of his addictions, says that being here today is “a miracle”. His career-best new album – the proggy, unexpectedly pretty Course in Fable – is the sound of an artist treating his life as such.

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Let me stop you there: why do Oscar speeches get cut short?

Even finally winning the most prestigious award in your field can’t stop you from being drowned out by pesky time-keepers

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it, once and for all

Winning an Oscar is the highlight of a career. It’s peer validation on the largest possible stage. As your name is called and you approach the podium, your heart bursts and your head spins. You look out and see every famous person on Earth, all staring straight at you. Beyond them, cameras are beaming your face into hundreds of millions of homes. Time to gather your thoughts and articulate exactly what this means to you.

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‘An escape from dark times’: how ancient history podcasts bring comfort and clarity

I started listening to tales of yore in 2019, when long drives with my infant son became essential. They soothed him to sleep – and transported me to a different world

Fans of Paul Cooper’s podcast Fall of Civilizations will know that it usually begins in a particular way. A traveller, often far from home, encounters a ruin that hints at a vast and forgotten story of the past.

Hiding from bandits in the desert, the Italian nobleman Pietro della Valle takes shelter in the shadow of the crumbling Ziggurat of Ur. Clambering through the rubble of a once magnificent site of Roman Britain, an unknown poet of the eighth or ninth century writes an elegy to the broken “work of giants”.

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Actor Thandiwe Newton reclaims original spelling of her name

Westworld actor tells Vogue she is reverting to Zulu spelling, saying ‘I’m taking back what’s mine’

The actor formerly known as Thandie Newton has said she will reclaim the original Zulu-derived spelling of her name for use in her professional career, declaring: “I’m taking back what’s mine.”

For more than 30 years, the actor, born Melanie Thandiwe Newton Parker, has been known by an anglicised version of her name since the “w” was dropped “carelessly” from her first acting credit.

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If you like salmon, don’t read this: the art duo exposing a booming £1bn market

Farmed salmon can end up deformed, blind, riddled with sea lice and driven to eat each other. Eco art activists Cooking Sections are highlighting their plight – and getting Tate to change its menus

A few months back, a book arrived in the post – tiny, not much larger than a bank card. Though the cover was grey, its pages were a riot of pinks, from deepest persimmon to pale rose. Printed on them were dense, technical essays referencing everything from fish farming to Adam Smith’s The Wealth of Nations. The title was Salmon: A Red Herring.

Fish is an unexpected topic for an art book – but then the duo who created this little volume, Daniel Fernández Pascual and Alon Schwabe, aren’t really going for the coffee-table market. Operating under the name Cooking Sections, the pair have a thing for food. Their art is about what we eat and its impact on the Earth.

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Back in black: Spanish region summons Goya home to stem decline

Area around Fuendetodos will recreate artists’ Black Paintings venue as it marks his 275th birthday

Two hundred years after he covered the walls of his house near Madrid with febrile visions of Saturn devouring his son, a witches’ sabbath and a slowly drowning dog, Francisco de Goya has been summoned home to help reverse the fortunes of the poor, remote and underpopulated Spanish region where he was born in 1746.

The painter, printmaker and fascinated, appalled chronicler of war, cruelty and reason’s frequent slumbers, studied in Italy and painted for the court in Madrid before dying in Bordeaux in 1828. But he was born on the other side of the Pyrenees in Fuendetodos, a small town 27 miles (44km) south of Zaragoza in the north-eastern Spanish region of Aragon.

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My rock’n’roll friendship with Lindy Morrison

She was in the Go-Betweens, Tracey Thorn was in the Marine Girls, their 30-year friendship enhanced both their lives

On 31 March 1983, she burst into my dressing room, asking at the top of her voice, “Has anyone here got a lipstick I can borrow?” I looked up to see a tall woman in a Lurex dress, with a mass of blonde hair. Our two bands, Marine Girls and the Go-Betweens, were on the same bill at the Lyceum in London. I was 20, and she was 31. I was a tentative singer, she was a loud, outspoken drummer. I was from suburbia, she was from Brisbane, Australia. And I was still a student, while she had already been a social worker, then joined a feminist punk band called Xero. She’d hitchhiked across Europe with a girlfriend, she’d seen every art film, read every avant-garde book. She’d slept at Shakespeare and Co in Paris, she’d swum with Roger Moore, she could recite Kate Millett’s Sexual Politics. But I didn’t know any of this. I just knew that she looked like self-belief in a minidress, and that she had arrived in my life. “Who was that?” I asked when she had gone. “That,” came the reply, “was Lindy Morrison.”

It took a couple of years for us to become friends. We were opposites in many ways, and at different stages of life, but there were similarities: we both lived with the boyfriend we were in a band with; we had strong opinions about everything – feminism, love and art; we liked Marilyn Monroe, Bette Davis, Patti Smith, Simone de Beauvoir, and we had no time for a lot of the men who surrounded us in the music business. I’d watch her on stage, fierce and sweating behind the drum kit, long hair flying in her face, all energy, all concentration, and I was proud to be her friend.

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Damson Idris: ‘Mum would dress me in a three-piece golden suit’

Peckham-born Damson Idris is a huge name in the US. But back here his star is still rising. He talks to Tim Lewis about breaking out in Snowfall, his American accent, joking with Jay-Z and the joy of dressing up

In 2015, when he was a young actor from Peckham with a couple of theatre credits and, naturally, an episode of Casualty to his Equity card, Damson Idris somehow wangled a big TV audition in Los Angeles. The part was Franklin Saint, a bright kid in South Central LA during the 1980s who becomes a drug kingpin just as the city is on the cusp of a crack cocaine epidemic. Snowfall was the vision of John Singleton, the director of the seminal 1991 coming-of-age film Boyz n the Hood. Word was that every tyro black actor in America, and beyond, wanted to be cast as Franklin.

“The audition was about two, three weeks out,” recalls Idris, “so I went to my family and said, ‘Guys, I’m going to be in an American accent for three weeks and onwards if this process keeps going on. Don’t, don’t, don’t make no jokes. Don’t ask me, “Ahhhh, why are you talking like that?” No. My name’s Franklin and from now on you’re going to address me as Franklin. You hear that Mum?’ I was still living with my mum at the time. And she’s like, ‘Yeah, whatever. Go wash the dishes.’”

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Beautiful Things review: Hunter Biden as prodigal son and the Trumpists’ target

The president’s son recounts his struggles and his father’s love with honesty – yet still seems blind to glaring political realities

Robert Hunter Biden is not a rock star. Instead, the sole surviving son of Joe Biden – senator, vice-president, president – is a lawyer by training and a princeling by happenstance. Regardless, life on the edge comes with consequences.

Related: Lucky review: how Biden beat Trump – and doubters like Obama and Hillary

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Maker of Lil Nas X ‘Satan shoes’ blocked by Nike insists they are works of art

  • MSCHF cannot sell 666 pairs of controversial sneakers
  • ‘Conceptual art collective’ bemoans legal reverse

The maker of the rapper Lil Nas X’s controversial “Satan shoes” responded to a lawsuit from Nike by claiming the sneakers were works of art.

Related: Satan shoes? Sure. But Lil Nas X is not leading American kids to devil-worship | Akin Olla

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Sir Tom Jones: ‘The knicker throwing started in the Copacabana in New York in 1968’

The singer, 80, on enthusiastic audiences, singing Sex Bomb at 90, meeting a young Michael Jackson and losing the love of his life

I’ve been singing since I was a kid growing up in Pontypridd in South Wales. I would sing in school. I would sing in chapel. Any chance I got to get up and sing, I took it.

I was quarantined for two years with tuberculosis. I was in hospital or confined to my house from 1952 to 1954, from the age of 12 to 14. There was an old gas lamp-post at the end of the street I could see out of the window from our house where the local kids used to gather. I used to think, “When I can walk to the lamp-post again, I’ll never complain about anything as long as I live.” I still see that lamp-post in my mind and think, “What am I complaining about?”

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