Louis Theroux: ‘I worry about not coming up to scratch’

He made a film on Joe Exotic a decade before Tiger King, lulls interviewees into personal revelations – and can rock a leather suit. So why is he so anxious?

“There’s no getting away from the fact that, even aged 50, I’m a slightly awkward person, a fearful person, worry-prone,” says Louis Theroux, wriggling in his seat. The film-maker picks up and puts down a coffee without drinking. He wears all blue: navy sweater, stock denim, one of those indestructible plastic Casio watches on his wrist. “I worry about what people think,” Theroux continues, “I worry about giving offence, being judged, not coming up to scratch, being thin-skinned.”

We are in the corner of a photography studio in London, sheltering from rain on a Friday afternoon. The room has long emptied of people, but, even so, as Theroux chats, he snatches quick glances over his right shoulder, as if expecting to find somebody or something lurking there. “Everyone has things that preoccupy them, right?” he says. “I just tend to think, on a spectrum of people in general, I definitely skew, uh, anxious.”

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‘These are our homes’: LA gay bars fight to stay afloat after year of shutdown

Historic queer institutions across southern California that have been safe spaces for LGBTQ+ crowds for decades are in danger of closing permanently

Four iconic Los Angeles gay bars, touting a combined history of 130 years, have permanently closed during the pandemic and many more have warned that they are on the brink of shutdown.

Related: An order of queer and trans 'nuns' in San Francisco take on an unholy year

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US rapper DMX dies aged 50 following heart attack

Multi-platinum rapper, celebrated for raw storytelling, was first artist to top US charts with first five albums

DMX, the New York rapper whose gruff tone electrified the US music scene in the late 1990s, has died aged 50.

The star, whose real name was Earl Simmons, was hospitalised after a heart attack on 2 April, and had been placed in a critical care unit at White Plains hospital, New York. His family had organised a prayer vigil outside, which took place on Monday.

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Fat White Family: ‘I can drop acid at 11am and cook a family dinner by 4pm’

Magic mushrooms and gigs in toilets – the creation of a new album for the raucous band is far from ordinary, as a new film shows

“I’ve never been so fucking cold,” says Lias Saoudi, singer of the riotous scuzz rock outfit Fat White Family. “I thought we were going to die.” Saoudi is recalling an evening when he and his band took psilocybin mushrooms, hit Hastings beach at 1am, stripped to their underpants and soaked up the white glow of the frosty night’s winter moon. The result is Moonbathing in February, a film made with director Niall Trask that is part performance, part fly-on-the-wall document of recording the band’s new album, the follow-up to 2019’s lauded Serfs Up.

Related: The Guide: Staying In – sign up for our home entertainment tips

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‘I won’t allow myself to be broken’: Russia’s Eurovision candidate Manizha takes on ‘the haters’

The singer’s fight against domestic violence and homophobia and her body-positive posts on Instagram have led to a torrent of abuse – some from very powerful people

Russia’s 2021 Eurovision candidate breezes into a conference room, Channel One documentary film crew in tow, offering a simple tea of mint leaves brewed in hot water. “On days like today, I want something calming,” Manizha says, pouring two cups, as a boom mic hovers over us. No pressure.

The Tajikistan-born singer, who will perform her feminist ballad Russian Woman next month at the much-loved, much-mocked song contest in Rotterdam, is the target of a fiery conservative backlash for her foreign roots and her lyrics attacking female stereotypes.

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The Howling at 40: a horror movie that gave us something to chew on

Joe Dante’s sly and smart breakout, about a reporter uncovering a colony of werewolves, was a fun ride that had space for satire

“I saw the best minds of my generation destroyed by madness, starving hysterical naked …”

So begins Allen Ginsberg’s radical poem Howl, which upon close study has absolutely nothing to do with werewolves. And yet it appears on a reporter’s desk in Joe Dante’s horror classic The Howling, one among many blink-or-you’ll-miss it visual jokes that Dante tucks into the movie, like a small-town sheriff scarfing down a can of Wolf-brand chili or an old Little Boy Blue cartoon featuring the Big Bad Wolf that’s airing on TV. His best films are loaded with such peripheral delights, which have the feel of inside jokes, but mostly point to the movie-crazy spirit of a Dante production. The more movies you’ve seen, the more you tend to love Joe Dante.

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‘It’s an utter myth’: how Nomadland exposes the cult of the western

From cowboys to ‘van-dwellers’, itinerant Americans are often portrayed as heroic lone wolves. Chloé Zhao’s film shows that the truth is more complicated and less glamorous

It has been a wild ride for Nomadland, Chloé Zhao’s roving portrait of the US’s rootless modern migrants. Shot for $5m and largely featuring amateur actors, it is the little movie that could: this year’s rags-to-riches story, beloved by the critics and odds-setters alike. The road has been cleared, the gold rush is on, but the Hollywood happy ending feels at odds with the film. As Nomadland steers its westerly course – from the Baftas in London to the Oscars in Los Angeles – it is living a dream that it knows is a lie.

Condé Nast Traveler called it “a love letter to America’s wide open spaces”, which is true up to a point, but this ignores the pathos, poverty and desperation at its core. Adapted from Jessica Bruder’s nonfiction bestseller, the film bounces Frances McDormand’s hard-bitten loner through a modern American badland in which the saloon and the sheriff’s office have been replaced by the RV park and the Amazon warehouse. I would file the film as an anti-western, a wholesale repudiation of manifest destiny, the pursuit of happiness, all the Hollywood snake oil we have long been fed. “Yeah, OK,” Bruder says. “But it’s more complicated than that.” Frustratingly, I think she may be right.

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Painting that was nearly sold for €1,500 could be Caravaggio worth €50m

Spanish government imposes export ban on oil painting as experts study it to determine authorship

Before it was pulled from sale, lot 229, a small but luminous oil painting of the scourged Christ attributed to the circle of the 17th-century Spanish artist José de Ribera, had been due to go under the hammer in Madrid on Thursday with a guide price of €1,500 (£1,300).

Closer inspection, however, has raised suspicions that the Crowning with Thorns may be the rather more valuable work of the Italian master Michelangelo Merisi da Caravaggio, leading the Spanish government to impose an export ban on the painting.

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Ex-police reveal bribes and threats used to cover up corruption in 70s London

BBC documentary to examine incidents that led to setting up of unit on which Line of Duty’s AC-12 is based

One of London’s most senior police officers, described by a colleague as “the greatest villain unhung”, was believed to be involved in major corruption in the 1970s but never prosecuted, according to a new documentary on police malpractice.

Former officers who exposed corruption at the time describe how they were threatened that they would end up in a “cement raincoat” if they informed on fellow officers and were shunned by colleagues when they did.

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Anthony Hopkins’ 20 best film performances – ranked!

Anthony Hopkins has been nominated for a Bafta and an Oscar for his role in The Father. But how does it compare with his performances as Hannibal Lecter, CS Lewis, Odin and an ageing Zorro?

Over the years, Anthony Hopkins acquired the sort of gravitas that allowed him to slot effortlessly into his stint in the Marvel special effects salt mines, nowadays a rite-of-passage for every actor. And he is perfectly cast as Odin, the one-eyed ruler of Asgard, legendary know-it-all and, in the MCU at least, the father of Hela, Thor and Loki. “I’m a little like Odin myself,” Hopkins said in an interview.

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Merry Clayton: ‘Gimme Shelter left a dark taste in my mouth’

The singer who backed the Rolling Stones, Coldplay and more weathered a miscarriage, then the loss of her legs in a car accident – but her new album Beautiful Scars shows she refuses to give up

Merry Clayton has an excellent memory. The 72-year-old singer tells tales with such particular detail: the warmth of falling asleep between gospel legends Mahalia Jackson and Linda Hopkins in the pews of her father’s church in Louisiana; the recording sessions with Bobby Darin, Lynyrd Skynyrd and the Rolling Stones, for whom she delivered the searing holler of Gimme Shelter.

What Clayton has no memory of is the 2014 car accident that was so severe that doctors were forced to amputate both of her legs below the knee. She remembers waking up in hospital, but the incident itself, and much of the five months she spent recovering, is lost. “It was like I was in another place,” she explains, speaking from her home in Los Angeles. “I knew I was here in the world, but it was just like I was somewhere else. I was in la-la land.”

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Night in Paradise review – operatic Korean display of gunfire and death

This blood-splattered gangster flick with a romantic subplot follows Tae-Gu as he hides out from his enemies

This gleefully blood-splattered Korean gangster film with an unlikely romantic subplot looks for most of its running time like the sort of cult-friendly genre discovery one could watch and then crow over before an inevitable Hollywood remake comes out. That said, the ending is so relentlessly bleak that a faithful remake would be unlikely – while an unfaithful one with a happier conclusion would be absurd given the ruthless logic of writer-director Park Hoon-jung’s plotting.

The initiating setup is that after something really bad happens, moody pretty-boy gangster Tae-Gu (Eom Tae-goo) must hide out on a resort island in off-season before he is ultimately resettled in Vladivostok, Russia. En route he stays with a grumpy arms dealer, a former gangster himself, and that man’s troubled, taciturn niece Jae-Yeon (Jeon Yeo-been). But it soon transpires that there’s hidden depths in both Jae-Yeon and Tae-Gu, who after the de rigueur initial verbal sparring become unlikely friends – and maybe potential soul mates, especially when they end up bonding over their shared affection for mulhoe, a spicy raw fish soup which plays a significant role in the story. In fact, there are a lot of meals throughout, discussions of who is hungry and a key plot-furthering sit-down among gangsters in a restaurant that involves one of those huge rotating trivets typical of Korean restaurants so that people can share dishes more easily.

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Elizabeth Perkins on luck, sexism and Big’s love scene: ‘It would not be acceptable today’

The star of hit films in the 80s and 90s has since moved into TV. She discusses life with 10 siblings, #MeToo and why she couldn’t ask for a better life

Veering from horror to joy and back again, Elizabeth Perkins is contemplating what it would be like if her adult children moved back home. “The thing is, you miss them so much, then they’ll come back for a holiday and within a week there’s dirty dishes everywhere, there’s wet towels on the floor, they’ve eaten all the food. After a couple of weeks, you’re like: ‘Will they ever leave?’”

This is the timely theme of Perkins’ show The Moodys, the first season of which, in 2019, saw three grownup children return home to Chicago for Christmas. Perkins plays Ann Moody, their mother; Denis Leary plays her husband. In the new season, all three children are living at the family home, with predictably messy consequences. “It really explored that dichotomy of: you love them to death, but, man, they get on your nerves,” says Perkins.

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A cartoon before first communion: Susan Kandel’s best photograph

‘Left to her own devices, she’d be in a T-shirt and out in the dirt. But she’s been told to be good, stand still and not mess up her dress’

This photo was easy because this is my niece, who’s getting ready for her first communion. Her normal state was to be very active, never stationary for more than a minute. Left to her own devices, she’d be wearing a T-shirt and probably out there in the dirt. What I see in this picture is that she’s been told to be good, stand still and not mess up her dress.

It was 1987 and the family lived in Stoughton, Massachusetts. It’s a blue-collar area, not particularly fancy. There were always kids playing outside, which you didn’t see so much in more prosperous neighbourhoods. There was a lot of excitement. First communion is a very big deal. The rationale is that the girls are becoming brides of Christ, so their outfits are like a wedding dress, and the boys wear white suits, white shirts, white ties. They’re seven years old, considered old enough to have a notion of sin. My niece must have just turned 40 now.

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Ballaké Sissoko: picking up the pieces after US customs broke his kora

Last February, Sissoko’s historic instrument was disassembled on a flight home to Paris. Bolstered by a new kora, his latest album revives their borderless journey

In the Malian language Bamanankan, djourou – the title of Ballaké Sissoko’s forthcoming album – means string. “It’s the string that connects me to others,” he says. For this master of the kora, it is also the string that broke.

Last February, Sissoko returned to Paris after a US tour with his trio 3MA to find that border officials in New York had dismantled his kora. The neck, bridge, strings and custom-built pickup had been removed from the body, made of calabash and parchment. The instrument was beyond repair, and made headlines around the world.

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Jordan Peterson ‘shocked’ by Captain America villain espousing ‘10 rules for life’

Ta-Nehisi Coates’s new comic sees Red Skull mobilising young men against ‘the feminist trap’ and other Petersonian targets

In the new issue of Captain America, the superhero’s longtime nemesis Red Skull espouses his views about “10 rules for life”, “the feminist trap” and “chaos and order” – and Canadian psychologist Jordan Peterson is none too pleased.

Written by the award-winning author Ta-Nehisi Coates, the Marvel comic features a version of the villain who looks to radicalise young men by telling them “what they’ve always longed to hear … That they’re secretly great. That the whole world is against them. That if they’re men, they’ll fight back. And bingo – that’s their purpose. That’s what they’ll live for. And that’s what they’ll die for.”

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‘This is not an easy treasure hunt’: puzzle book offers readers chance to win €750,000 golden casket

Clues in The Golden Treasure of the Entente Cordiale could lead readers in the UK and France to a historic treasure presented by Britain to the French president in 1903

For all the armchair puzzlers for whom sudokus and crosswords have palled over the long months of lockdown, a fiendish new literary conundrum is about to slide on to bookshelves – with a rather lucrative and unusual reward.

Artist Michel Becker tracked down and bought the golden casket given to France by the UK ahead of the signing of the entente cordiale on 8 April 1904, which attempted to end centuries of antagonism between the two countries. Presented to French president Émile Loubet in July 1903, the casket was wrought by Goldsmiths and Silversmiths Company in London and contained a scroll celebrating friendship between the two countries. Valued at €750,000 (£646,000), the intricately decorated box is now the prize for whoever solves the clues in Becker’s forthcoming treasure hunt book, The Golden Treasure of the Entente Cordiale.

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‘Sometimes, it’s shocking’: Raoul Peck on his bold new colonialism series

The Oscar-nominated film-maker behind I Am Not Your Negro returns with Exterminate All the Brutes, a dense new HBO docuseries about a horrifying history

Truly, what else was there left to say about race in America after the words of James Baldwin? This is what Raoul Peck found himself contemplating after the success of his 2016 documentary, I Am Not Your Negro, which was nominated for an Academy Award and won an Emmy, a Bafta and a César award. He was confounded and disappointed to realize that some audiences, particularly in Europe, weren’t fully comprehending the work of what he calls “one of the best, if not the best analyst of what racism is”, believing it to be primarily an American concern.

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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‘Film-making? Bring it on!’: ex-stockbroker Farah Nabulsi on her Oscar nomination

The British Palestinian is up for an Oscar with her debut, filmed at a notorious Israeli flashpoint called Checkpoint 300. The London-based director talks about her shocking visits to the Middle East

Farah Nabulsi was at home in west London when she found out her film The Present had been nominated for the Oscar for best live action short. She’d persuaded her teenage sons to stay home and watch the announcement. When she heard her name, she jumped up on the table. Her eldest looked at her as if she’d gone mad. He’d got it into his head that this was the actual ceremony and she had lost. “He was like, ‘Why are you so happy? They didn’t pick you.’ He killed the moment.”

The film is Nabulsi’s directing debut, a powerful 20-minute piece of humanist cinema about a Palestinian man, Yusef (Saleh Bakri), who wants to surprise his wife with a fridge as an anniversary gift. He takes the couple’s young daughter, Yasmine (Mariam Kanj), shopping. But their big day out is ruined by two encounters with Israeli soldiers at a checkpoint. Yasmine is a witness to her dad’s humiliation – she tugs on his sleeve, reminding him to bite his tongue, to swallow the soldiers’ insults. It is a study of injustice that – like the best shorts – doesn’t try to cram too much in.

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‘Brilliant and versatile’ Observer and Guardian journalist Sarah Hughes dies at 48

Hughes’ work ranged from hard-hitting overseas reports, to sport and television writing as well as candid accounts of coping with cancer

Tributes have been paid to Sarah Hughes, the Observer and Guardian journalist who has died from cancer.

Hughes, a mother of two, was a hugely respected journalist whose work ranged from hard-hitting and acclaimed overseas reportage, to the television and entertainment writing that she went on to specialise in.

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