Oscars ‘no Zoom’ policy proving a headache for overseas nominees

Publicists and studio executives have reportedly complained about logistics, costs and quarantine issues

The “no Zoom” policy for this year’s Oscars ceremony is proving a headache for multiple nominees who live outside the United States and who are still under pandemic restrictions, according to Hollywood publications.

Variety and Deadline Hollywood reported on Wednesday that publicists and some studio executives have complained to the film academy about logistics, costs and quarantine issues raised by the decision to bar nominees from taking part in the ceremony remotely.

Continue reading...

The beluga whale who became famous: Aleksander Nordahl’s best photograph

‘He was called Hvaldimir and he would play in front of crowds at Hammerfest harbour in Norway. One woman dropped her phone and he fetched it for her’

In April 2019, a beluga whale appeared alongside fishing boats off the coast of Norway. He was wearing a harness. A fisherman called Joar Hesten freed him, and saw the harness had stamped on it “equipment of St Petersburg”. The media went crazy, with talk of a “spy whale”, and the creature was named Hvaldimir, a combination of hval, the Norwegian word for whale, and Vladimir, a nod to Russia’s President Putin.

The whale became famous. There were Instagram videos of him playing in Hammerfest harbour in front of crowds. One woman dropped her phone in the water and the whale fetched it for her. He would bring up bones from the depths to show people, almost like little gifts. It became this huge moment on social media: everyone in the country fell in love with the whale. Even the hardcore fishing villages melted for Hvaldimir.

Continue reading...

System of a Down’s Serj Tankian: ‘If something is true, it should be said’

System of a Down’s political activism helped change the course of Armenian history. But – facing censorship, assassination threats and a divided band – at what price for its frontman?

Of all the nights Serj Tankian has stood on stage surveying a crowd of 50,000 faces roaring his own words back at him, there is one that the System of a Down frontman will never forget. On 23 April 2015, the metal band gave a two-and-half hour, 37-song set to a rapturous audience in Republic Square, in the heart of the Armenian capital Yerevan. For a band formed in the diaspora community of Los Angeles’ Little Armenia in 1994, the occasion could not have been more significant: they had been invited to perform in the country for the first time as part of events marking the centenary of the Armenian genocide, in which an estimated 1.5 million Armenians were killed between 1915 and 1922. “The overwhelming feeling was of belonging,” says Tankian, 53, speaking from his airy home studio in Los Angeles. “It felt like we were created 21 years earlier so we could be there that night.”

For Tankian, whose outspoken political activism often animates his songwriting, seeking international recognition of the Armenian genocide has been a lifelong and personal campaign. On stage that night in Yerevan he told the story of his grandfather Stepan Haytayan, who was just five years old when he saw his father murdered in the atrocities; he later went blind from hunger. Between songs, Tankian railed against Barack Obama’s resistance to using the term “genocide” to describe the atrocities after taking office, before turning his ire on Armenia’s authoritarian president, Serzh Sargsyan. “We’ve come a long way, Armenia, but there’s still a lot of fucking work to do,” Tankian told the audience, before calling out the “institutional injustice” of Sargsyan’s administration and demanding the introduction of an “egalitarian civil society”.

Continue reading...

Nobody review – Bob Odenkirk betters John Wick in fun action caper

The Better Call Saul star gets a furiously entertaining star vehicle playing a suburban father who finds himself up against the Russian mob

For any vaguely fit actor over the age of 50, being given your own Taken was briefly seen as an enviable career boost, a chance to relive former glories, a slickly choreographed leap from an early Hollywood grave back to the sandlot. Ever since Liam Neeson swapped emoting for punching back in 2008, Kevin Costner, Sean Penn, John Travolta, Pierce Brosnan and Guy Pearce all tried to do the same but audiences wisely stayed away from their sub-par shoot-em-ups and execs were forced to realise that, duh, it’s the star rather than the sub-genre that people are magnetically drawn to. Because Neeson’s shtick was continuing to bring in solid crowds while his peers were flailing and in 2014, Keanu Reeves found a similar sweet spot with John Wick, kicking off a hugely profitable new series with a Taken-adjacent combination of simple action plot and much-loved actor.

Related: Chaos Walking review – cursed YA adaptation stumbles into view

Continue reading...

‘Downton Abbey is ludicrous’: the biggest TV hits we’ve never seen – until now

Continuing our series on a year of bumper pandemic viewing, our critics finally watch the shows that had passed them by, from Downton to Twin Peaks

As with my experience of so many modern cultural touchstones, I first came to 24 via a Simpsons parody. Being only seven years old in 2001, when the 24-episode “real time” thriller first aired, my knowledge of Kiefer Sutherland’s exhausting counter-terror mission to stop the assassination of a presidential hopeful came from a 2007 Simpsons episode starring Lisa and Bart in a split-screen chase to hold off the detonation of a powerful stink bomb at Springfield Elementary.

Continue reading...

‘What appointments did these dogs have to keep?’: long lunches and brief liaisons in a radical new dogumentary

To mark National Puppy Day, Elizabeth Lo’s acclaimed film Stray gives humans rare insight into the canine gaze, courtesy of homeless mutts in Istanbul

From the moment Zeytin makes her first appearance in Elizabeth Lo’s feature Stray, there is no doubt you are in the presence of a unique spirit. As she surveys an Istanbul side street at dawn, her features are alert, her gaze is uncompromising and her deep, dark eyes sparkle with intelligence. There’s something of Katharine Hepburn in The African Queen about her, or maybe Brad Pitt in one of his less kempt moments. But non-dog comparisons don’t do her justice. This is one indomitable bitch.

Lo first encountered Zeytin and her friend Nazar on a 2017 casting trip to Turkey, and knew immediately that she had found the star she was looking for – which is to say, a dog who could carry a human film. “We were wandering through a busy underground tunnel filled with people when suddenly these two giant stray dogs streaked past us,” she says. “They were running with such a sense of purpose and it was so intriguing. What appointments did these dogs have to keep?”

Continue reading...

Thomas Bernhard was a ‘demon’, half-brother reveals in bestseller

Memoir by Peter Fabjan, an acclaimed hit in Bernhard’s native Austria, describes a tormented man who flitted between ‘affection and icy contempt’

In public, he could be gregarious. His charm was legendary. For the great Austrian novelist and playwright Thomas Bernhard, life was a kind of production. But as his half-brother Peter Fabjan remembers him in his new book, A Life Alongside Thomas Bernhard: A Report, published in German in January, there was another side to Bernhard. “My life was a life with a phantom – indeed a demon – at my side,” he writes.

A Top 10 bestseller in Austria, and labelled a must-read by Germany’s Die Welt, Fabjan’s book marks what would have been Bernhard’s 90th year, were it not for his premature death in 1989 at the age of 58. It has been widely acclaimed by critics; behind Fabjan’s sentences, Marc Reichwein wrote in Welt am Sonntag, one feels “the wounds of a sibling’s entire life”.

Continue reading...

Serpentwithfeet: ‘Nobody can take my joy. Not the government, not a random white person’

With his new album, Deacon, the US singer-songwriter has finally left heartbreak and anger behind. It’s been a journey

Across the long stretch of the pandemic, with formal face-to-face interviews replaced by cosy conversations over phones and laptops, we have become used to images of kitchens, living rooms and carefully selected bookshelves. For today’s conversation, though, singer-songwriter Serpentwithfeet has offered up a far more novel setting in the current locked-down climate: an airport. After struggling to connect, he appears, most of his face covered with a mask, his neck tattoos just visible through the compressed video image. “Can you hear me?” he asks, before a disembodied voice interrupts to announce that a flight is now boarding.

Related: The Guide: Staying In – sign up for our home entertainment tips

Continue reading...

Coming of age in a pandemic: 24 photography exhibition 2021 – in pictures

Eighteen years ago, 24 photographers agreed to document New Year’s Day for 24 years. Each was allocated one hour of the day to record what was going on around them and each moves forward one hour every year. Here is a selection of their work, which will be displayed in Soho Square, London, from 24 March until 16 April at one of the first exhibitions to reopen in the UK after a series of coronavirus lockdowns

Continue reading...

Waiting for a Star to Fall: Boy Meets Girl on how they made a pop classic

‘We were at a Whitney Houston concert in LA. I glanced up and saw a shooting star. It felt like a sign from the heavens’

We’d written How Will I Know and I Wanna Dance With Somebody (Who Loves Me) for Whitney Houston, so were given tickets when she played the Greek Theatre in Los Angeles on her first tour in 1986. After she sang How Will I Know, I glanced up and there was a shooting star in the night sky above the amphitheatre. I pulled out my notebook and wrote down: “Waiting for a star to fall.” It felt like a sign from the heavens.

Continue reading...

Nawal El Saadawi, trailblazing Egyptian writer, dies aged 89

Award-winning feminist author of more than 55 books was a resolute challenger to Egyptian governments

Egypt’s trailblazing writer Nawal El Saadawi died on Sunday at the age of 89, after a lifetime spent fighting for women’s rights and equality.

The feminist author of more than 55 books first spotlighted the issue of female genital mutilation (FGM) with The Hidden Face of Eve in 1980. A trained doctor, El Saadawi also campaigned against women wearing the veil, polygamy and inequality in Islamic inheritance rights between men and women.

Continue reading...

‘We needed to rescue the nation from despair’: culture’s year of Covid

Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

Continue reading...

‘A light at the end of the tunnel’: Australian theatres launch 2021 seasons as the rest of the world stays dark

Sydney Theatre Company is the latest to launch this year’s season, as Broadway and the West End look to Australia as the pandemic pioneer

“Australia has become a test case for the rest of the performing arts world,” the Washington Post proclaimed last month, as theatres across the country prepared to move to full capacity, while throughout most of Europe and the US they remain dark.

So yeah, no pressure there, says Sydney Theatre Company’s artistic director Kip Williams, two days out from launching the company’s complete 2021 season – the largest season the STC has seen since 2017.

Continue reading...

‘I have picked people up on the street’: the secret life of architect Alvar Aalto

He built wild, magical buildings and furniture that is still thrilling today. But a new film suggests the celebrated Finn was also a domineering philanderer deeply indebted to his talented wives

Wonky lumps of misshapen, scorched bricks burst from a block of student flats in Cambridge, Massachusetts, giving a warty look to the long wall that winds its way along the Charles River. “The lousiest bricks in the world,” is how Finnish architect Alvar Aalto described the local New England materials he used for his Baker House dorms at the Massachusetts Institute of Technology in 1947. It was meant as a compliment – he loved their twisted, blackened, brutish texture, which gave the walls the look of coarse tweed.

The pockmarked wall is one of many such strange and beautiful things covered in a new feature-length documentary film about Aalto, Finland’s most famous designer export and one of the most celebrated architects of the 20th century, who built a career on his obsessive attention to material details. Always thinking about the human experience of moving through a building, he considered everything from the feel of a leather-wrapped door handle to the pleasure of a misshapen brick.

Continue reading...

Inside Vogue, where women have the top jobs but men still rule

A new account of life at the fashion bible claims that female staff have been undermined and humiliated for decades. The author reveals why she wrote it

As a fashion-obsessed teenager, I dreamed of working for Vogue. What girl didn’t? This was in the 2000s, and smartphones weren’t everywhere yet, so we’d leaf through the latest copy hungrily at the back of the class. I loved the pictures, the clothes, even the adverts. But most of all I loved the masthead and the index. Who were these glamorous humans with lovely-sounding names and exotic job titles?

Mostly, of course, they were women. That’s the thing about a place like Vogue. It’s a huge global corporation with a lot of soft power, yet unlike most such companies, it has always had women at the top. But not right at the top.

Continue reading...

Gerhard Richter gives Holocaust art to Berlin

Germany’s greatest living painter donates 100 works, including his Birkenau series, to capital’s new museum

Fans of the German painter Gerhard Richter are expected to flock to Berlin to view 100 works that he has in effect donated in a long-term loan to a new museum of modern art. The works include a series of paintings addressing the Holocaust that he has vowed never to sell.

The donation by the 89-year-old, who is one of the world’s highest-priced living artists, is destined for the Museum der Moderne, which is under construction in the German capital.

Continue reading...

Lockdown one year on: Hiran Abeysekera on how Covid nixed his West End debut

The Sri Lankan actor, who had wowed audiences in Sheffield in Life of Pi, was poised for West End fame when theatres shut up shop. He reflects on a career interrupted

“I was scared that I might not be able to do Pi again,” says Hiran Abeysekera, who was preparing to transfer his rapturously received 2019 performance in Life of Pi to the West End when the pandemic hit. “We were joking that when theatres finally reopened, I’d have grey hair and a walking stick. People would go: ‘Hiran, do you still want to do Pi?’ And I’d be like: ‘I can’t do it any more, man, I’m too old!’”

Abeysekera, who is a very youthful and ebullient 35, graduated from Rada in 2011. His credits include The Taming of the Shrew at the RSC and Peter Pan at Regent’s Park, and he played Puck in a spirited BBC adaptation, by Russell T Davies, of A Midsummer Night’s Dream in 2016. But Life of Pi in the West End was an obvious breakthrough moment. Lolita Chakrabarti’s stage adaptation of the Booker prize-winning novel by Yann Martel received five-star reviews when it opened at the Sheffield Crucible, and Abeysekera’s performance as Piscine “Pi” Patel – shipwrecked with various zoo animals, including a ravenous tiger – was hailed as star-making. The Guardian called it “superb”, noting that “the actor has the charm, wit and seriousness to make him a compelling narrator of his own magical-realist tale”. Our own reviewer described Abeysekera’s performance as “unbelievably credible”.

Continue reading...

Keeping an eye on the force: life in the real Line of Duty

As the popular BBC drama returns, a former crime reporter takes a look at the reality of fighting police corruption

Last week, an officer from South Wales police received formal notification that they were under investigation regarding their dealings with a man who had been arrested and held overnight in a cell in Cardiff.

The suspect had been released from custody the following morning then found dead shortly afterwards. The investigation is to focus on whether the level of force used by the officer was “necessary, proportionate and reasonable” in the circumstances.

Continue reading...

Ainsley Harriott: ‘My sister still takes control of my cooking at home’

The chef and TV presenter on being lectured by his siblings, what to drink while playing backgammon – and cooking for his dog

I have a painting of an old lady stirring a pot on a fire in a West Indian kitchen, cooking with her children. It used to hang in my mum’s kitchen and now I’ve got it in mine. It’s lovely and tells of yesteryear.

My father was an entertainer and had lots of people in showbiz – like Des O’Connor – round in the front room. Mum used to make them snacks and nibbles and I’d watch the reactions of appreciation and hear the banter.

Continue reading...

On my radar: Monique Roffey’s cultural highlights

The Costa-winning author on enjoying Sade with a glass of wine, Line of Duty and why the Caribbean’s female writers need to be heard

Monique Roffey is an award-winning writer born in Trinidad in 1965 whose novels include The White Woman on a Green Bicycle and House of Ashes, which were shortlisted, respectively, for the Orange and the Costa prizes. She is also a senior lecturer at Manchester Writing School. Her sixth novel, The Mermaid of Black Conch, won the Costa book of the year and is shortlisted for the 2021 Rathbones Folio prize, announced on 24 March.

Continue reading...