Reginald D Hunter | This much I know

The comedian, 51, on gambling with criminals, a surprise daughter, and needing to cry

There’s no greater hell than being an asshole with morals. My tendency to over-analyse makes me slow to act; I question whether I’m doing the right thing constantly.

I inherited my father’s welcoming nature – he loves to tell jokes and stories; reasonableness is his default position. But I also got my mother’s violent rage. It’s rare that I lose my temper, but when I do I become every bit the devil of her.

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Simon Rattle decries Brexit as he applies for German citizenship

Conductor laments impact on UK musicians’ careers and describes application as ‘absolute necessity’

The conductor Simon Rattle, who announced this week that he was cutting short his tenure at Britain’s leading orchestra to return to Germany, has applied for German citizenship after Brexit.

The Liverpool-born musician lamented the barriers thrown up by Britain’s departure from the European Union to the careers of young musicians who had grown used to performing freely to the continent’s music-hungry public.

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Call My Agent: the French TV hit that viewers and actors adore

The comedy, whose fourth series hits Netflix this week, shows France’s TV can match its film

Fast approaching 50 and fed up after two exhausting decades at Artmedia, the top talent agency in Paris, Dominique Besnehard decided, one day in 2005, that he would quite like to turn his hand to producing something of his own.

“At the time,” Besnehard told Le Monde, “Desperate Housewives was all over the telly, a huge success. I just thought, with a couple of colleagues, we could maybe make a series a bit like that, but about the job we do for a living.”

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Sylvain Sylvain was the visionary eye of the New York Dolls’ storm

The guitarist who never lost his defiant streak brought solidity and swashbuckling style to one of the 70s’ wildest bands

There is a story that Sylvain Sylvain liked to tell about his arrival in New York City. He was Sylvain Mizrahi then, a seven-year-old Syrian Jew whose family had fled Egypt for the US during the Suez crisis. “I was probably one of the last immigrants to sail into New York harbour to be greeted by the Statue of Liberty,” he recalled. “I would be standing there in my fucking brown shoes and people would say, ‘You speak English?’ I’d say no. They’d say, ‘Fuck you.’ The first words I learned when I got off the boat were ‘fuck you.’”

Related: Sylvain Sylvain, showboating guitarist of New York Dolls, dies aged 69

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Amazon.com and ‘Big Five’ publishers accused of ebook price-fixing

Class action lawsuit filed in US claims the houses have colluded with the online giant to keep prices artificially high

Amazon.com and the “Big Five” publishers – Penguin Random House, Hachette, HarperCollins, Macmillan and Simon & Schuster – have been accused of colluding to fix ebook prices, in a class action filed by the law firm that successfully sued Apple and the Big Five on the same charge 10 years ago.

The lawsuit, filed in district court in New York on Thursday by Seattle firm Hagens Berman, on behalf of consumers in several US states, names the retail giant as the sole defendant but labels the publishers “co-conspirators”. It alleges Amazon and the publishers use a clause known as “Most Favored Nations” (MFN) to keep ebook prices artificially high, by agreeing to price restraints that force consumers to pay more for ebooks purchased on retail platforms that are not Amazon.com.

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Vive l’indifférence! Netflix’s Room 2806 exposes France’s #MeToo apathy

Centred on a sex-assault case involving former French presidential hopeful Dominique Strauss-Kahn, this docuseries reveals worryingly outdated attitudes

Most people will have only the haziest recollection of the fallout that occurred after the French presidential hopeful and then head of the International Monetary Fund Dominique Strauss-Kahn was accused of sexually assaulting a room attendant in a New York hotel in 2011. That allows the Netflix documentary Room 2806: The Accusation to possess all the qualities of a slick political thriller. Who will be believed? The immigrant, hotel cleaner, a single parent living in a flat in the Bronx or the globally powerful, immensely rich politician?

This tense, four-part documentary has astonishing material to work with. There is plenty of CCTV footage, filmed from the ceiling, of chambermaid Nafissatou Diallo making her way to the presidential suite, and later, visibly distressed, being shepherded by her supervisor to a subterranean network of shabby staff offices in the bowels of the building, away from the gilded foyer, where she wipes away tears and recounts how she has been assaulted by Strauss-Kahn as she cleaned his rooms.

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Rimbaud’s remains will not be moved to Panthéon, rules Macron

President decides against relocating remains of French poet to Parisian memorial

The remains of the famed French poet Arthur Rimbaud will not be moved to the Panthéon mausoleum despite a campaign to honour him as an artist and symbol of gay rights, the French president, Emmanuel Macron, has decided.

A petition last year backed by a number of celebrities as well as the culture minister, Roselyne Bachelot, called for Rimbaud to be reinterred alongside his lover and fellow poet Paul Verlaine at the monument in central Paris.

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Ben Chaplin: ‘The last thing I wanted to be was the new Hugh Grant’

The Game On actor has had Hollywood success without becoming an A-lister. But working with Malick, Stone and Francis Ford Coppola has made for an interesting career

Sitting in the Los Angeles sun in a T-shirt and a hoodie, Ben Chaplin has a coffee cup in one hand and a cigarette between two fingers of the other. He is chipper this morning, if a little wary about technology, after a mishap last year.

“My first Zoom thing was also my first ever Seder dinner,” says the 51-year-old actor. “My girlfriend is Jewish and I was feeling like this total charlatan, this goy, among all her elderly relatives.” Suddenly, the screen turned blue and a curved white line emerged, guided by an unseen hand. “This older voice asked: ‘What’s going on?’ And then you start to see the classic cartoon penis. I’m embarrassed by how funny I found it. I was thinking: ‘Are they going to draw hairs on the balls?’ But then it cut off. Apparently, a kid from one of the families was responsible. Good on him. Hahaha!”

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Dave Grohl’s teenage obsessions: ‘I learned drums by arranging pillows on my floor’

Ahead of the 10th Foo Fighters album, their frontman recalls the music and scenes that made him – from punk gigs in Chicago to sleeping on floors in Italian squats

Before I was a teenager, I started playing music in my bedroom by myself. I fell in love with the Beatles, then began to discover classic rock. I went from Kiss to Rush to AC/DC, but in 1983 I discovered punk rock music through a cousin in Chicago. My world turned upside down. My favourite bands were Bad Brains and Naked Raygun; I listened to Dead Kennedys and Black Flag. My introduction to live music came when my brother took me to a punk show in a small bar in Chicago. I didn’t have that festival/stadium/arena rock experience; I just saw four punk rock dudes on the stage, playing this fast three-chord music, with about 75 people in the audience climbing all over each other. It changed my life. One of the most prolific scenes in hardcore American punk rock was in Washington DC, just across the bridge [from Grohl’s home town of Springfield, Virginia]. So I started going to see bands like Minor Threat and Fugazi. By the time I was 14, I was cutting and dyeing my hair and wearing leather jackets. All I wanted to do was leave school, jump in a van and tour shitty basement clubs with my punk band.

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Dear Comrades! review – searing account of a Soviet-era massacre | Peter Bradshaw’s film of the week

Andrei Konchalovsky’s account of the day Red Army soldiers and KGB snipers opened fire on strikers is a rage-filled triumph

Anger burns a hole through the screen in this stark monochrome picture from veteran director Andrei Konchalovsky: a gruelling re-enactment of the hushed-up Novocherkassk massacre in western Russia in 1962, when Red Army soldiers and KGB snipers opened fire on unarmed striking workers, killing an estimated 80 people. It was a day of spiritual nausea for the Soviet Union, which had only just entered Khrushchev’s new de-Stalinised era of supposed enlightenment – a postwar civilian bloodbath that was the Soviets’ Sharpeville, or Kent State, or Bloody Sunday, or indeed the Corpus Christi massacre in Mexico City that featured in Alfonso Cuarón’s Roma.

Yuliya Vysotskaya – a longtime Konchalovsky player – plays Lyuda, a Communist party official and single mother who lives in a tiny flat in Novocherkassk with her 18-year-old daughter Svetka (Yuliya Burova) and grizzled old dad (Sergei Erlish). There are terrible food shortages, yet Lyuda is a loyal and uncomplaining party member who not so secretly pines for the good old days of Josef Stalin, when the Soviet Union was bathed in glorious wartime destiny and when things seemed to be better all round. Now she is having a furtive affair with a cynical and bleary married committee official who doesn’t even seem to like her very much.

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‘I came up a black staircase’: how Dapper Dan went from fashion industry pariah to Gucci god

In the 1980s, his Harlem store attracted famous athletes and musicians. Then the luxury brands got him shut down. Now, at 76, he’s more successful than ever – and still on his own terms

It was a mentor on the gambling circuit in Harlem, New York, who gave Daniel Day the moniker that would make him famous. Day was just 13, but had revealed himself to be not only a better craps player than his guide, who was the original Dapper Dan, but also a better dresser. So it came to be that Day was christened “the new Dapper Dan”.

It wouldn’t be until decades later that Day would truly make his name. Dapper Dan’s Boutique, the legendary Harlem couturier he opened in 1982, kitted out local gamblers and gangsters, then later hip-hop stars and athletes such as Mike Tyson, Bobby Brown and Salt-N-Pepa. His custom pieces repurposed logos from the fashion houses that had overlooked black clientele. A pioneer in luxury streetwear, Day screenprinted the monograms of Gucci, Louis Vuitton, MCM and Fendi on to premium leathers to create silhouettes synonymous with early hip-hop style: tracksuits, bomber jackets, baseball and kufi caps. In the process he became a pariah of the fashion industry – and to this day, now aged 76, still one of its great influencers.

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Armie Hammer drops out of Jennifer Lopez film amid social media controversy

Hammer was due to appear opposite Lopez in the action comedy Shotgun Wedding but has requested to step away

Armie Hammer has dropped out of an upcoming film with Jennifer Lopez after messages allegedly sent by the actor were leaked online. Hammer has described the messages and social media response to them as an online attack, calling them vicious and spurious.

Hammer, star of movies including The Social Network and Call Me By Your Name, had been set to appear opposite Lopez in action comedy Shotgun Wedding. However, he will no longer take the role.

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Imperial Blue review – Ugandan adventures of a drug-smuggling dope

A dealer who dreams of discovering the source of a mystical substance that lets you see the future heads deep into Africa

Drug smuggler Hugo (Nicolas Fagerberg) has “the connect”. Or he’d like to think he does. Certainly this debut feature from British director Dan Moss knows several good spots, guiding us through a series of impressive locations with the confidence of a seasoned traveller. After Hugo’s big-money hashish deal in a partly flooded Mumbai building site goes wrong, he’s introduced to Bulu, a blue-powdered hallucinogen with mystical properties. “They say it makes you see the future,” says his go-between (Ashish Verma). Could this mysterious substance make Hugo enough money to satisfy his UK-based bosses? He’ll have to track down a supply source first.

Everything about the London drug world that Hugo then stops off in – from the 80s punk get-ups of the big players to the readiness with which these supposedly shrewd operators approve Hugo’s wild goose chase – is risibly unrealistic. But he’s soon en route to “Fort Lugard, Uganda”, where the plot is on safer ground.

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‘The music industry kills artists’: Damso, Belgium’s biggest rap star

With multi-platinum No 1 albums including topics such as suicide and the psychology of paedophiles, the Congolese-Belgian MC has carved his own lane with total determination

‘The questions that I ask myself about death aren’t about dying, they’re about death in this life.” Damso doesn’t really do small talk. Engaging and magnetic even through a computer screen, the 28-year-old Congolese-Belgian rapper is sporting a flamboyant shirt and a considerable amount of jewellery as he ponders the nature of existence. “There are people who are alive, but live like they’re dead,” he says. “They don’t strive to go further. But I know life is really short because I’ve seen people die just like that, in the street. So this question speaks to me: how can we be absent from our own lives?”

This is Damso’s first interview for an English-speaking audience, but we barely mention any of the achievements his team send over to illustrate how successful he is. When his fourth album, QALF, dropped in September 2020 without a whisper of promotion, it generated 14m streams in 24 hours, making him the most streamed artist in the world that day. “The music won,” he says simply.

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Duchess of York’s first novel to be published by Mills & Boon

Sarah Ferguson says historical tale Her Heart for a Compass is inspired by experiences in her own life

The Duchess of York has landed a book deal with the romantic fiction publisher Mills & Boon, revealing that she “drew on many parallels from my life” for the historical tale.

Sarah Ferguson’s debut novel, Her Heart for a Compass, will be released in August and tells a fictional account of the life and love story of her great-great-aunt, Lady Margaret Montagu Douglas Scott.

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‘Weird is good’: Paul Bettany and Elizabeth Olsen on superhero sitcom WandaVision

She’s a chaos magician. He’s a density-changing synthezoid. Are Scarlet Witch and Vision really classic sitcom material? The stars of Marvel’s foray into TV reveal how it all came about

Marvel’s 2020 should have gone much differently. Its Black Widow movie and The Eternals should both have been released last year, with Shang-Chi and the Legend of the Ten Rings imminent. But the pandemic struck and now all three have been booted into the middle distance. And so it has now been 18 months since we last heard from the Marvel Cinematic Universe, when Avengers Endgame became the highest-grossing movie ever. And in that vacuum, the question of what happens next has only grown more intense. But the answer might not be what anybody expected. Marvel is about to break its silence with WandaVision – and it’s a huge departure. Not only is it the first TV show produced by Marvel Studios, it is also presented in the form of a half-hour sitcom. It is no exaggeration to call WandaVision the weirdest thing Marvel has ever done.

“Weird is good,” says Marvel Studio president Kevin Feige from beneath his trademark baseball cap. “I like weird. After Endgame, after the completion of a 23-movie Infinity Saga, we were soul-searching about what was coming next. WandaVision being our first for Disney+ is perfect. It was always about pushing the boundaries of storytelling, doing something we could only do with the narrative structure of television.”

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‘The humanity of black characters is often forgotten’: behind Oscar-tipped One Night in Miami

In an acclaimed new film, the story of a night between four major figures – Malcolm X, Sam Cooke, Jim Brown and Muhammad Ali – is brought to life

One thing is certain: vanilla ice cream was eaten. The rest? If only we knew.

The year is 1964 and activist Malcolm X, singer-songwriter Sam Cooke and American football player Jim Brown gather in Miami, Florida, to cheer boxer Muhammad Ali – then Cassius Clay – to his first world heavyweight championship. No celebration is planned because he was not expected to win, so the four repair to Malcolm’s hotel room in the segregated African American part of town.

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‘Untouchable’ Bollywood poster provokes outrage over caste stereotypes

Upper-caste actor playing Dalit politician Mayawati shown dishevelled and holding broom in publicity for new film

A picture of a woman holding a broom. Anywhere else, the image might pass unnoticed. But in India the poster for the film Madam Chief Minister, loosely based on the life of politician Mayawati, who is a Dalit, has triggered uproar for perpetuating caste stereotypes.

Bollywood actor Richa Chadha, who plays Mayawati, tweeted an image of the poster ahead of the film’s release later this month. She is shown looking dishevelled and holding the kind of large broom used by municipal roadsweepers. The tagline of the poster reads: Untouchable, Unstoppable.

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Daniel review – terrifying tale of an Isis captive

The family of a photojournalist held in Syria must raise a multimillion-dollar ransom after the Danish government refuses to negotiate

Over the last couple of decades, Danish cinema has increasingly proved to have a strong aptitude for emotive, nuanced drama and intelligent engagement, particularly through documentary-making, with conflicts abroad. This inspired-by-a-true-story feature, from journeyman director Niels Arden Oplev (who helmed the original Girl With the Dragon Tattoo film) skilfully combines those two strands to tell the story of Daniel Rye, a young Danish photographer who was captured by Isis in Syria in 2013.

Filmed in a wiggly, handheld fashion – such a signature of the Dogma 95 years it almost feels like a retro affectation – the plot tracks methodically through Daniel’s story, holding tight on the expressive face of Esben Smed, who rises to the physical challenges of the role. For starters, he has to convincingly pass as Rye when he was young enough to be a contender for the Danish gymnastics team, although presumably a stuntman performed most of the acrobatics we see.

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