Michael Eavis: Glastonbury could go bankrupt if it can’t be staged in 2021

Exclusive: Founder says another cancellation would ‘be curtains’ for festival and has hopes for testing scheme, with daughter Emily saying they will ‘mutate to survive’

Glastonbury organisers Michael and Emily Eavis fear they could be in serious financial danger if the festival was cancelled again due to coronavirus.

Speaking exclusively to the Guardian to mark the festival’s 50th anniversary, Michael said: “We have to run next year, otherwise we would seriously go bankrupt … It has to happen for us, we have to carry on. Otherwise it will be curtains. I don’t think we could wait another year.”

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Christiana Ebohon-Green meets Wunmi Mosaku: ‘It’s exhausting being the non-threatening black woman’

The TV director and actor talk candidly about how racism is draining, limiting and ingrained. But is leaving to work in the US the answer?

The director Christiana Ebohon-Green (EastEnders, Call the Midwife, Soon Gone: A Windrush Chronicle) and the actor Wunmi Mosaku, 33, (Luther, End of the F**king World and Misha Green’s upcoming HBO/Sky Atlantic drama series, Lovecraft Country) have met before. In fact, they have worked together, on Ebohon-Green’s Bafta-longlisted short, Some Sweet Oblivious Antidote. They both have fond memories of the sun-dappled shoot by the Thames, with a (mostly black) cast of actors. But not every experience on set has been so joyful. Amid some laughter, a few tears and many weary sighs, they swap horror stories of industry racism, discuss solidarity among black creatives, and the opportunities and risks involved in a move to the US.

CEG: I’ve worked on a lot of mainstream television drama, so I’ve often been the only [black person] on set. For me [having this wider conversation about racism] is a relief. Sometimes, you air issues and people are like: “Oh yeah, we know! We’ve solved that! Can you stop going on?” So I’ve been very careful about what I said and assumed people understood.

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It’s a botch-up! Monkey Christ and the worst art repairs of all time

As another religious painting restoration goes horribly wrong, we take a look at some of the finest examples of butchered statues, art installations and frescoes

In the latest instalment of the greatest genre of art news – and I write that as a lover of art – another restoration has gone awry. The word “awry” is being generous.

This is the revelation that a private collector, based in Valencia, paid 1,200 (£1,070) for a restoration job on baroque painter Bartolomé Esteban Murillo’s Immaculate Conception of Los Venerables. It is no longer immaculate. It now looks like an e-fit issued by a local police force, with those thin eyebrows popular in the 90s. What’s more, the restorer (who it turns out was a furniture restorer by trade) made two attempts – the second significantly worse than the first. That one, the e-fit one, has the Virgin Mary staring straight ahead, which isn’t even the same position as the original, which has Mary looking to the heavens.

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Authors call for removal of Booker prize vice-president over ‘homophobic’ views

Emma Nicholson’s views on same-sex marriage raised as concern by writers and one former Booker winner

Damian Barr is leading a charge of writers, including one former Booker prize winner, who are calling on the Booker Foundation to remove the allegedly “homophobic” peer Emma Nicholson from her position as vice-president.

Lady Nicholson of Winterbourne, who voted against the same-sex marriage bill in 2013, is the widow of the late former chairman of Booker, Sir Michael Caine, who helped establish the prize. She is currently a vice-president of the Booker Foundation, and a former trustee of the prize.

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Richard Dreyfuss: ‘I was a bad guy for a number of years’

His life has been a rollercoaster ever since Jaws. Richard Dreyfuss talks about Hollywood hell-raising, cocaine burnout, his flirting heyday – and the trouble with #MeToo

“Don’t shoot, I win Oscar.” These words, says Richard Dreyfuss, are printed on the shirt he’s wearing under his grey jacket. He is at home in San Diego, reclining in a voluminous brown leather armchair. Behind him is a picture of his wife, Svetlana, resting on a shelf beside his Bafta and David di Donatello awards. His Oscar he keeps inside his fridge (“I didn’t want to brag, but I wanted everyone to know”).

The strange story behind “Don’t shoot, I win Oscar” will be told, but only after Dreyfuss asks Svetlana to do some Googling. “I think the best way to do it is Marlene Dietrich,” he tells her. “Her first film. And then it’ll show the name of the guy.”

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Lord of the Rings TV series issues New Zealand casting call for ‘funky-looking’ people

Talent agency job ad lists long skinny limbs, acne scars, facial lines, missing bones and large eyes as desirable features

Have an overbite, ears that stick out, small eyes, or a “bulbous or interesting” nose? Hollywood has finally come calling.

A New Zealand talent agency is looking for actors to appear in the big-budget Lord of the Rings television adaptation, due to resume filming in the country shortly, and is seeking urgent applications from people they have euphemistically deemed “funky looking” in an unusual job advertisement.

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Li Zhensheng, photographer of China’s Cultural Revolution, dies

Former publisher announces death of Li, known for his book Red-Color News Soldier

The Chinese photographer Li Zhensheng, known for his unflinching portrayal of China’s Cultural Revolution, has died, according to his former publisher.

The Chinese University of Hong Kong Press, which in 2018 published the first Chinese-language edition of Li’s book Red-Color News Soldier – a compilation of photos he had hidden from the period – said Li, 79, had died after spending several days in hospital following a brain haemorrhage.

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Unfinished, abandoned, demolished: how Cairo is losing architecture it never knew it had

From grand visions that fail with the departure of a president to everyday buildings knocked down before they can be considered for heritage protection, a new book unpicks what Egypt’s capital might have beenn

Looming above the affluent Zamalek neighbourhood in the centre of Cairo, the Forte Tower has stood as the tallest building in Egypt for the last 30 years – yet it remains unfinished and abandoned. A ring of faintly Islamic pointed-arch windows encircles the uppermost floor of the great cylindrical shaft, creating a forlorn crown on the skyline, like a host awaiting party guests that never arrived.

Begun in the 1970s, the 166-metre tall building was planned to house a glamorous 450-room hotel, with restaurants, shops and a nightclub. It was to be the first part of a “new Manhattan of Egypt”, a cluster of skyscrapers imagined by president Anwar Sadat to rise from Gezira Island in the middle of the Nile, signalling Cairo’s place on the world stage. Following Sadat’s assassination in 1981, the project hit the rocks. Under subsequent president, Hosni Mubarak, the developer faced battles for permits and licences, seeing the project mired in lawsuits that ultimately halted it. The towering carcass has been left empty ever since, a single showroom furnished with bedding, lamps and an old TV providing an eerie relic of the dream.

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Monsters are heinous, but they need collaborators to do their dirty work | Suzanne Moore

Mouths to feed, rent to pay: there’s always an excuse if you’re tempted to do the wrong thing

Where is Ghislaine Maxwell? Where? I sat through the four episodes of Filthy Rich, the Netflix documentary on Jeffrey Epstein. I had to force myself, not because it was so upsetting – which, of course, it also was – but because the tales of his sexual abuse were so monotonous. Brave and defiant, his victims had to numb themselves slightly to tell and retell what happened to them when they were as young as 14. The interviews with the monster himself, as always, were disappointingly banal. Monsters often are tediously ordinary. The magnetic charm, the immense intellect, is one of the biggest delusions of “true crime”. See also Ted Bundy.

Anyway Ghislaine, accused of procuring underage girls for Epstein, is said to be a free woman in Paris, living in the swanky 8th arrondisement. French law prevents her extradition. Many of those implicated in Epstein’s world of obscene exploitation, including all the art world and socialite scum, must have a clue where she is. Alleged scum, I should say. They love their children just like we do. Sure.

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Authors quit JK Rowling agency over transgender rights

Writers had asked company ‘to reaffirm their commitment to transgender rights and equality’

Four authors represented by JK Rowling’s literary agency have resigned after accusing the company of declining to issue a public statement of support for transgender rights.

Fox Fisher, Drew Davies and Ugla Stefanía Kristjönudóttir Jónsdóttir said they could no longer work with the Blair Partnership, the London-based agency that represents all aspects of the Harry Potter author’s work, because they were not convinced the company “supports our rights at all avenues”. One other author is understood to have also quit the agency but wishes to remain anonymous.

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Trump and Navarro condemn John Bolton’s China claim

The White House fired back at John Bolton on Sunday, seeking to rubbish a key claim in the former national security adviser’s bombshell new book, that Donald Trump asked Xi Jinping, the Chinese president, for help in winning re-election.

Related: Trump's Berman-SDNY disaster suggests William Barr is not so smart after all | Lloyd Green

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The Room Where It Happened review: John Bolton fires broadside that could sink Trump

The ex-national security adviser is no hero or martyr and certainly no prose stylist either. What counts is how damaging his memoir will be

John Bolton’s near-600-page tome is the most damning written account by a Trump administration alumnus, the one that stands to haunt the president come November. In the author’s judgment, “I don’t think he’s fit for office. I don’t think he has the competence to carry out the job.” Joe Biden couldn’t say it better himself.

Related: John Bolton: judge declines to block tell-all Trump book

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The UK film industry has to change. It’s blatant racism | Steve McQueen

The Oscar-winning director of 12 Years a Slave reflects on lack of diversity in TV and film and says now is the time for real change

Last year, I visited a TV-film set in London. It felt like I had walked out of one environment, the London I was surrounded by, into another, a place that was alien to me. I could not believe the whiteness of the set. I made three films in the States and it seems like nothing has really changed in the interim in Britain. The UK is so far behind in terms of representation, it’s shameful.

My first film production in the UK in 12 years is Small Axe, six films commissioned by the BBC about black experience from the late 1960s to the mid 1980s. We tried very hard on Small Axe: we created our own training scheme with one trainee per department. But, in terms of heads of departments, it was just myself and a couple of other people who were black British.

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Lenin statue to be unveiled in Germany despite legal fight

Gelsenkirchen bucks global trends with new monument as other cities confront relics of colonial past

While a global row rages over the controversial pasts of historical figures immortalised as statues, on Saturday a divisive new monument to the former Soviet leader Vladimir Lenin will be unveiled in Germany.

More than 30 years after the communist experiment on German soil that followed the second world war ended, the tiny Marxist-Leninist party of Germany (MLPD) will install Lenin’s likeness in the western city of Gelsenkirchen.

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There weren’t enough stories about people who looked like me. So I wrote my own | Coco Khan

My contribution to The Good Immigrant prompted a stream of apology emails: forgive me, ethnic friend, for I have sinned

Four years ago, I wrote an essay that appeared in a collection called The Good Immigrant. The story, based on an episode from my life, opens with a South Asian girl waking up in the bed of a (white) stranger after a one-night stand in the dark. Dawn is breaking, and as the light fills the room she notices something: he has flags. Union jack flags hanging all around the room. I won’t spoil the story, but if you’re beginning to panic, don’t. No hate crime occurs (well, not there anyway), and the piece is a comedy.

My reason for writing it was relatively simple. At the time, Britain was in the midst of a campaign to leave the EU. For us – the writers, the children of immigrants – it was urgent to counter the xenophobic rhetoric that reduced people who love, hurt, bleed and dream to £-signs.

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Ian Holm, star of Lord of the Rings, Alien and Chariots of Fire, dies aged 88

The versatile actor went from the RSC and Harold Pinter to international movie stardom with roles as the hobbit Bilbo Baggins and an android in Alien

Ian Holm, the versatile actor who played everything from androids to hobbits via Harold Pinter and King Lear, has died in London aged 88, his agent confirmed to the Guardian.

“It is with great sadness that the actor Sir Ian Holm CBE passed away this morning at the age of 88,” they said. “He died peacefully in hospital, with his family and carer,” adding that his illness was Parkinson’s related. “Charming, kind and ferociously talented, we will miss him hugely.”

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Sun screen: the best TV shows to watch over the summer months

From Love Island to Queer Eye, as the longest day of the year beckons our writers pick their favourite summery television so you needn’t brave the outside world

For many Brits of a certain age, the launch of the latest Love Island trailer is the bat signal that summer is truly starting. Whatever the weather, every July between 2015 to 2019, when Caroline Flack promised me a “long, hot, summer”, I knew I was in for one.

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We’ll Meet Again: how toxic nostalgia twisted Vera Lynn’s pop masterpiece

The song’s magic lay in its poignancy – the very quality that has led to Britain’s parochial obsession with the second world war

From Captain Tom Moore’s chart-topping You’ll Never Walk Alone to Katherine Jenkins’ charity take on Vera Lynn’s We’ll Meet Again – a cover version as grey and sickly as 1940s rationed margarine – 2020 has been a year in which we’ve been reminded, more than ever, that British culture is unable to escape the long shadow of the second world war.

Related: Vera Lynn: the best of the wartime spirit, not its continuation by other means | Stephen Moss

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