Beatles on the brink: the truth about the Fab Four’s final days

The director’s new documentary weaves together hours of unseen footage to dispel many myths about the band’s final months. John Harris, who was involved in the project, tells the inside story

On paper, the idea looked brilliant. In the opening weeks of January 1969, the Beatles were working up new songs for a televised concert, and being filmed as they did so. Where the event would take place was unclear – but as rehearsals at Twickenham film studios went on, one of their associates came up with the idea of travelling to Libya, where they would perform in the remains of a famous amphitheatre, part of an ancient Roman city called Sabratha. As the plan was discussed amid set designs and maps one Wednesday afternoon, a new element was added: why not invite a few hundred fans to join them on a specially chartered ocean liner?

Over the previous few days, John Lennon had been quiet and withdrawn, but now he seemed to be brimming with enthusiasm. The ship, he said, could be the setting for final dress rehearsals. He envisaged the group timing their set so they fell into a carefully picked musical moment just as the sun came up over the Mediterranean. If the four of them had been wondering how to present their performance, here was the most gloriously simple of answers: “God’s the gimmick,” he enthused.

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‘We’re like Mork and Mindy!’ Robert Plant and Alison Krauss, music’s odd couple

Fourteen years after their Grammy-winning debut, the roots duo have reunited – facing high expectations. They explain how they left their comfort zones with a ‘nuts but tasteful’ all-star band

More than half a century since arriving to play his first show in the US with Led Zeppelin, Robert Plant was in the strange position of having to explain himself to the authorities.

“I had to prove that I was contributing to the betterment of the American system somehow, which is kind of cute, really,” Plant says of this post-lockdown trip to Nashville. He is sitting in the city’s famous Sound Emporium studio with his collaborator, the bluegrass legend Alison Krauss. It is the same place where they recorded their second, highly anticipated record as a duo, Raise the Roof, before the pandemic put the world on pause.

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Iggy Pop on finding new music: ‘At my age, it helps to remain curious’

The source of the rocker’s enviable eternal youth? In the words of the man himself, it’s avidly rooting out new artists into his 70s (and beyond)

I keep reading that we decline in our 70s so I try to keep using my brain. Discovering new music opens my mind and the element of surprise keeps me connected. I feel like I’m mining for diamonds – and when you find the diamond, you know. When I heard Chaise Longue by Wet Leg I got really excited: it’s cheeky, with a wicked groove, but it’s the vocals – they’re almost metronomic. You could ask 100 people to sing it and it wouldn’t sound the same.

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Britney Spears’ 30 greatest songs – ranked!

As she celebrates her engagement and fights for her autonomy, we celebrate the best of an artist who helped to define 21st-century pop

Spears previously flirted with dubstep on 2007’s Blackout, but it was Hold It Against Me that dragged the then-underground dance music into the mainstream. A decade later, and its blistering amalgamation of industrial EDM and saccharine pop melodies still feels every bit as audacious and innovative.

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Alanis Morissette says she was victim of multiple statutory rapes as a teenager

Canadian music star says in new documentary: ‘I would always say I was consenting, and then I’d be reminded … you’re not consenting at 15’

Speaking in a new documentary, Alanis Morissette has said she was the victim of multiple statutory rapes as a teenager.

The documentary, Jagged, is screening at the Toronto film festival this week. The Washington Post has reported that Morissette describes the attacks during the film. “It took me years in therapy to even admit there had been any kind of victimisation on my part,” she says. “I would always say I was consenting, and then I’d be reminded like ‘Hey, you were 15, you’re not consenting at 15.’ Now I’m like, ‘Oh yeah, they’re all paedophiles. It’s all statutory rape.’”

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Sarah Harding, singer with Girls Aloud, dies aged 39 from breast cancer

Fans and figures from show business pay tribute to pop star who was diagnosed in August 2020 and wrote memoir during her illness

The pop singer and TV personality Sarah Harding, who had 21 UK Top 10 singles as a member of Girls Aloud, has died aged 39 from breast cancer.

Her mother, Marie, announced her death on Instagram, prompting a flood of tributes from fans and figures from show business. Geri Horner, the Spice Girls singer and a judge on the TV talent show that created Girls Aloud, wrote: “Rest in peace, Sarah Harding. You’ll be remembered for the light and joy you brought to the world. X”

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Amyl and the Sniffers’ Amy Taylor: ‘I wanna punch stuff and yell … but not all the time’

Having blazed a trail with raucous gigs, the Melbourne punk band’s singer deepens her oft-caricatured image on their new album

There is a moment at the end of Amyl and the Sniffers’ music video for Guided by Angels that sees frontwoman Amy Taylor quiet and alone, for once. After ripping down freeways and tunnels in the back of a Mitsubishi Lancer, her tiny body hanging halfway out of the back window, diving into the sea and dancing between the stationary Sniffers – drummer Bryce Wilson, guitarist Dec Martens and bassist Gus Romer – Taylor walks down a dark footpath, sits in the car’s front seat, laughs briefly and is suddenly still.

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Abba reunite for Voyage, first new album in 40 years

Swedish hitmakers to release album of brand new material in November, and digital avatars will appear in London concert residency in 2022

One of the most anticipated comebacks in pop culture has finally come to pass: the return of Abba.

Forty years after the bitter songs written in the wake of two band divorces for their last album, 1981’s The Visitors, the Swedish pop quartet have reunited for Voyage, an album of brand new songs that will be released on 5 November – including, they say, a Christmas song. Two tracks from it, the stately and epic ballad I Still Have Faith in You and the shimmying Don’t Shut Me Down, are out now.

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Drake’s 30 greatest songs – ranked!

With the release of a new album – Certified Lover Boy – we pick the best tracks from the Canadian rapper and global superstar’s hit-studded career

Borne aloft on a blaze of horns and flanked by three all-time greats, this was Drake’s entry to rap’s big leagues: “Last name ever / first name greatest”, is how he opens his verse. It’s a rather corny boast and gets cornier still – punchlines like “at the club you know I balled: chemo” could be included in Christmas crackers, were they not deeply insensitive. But his cockiness connects, and the chorus hook is memorably strong.

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David Crosby on love, music and rancour: ‘Neil Young is probably the most selfish person I know’

At 80, the superstar musician has survived heroin addiction, illness and tragedy to hit an unprecedented run of musical form. He discusses the joy of fatherhood, the pain of falling out with bandmates – and why Joni Mitchell is still the greatest

David Crosby has just turned 80. Congratulations, I say. “Thank you, man!” says the great singer-songwriter, trailblazer and trouble-maker. How did he celebrate? “Eighty years old is something you mourn, not celebrate,” he says.

But that, it turns out, is not quite true. Crosby admits he did celebrate. “We had a great time, man! My son and my wife made me a cake, then my son barbecued some steaks. We baked potatoes, made salads and feasted.”

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‘These are his true remains’: the fight over Jeff Buckley’s final recordings

In an extract from his book on late musicians’ estates, Eamonn Forde explores the feud that began shortly after Jeff Buckley’s death between the songwriter’s label and his mother

Jeff Buckley had released two live EPs (Live at Sin-é in 1993 and Live from the Bataclan in 1995) plus one complete studio album (Grace in 1994) before he died in 1997. Since his death, eight live albums and multiple compilation albums have been released, spanning music recorded while he was signed to Sony and also before he had a record deal.

The most contentious is Sketches for My Sweetheart the Drunk, which was released a year after his death. Buckley had already scrapped a batch of recordings produced by Tom Verlaine in late 1996 and early 1997 and was preparing to record afresh in Memphis, the place where he drowned in the Mississippi.

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‘We were called heretics and ostracised’: the Stranglers on fights, drugs and finally growing up

They brawled with the Sex Pistols, gaffer-taped a journalist to the Eiffel Tower and got thrown out of Sweden twice. Now, for their 18th album and final tour, the punks seem to be maturing at last

As Jean-Jacques Burnel drily admits, the Stranglers had “a bad reputation for quite a while”. During the punk years, their many outrages ranged from being escorted out of Sweden by police with machine-guns (twice) to gaffer-taping a music journalist to the Eiffel Tower, 400ft up, upside down, without his trousers. However, the singer and bass player says the biggest outcry actually came when they got themselves a keyboard player.

“It was seen as sacrilege,” he laughs, recalling this supposed affront to the ramshackle garage punk ethos. “And worse than that – he had a synthesiser. We were called heretics and ostracised. Nobody wanted anything to to do with us. But look what happened a couple of years later: synth pop!”

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Lee ‘Scratch’ Perry obituary

Reggae producer who had a profound effect on Bob Marley’s sound and helped propel him on to the world stage

Lee “Scratch” Perry, who has died aged 85, was one of Jamaica’s finest and most unpredictable record producers, as well as a much recorded singer. But perhaps his greatest global legacy was the profound effect he had on the king of reggae, Bob Marley.

As a singer in the Wailers with Peter Tosh and Bunny Livingston, Marley had experienced a modest degree of success in Jamaica before he came into Perry’s charismatic orbit in 1970. Hooking up with Perry changed the way Marley saw things, pulling him away from the measured harmonies of a trio towards something more heartfelt.

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‘It was the happiest time’: The Beach Boys on their strange second coming

They helped define the 60s, but were hopelessly uncool as the 70s began – and Brian Wilson was unravelling. The band discuss the masterpieces they made against the odds

In the 1960s, the Beach Boys staked their claim as the US’s most popular band, as their dazzling, harmony-drenched songs about surfing, cars and California Girls epitomised the American dream. So, at the end of the decade, when leader and principal songwriter Brian Wilson – who had recently spent several months in a psychiatric hospital – suggested that the band were on the verge of bankruptcy, everyone thought it was a joke.

“We arrived in London for a tour on the day that hit the headlines,” co-founder Al Jardine says over the phone from California. “The IRS [US tax collection agency] had closed our studio and our offices in Hollywood. The hotels wouldn’t accept our corporate credit cards. In the end, I had to use my personal American Express card to pay for our rooms.”

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‘Not just a drummer – a genre’: Stewart Copeland and Max Weinberg on Charlie Watts

The Police and Bruce Springsteen drummers share memories of their late Rolling Stones counterpart, explaining his technical brilliance, his verve – and his clothes-folding skills

I’m an early-period Stones fan, and not so much because of losing interest in them, but because when you’re 16, music is 100 times more important – and the Rolling Stones were right there when I was 16. Humans are sort of like ducks. A duck comes out of the shell, the first warm thing it sees is mama; for adolescent teenage humans, the first raucous sound of rebellion, that’s daddy. And in my generation, that sound was the Stones.

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‘I’m a one in a billion’ – how Diane Warren penned windswept power ballads for Cher, Gaga and Dion

She’s the queen of the power ballad mega hit – and has even written songs for Biden, Harris and Ringo Starr. Now the world’s most successful female songwriter is finally releasing her own album

At the end of the 1990s, when Diane Warren was the unrivalled queen of the power ballad, her music publisher presented her with a quartet of gold discs and a plaque hailing her as “the career saviour of the 90s”. The discs celebrated the windswept mega-hits Warren had written for Toni Braxton (Un-Break My Heart), LeAnn Rimes (How Do I Live), Celine Dion (Because You Loved Me) and Aerosmith (I Don’t Want to Miss a Thing), the first two of which are still among the bestselling US singles ever.

To be imperial in one pop era is usually to be defined by it for evermore, but Warren has been writing hits for almost four decades, notching up nine US No 1s and 32 Top 10 hits. In 2015, Til It Happens to You, her potent Lady Gaga collaboration for a documentary about campus rape, made her once again the pop equivalent of the striker you turn to when you absolutely have to score a penalty.

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Charlie Watts: a rock’n’roll legend whose true love was jazz

He may have backed the world’s most successful rock band, but the late drummer worshipped his jazz heroes through big bands and other projects

Everyone knew that Charlie Watts’s heart was always in jazz. Even when he grew his hair long and put on hippie garb while the Rolling Stones were going through their Satanic Majesties period, underneath he was still the cool bebopper who could see through the nonsense that surrounded his group and the rampaging egos at its heart.

Wisely, he never let his true musical allegiance show in his playing with the Stones. When they recruited him from Alexis Korner’s Blues Incorporated in January 1963, not long after he’d been serving an apprenticeship with trad jazz bands, he listened to the records of Jimmy Reed, Howlin’ Wolf and Muddy Waters in order to absorb the way that master Chicago blues drummers such as Earl Phillips, Fred Below and Elgin Evans kept things simple, soon appreciating that simplicity is often the hardest thing of all to achieve.

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Baby on Nevermind cover sues Nirvana over child sexual exploitation

Spencer Elden, who appeared at four months old on iconic album design, claims the image is child pornography

Spencer Elden, who appeared as a naked baby on one of rock music’s most iconic album covers – Nevermind by Nirvana – is suing the band, claiming he was sexually exploited as a child.

In a lawsuit filed in a Californian district court against numerous parties, including the surviving members of the band, Kurt Cobain’s widow Courtney Love, and the record labels that released or distributed the album in the last three decades, Elden alleges the defendants produced child pornography with the image, which features him swimming naked towards a dollar bill with his genitalia visible.

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Charlie Watts: the calm, brilliant eye of the Rolling Stones’ rock’n’roll storm

Unruffled amid excess, personality clashes and musical disputes, the Rolling Stones’ exceptional drummer used technique to deepen the meaning and power of their songs

By any standards, Charlie Watts was an unlikely candidate for rock stardom.

He was quiet, drily funny and unfailingly modest, characteristics theoretically better suited to his initial profession as a graphic designer than the scream-rent world of 60s pop. Furthermore, by his own admission, he didn’t particularly care for rock’n’roll (“I didn’t know anything about it … I used to hate Elvis Presley. Miles Davis – that’s what I considered someone,” he told an interviewer in 1993) and had initially had to have the rhythm and blues so beloved of his bandmates explained to him: “I didn’t know what it was. I thought it meant Charlie Parker, played slow”.

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