Ricky Gervais on offence, anger and infuriating Hollywood: ‘You have to provoke. It’s a good thing’

He has made a career out of winding people up in everything from The Office to his Golden Globes speeches – but is the comedian’s bark worse than his bite?

Ricky Gervais’s assistant leads me past a huge, empty room to the top floor of an office above a shop on a swanky London high street. Gervais is sitting behind a desk at his computer in another huge, empty room, and looks as if he’s just squatted the place. There is nothing that suggests this is his office, except for the branded mugs sitting on his desk; one shows his face, the second says Tambury Gazette, the fictional newspaper where Gervais’s character, Tony, works in his hit Netflix series After Life.

As soon as he sees me, he swings his legs off the floor and on to the desk. I expect him to say, “Right, shoot”, as his fabulous fictional creation David Brent might have done, but he reins himself in. It’s 20 years since Gervais made his name with The Office, and it’s often been difficult to know where Brent ends and Gervais begins.

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Supermodel Karen Elson on fashion’s toxic truth: ‘I survived harassment, body shaming and bullying – and I’m one of the lucky ones’

She has been at the top of the industry for decades. Now she’s speaking out about the dark reality of life behind the scenes

When Karen Elson was a young hopeful trying to make it in Paris, a model scout took her to a nightclub. After long days on the Métro trekking to castings that came to nothing, and evenings alone in a run-down apartment, she was excited to be out having fun. The music was good and the scout, to whom her agent had introduced her, kept the drinks coming. She started to feel tipsy. A friend of the scout’s arrived, and the pair started massaging her shoulders, making sexual suggestions. “I was 16 and I’d never kissed a boy,” she recalls. “It was my first experience of sexual – well, sexual anything, and this was sexual harassment. They both had their hands on me.”

She told them she wanted to go home, and left to find a taxi, but they followed her into it, kissing her neck on the back seat. When they reached her street, she jumped out, slammed the taxi door and ran inside. The next day she told another model what had happened, and the scout found out. “His reaction was to corner me in the model agency and say: ‘I’ll fucking get you kicked out of Paris if you ever fucking say anything ever again.’”

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From Marilyn to Shakespeare: how well do you know history’s most bungled quotes?

The internet is full of wonky attributions and made-up catchphrases, from real life and pop culture. Can you tell your Attenborough from your Armstrong?

Those of you who had “Sir David Attenborough has beef with Adelaide shopping mall plaque” on your 2021 bingo cards must have done a victory dance this week. A local conservationist recognised some “honeybee propaganda”, attributed to the legendary naturalist, on a plaque accompanying a Westfield Tea Tree Plaza mural and alerted the relevant authorities (i.e. Sir David himself).

The plaque has been done away with, but plenty more misquotes and misattributions remain. If you’ve ever seen a brush-script quote adorning a black and white photo, a painted sunset, or an embroidered couch cushion and wondered “Hang on a minute …”, this quiz is for you. Last one to finish gets their name attached to a Spider-Man quote on an inspirational $2 shop fridge magnet.

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Daniel Johns and the fame trap: get famous enough to buy back the freedom you once had | Brigid Delaney

The anxiety that results from extreme fame can become a prison, but it can be escaped

Fame. You wouldn’t wish it on your worst enemy, particularly not if your enemy was very young.

Fame of the extreme kind – when you are a household name and your image is worshipped on bedroom walls and all manner of fantasies are projected on you – can be experienced as a form of trauma.

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Adele: 30 review – the defining voice of heartbreak returns

(Columbia)
While the topic of her divorce is all-consuming, the singer seems to be pushing gently at the boundaries of what people expect of her

There is a sense in which 2021’s biggest single – 84.9m streams in a week on one platform alone; straight to No 1 in 25 countries; a song that received more first-week plays on US radio than any other song ever – wasn’t so much a comeback as an act of global reassurance. The world may recently have lurched from one unimaginable crisis to another, but Adele’s Easy on Me brought with it the message that at least one thing hasn’t changed: Adele Adkins is still heartbroken and belting it out over a gentle piano and tasteful orchestration.

Romantic despair became her global brand from the moment she stopped the show at the 2011 Brit awards with her tearful performance of Someone Like You. It catapulted her from the massed ranks of soul-influenced singers filling a gap created by Amy Winehouse’s inability to follow up Back to Black, to mind-boggling levels of success. There’s always the chance that millions of people might flock to an upbeat Adele album that depicts her full of the joys of spring, but clearly she wasn’t taking any chances last time around: for want of new unhappiness, 2015’s 25 returned to the same failed relationships that inspired its record-breaking predecessor 21. No matter – it sold 22m copies.

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Tom Ford: ‘I paid $90,000 for my own dress. The clothes we make are not meant to be thrown away’

From fashion with va-va-voom to veganism – ahead of the release of his new book, America’s starriest designer takes a moment to reflect

Tom Ford answers my phone call in precisely the way I’d hoped he would: with a voice as smooth as butter and the grace of Cary Grant.

We are in touch to discuss his latest project, a coffee-table book charting the past 15 years of his career – or “post-Gucci”, as those familiar with luxury fashion prefer to describe the era that has followed Ford’s departure from the Italian super brand.

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‘His rage, his pain, his shame, they’re all mine’: Jeremy Strong on playing Succession’s Kendall Roy

Strong’s role as the self-destructive media heir takes commitment – and the actor goes all in

• Plus: inside the Succession writers’ room

Earlier this year, Jeremy Strong left his apartment in Brooklyn, walked across the bridge to Manhattan and headed towards the far west side of the island, where he was filming the third season of the feverishly adored and heavily accoladed HBO series Succession. Strong plays Kendall, the alternately bullied and rebellious son of the vilified, Murdoch-esque media tycoon Logan Roy, played by Brian Cox, and Succession follows the jostling among the patriarch’s four children for his affection and respect, both of which he generally withholds. None of them is as visibly crushed by this as Kendall, who bears more than a slight resemblance to James Murdoch, even down to the dabblings in hip-hop. With every timid step Strong makes on screen, every apologetic dip of his chin when he starts to talk, he captures the pain of a son who knows he has failed to live up to his father’s expectations from the first time he cried. He won an Emmy last year for the role, beating, among others, Cox, in neatly Freudian style.

Strong likes to walk while learning his lines, so on that day in New York as he was walking he was also talking, reciting a speech he would soon be saying to Cox, in which Kendall tries to curry favour with his father, but also to be seen as his own man. “Suddenly, out of the corner of my eye, I saw a ghost-grey Tesla rolling to a stop, so I looked in it, and there was James Murdoch,” Strong says when we meet in a London hotel. “He looked at me and I looked at him, and there was a flicker between us. Then he was gone. So we had a moment.”

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New York gossip queen Cindy Adams: ‘My loyalty is to anyone who’ll give me the best quote’

The 91-year-old tabloid columnist, the star of a new Showtime documentary, on Murdoch, Trump – and why New York is the capital of the world

Cindy Adams, the long-serving gossip queen of the New York Post, was battling Hurricane Ida in her Manhattan apartment. Her terriers were disturbed, and she was not sleeping. “A glass-enclosed penthouse is not good,” she said. “The pounding of the rain. And not just rain, the thunder. I was up all night.”

Related: The trial of Elizabeth Holmes: perfect for the age of the Instagram influencer | Emma Brockes

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Jean-Paul Belmondo: the beaten-up icon who made crime sexy

Immortalised by Godard and Melville, the actor specialised in seductive tough guys – and blazed a trail through movie history

On the streets of Paris, car thief and fugitive cop killer Michel Poiccard has just been gunned down by the police, having shown an insolent, fatalistic attitude to the idea of getting caught, and indeed to the revelation that his American girlfriend Patricia, wannabe journalist and street vendor of the New York Herald Tribune, has ratted him out. She leans over Michel as he lies dying in a puddle of blood. Will Michel come up with some resonant last words? Not exactly. Defying agony from his bullet wounds, he just clownishly stretches his face into the two silly expressions he’d earlier used to explain the phrase “faire la tête”: a goofy silent scream, then a panto grin. Isn’t this what acting is, what life is: tragedy, comedy, faces, speeches? Who cares?

This unforgettably bizarre, throwaway gesture – the equal of “Here’s looking at you, kid” from Michel’s beloved Bogart – set the seal on Jean-Paul Belmondo’s sensational breakthrough in 1960 in Jean-Luc Godard’s equally legendary debut, À Bout de Souffle (AKA Breathless), from a treatment by François Truffaut and Claude Chabrol, and co-starring Jean Seberg as the American mesmerised by his erotic, existential bravado.

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China bans celebrity rankings in bid to ‘rectify chaos in the fan community’

Authorities increase regulation of fame and fan culture that they say will tackle online bullying and protect children

Chinese authorities have banned online lists ranking celebrities by popularity, as regulators continue a drive to “clean up” fame and fandom culture.

According to regulations published in state media, all existing lists that rank Chinese stars must also be removed from the internet.

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A few good massaman: Tom ‘two curries’ Cruise shows us how it’s done

Tom Cruise doesn’t just have a single chicken tikka masala when he goes to Birmingham – he has another one straight after. Has any man ever been more on-brand?

When Tom Cruise commits to something, he commits. When a Mission: Impossible stunt called for him to climb up the outside of the world’s tallest building, he actually climbed up the outside of the world’s tallest building. When Collateral required him to become an invisible assassin, he temporarily became a Fed-Ex driver to teach himself anonymity. When he fell in love with Katie Holmes, he did it with such couch-leaping intensity that it derailed his career for half a decade.

So when Tom Cruise went to Birmingham to have a curry, he really went to Birmingham to have a curry. When Tom Cruise went to Birmingham to have a curry, he did it with the same vigour that he uses to ride motorbikes or jump out of planes or scream at crew-members for not following Covid compliance protocols. Which is to say that when Tom Cruise went to Birmingham to have a curry, Tom Cruise went to Birmingham and had two curries, one after the other.

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More than Friends? Are David Schwimmer and Jennifer Aniston really dating?

The Friends reunion seemed pointless – until now. If it paved the way for Ross and Rachel to get together in real life, the world might explode with joy. So why do I have a sinking feeling?

Initially, this year’s Friends reunion didn’t exactly offer much in the way of entertainment. There was Justin Bieber dressed as a potato, and there was that meme about Matt LeBlanc looking like someone’s Irish uncle. Apart from that, the whole thing felt like an elaborate attempt to give James Corden even more air time.

But that was then. Because now that David Schwimmer and Jennifer Aniston are dating, the Friends reunion has become an important historical document and must be preserved for ever.

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Lily Allen: from chart-topping handbag kid to the heart of London’s West End

The singer is back in front of a live audience this week, playing ‘a woman with a real point of view’ in a spooky new play, 2:22 – A Ghost Story

There, in the background, wearing drop pearl earrings, is 13-year-old Lily Allen dressed up as a little lady-in-waiting. Cinema audiences watching Cate Blanchett as Elizabeth when the film of that name came out in 1998 might have been concentrating on the queen’s courtly dancing in the middle of the frame, but yes, it really was Allen playing a mini royal favourite in director Shekhar Kapur’s lavish production.

Now, more than two decades later, the 36-year-old singer-songwriter is taking centre stage as an actress in the West End, appearing in a spooky new play, 2:22 – A Ghost Story, which opens this week.

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Billie Eilish: Happier Than Ever review – inside pop stardom’s heart of darkness

(Darkroom/Interscope)
On perhaps the most anticipated album of 2021, Eilish uses subdued yet powerful songwriting to consider how fame has seeped into every corner of her life

“I’m getting older,” sings Billie Eilish, who’s 19, on Happier Than Ever’s opening track. “I’ve got more on my shoulders”, she adds, which is certainly true. Her debut album When We All Fall Asleep, Where Do We Go? wasn’t just a huge global hit, but an album that significantly altered mainstream pop music. Two years on, streaming services are clotted with bedroom-bound, teenage singer-songwriters dolefully depicting their lives: anticipation for what the genuine article does next is understandably running very high.

When We All Fall Asleep … was an album that turned universal teenage traumas – romance, hedonism, friendship groups – into knowingly lurid horror-comic fantasies, in which tongues were stapled, friends buried, hearses slept in and marble walls spattered with blood. That playfulness is less evident on its successor. It flickers occasionally, as on Overheated’s exploration of stardom in the era of social media, complete with death threats (“You wanna kill me? You wanna hurt me?” she mumbles, before giggling: “Stop being flirty”) or on NDA, where the “pretty boy” she entices home is required to sign the titular legal agreement before he leaves. But the overall tone is noticeably more sombre.

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Famous, but not ultra famous: meet the internet’s ‘in-betweeners’

They’re known by their faces, work, or names, and live a life of semi-stardom – all because they showcased their craft on the internet

You probably know Sarah Bahbah by her name, or her work – but you probably wouldn’t be able to pick her out in a crowd. You may have seen her recent cover shot of DJ Khaled for GQ; or you may know her other visual art work – like her subtitle series, which uses cinematic stills with her inner dialogue as captions, featuring big names like Noah Centineo and Dylan Sprouse. But a few years ago, the 29-year-old was relatively unknown. Then, all of a sudden, she posted a collection of photographic stills based on sex and takeout, and woke up to find herself near famous.

Now she has more than a million followers on Instagram, but Bahbah first recognized her new level of fame when she started to pass the barbecue test – that is, when you are invited to a gathering where you don’t know anyone, and a stranger asks if you’re familiar with your own work. “It’s happened numerous times,” she says. “I would just be sitting there listening to someone talk about my work, in this room full of strangers. That’s such a cool feeling to have – knowing that no matter where you are in the world, because of the internet, people discover you on their own terms and connect to your work.”

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Cameo founder on why celebrities offer video shoutouts: ‘Not all talent are motivated by cash’

Earlier this year, shoutout service Cameo earned itself a $1bn valuation by connecting fans with their favourite celebrities. Its founder, Steven Galanis, discusses modern fandom

What do Ghostface Killa, James Van Der Beek and Carole Baskin of Tiger King fame have in common? They’re all available through Cameo, an online “shoutout” service where subscribers can book a personalised video message from a growing army of actors, athletes, entertainers and more.

The brainchild of founder Steven Galanis, Chicago-based Cameo has been around since 2017, but it was during the pandemic that it struck gold. Providing a much-needed revenue stream for performing artists hit hard by lockdown, and offering users a safe and memorable way to send some love, it boomed. Right now there are over 40,000 celebrities ready to say happy birthday to your mom, or give your boyfriend a pep talk, with roughly 1.3m messages sent last year alone.

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Could Chrissy Teigen just try sending a text next time? | Harron Walker

After apologizing on Monday, Teigen was accused of bullying Michael Costello, who then was accused of bullying Leona Lewis. Maybe it’s time to pause the posts

In 2018, the New Republic deputy editor Katie McDonough wrote a piece for Jezebel that I spiritually consult to this day. (Full disclosure: I was a Jezebel contributor at the time.)

“Why tweet when you can text?” she asked, and … well, that’s basically it. Sometimes, you can just text the thing you want to tweet.

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Bennifer’s rebooted! Why is Ben Affleck and Jennifer Lopez’s reunion so cheering?

They were a tabloid dream, the super-cool fly girl and the eyeliner-wearing Caped Crusader. Now, 17 years on, Ben and Jen are together again. But what do the ultimate 00s couple mean to the TikTok age?

Brangelina. Kimye. Tomkat. Gyllenspoon. Each pairing is yet another note in the long, sad dirge of failed Hollywood romances. Blending famous monikers has been a showbiz tradition for decades, even if most of these fusions fizzle out quicker than you can say “Vaughniston” (you remember: Vince Vaughn dated Jennifer Aniston for about a minute after her breakup with Brad Pitt). But back in the early 2000s, there was one couple whose tumultuous affair and melded nickname towered above the rest, all but consuming the tabloid press for three whole years, until their abrupt, dramatic breakup just days before their planned wedding. And now, 17 years later, in a plot twist worthy of a Nancy Meyers romcom, those same not-so-young-any-more lovers have shocked the world and delighted the media by getting back together.

That’s right: like the cicadas, Bennifer has risen anew. The details of the Ben Affleck-Jennifer Lopez reunion are still a bit sketchy. There was a New York Post item in April reporting that the two had been observed entering the restaurant at the Pendry hotel in West Hollywood with “arms wrapped around each other”. A few days later, Affleck was spotted making an early-morning departure from Lopez’s LA home (“with a smirk” on his face, the Page Six article noted). A month after that, multiple outlets broke the news that the couple had spent a weekend at a resort in Montana. Then celebrity mag Us Weekly made it semi-official with a quote from an anonymous source: “Jen and Ben are both very happy with each [other] and excited to see where the relationship goes.”

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Leigh-Anne Pinnock of Little Mix: ‘Being Black is my power. I want young Black girls to see that’

In her early days with the girl band, Pinnock felt invisible and couldn’t understand why. Then the role of race became clear

Leigh-Anne Pinnock has been living the pop star dream ever since she was 19 and stepped on to a stage to audition for The X Factor, singing Rihanna’s Only Girl (In the World). She has now spent almost a decade in one of the UK’s biggest girl groups. But she had a difficult start with Little Mix, and not because she didn’t get on with her bandmates. She felt “invisible”, and would regularly cry in front of her manager. “I just couldn’t seem to find my place, and didn’t know why,” she said in a magazine interview in 2018. “I didn’t feel like I had as many fans as the other girls. It was a strange feeling.” She had, at that point, finally realised what the trouble was. “I know there are girls of colour out there who have felt the same as me,” she said. “We have a massive problem with racism, which is built into our society.”

If she expected the interview to change anything, she was disappointed. “I really did feel as if it fell on closed ears,” she says today, speaking from the Surrey mansion she shares with her footballer fiance, Andre Gray. “It was almost like people just weren’t ready to talk about race then.”

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