From drill’s high watermark to Tuareg rock, Colombian pop and London jazz, here are our music editors’ picks of the best LPs from the first half of the year
Continue reading...Category Archives: Folk music
Enya’s greatest songs – ranked!
This month, the Irish singer turned 60 – and her popularity belies how radical her Celtic futurism really is
With the plinking, clipped synths and infernally moreish chorus, Orinoco Flow is the Enya song that everyone knows, yet it is arguably the least interesting moment on her breakthrough album, Watermark. Indeed, for years it seemed that its ubiquity obscured the stranger treasures in her discography.
Continue reading...‘If not hope, then what?’: the musicians finding optimism in dark times
Against a backdrop of Covid, a striking number of musicians, from hard rock to jazz, made music rich with positivity. In the first of a two-part series, they tell their stories
I had really given up on music after my mom passed away [in 2014], and then of course the record that I saw as my death rattle [2017’s Soft Sounds from Another Planet] got picked up in a big way. It was a very bittersweet moment where all these great things were happening in the wake of loss. I didn’t allow myself to feel that for a long time. Now I feel ready to embrace feeling.
Continue reading...Ballaké Sissoko: picking up the pieces after US customs broke his kora
Last February, Sissoko’s historic instrument was disassembled on a flight home to Paris. Bolstered by a new kora, his latest album revives their borderless journey
In the Malian language Bamanankan, djourou – the title of Ballaké Sissoko’s forthcoming album – means string. “It’s the string that connects me to others,” he says. For this master of the kora, it is also the string that broke.
Last February, Sissoko returned to Paris after a US tour with his trio 3MA to find that border officials in New York had dismantled his kora. The neck, bridge, strings and custom-built pickup had been removed from the body, made of calabash and parchment. The instrument was beyond repair, and made headlines around the world.
Continue reading...Ryley Walker: ‘Going two days sober was impossible since I was a kid’
He was hailed as the new Nick Drake, but addiction nearly destroyed him. Now he writes songs ‘in a state of joy’ and, after stacking shelves for minimum wage, has released his best work yet
Speaking on a video call from Massachusetts, Ryley Walker is obscured by a blaze of sunlight coming through a large open window as he filters out the air in his apartment. “I must give up smoking,” the singer-songwriter frowns, lighting up his third cigarette.
Given how much Walker has had to give up over the last few years – emerging from the drug and alcohol dependency that shaped his adult life – it’s hard to begrudge him one last remaining vice. Walker, who attempted suicide as a consequence of his addictions, says that being here today is “a miracle”. His career-best new album – the proggy, unexpectedly pretty Course in Fable – is the sound of an artist treating his life as such.
Continue reading...‘A lot of noise, a lot of joy’: Sydney sea shanty club singers raise the roof in raucous reunion
Redfern bar shakes like the hull of a ship as devoted community comes back together after year apart
Over the past year, various members of the Redfern Shanty Club found different ways to cope. Robert Boddington, with his thespian’s voice and easy stage patter, gathered a few friends and tried to sing in public places, “just turning up in the dead of night and quietly singing away”. Robin Howard says he got “the shakes”. Emma Norton, a train driver with a soaring Celtic voice, says: “I sang to myself a lot, I guess.”
On Monday night, as restrictions in Sydney were almost completely lifted – with relaxed caps on capacity in bars, and no limits on singing – this devoted and joyous community finally returned to their favourite weekly ritual.
Continue reading...The Royal Albert Hall at 150: ‘It’s the Holy Grail for musicians’
It’s hosted opera greats, suffragette rallies, Hitchcock films, sports events, sci-fi conventions – and, of course, the Proms and countless rock gigs. Artists from Led Zeppelin to Abba recall their moments on the hallowed stage
The Royal Albert Hall is 150 years old today (and the Guardian was there to see it opened by Queen Victoria). With a design based on a Roman amphitheatre, stacked balconies pack the audience close to the action – and at a capacity touching 6,000, the number of visitors entertained at the London venue runs to many millions. But what is it like to play as a performer? We asked artists and sportspeople for their memories of being centre stage at the iconic venue.
Continue reading...And the brand played on: Bob Dylan at 80
With a slew of books to mark the songwriter’s birthday due, we look at the industry that has grown up around the man who forced academia to take pop seriously
- Scroll down for Q&As with the authors of four new Dylan books
“It’s gonna take a hundred years before they understand me!” Bob Dylan once claimed, “they” being the cohorts of fans, critics and Dylanologists who have dogged his tracks ever since Robert Zimmerman, chippy teen of Hibbing, Minnesota, became Bob Dylan, world-famous singer, songwriter, and pop’s most enduring enigma.
“That’s exactly the quote James Joyce made about Ulysses,” points out Sean Latham, professor of English at the University of Tulsa and head of the institute for Bob Dylan Studies recently established there. “Joyce said, ‘I put so many puzzles and enigmas in Ulysses it will take the scholars 100 years to solve them’.”
Continue reading...Gurrumul, Omar Souleyman, 9Bach and DakhaBrakha: the best global artists the Grammys forgot
From the Godfathers of Arabic rap to the father of Ethio-jazz, Grammy-winning producer Ian Brennan guides a tour through global music’s greatest
This week I wrote about the glaring lack of international inclusivity in the Grammys’ newly redubbed global music (formerly world music) category.
In the category’s 38-year history, almost 80% of African nations have never had an artist nominated; no Middle Eastern or eastern European musician has ever won; every winner in the past eight years has been a repeat winner; and nearly two-thirds of the nominations have come from just six countries (the US, the UK, Brazil, Mali, South Africa, India). The situation shows little signs of improving.
Continue reading...‘The drum needed a blood sacrifice’: the rise of dark Nordic folk
Heilung jam with Siberian shamans and play with human bones, while Wardruna record songs submerged in rivers and on burial mounds. Now this vibrant undergound music scene is finding a wider audience
In 2002, holed up in an attic studio on the majestic Norwegian coast, Einar Selvik had a vision. He would create a trilogy of albums based on the 24 runes of the Elder Futhark, the world’s oldest runic alphabet. The multi-instrumentalist’s epiphany kicked off what is now one of the world’s most vibrant underground music scenes.
Calling on vocalists Lindy-Fay Hella and Gaahl, with whom Selvik had played in black metal band Gorgoroth, he created the band Wardruna and the first instalment of the trilogy arrived in 2009. It was called Runaljod: Gap Var Ginnunga (Sound of Runes: The Gap Was Vast) and had taken seven years to research, write and record. Each song told a story behind Nordic culture and traditions, via dark and ambient folk, played on ancient string and horn instruments, as well as animal hide drums.
Continue reading...Caroline Shaw: what next for the Pulitzer-winner who toured with Kanye? Opera – and Abba
She has scored films, played with rappers, starred in a TV comedy, and performed for the dying. As the classical sensation releases three new works, she talks about the shock of playing arenas – and making the leap into opera
When Caroline Shaw became, at the age of 30, the youngest ever winner of the Pulitzer prize for music, she described herself as “a musician who wrote music” rather than as “a composer”. Partita, her winning score, is a joyful rollercoaster of a work, encompassing song, speech and virtually every vocal technique you can imagine. It was written for Shaw’s own group, Roomful of Teeth.
Eight years on, she’s still wary of defining herself too narrowly. “Composer, for some people, can mean something very particular,” she says, “and I’m trying to make sure I don’t get swallowed up into only one community.” Not that Shaw’s range shows any sign of narrowing: even a small sample of her work over the past few years throws up an array of names not often seen together: rappers Kanye West and Nas, soprano Renée Fleming, mezzo-soprano Anne Sofie von Otter, Arcade Fire’s Richard Reed Parry, pianist Jonathan Biss. She has written film scores, sung on others, was the soloist in her own violin concerto, and even managed a cameo appearance as herself in Amazon Studio’s comedy drama Mozart in the Jungle. A year ago, Orange, a recording of her string quartets, won the Attacca Quartet a Grammy.
Continue reading...Kyrgyzstan ballads, Okinawan folk, Ugandan hymns … the album rewriting global music history
Excavated Shellac rejects the western canon of pop, rock, jazz, classical and more to champion 78rpm gems from overlooked corners of the world – ‘an alternate universe’, according to the man behind it
Imagine an anthology of 20th-century music making that purposely ignored pop, rock, jazz, blues, country, classical and opera. Cue outrage, at least from English-speaking listeners. But away from the western canon that has come to dominate our conception of music-making, much of the world was busy creating swathes of very different, extremely beautiful music.
These overlooked styles are collated on a new 100-track compilation, An Alternate History of the World’s Music, and presumptuous as it may seem to announce that the best album of 2021 has already been released, to my mind it’s unlikely it will be topped. Helmed by Dust-to-Digital, the US label that has done a magnificent job with box sets chronicling overlooked areas of pre-second world war music, the digital release also features a 186-page ebook (complete with beautiful illustrations like the ones here), in which every tune gets discussed – the first is a South African miner’s protest against police brutality, the last a sultry Cuban dance tune whose singers sound like they might have been hitting the rum while recording. This sonic smorgasbord from across the globe lives up to the provocative title, with music from Afghanistan, Sudan, the former Yugoslavia, Uganda, Spain, Albania, Mongolia, Mexico and elsewhere. Ever wondered what the Crimean Tartar Orchestra might sound like? Well, their raucous, minor key, brass party music is fabulous.
Continue reading...10 of the best Christmas songs (that aren’t by Mariah Carey)
The classics are back in the charts even earlier than usual – alongside the perennial row about the Pogues. So why not discover these lesser-known festive bangers?
Judging by the number of trees and lights going up already, the UK is rounding off the worst year ever by turning Christmas 2020 into a six-week celebration of successful vaccine trials. Sure enough, sales and streams of festive songs are up by 50% compared with the same week last year, with Mariah Carey leading the charge and likely to go Top 40 tomorrow. But to avoid being thoroughly sick of All I Want for Christmas Is You before you have even opened an Advent calendar, consider adding these lesser-known tracks to your playlists.
Continue reading...Neil Young – every album ranked!
As a new live album is released and a 50th anniversary edition of After the Gold Rush approaches, we rate every album by Canada’s irascible godfather of grunge
If other 1970s greats, including Don Henley, were having 80s hits with modern, synth-heavy records then why shouldn’t Neil Young give it a go? A question to which the obvious answer is: because it might sound like Landing on Water, on which perfectly good songs – not least Hippie Dream’s devastating portrait of David Crosby in his coked-out ruin – were knackered by sterile, unsympathetic production.
Continue reading...Joni Mitchell: ‘I’m a fool for love. I make the same mistake over and over’
As she releases a box set of her earliest recordings, in a rare interview Mitchell talks about life before fame, the correct way to sing her songs – and her long struggle to walk and talk again after an aneurysm
“I was lying in bed last night thinking about getting a cat,” says Joni Mitchell. It’s an early summer Sunday, and she’s sitting in her backyard patio, nicknamed Tuscany. Behind her a bird feeder is busy with hungry visitors. “And this guy shows up at the gate around midnight, meowing.”
A light-brown kitten with long white paws, only a few months old, leans contentedly against her shoulder. “I hope nobody comes to claim him,” she confides softly. They’re fast friends. Nearby Marcy Gensic, Mitchell’s longtime friend and associate, mentions they’ve papered the neighbourhood with lost notices. No calls yet. So with our midnight visitor, tentatively named Puss ’n Boots, tucked in the lap of this treasured artist, Mitchell is here to discuss the new set of early recordings she never intended to release: Joni Mitchell Archives Vol 1: The Early Years (1963-1967). For years she doubted their place in the revered canon of her carefully curated albums. “Some of the melodies are beautiful,” she told me in an interview in 2004, “but they’re very ingenue-y.” She seemed almost wistful. “God, they’re so vulnerable in these tough times. They’re like some ancient world.”
Continue reading...Laura Veirs on surviving her divorce: ‘My life is strangely awesome’
After her 20-year relationship ended, the US songwriter refused to believe that she would emerge stronger. Yet against the odds, she experienced a creative and feminist rebirth
In 2018, as her marriage fell apart, Laura Veirs cried and biked all over Portland. “I called myself the crying cyclist,” she says. It was a new, impetuous hobby taken up after years of putting her desires on hold. When some friends asked her to join them on a 100-mile ride, she immediately kitted up and began training: 50 miles, 60 miles, weeping down her Spandex. “That got me through the divorce, honestly,” she says. Another friend wondered whether the optical act of navigation mimicked eye-movement therapy, which is thought to weaken the effect of trauma. “I was surprised by how much it helped get the grieving out.”
The theory – balancing intellect and intuition – hit Veirs in her sweet spot. She is the daughter of academics; a former geology student and a career songwriter beloved for her moving, naturalistic vocabulary. Her voice has a sturdy, earnest clarity: on the superb 2016 collaborative album case/lang/veirs, her freshness contrasted the fiery Neko Case and earthy kd lang.
Continue reading...‘Our collective imagination could die away’: Stewart Lee and Shirley Collins in conversation
Friends for almost 20 years, the comedian and Observer columnist and first lady of folk discuss life in lockdown, the future of the arts, and what their kids think of their music taste. Jude Rogers joins them
“I was all right until this week, but now I’ve started swearing at inanimate objects.” Stewart Lee – comedian on lockdown and heavily bearded columnist of this parish – is in his record-filled north London study, on Zoom, with one of his musical heroes. It’s not him who’s ranting, though. It’s Shirley Collins, the first lady of English folk music.
Collins has been home alone since early March, which is “a bit rubbish”, she says; after all, she had a busy summer ahead. Her new album, Heart’s Ease, comes out next week – she had a few festival dates planned – and it’s also her 85th birthday two days after we speak. Some morris dancers will be dancing down her road, though, she says. “Proper muscular stuff!”
Continue reading...Fairport Convention singer Judy Dyble dies aged 71
Folk singer, who also had a solo career, had a long-term illness
The Fairport Convention singer Judy Dyble has died aged 71. The folk artist, who also had a solo career, had been suffering from a long-term illness.
Dyble rose to prominence during the 1960s and performed on Fairport Convention songs including Time Will Show the Wiser.
Continue reading...Joni Mitchell: where to start in her back catalogue
In Listener’s digest, our writers help you explore the work of great musicians. Next up: the poet of Laurel Canyon who refused anyone’s will but her own
Blue (1971)
Continue reading...Bob Dylan announces first original album in eight years, Rough and Rowdy Ways
Album news revealed with release of third song from the project, swaggering blues number False Prophet
Bob Dylan has announced his first album of original songwriting in eight years.
Rough and Rowdy Ways will be released on 19 June. It follows three albums of cover versions – Shadows in the Night (2015), Fallen Angels (2016) and triple album Triplicate (2017) – with his previous album of his own songs, Tempest, released in 2012.
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