Category Archives: Classical music

Good Riddance 2020: the ultimate New Year’s Eve songs, as voted by you

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We asked you to help us create an epic end of year playlist to see out the bin fire that has been 2020. After nearly 10,000 votes, here it is

We asked you, Guardian readers, to nominate the song you’d want on the ultimate New Year’s Eve playlist: one that represents the year we’ve had, the year we’re hoping for, or just the way we’ll feel (and the words we’ll be screaming) at midnight. Then, 9,534 of you voted on them.

It was all over, though, once the Mountain Goats got involved. Their popular 2011 track This Year was sitting at No 3 until the band discovered it and tweeted about this fact with a shameless plea for votes.

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Good riddance 2020: vote now for the ultimate New Year’s Eve songs to end a very bad year

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The year that lasted centuries is finally coming to a close – and we need some music to bid good riddance to the horrors of 2020.

Last week Guardian Australia asked our readers what song they’d add to the ultimate New Year’s Eve playlist: one that represents the year we’ve had, the year we’re hoping for, or just the way we’ll feel (and the words we’ll be screaming) at midnight.

Below are all the songs that were nominated, and now we need you to vote so we can build the perfect soundtrack for your night. Voting closes on Wednesday 16 December – and we’ll launch the playlist of the top 20 songs on Friday

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US composer Harold Budd dies aged 84

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Composer of calmly beautiful works who rejected the term ‘ambient’ collaborated with Brian Eno, Cocteau Twins and more

Harold Budd, the left-field American composer whose work straddled minimalism, jazz, dream-pop and more, has died aged 84. His death was confirmed by his close collaborator Robin Guthrie of Cocteau Twins, who wrote on Facebook that he was “feeling empty, shattered lost and unprepared for this”.

Cocteau Twins wrote on Facebook: “It is with great sadness that we learned of the passing of Harold Budd. Rest in peace, poet of the piano.”

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‘She made music jump into 3D’: Wendy Carlos, the reclusive synth genius

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She went platinum by plugging Bach into 20th-century machines, and was soon working with Stanley Kubrick. But prejudice around her gender transition pushed Wendy Carlos out of sight

This summer, an 80-year-old synthesiser pioneer suddenly appeared online. She had been silent for 11 years, but now something had appeared that she just wouldn’t tolerate. “Please be aware there’s a purported ‘biography’ on me just released,” wrote Wendy Carlos on the homepage of her 16-bit-friendly website, a Siamese cat and a synthesiser behind her portrait. “No one ever interviewed me [for it], nor anyone I know,” she went on. “Aren’t there new, more interesting targets?”

Given that Carlos is arguably the most important living figure in the history of electronic music, it’s remarkable that Amanda Sewell’s Wendy Carlos: A Biography is the first book about her. This is the musician who pushed Robert Moog to perfect his first analogue synthesiser, from which pop, prog, electronica and film music flourished. Her smash-hit 1968 album Switched-On Bach made the Moog internationally famous and became the second classical album ever to go platinum in the US. Then came her extraordinary soundtracks for A Clockwork Orange, The Shining and Tron. She made an ambient album five years before Brian Eno did, and jumped from analogue machines to do leading work in digital synthesis, but worried that her status as one of the first visible transgender artists in the US would overshadow it.

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Mohammad Reza Shajarian embodied the timeless beauty of Persian music

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The singer, who has died aged 80, was silenced in his home nation for his outspoken criticism – but his artistry played on in the hearts of Iranians at home and abroad

I vividly remember the first time I met Mohammad Reza Shajarian on a summer afternoon in Berlin in 2011. He was touring Europe, along with his daughter Mojgan and an ensemble of young musicians. For Iranians, this was – along with North America – the only place they could experience their great idol on stage, given that the outspoken maestro of Persian classical music had been banned from performing inside Iran two years earlier.

Related: Iranian singer Mohammad Reza Shajarian dies aged 80

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Unholy row as leading London church axes musicians, ‘using Covid as a cover’

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St Martin-in-the-Fields jettisons ensembles to focus on in-house provision at a time when freelance performers ‘on their knees’

Ten London musical ensembles claim they have been “summarily dismissed” by one of the capital’s most prestigious churches in an “act of callous and unchristian behaviour”.

The orchestras and choirs have put on concerts regularly at St Martin-in-the-Fields in Trafalgar Square for 30 years, paying a hire fee for the venue and commission on ticket sales.

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Suites, shoots and leaves: Spanish opera house reopens with concert for plants

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String quartet will play Puccini for potted audience at grand venue in Barcelona

Attendees of the first post-lockdown concert at Barcelona’s Liceu opera house next week will not need masks or gloves, nor will they be required to observe physical distancing.

But they might like to take along a nice comfy pot and a little water to prevent their roots from drying out as a string quartet serenades them, fittingly, with Puccini’s Crisantemi (Chrysanthemums).

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Could a 12-year-old Australian-Chinese violinist be the next child prodigy?

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Decca Classics’ youngest-ever signing, Christian Li, has been hailed a ‘superstar’ who is already up there with the greats

The classical music world is no stranger to young talent. The 19th century virtuoso Niccolò Paganini started playing aged seven, while Yehudi Menuhin caused a sensation with his performance, at the same age, of Mendelssohn’s Violin Concerto.

Now, however, there’s a new kid on the block, whose backers say transforms from “normal child” to “absolute superstar” the moment the lights dim. Christian Li, a 12-year-old schoolboy violinist from Melbourne, recently became the youngest-ever artist signed by the Decca Classics record label. He will release a new recording later this month, a contemporary adaptation of a traditional Chinese folk tune.

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French orchestra play ‘together’ in coronavirus lockdown – video

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The National Orchestra of France has been posting its performances to YouTube while players are confined to their homes under lockdown measures to stop the spread of coronavirus. Using video and audio technology, the musicians recorded themselves playing Bolero alone at home but together online


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Influential composer Krzysztof Penderecki dies aged 86

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Polish musician won numerous awards, scored The Exorcist, and was admired by rock stars

Leading composer and conductor Krzysztof Penderecki has died at the age of 86 after a long illness, his family announced this morning.

The Polish-born Penderecki was a major figure in contemporary music whose compositions reached millions through celebrated film scores, which included for William Friedkin’s The Exorcist, Stanley Kubrick’s The Shining and David Lynch’s Wild at Heart.

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Plácido Domingo says harassment apology gave ‘false impression’

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Spanish opera singer says his words had been misunderstood after apology triggers backlash

Plácido Domingo has rowed back on an apology he made over sexual harassment allegations just two days earlier, after his mea culpa triggered a backlash and cancellations in Spain.

The Spanish opera singer, who faces multiple allegations of sexual harassment, apologised on Tuesday for “the hurt” caused to his accusers, saying he accepted “full responsibility” for his actions. But on Thursday, the 79-year-old insisted his words had been misunderstood.

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Madonna, Motown and Mongolian metal: the music to listen out for in 2020

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The queen of pop gets intimate, Taylor Swift feels the sunshine and Stormzy takes on the world … plus, classical celebrations begin for Beethoven’s 250th

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‘A majestic figure in every sense’ – stars remember Jessye Norman

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She was a diva so grand she needed to Rolls Royce just to get across the street. Martin Kettle kicks off stars’ tributes to the great American soprano

Jessye Norman’s voice was a force of nature, a gift from the gods. When you went to hear her sing, you always knew exactly what you would get. Sumptuous, creamy and voluptuous tone was Norman’s trademark, along with a meticulous attention to text and expression. For some, it was all too grand and undifferentiated, like a meal in which the richness of the food was overwhelming and unchanging in every course. But the sheer vocal splendour that Norman produced was the sort of sound that comes only once in a lifetime.

Yet Norman was not just an unforgettable voice. She was an unforgettable public presence – an African American presence – in every event in which she participated. The knowingness that marked her vocal art extended seamlessly to her public conduct. Her choices on Desert Island Discs did not include her own recordings (which, given her personality, they might easily have done) but Martin Luther King’s “I have a dream” speech. She was a majestic figure in every sense, and she knew from the start of her career to the end that she was also an embodiment of her black brothers and sisters. She would never be anybody’s second-class citizen. And she never was.

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Berlin choir accused of gender discrimination by nine-year-old girl

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German capital’s oldest musical institution violated constitution by refusing girl’s application, court to hear

A nine-year-old girl is taking Berlin’s oldest boys’ choir to court, claiming the state-run institution’s admissions criteria are gender-biased and violate Germany’s constitution.

Next week, Berlin’s administrative court will hear that the decision of the State and Cathedral Choir Berlin (SDB) to reject the girl after an audition in April this year was discriminatory because it infringed on her right to equal opportunities in state support.

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Can music unite a young nation?

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A third of Latvia’s culture budget goes on music education and a new festival aims to galvanise national identity

In the UK it is almost obligatory for a culture minister never to have attended an opera. In Latvia, a small country that takes these things very seriously, the newly installed culture minister hasn’t just seen plenty of operas, he’s starred in them.

Nauris Puntulis a tenor who also had a successful pop career in his 20s, but is now the craggy, grey-haired minister-from-central-casting in the country’s centre-right coalition government.

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Beethoven’s Ninth – Farage turned his back on more than just music

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Beethoven’s Ode to Joy is a powerful symbol of love, humanitarianism and European unity. The Brexit party’s rejection of the EU anthem shuns our shared history

Yesterday, Brexit party MEPs led by Nigel Farage turned their backs while the anthem of the European Union played at a ceremony to mark the opening of the European Parliament. Their behaviour has been met with disdain by many, with #notinmyname trending on Twitter. This was an emotionally provocative act at a time of political sensitivity, and there is something about the shunning of the anthem itself, an instrumental arrangement of the Ode to Joy from the final movement of Beethoven’s iconic Ninth Symphony, that makes the demonstration particularly inflammatory.

The symphony has a long and chequered history: it has been a symbol of both dark and light. A favourite work of Hitler’s (he liked to hear it on birthdays), the Ninth was also used in Nazi propaganda films, and the closing choral section was performed at the 1936 Berlin Olympics. It was also chosen as the national anthem of the Republic of Rhodesia under the racist administration of Ian Smith. This darkness has been appropriated in film soundtracks: the symphony is associated with extreme violence in Stanley Kubrick’s A Clockwork Orange, and is a recurring motif representing Alan Rickman’s cultured villain Hans Gruber in Die Hard.

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Renée Fleming: ‘Plácido Domingo was so frightening. I needed help to get off the stage’

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She is the go-to soprano for world leaders, royals and Broadway directors – and she even sang in elf language for Lord of the Rings. The great barrier-buster relives her biggest breaks

She sang at the inauguration of Barack Obama and at the diamond jubilee concert thrown for the Queen. She also performed at senator John McCain’s funeral and at Prince Charles’s 70th-birthday bash. Yet here’s Renée Fleming today, sitting in a dowdy London studio, eating salad from a cardboard box and feeling somewhat daunted.

“It is terrifying,” she says, of her part in the Tony-winning musical The Light in the Piazza. “There’s so much dialogue, which is not a skill I’ve practised much. But I’ve always had a voracious love of musical adventure.” Fortunately, her friend John Malkovich has given her some advice. “He told me, ‘You just have to put in the hours.’ That made me feel better.”

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White Porgy and Bess cast ‘asked to say they identify as African-American’

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Hungarian singers allegedly signed paper to bypass stipulation of all-black cast

The Hungarian State Opera has come up with a dubious way around a stipulation that George Gershwin’s opera Porgy and Bess be performed by an all-black cast: it is allegedly asking its white, Hungarian singers to sign a paper saying they identify as African-American.

The company first put on the opera a year ago, leading to a spat with the Gershwin estate, which stipulates the opera should only be performed by a black cast.

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