Louis Theroux: ‘I worry about not coming up to scratch’

He made a film on Joe Exotic a decade before Tiger King, lulls interviewees into personal revelations – and can rock a leather suit. So why is he so anxious?

“There’s no getting away from the fact that, even aged 50, I’m a slightly awkward person, a fearful person, worry-prone,” says Louis Theroux, wriggling in his seat. The film-maker picks up and puts down a coffee without drinking. He wears all blue: navy sweater, stock denim, one of those indestructible plastic Casio watches on his wrist. “I worry about what people think,” Theroux continues, “I worry about giving offence, being judged, not coming up to scratch, being thin-skinned.”

We are in the corner of a photography studio in London, sheltering from rain on a Friday afternoon. The room has long emptied of people, but, even so, as Theroux chats, he snatches quick glances over his right shoulder, as if expecting to find somebody or something lurking there. “Everyone has things that preoccupy them, right?” he says. “I just tend to think, on a spectrum of people in general, I definitely skew, uh, anxious.”

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‘An escape from dark times’: how ancient history podcasts bring comfort and clarity

I started listening to tales of yore in 2019, when long drives with my infant son became essential. They soothed him to sleep – and transported me to a different world

Fans of Paul Cooper’s podcast Fall of Civilizations will know that it usually begins in a particular way. A traveller, often far from home, encounters a ruin that hints at a vast and forgotten story of the past.

Hiding from bandits in the desert, the Italian nobleman Pietro della Valle takes shelter in the shadow of the crumbling Ziggurat of Ur. Clambering through the rubble of a once magnificent site of Roman Britain, an unknown poet of the eighth or ninth century writes an elegy to the broken “work of giants”.

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Fear in your ear: the unstoppable rise of the horror podcast

The Battersea Poltergeist is just one of many surging up the charts. Its creator, and others, explain why the pandemic has led people to seek out scary stories

By his own admission, Danny Robins has always been “obsessed with ghosts”. “I think it might have been growing up with atheist parents,” says the writer and broadcaster, who co-created Radio 4’s lauded Sir Lenny Henry vehicle Rudy’s Rare Records, among many other works. Among them is the 2017 investigative podcast about the paranormal, Haunted. “As a kid, I was very aware of the absence of belief,” he continues. “I think I might have just wanted to be part of a club. To be part of a club of believers.”

Now in his early 40s, Robins is trying to recruit as many believers as possible to the club via his new docudrama podcast, The Battersea Poltergeist. Available on BBC Sounds, it tells the story, beginning in 1956, of a bizarre 12-year-long haunting that resulted in Shirley Hitchings (just 15 at the start of it all) and the victim of the titular spook, fleeing to Bognor Regis. A poltergeist in Enfield in 1977 may have inspired Hollywood, but it’s south-west London’s one that put in the longest shift.

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On my radar: Aidan Moffat’s cultural highlights

The Arab Strap vocalist on late-night horror chats with his mum, spending time with Alan Partridge, and bingeing on Succession

Born in Falkirk, Scotland, in 1973, Aidan Moffat is the vocalist of indie rock band Arab Strap, which he founded in 1995 with Malcolm Middleton. Characterised by Moffat’s half-spoken vocals over lo-fi instrumentation, the band gained international acclaim with 1996 single The First Big Weekend; they went on to release six studio albums before splitting in 2006 and reforming in 2016. Since 2002, Moffat has released music under the name L Pierre, and collaborated with artists including Mogwai and Bill Wells. Arab Strap’s first album in 16 years, As Days Get Dark, is was released this month on Rock Action.

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‘For women, it’s behind enemy lines!’ Rob Beckett and Josh Widdicombe on their parenting podcast

It began as a way to moan about the pandemic – or avoid childcare. Now Lockdown Parenting Hell is downloaded 2m times a month. The comedians chat fatherhood, burnout – and dreaming of the pub

Like many comedians, Josh Widdicombe and Rob Beckett found themselves without an outlet when the pandemic struck. And so, like many comedians, they decided to make a podcast. Theirs – Lockdown Parenting Hell – has become one of the most popular in the country, mining the stresses of everything from twins, tantrums and building a trampoline to the tune of more than 15m downloads.

Beckett has two young children with his wife, Louise Watts, while Widdicome and his wife, Rose Hanson, have one, with another on the way. Each week, the pair interview a celebrity (past guests have included Michael Sheen, Philippa Perry and Paddy McGuinness) while sharing stories about their upended domestic lives. It is fast, fun and, at times, genuinely touching. Here, they share their thoughts on their pandemic pastime.

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Harry and Meghan put son Archie centre stage in first podcast

Surprise at end of episode featuring Sir Elton John, comedian James Corden and tennis star Naomi Osaka

When the Duke and Duchess of Sussex announced that they would put guest speakers at centre stage in their new podcast, few would have expected to hear from their toddler Archie.

But Prince Harry and Meghan’s 19-month-old son made a surprise cameo appearance at the end of the first episode, released on Tuesday, revealing a slight American accent as he wished listeners a happy new year.

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Rocky Horror’s Richard O’Brien: ‘I should be dead. I’ve had an excessive lifestyle’

The creator of the cult show is not going quietly into his 70s. He talks about coming out as trans, going ‘loopy’ on crack – and speaking in tongues after suffering a stroke

Richard O’Brien is 78, but his toothpick body and lightbulb head have always lent him a certain agelessness. A few months ago, however, the rakish Rocky Horror Show creator, Crystal Maze presenter and transgender parent-of-three received a stark reminder of his advancing years.

He was pottering around at home in New Zealand when he suddenly found himself lying on the floor. “I didn’t register that something was desperately wrong,” he says, speaking from the house he shares with his third wife, Sabrina, 10 miles outside of Katikati. “I just thought: ‘I wonder why I can’t get up.’” Struggling to his feet, he attempted to make a drink, only to discover he couldn’t put the top back on the milk. “I was in a dream-like state. Finally, I gave up with the milk, went to go back to the bedroom, slid down the wall and started speaking in tongues. That’s when Sabrina called the ambulance.”

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Alan Partridge on his new podcast: ‘This is the real, raw, be-cardiganed me’

He’s back – sporting a post-lockdown haircut and hosting a new podcast. Britain’s No 1 raconteur talks about his new hat, driving a Vauxhall, and why Boris Johnson looks like the evil rabbit in Watership Down

Turn right out of Norwich railway station, take the number 12 bus, change at Norfolk and Norwich University Hospital, ride eight stops on the number 4 towards Swanton Morley, walk 1.1 miles, and you can’t help but spot the twin louvred conical towers of the oasthouse that Alan Partridge calls home. It is from this very oasthouse that Partridge – raconteur, national treasure, wit – broadcasts his brand new podcast, From the Oasthouse: The Alan Partridge Podcast, and to which Partridge has invited the Guardian.

Partridge bounds out to greet me in what appears to be an effusive show of hospitality. He offers a handshake before snapping it back into a more pandemic-appropriate wave. “I am so fine with social distancing,” he says. “Remember, I work in television where you’re forever mauled, hugged and leant on by over-pally floor managers or cackling makeup ladies. Now I can say, ‘Get your hands off me!’ without appearing in any way rude.”

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The week in podcasts and radio: On the Ground – review

A notorious ‘friendly fire’ incident during the Iraq war is picked apart in this meticulous 5 Live podcast

On the Ground (BBC 5 Live) | BBC Sounds

Audrey Gillan is known to radio lovers as the Scottish reporter who befriended two rough sleepers in Spitalfields, London, and made a six-part series about them. Tara and George was broadcast on Radio 4, and won radio programme of the year at the 2019 Broadcasting Press Guild awards. It was a tender and affecting series, with Gillan, if not at the forefront, decidedly involved: she was honest about her feelings around homelessness, her worries about Tara and George and how they were living. It was this relationship – as well as the one between Tara and George themselves – that gave the series its flavour and heart.

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From giving up gambling and getting fit to coping with grief: how our lives changed in lockdown

This year’s isolation has been painful, but in some cases it has also provided a valuable chance to pause, reflect and take decisions that seemed unthinkable before. Here, six readers describe how lockdown inspired them to turn their lives around

As soon as he heard about the impending lockdown, Alex Harrison, 34, drove to his local casino in Liverpool and asked them to ban him for life. In the manager’s office, his photograph was taken and his details were recorded on an iPad. To his surprise, the manager congratulated him.

Harrison has battled with a gambling addiction for 10 years. When he walked into the casino that day, he owed around £1,000 to friends, family and payday lenders. Occasionally, he would gamble his entire month’s salary on the day he was paid.

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Twiggy: ‘I don’t think high fashion will ever move completely away from slimness’

As a model, she was the face of the 60s, and went on to have a busy acting career. She discusses her new podcast, and life in swinging London

So enduring is that image of Twiggy – side-swept hair, heavy eyes, delicate neck – that it’s strange to think she was a model for only four years.

But Twiggy is an expert at reinvention (or “branching out” as her joke goes). The schoolgirl known as Lesley Hornby became Twiggy, the face of the 1960s, recognised then and now by a single name. At 21, she became the all-singing, all-dancing star of Ken Russell’s 1971 film The Boy Friend, which won her two Golden Globes. She has performed on Broadway, recorded albums and been a TV presenter. In her 60s, she turned fashion designer, with several collections for Marks & Spencer. Last year, she was given a damehood.

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Julie Andrews: ‘I was certainly aware of tales about the casting couch’

The celebrated actor had a turbulent upbringing before becoming world-famous for playing two perfect nannies. Now she’s bonding with a new generation of children through her storytelling podcast

“I’ll tell you what, shall I go outside?” Julie Andrews asks. We are talking by phone, but, alas, the reception inside her home on Long Island is, she says, “always terrible”. Torturous minutes pass in which I can hear only fragments of her conversation, and if anyone knows of a sweeter agony than being barely able to hear Andrews’ still lovely, melodious voice, I don’t want to know what it is. Eventually, I have to tell her this phone conversation isn’t working.

“I can stand out in my garden, although it is a bit nippy …” Andrews suggests.

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It’s boom time for podcasts – but will going mainstream kill the magic?

Fifteen years ago, when the word podcast was added to the dictionary, only the tech-savvy were listening. Now, as star names pile in, they’re big business. Can the quality survive?

Hello friends! Do you fancy listening to “a new type of time-shifted amateur radio”? No? How about a brilliant podcast? Of course you do.

Fifteen years ago, Macworld, a magazine for fans of Apple products, announced, with limited fanfare, that Apple was about to add podcasts to iTunes, its music download offer. Unfortunately, few readers knew what a podcast was, hence Macworld’s “time-shifted radio” definition. In June 2005, the idea of having thousands of ready-to-hear audio shows, anything from true-crime documentaries to all-chums-together comedy, to up-to-the-minute news to gripping drama to revealing interviews, and being able to listen to these shows whenever you want, wherever you are – well, that wasn’t quite happening. So Apple’s move didn’t seem important. Nor did the fact that the Oxford English Dictionary added “podcast” to its lexicon in the same year, after tech journalist Ben Hammersley came up with the term in 2004 (which was also the year the BBC launched a downloadable version of In Our Time). Podcasts were new. It takes time for the new to become everyday.

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The year’s best Full Story podcast episodes – recommended by Guardian staff

If you’ve missed a few instalments or are not sure where to start, here are some staff favourites

Full Story: Guardian Australia’s tri-weekly podcast was launched in October, featuring the best of Guardian Australia’s reporting – and the stories behind the scoops.

If you’re not sure where to start, or if you’ve missed a few, Guardian staff have picked their favourite episodes for your summer road trips.

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Dutch detectives turn to power of podcast to solve 1991 murder case

Netherlands detectives were inspired by Making a Murderer and other true-crime shows

Dutch detectives are chasing 15 new leads on a 30-year-old murder case after being inspired by the current popularity of true crime documentaries to broadcast their own three-part podcast on the original ill-fated police investigation.

Neither the identity of a murdered man found wrapped in an electric blanket by a busy motorway in August 1991 nor that of his killer have emerged in the decades since the discovery of the body despite a nationwide probe.

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