Category Archives: Books

Moby on fame and regret: ‘I was an out-of-control, utterly entitled drink and drug addict’

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He declared his intention to go away for a while after pointed criticism of his second memoir. But now the musician is back with a new album - and a visceral documentary

Moby is considering the question he is often asked in interviews: “Do I think I’ve been treated unfairly?” muses the 55-year-old musician, who, let’s face it, is hardly a stranger to terrible press. “Honestly, I don’t think I have been. I’m sure there are times when I’ve been portrayed badly and it was accurate. And even with some of the bad stuff I’ve been through, I don’t have any right to complain. When you look at the 8 billion people on the planet, a reasonably affluent caucasian cis-gendered male public figure musician is not necessarily the first person you think of as having valid criticisms about how they’re being treated.”

Moby is upbeat today – “I can’t think of many things to complain about besides baldness and mortality” – which is perhaps surprising given that the last time he was in the public eye, it involved rather a lot of the aforementioned terrible press. To summarise: in among the shocking confessions, rampant addiction and grotty sex of his second memoir, 2019’s Then It Fell Apart, was the claim that the “beautiful actress” Natalie Portman had asked him out when she was 20, at which point he would have been in his mid-30s.

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Making sense of conspiracy theorists as the world gets more bizarre

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It is 20 years since Jon Ronson wrote Them, his eye-popping investigation into conspiracy theorists. Now, in a world awash with tales of paedophile elites and puppet masters, is he any closer to understanding it all?

In 1999 I sat in a Vancouver café with a group of anti-capitalist activists. They’d just returned from protesting the WTO in Seattle to find a new, far stranger foe in town – David Icke. He was there to lecture about how the ruling elite are actually child-sacrificing, blood-drinking paedophile lizards in human disguise.

Nobody had ever suggested such a thing before, and the activists were working to get his books seized and destroyed. They were alarmed not just by the echoes of antisemitism but because something startling was happening. Icke was beginning to win over people who should have been on their side. I wrote back then that they were “seeing an omen of the blackest kind, the future of thought itself: a time when irrational thought would sweep the land”. But this wasn’t prophecy on my part. I thought they were probably being overdramatic.

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‘It’s an utter myth’: how Nomadland exposes the cult of the western

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From cowboys to ‘van-dwellers’, itinerant Americans are often portrayed as heroic lone wolves. Chloé Zhao’s film shows that the truth is more complicated and less glamorous

It has been a wild ride for Nomadland, Chloé Zhao’s roving portrait of the US’s rootless modern migrants. Shot for $5m and largely featuring amateur actors, it is the little movie that could: this year’s rags-to-riches story, beloved by the critics and odds-setters alike. The road has been cleared, the gold rush is on, but the Hollywood happy ending feels at odds with the film. As Nomadland steers its westerly course – from the Baftas in London to the Oscars in Los Angeles – it is living a dream that it knows is a lie.

Condé Nast Traveler called it “a love letter to America’s wide open spaces”, which is true up to a point, but this ignores the pathos, poverty and desperation at its core. Adapted from Jessica Bruder’s nonfiction bestseller, the film bounces Frances McDormand’s hard-bitten loner through a modern American badland in which the saloon and the sheriff’s office have been replaced by the RV park and the Amazon warehouse. I would file the film as an anti-western, a wholesale repudiation of manifest destiny, the pursuit of happiness, all the Hollywood snake oil we have long been fed. “Yeah, OK,” Bruder says. “But it’s more complicated than that.” Frustratingly, I think she may be right.

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Jordan Peterson ‘shocked’ by Captain America villain espousing ‘10 rules for life’

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Ta-Nehisi Coates’s new comic sees Red Skull mobilising young men against ‘the feminist trap’ and other Petersonian targets

In the new issue of Captain America, the superhero’s longtime nemesis Red Skull espouses his views about “10 rules for life”, “the feminist trap” and “chaos and order” – and Canadian psychologist Jordan Peterson is none too pleased.

Written by the award-winning author Ta-Nehisi Coates, the Marvel comic features a version of the villain who looks to radicalise young men by telling them “what they’ve always longed to hear … That they’re secretly great. That the whole world is against them. That if they’re men, they’ll fight back. And bingo – that’s their purpose. That’s what they’ll live for. And that’s what they’ll die for.”

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‘This is not an easy treasure hunt’: puzzle book offers readers chance to win €750,000 golden casket

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Clues in The Golden Treasure of the Entente Cordiale could lead readers in the UK and France to a historic treasure presented by Britain to the French president in 1903

For all the armchair puzzlers for whom sudokus and crosswords have palled over the long months of lockdown, a fiendish new literary conundrum is about to slide on to bookshelves – with a rather lucrative and unusual reward.

Artist Michel Becker tracked down and bought the golden casket given to France by the UK ahead of the signing of the entente cordiale on 8 April 1904, which attempted to end centuries of antagonism between the two countries. Presented to French president Émile Loubet in July 1903, the casket was wrought by Goldsmiths and Silversmiths Company in London and contained a scroll celebrating friendship between the two countries. Valued at €750,000 (£646,000), the intricately decorated box is now the prize for whoever solves the clues in Becker’s forthcoming treasure hunt book, The Golden Treasure of the Entente Cordiale.

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If you like salmon, don’t read this: the art duo exposing a booming £1bn market

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Farmed salmon can end up deformed, blind, riddled with sea lice and driven to eat each other. Eco art activists Cooking Sections are highlighting their plight – and getting Tate to change its menus

A few months back, a book arrived in the post – tiny, not much larger than a bank card. Though the cover was grey, its pages were a riot of pinks, from deepest persimmon to pale rose. Printed on them were dense, technical essays referencing everything from fish farming to Adam Smith’s The Wealth of Nations. The title was Salmon: A Red Herring.

Fish is an unexpected topic for an art book – but then the duo who created this little volume, Daniel Fernández Pascual and Alon Schwabe, aren’t really going for the coffee-table market. Operating under the name Cooking Sections, the pair have a thing for food. Their art is about what we eat and its impact on the Earth.

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My rock’n’roll friendship with Lindy Morrison

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She was in the Go-Betweens, Tracey Thorn was in the Marine Girls, their 30-year friendship enhanced both their lives

On 31 March 1983, she burst into my dressing room, asking at the top of her voice, “Has anyone here got a lipstick I can borrow?” I looked up to see a tall woman in a Lurex dress, with a mass of blonde hair. Our two bands, Marine Girls and the Go-Betweens, were on the same bill at the Lyceum in London. I was 20, and she was 31. I was a tentative singer, she was a loud, outspoken drummer. I was from suburbia, she was from Brisbane, Australia. And I was still a student, while she had already been a social worker, then joined a feminist punk band called Xero. She’d hitchhiked across Europe with a girlfriend, she’d seen every art film, read every avant-garde book. She’d slept at Shakespeare and Co in Paris, she’d swum with Roger Moore, she could recite Kate Millett’s Sexual Politics. But I didn’t know any of this. I just knew that she looked like self-belief in a minidress, and that she had arrived in my life. “Who was that?” I asked when she had gone. “That,” came the reply, “was Lindy Morrison.”

It took a couple of years for us to become friends. We were opposites in many ways, and at different stages of life, but there were similarities: we both lived with the boyfriend we were in a band with; we had strong opinions about everything – feminism, love and art; we liked Marilyn Monroe, Bette Davis, Patti Smith, Simone de Beauvoir, and we had no time for a lot of the men who surrounded us in the music business. I’d watch her on stage, fierce and sweating behind the drum kit, long hair flying in her face, all energy, all concentration, and I was proud to be her friend.

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Beautiful Things review: Hunter Biden as prodigal son and the Trumpists’ target

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The president’s son recounts his struggles and his father’s love with honesty – yet still seems blind to glaring political realities

Robert Hunter Biden is not a rock star. Instead, the sole surviving son of Joe Biden – senator, vice-president, president – is a lawyer by training and a princeling by happenstance. Regardless, life on the edge comes with consequences.

Related: Lucky review: how Biden beat Trump – and doubters like Obama and Hillary

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Salman Rushdie on Midnight’s Children at 40: ‘India is no longer the country of this novel’

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Four decades after his Booker-winner was published, Rushdie reflects on the Bombay of his childhood – and his despair at the sectarianism he sees in India today

Longevity is the real prize for which writers strive, and it isn’t awarded by any jury. For a book to stand the test of time, to pass successfully down the generations, is uncommon enough to be worth a small celebration. For a writer in his mid-70s, the continued health of a book published in his mid-30s is, quite simply, a delight. This is why we do what we do: to make works of art that, if we are very lucky, will endure.

As a reader, I have always been attracted to capacious, largehearted fictions, books that try to gather up large armfuls of the world. When I started to think about the work that would grow into Midnight’s Children, I looked again at the great Russian novels of the 19th century, Crime and Punishment, Anna Karenina, Dead Souls, books of the type that Henry James had called “loose, baggy monsters”, large-scale realist novels – though, in the case of Dead Souls, on the very edge of surrealism. And at the great English novels of the 18th and 19th centuries, Tristram Shandy (wildly innovative and by no means realist), Vanity Fair (bristling with sharp knives of satire), Little Dorrit (in which the Circumlocution Office, a government department whose purpose is to do nothing, comes close to magic realism), and Bleak House (in which the interminable court case Jarndyce v Jarndyce comes even closer). And at their great French precursor, Gargantua and Pantagruel, which is completely fabulist.

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From colonialism to Covid: Viet Thanh Nguyen on the rise of anti-Asian violence

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Anti-Asian racism is on the rise around the world. The Pulitzer-winning author reflects on his own experiences as a Vietnamese American – and the dark history that continues to fuel the current hate

On 16 March eight people were killed in Atlanta, Georgia, by a 21-year-old white man: all but one were women, and six were Asian. The shootings take their place in a much longer story of anti-Asian violence. The Covid pandemic has given us a particular insight into this phenomenon: verbal and physical assaults against Asians have accelerated in the US over the last year, with 3,800 documented incidents involving spitting, knifings, beatings, acid attacks – and murder. The majority of the victims have been women.

Though the Atlanta killings took place in Asian massage parlours, the shooter has said he did not target the women because of their race. Instead, he claimed to be a sex addict bent on “removing temptation”. Regardless of his denial – whether it is a lie or self-deception – it is obvious that he targeted these women because they were Asian. “Racism and sexism intersect,” says Nancy Wang Yuen, a sociology professor. This intersection has been a driving force in western attitudes towards Asia and Asian women, who are routinely hypersexualised and objectified in popular culture.

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The return of the bonkbuster: how horny heroines are starting a new sexual revolution

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I longed for novels about female desire - women empowered by sex and their expressions of lust. So I sat down and wrote my own

The idea for my novel Insatiable emerged from a simple question: where were all the horny women? I knew that we were secretly legion. In fact, I suspected that I was surrounded by women, sitting on buses, standing in queues, staring out of the window and simultaneously entertaining all kinds of filthy daydreams. After all, millions of us had bought and read Fifty Shades of Grey. Even if half the sold copies were bought by people who wanted to mock it, that left millions of genuinely horny women unaccounted for – and buying the sequels.

I was not transported in the way I had hoped; I did not find Christian sexy, I did not relish the BDSM and, most of all, I struggled to connect with the beautiful, blank lead character, Anastasia. She seemed similar to every other sort-of-horny woman I had seen on screen, a sexual object before she was a sexual subject, a person who had to be perfect and prove herself desirable before she was allowed to pursue desires of her own.

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George RR Martin signs five-year, eight-figure deal for more HBO projects

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Game of Thrones author also has a Netflix film on the way, but there is still no word of his finishing the fantasy series that made his name

After the huge success of HBO’s adaptations of his Game of Thrones books, George RR Martin has signed a deal to develop several television series for the network and its streaming arm, HBO Max.

Related: George RR Martin: ‘Game of Thrones finishing is freeing, I’m at my own pace’

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‘We will have to choose our apocalypse’: the cost of freedom after the pandemic

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To remake society after the pandemic, we must swap Insta self‑improvement for something more radical, argues author Sam Byers

Across much of the west, March is a milestone both surreal and distressing: a full year of life in Covid-19’s shadow. Twelve months ago, we couldn’t imagine what we were about to experience; now we can’t process what we’ve endured.

This was a year of seemingly irresolvable contradictions. Our grief was collective, yet rituals of communal mourning were denied us. We hymned the “global effort” to produce a vaccine, then recoiled into vaccine nationalism the moment that effort bore fruit. Even as Zoom held us together, Covid denial and conspiracy theories in the family WhatsApp tore us apart.

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Thanks to the pandemic, I’ve spent a year in one place with my mind in two | Chibundu Onuzo

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My family is in Lagos. I’m in London – and there’s no chance of a flight home. Zoom does many things, but it can’t give hugs

It’s been two years since I last saw my father. He lives in Nigeria, just a six-hour flight away, but the last time either of us set foot in an airport was 2019. I don’t miss the cramped seating and recycled oxygen of planes. Nor do I miss the anxious buzz of airports – of standing in my socks on a cold floor, queuing to walk through a metal detector. But I do miss my father and he is at the other end of a plane journey in a world where, for now, the skies are almost empty.

Mostly, I see my father on a screen. His beard is slightly more grizzled but he’s obviously drinking enough water. His skin looks great on camera. I hope the rest of his body is well. Three years ago he was ill and admitted into hospital. We don’t talk about his health but we do talk about Nigeria, about politics and the EndSars protest for example, and whether Nigerians are taking the pandemic seriously enough.

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And the brand played on: Bob Dylan at 80

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With a slew of books to mark the songwriter’s birthday due, we look at the industry that has grown up around the man who forced academia to take pop seriously

  • Scroll down for Q&As with the authors of four new Dylan books

“It’s gonna take a hundred years before they understand me!” Bob Dylan once claimed, “they” being the cohorts of fans, critics and Dylanologists who have dogged his tracks ever since Robert Zimmerman, chippy teen of Hibbing, Minnesota, became Bob Dylan, world-famous singer, songwriter, and pop’s most enduring enigma.

“That’s exactly the quote James Joyce made about Ulysses,” points out Sean Latham, professor of English at the University of Tulsa and head of the institute for Bob Dylan Studies recently established there. “Joyce said, ‘I put so many puzzles and enigmas in Ulysses it will take the scholars 100 years to solve them’.”

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Maggie O’Farrell: ‘Severe illness refigures you – it’s like passing through a fire’

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The Women’s prize winner reflects on the life‑threatening virus that shaped her writing, the superstitions that held her back, and why her prize-winning novel Hamnet speaks to our times

Maggie O’Farrell found the prospect of writing the central scenes of her prize-winning novel Hamnet, in which a mother sits helplessly by the bedside of her dying son, so traumatic that she couldn’t write them in the house. Instead, she had to escape to the shed, and “not a smart writing shed like Philip Pullman’s”, she says, “but a really disgusting, spidery, manky potting shed, which has since blown down in a gale”. And she could only do it in short bursts of 15 or 20 minutes before she would have to take a walk around the garden, and then go back in again.

The novel, a fictionalised account of the death of Shakespeare’s only son from the bubonic plague (his twin sister Judith survived) and an at times almost unbearably tender portrayal of grief, was first published a year ago. An interlude halfway through, which follows the journey of the plague in 1595 from a flea on a monkey in Alexandria to a cabin boy back to London and eventually to Stratford, was referred to by an American journalist as “the contact tracing chapter”. “It certainly wasn’t conceived as that when I wrote it,” the author says of the extraordinary coincidence of her novel, set more than 400 years ago, landing in the middle of the pandemic, not least because she delayed writing it for decades.

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Doubts cast over provenance of unearthed Sappho poems

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Original account of discovery is retracted by editors of the scholarly book in which it was published

When two hitherto unknown poems by Sappho were brought to light in early 2014, it was a literary sensation. The sixth-century BC poet is one of the most celebrated writers of Greco-Roman antiquity, a tender chronicler of the agonies of female desire, and a gay icon. But frustratingly few works by her survive, and those that do largely come from ancient papyrus fragments preserved in the dry sands of Egypt.

But now the editors of a scholarly volume in which the circumstances of the discovery were detailed have formally retracted the chapter because the manuscript’s “provenance is tainted,” according to a statement issued through the book’s academic publisher, Brill.

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Thomas Bernhard was a ‘demon’, half-brother reveals in bestseller

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Memoir by Peter Fabjan, an acclaimed hit in Bernhard’s native Austria, describes a tormented man who flitted between ‘affection and icy contempt’

In public, he could be gregarious. His charm was legendary. For the great Austrian novelist and playwright Thomas Bernhard, life was a kind of production. But as his half-brother Peter Fabjan remembers him in his new book, A Life Alongside Thomas Bernhard: A Report, published in German in January, there was another side to Bernhard. “My life was a life with a phantom – indeed a demon – at my side,” he writes.

A Top 10 bestseller in Austria, and labelled a must-read by Germany’s Die Welt, Fabjan’s book marks what would have been Bernhard’s 90th year, were it not for his premature death in 1989 at the age of 58. It has been widely acclaimed by critics; behind Fabjan’s sentences, Marc Reichwein wrote in Welt am Sonntag, one feels “the wounds of a sibling’s entire life”.

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Nawal El Saadawi, trailblazing Egyptian writer, dies aged 89

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Award-winning feminist author of more than 55 books was a resolute challenger to Egyptian governments

Egypt’s trailblazing writer Nawal El Saadawi died on Sunday at the age of 89, after a lifetime spent fighting for women’s rights and equality.

The feminist author of more than 55 books first spotlighted the issue of female genital mutilation (FGM) with The Hidden Face of Eve in 1980. A trained doctor, El Saadawi also campaigned against women wearing the veil, polygamy and inequality in Islamic inheritance rights between men and women.

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On my radar: Monique Roffey’s cultural highlights

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The Costa-winning author on enjoying Sade with a glass of wine, Line of Duty and why the Caribbean’s female writers need to be heard

Monique Roffey is an award-winning writer born in Trinidad in 1965 whose novels include The White Woman on a Green Bicycle and House of Ashes, which were shortlisted, respectively, for the Orange and the Costa prizes. She is also a senior lecturer at Manchester Writing School. Her sixth novel, The Mermaid of Black Conch, won the Costa book of the year and is shortlisted for the 2021 Rathbones Folio prize, announced on 24 March.

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