Honkaku: a century of the Japanese whodunnits keeping readers guessing

These fiendishly clever mystery novels have spawned pop culture icons, anime and a museum. And, best of all, honkaku plays fair – you have the clues to solve the crime

After a day of joyous wedding celebrations, a bloodcurdling scream echoes into the night. The newlywed bride and groom are found dead in their bed, stabbed with a katana sword, now thrust into the snow outside. Their bedroom was locked from the inside, and there is no way the murderer could have broken in to do the deed, let alone escaped without leaving a trace. How was this impossible crime committed?

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Graham Norton: ‘I’m always aware my mother will read the sex scenes’

The chatshow host on his new novel, his pride in appearing on RuPaul’s Drag Race and why Ireland is in a sweet spot right now

Broadcaster and author Graham Norton, 58, grew up in County Cork. He moved to London to go to drama school, before becoming a standup comedian. His TV breakthrough was in the sitcom Father Ted. His BBC chatshow began in 2007 and has won five Baftas, while his Virgin Radio show is broadcast on weekend mornings. Norton has commentated on the Eurovision song contest since 2009 and is a judge on RuPaul’s Drag Race UK. His third novel, Home Stretch, is out in paperback this week.

Home Stretch traces the fallout from a car crash. Was it based on a real-life incident?
It’s based on a whole phenomenon. Every summer in Ireland, there are these crashes of cars with too many young people in them. Sometimes, there might be drink involved, but often it’s just reckless driving and the confidence of youth. Because it’s a much smaller country, these stories make the national news and what I noticed was that often the driver survived. That was my starting point – I thought, what happens to that life? It’s hardly begun but it’s blighted by this awful tragedy.

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Secrets of a tree whisperer: ‘They get along, they listen – they’re attuned’

Suzanne Simard revolutionised the way we think about plants and fungi with the discovery of the woodwide web. The ecologist’s new book shares the wisdom of a life of listening to the forest

When Suzanne Simard made her extraordinary discovery – that trees could communicate and cooperate through subterranean networks of fungi – the scientific establishment underreacted. Even though her doctoral research was published in the Nature journal in 1997 – a coup for any scientist – the finding that trees are more altruistic than competitive was dismissed by many as if it were the delusion of an anthropomorphising hippy.

Today, at 60, she is professor of forest ecology at the University of British Columbia and her research of more than three decades as a “forest detective” is recognised worldwide. In her new book, Finding the Mother Tree – a scientific memoir as gripping as any HBO drama series – she wants it understood that her work has been no brief encounter: “I want people to know that what I’ve discovered has been about my whole life.” Her moment has come: research into forest ecosystems and mycorrhizal networks (those built of connections between plants and fungi) is now mainstream and there is a hunger for books related to the subject: Peter Wohlleben’s The Hidden Life of Trees and Merlin Sheldrake’s Entangled Life – about the hidden life of fungi – extend her thinking about the “woodwide web”, while the heroine of Richard Powers’s Pulitzer prize-winning 2018 novel The Overstory is said to have been inspired by Simard.

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Mona Eltahawy: ‘Feminism is not a T-shirt or a 9 to 5 job. It’s my existence’

One of the fiercest voices of Middle Eastern feminism, the author of The Seven Necessary Sins for Women and Girls explains her mission to ‘destroy patriarchy’

Every morning, Mona Eltahawy carefully lines her eyes in thick kohl. “It’s a ritual I gift to myself every morning,” explains the 53-year-old Egyptian author, journalist and feminist activist. “Holding that brush is like being a calligrapher, and I consider lining my eyes as a way of writing a love letter to myself. It’s a form of adornment, but it also connects me to my Egyptian heritage, because in ancient Egypt, men and women of all social classes wore eyeliner. It has become a kind of self-care for me since the pandemic began.”

We are speaking via Zoom, with Eltahawy in Montreal, where she lives with her partner. Behind her is a framed portrait of the Egyptian blogger and women’s rights activist Aliaa Mahdy, by the Canadian artist Nadine Faraj. Eltahawy speaks fast, beaded earrings swinging from her ears, often pausing to run her hand through her close-cropped hair; she shaved her long red hair in May. “Red was my power before,” she says, “but to signal power now, I wanted to shave it all off, to say, ‘This is the pandemic me that is emerging.’” Eltahawy is not one for the unexamined life. She is likable, earnest and sincere.

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International Booker prize shortlist led by books ‘pushing the boundaries’ of fiction

Writers including Maria Stepanova and Éric Vuillard are up for the £50,000 prize, with the judges swaying for essays and autofiction over ‘good, straightforward, old-fashioned novels’

From Maria Stepanova’s family memoir to a historical essay by Éric Vuillard, this year’s shortlist for the International Booker prize for translated fiction is highlighting works that “are really pushing the boundaries” of fiction and nonfiction.

The International Booker goes to “the finest fiction from around the world” that has been translated into English. Six books are now in the running for the £50,000 award, which is split equally between author and translator, all of them displaying “an extraordinary amount of ingenuity and originality”, said chair of judges Lucy Hughes-Hallett.

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Rausings targeted in protest against Berlin bookshop eviction

Sigrid Rausing denies financial interest in building, as court orders booksellers Kisch & Co to vacate Kreuzberg premises

A UK-based Swedish multibillionaire family known for their philanthropic donations to literature, libraries and other arts, have become the target of angry protests in Berlin over the eviction of a community bookshop from a counter-culture neighbourhood.

The bookseller Kisch & Co, which has operated for the last 24 years from a historic building on one of the main thoroughfares in the Kreuzberg district of Germany’s capital, was told on Thursday by a criminal court to vacate its premises.

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The Oak Room review – bar-room tales brew up a storm

A father’s legacy is in dispute when wayward son RJ Mitte decides to spar with the barman who guards the man’s ashes

Several men walk into several bars in this interlocking suite of tales, and the repeating permutations of barman and barfly, blue collar and white collar, father and son, raconteur and listener pile up pleasingly into a kind of oppressive, Coenesque cosmic joke. RJ Mitte, Breaking Bad’s Walter White Jr, plays college boy Steve, who turns up in a snowstorm at a bar owned by the irascible Paul (Peter Outerbridge). He owes the latter money – and without it, Paul won’t give up the ashes of Steve’s recently deceased dad, Gord, whose funeral the youth failed to attend. And then this arrogant sadsack – whose very presence aggravates Paul – offers to pay him with a story.

Steve’s yarn is a slack spin on his own: a freezing wayfarer walks into The Oak Room, a pub in a neighbouring town, and puts a set of demands to an irked barman. Unimpressed, Paul tells him that he must learn to “goose the truth” to hold an audience, and then sucker-punches him with a story about Gord, with another story inside. Or he thinks it’s a sucker-punch – Steve reveals that he had only told the ending of his, and the start will transform everything.

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Richard Dawkins loses ‘humanist of the year’ title over trans comments

American Humanist Association criticises academic for comments about identity using ‘the guise of scientific discourse’, and withdraws its 1996 honour

The American Humanist Association has withdrawn its humanist of the year award from Richard Dawkins, 25 years after he received the honour, criticising the academic and author for “demean[ing] marginalised groups” using “the guise of scientific discourse”.

The AHA honoured Dawkins, whose books include The Selfish Gene and The God Delusion, in 1996 for his “significant contributions” in communicating scientific concepts to the public. On Monday, it announced that it was withdrawing the award, referring to a tweet sent by Dawkins earlier this month, in which he compared trans people to Rachel Dolezal, the civil rights activist who posed as a black woman for years.

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Game of Thrones at 10: can a deluge of publicity preserve its legacy?

For many viewers, the final season ruined years of fandom. Enter HBO with a month of celebrations which they hope will lead to renewed interest in GoT – and its upcoming spinoffs

It’s time to crack open Cersei’s favourite Dornish wine and fill an incongruous takeaway coffee cup to the brim: Game of Thrones is 10 years old. To mark the occasion, HBO has inaugurated the Iron Anniversary, a month-long celebration honouring the grandiose but battle-scarred show based on George RR Martin’s as yet uncompleted cycle of fantasy doorstop novels. In traditional GoT fashion, there are merchandising tie-ins, from figurines to a commemorative IPA. But the main thrust of the Iron Anniversary seems to be the series itself: a ceremonial reminder that all eight seasons and 73 instalments are still available to watch on HBO Max (or Sky Atlantic/Now/Amazon Prime in the UK); the campaign announcements encourage fans to return to their favourite bloodthirsty battle episode or embark on a binge-watch “MaraThrone”.

Related: The battle of the binge: should you watch Game of Thrones in lockdown?

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The Republic of False Truths by Alaa al-Aswany review – the personal cost of a failed coup

This fictionalised account of the Egyptian uprising of 2011 has an eye for telling detail in the choice between struggle and self-preservation

Early on in Alaa al-Aswany’s new novel, The Republic of False Truths, a conversation takes place between an older and a younger man that proves bleakly prophetic for what is to follow. Essam Shaalan, once a student protest leader in the 1970s, is now the manager of a foreign-owned Cairo factory; Mazen Saqqa, a young engineer, is the son of Shaalan’s former comrade and a union representative for the striking workers.

“You want to know the truth?” Shaalan tells Saqqa. “Egyptians don’t revolt, or if they do, their revolution is bound to fail because they’re cowardly and submissive by nature… The Egyptians love a dictatorial hero and feel safe when they submit to despotism. In Egypt, the only thing your struggle can lead to is your own destruction.”

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Nigella Lawson: ‘I can be ecstatically happy with just bread and cheese’

In an exchange of emails for Observer Food Monthly’s 20th anniversary, the broadcaster and writer explains how Twitter helped her through lockdown and what she eats on a night off

What were you doing 20 years ago this month?
I’m afraid I have only a rather muddled memory of that time. My husband, John Diamond, who’d had his cancer diagnosed in March 1997, had died in March 2001, and consequently all I can remember of this time 20 years ago, is feeling dazed, and mainlining bagels and cream cheese from Panzer’s. I know I’d been filming (and this must have been for the second series of Nigella Bites) as I had – ridiculous as it now seems – just a week off in the middle of it, and my one acute memory is feeling painfully aware that the herbs we had back of shot when John had died were still alive and flourishing when I resumed. I suspect most of April, once the series had been finished, was spent taking the children, who were then four and six, to school then going back under the duvet until it was time to collect them.

What were you mostly cooking then?
I dare say none of us is impervious to fads and fashion, but my cooking seems to change mostly according to where I am in my life, and at that time I remember rolling endless meatballs – or rather, getting my children to do so, their small hands perfectly suited to the job. The pasta machine, a basic hand-cranked model, was often clamped to the kitchen table, too. My kids used to love turning the handle. Makes me feel I should reclaim it from the back of the cupboard and bring it into play again, even if I have to turn the handle myself!

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Empire of Pain review: the Sacklers, opioids and the sickening of America

Patrick Radden Keefe delivers a damning account of Purdue Pharma, Oxycontin and a family that grew rich

By 2016, opioids had torn a piece out of Appalachia and the rust belt. The deep drop in life expectancy among white Americans without four-year degrees would no longer be ignored. OxyContin, Purdue Pharma’s highly addictive painkiller, helped elect Donald Trump.

Related: George Floyd's girlfriend shared his opioids pain – Derek Chauvin refused to see it

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Jeff VanderMeer: ‘Success changes who I can reach with an environmental message’

The author of the bestselling Southern Reach trilogy talks about taking notes on leaves, the adaptation of Annihilation and his new ecological thriller

In Jeff VanderMeer’s new novel, Hummingbird Salamander, the unnamed protagonist is presented in the opening pages with the key to a safety deposit box. Inside, she finds a taxidermied hummingbird and a note with just three words (and six dots) on it:

Hummingbird

......

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Simon & Schuster refuses to distribute book by officer who shot Breonna Taylor

US publishing giant was due to distribute Jonathan Mattingly’s The Fight for Truth for rightwing outlet Post Hill Press

Simon & Schuster has said that it will not be distributing a book by one of the police officers who shot Breonna Taylor, after a small publisher whose books are distributed through S&S announced the book to widespread criticism.

The Fight for Truth: The Inside Story Behind the Breonna Taylor Tragedy is by Sgt Jonathan Mattingly, a Louisville, Kentucky, officer who shot Taylor and was wounded in the raid on her home in March last year. The book is being published by Post Hill Press, a small independent that specialises in “conservative politics” and Christian titles, and home to authors including far-right conspiracy theorist Laura Loomer and the embattled Republican congressman Matt Gaetz.

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Moby on fame and regret: ‘I was an out-of-control, utterly entitled drink and drug addict’

He declared his intention to go away for a while after pointed criticism of his second memoir. But now the musician is back with a new album - and a visceral documentary

Moby is considering the question he is often asked in interviews: “Do I think I’ve been treated unfairly?” muses the 55-year-old musician, who, let’s face it, is hardly a stranger to terrible press. “Honestly, I don’t think I have been. I’m sure there are times when I’ve been portrayed badly and it was accurate. And even with some of the bad stuff I’ve been through, I don’t have any right to complain. When you look at the 8 billion people on the planet, a reasonably affluent caucasian cis-gendered male public figure musician is not necessarily the first person you think of as having valid criticisms about how they’re being treated.”

Moby is upbeat today – “I can’t think of many things to complain about besides baldness and mortality” – which is perhaps surprising given that the last time he was in the public eye, it involved rather a lot of the aforementioned terrible press. To summarise: in among the shocking confessions, rampant addiction and grotty sex of his second memoir, 2019’s Then It Fell Apart, was the claim that the “beautiful actress” Natalie Portman had asked him out when she was 20, at which point he would have been in his mid-30s.

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Making sense of conspiracy theorists as the world gets more bizarre

It is 20 years since Jon Ronson wrote Them, his eye-popping investigation into conspiracy theorists. Now, in a world awash with tales of paedophile elites and puppet masters, is he any closer to understanding it all?

In 1999 I sat in a Vancouver café with a group of anti-capitalist activists. They’d just returned from protesting the WTO in Seattle to find a new, far stranger foe in town – David Icke. He was there to lecture about how the ruling elite are actually child-sacrificing, blood-drinking paedophile lizards in human disguise.

Nobody had ever suggested such a thing before, and the activists were working to get his books seized and destroyed. They were alarmed not just by the echoes of antisemitism but because something startling was happening. Icke was beginning to win over people who should have been on their side. I wrote back then that they were “seeing an omen of the blackest kind, the future of thought itself: a time when irrational thought would sweep the land”. But this wasn’t prophecy on my part. I thought they were probably being overdramatic.

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‘It’s an utter myth’: how Nomadland exposes the cult of the western

From cowboys to ‘van-dwellers’, itinerant Americans are often portrayed as heroic lone wolves. Chloé Zhao’s film shows that the truth is more complicated and less glamorous

It has been a wild ride for Nomadland, Chloé Zhao’s roving portrait of the US’s rootless modern migrants. Shot for $5m and largely featuring amateur actors, it is the little movie that could: this year’s rags-to-riches story, beloved by the critics and odds-setters alike. The road has been cleared, the gold rush is on, but the Hollywood happy ending feels at odds with the film. As Nomadland steers its westerly course – from the Baftas in London to the Oscars in Los Angeles – it is living a dream that it knows is a lie.

Condé Nast Traveler called it “a love letter to America’s wide open spaces”, which is true up to a point, but this ignores the pathos, poverty and desperation at its core. Adapted from Jessica Bruder’s nonfiction bestseller, the film bounces Frances McDormand’s hard-bitten loner through a modern American badland in which the saloon and the sheriff’s office have been replaced by the RV park and the Amazon warehouse. I would file the film as an anti-western, a wholesale repudiation of manifest destiny, the pursuit of happiness, all the Hollywood snake oil we have long been fed. “Yeah, OK,” Bruder says. “But it’s more complicated than that.” Frustratingly, I think she may be right.

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Jordan Peterson ‘shocked’ by Captain America villain espousing ‘10 rules for life’

Ta-Nehisi Coates’s new comic sees Red Skull mobilising young men against ‘the feminist trap’ and other Petersonian targets

In the new issue of Captain America, the superhero’s longtime nemesis Red Skull espouses his views about “10 rules for life”, “the feminist trap” and “chaos and order” – and Canadian psychologist Jordan Peterson is none too pleased.

Written by the award-winning author Ta-Nehisi Coates, the Marvel comic features a version of the villain who looks to radicalise young men by telling them “what they’ve always longed to hear … That they’re secretly great. That the whole world is against them. That if they’re men, they’ll fight back. And bingo – that’s their purpose. That’s what they’ll live for. And that’s what they’ll die for.”

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‘This is not an easy treasure hunt’: puzzle book offers readers chance to win €750,000 golden casket

Clues in The Golden Treasure of the Entente Cordiale could lead readers in the UK and France to a historic treasure presented by Britain to the French president in 1903

For all the armchair puzzlers for whom sudokus and crosswords have palled over the long months of lockdown, a fiendish new literary conundrum is about to slide on to bookshelves – with a rather lucrative and unusual reward.

Artist Michel Becker tracked down and bought the golden casket given to France by the UK ahead of the signing of the entente cordiale on 8 April 1904, which attempted to end centuries of antagonism between the two countries. Presented to French president Émile Loubet in July 1903, the casket was wrought by Goldsmiths and Silversmiths Company in London and contained a scroll celebrating friendship between the two countries. Valued at €750,000 (£646,000), the intricately decorated box is now the prize for whoever solves the clues in Becker’s forthcoming treasure hunt book, The Golden Treasure of the Entente Cordiale.

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If you like salmon, don’t read this: the art duo exposing a booming £1bn market

Farmed salmon can end up deformed, blind, riddled with sea lice and driven to eat each other. Eco art activists Cooking Sections are highlighting their plight – and getting Tate to change its menus

A few months back, a book arrived in the post – tiny, not much larger than a bank card. Though the cover was grey, its pages were a riot of pinks, from deepest persimmon to pale rose. Printed on them were dense, technical essays referencing everything from fish farming to Adam Smith’s The Wealth of Nations. The title was Salmon: A Red Herring.

Fish is an unexpected topic for an art book – but then the duo who created this little volume, Daniel Fernández Pascual and Alon Schwabe, aren’t really going for the coffee-table market. Operating under the name Cooking Sections, the pair have a thing for food. Their art is about what we eat and its impact on the Earth.

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