‘Music dug up from under the earth’: how trip-hop never stopped

Fused from jungle, rave and soul, trip-hop filled the coffee tables of the 90s, and is now inspiring Billie Eilish’s generation. So why is the term so despised by many?

Nobody really wanted to be trip-hop. The stoner beats of Nightmares on Wax’s 1995 Smokers Delight album were era defining, but it carried the prominent legend: “THIS IS NOT TRIP HOP”. James Lavelle’s Mo’ Wax label flirted with the term after it was coined by Mixmag in 1994, but quickly switched to displaying it ostentatiously crossed out on their sleeves. Ninja Tune did print the phrase “triphoptimism” on a king size rolling paper packet in 1996, but only as a joke about escaping categories.

“I always disliked the term,” says Lou Rhodes of Lamb, “and I would always make a point in interviews of challenging its use in regard to Lamb.” Mark Rae of Rae & Christian similarly says: “I would give a score of 9/10 on the lazy journalist scale to anyone who placed us in the trip-hop camp.” And Geoff Barrow’s ferocious hatred of the term – let alone its application to Portishead – has become the stuff of social media legend.

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Broken covers: collector puts world’s worst album art on show

Steve Goldman’s first rule is ‘it has to make me laugh’, and he is sharing the fun with public in Huddersfield

There’s the album cover with the band as rabbits, or the one with a harmony duo walking out of water dressed only in their underwear and ties, but surely the most baffling is the concert guitarist pictured in dinner jacket and no trousers.

Why? “I’ve no idea, sorry,” says Steve Goldman, who owns about 300 records that can lay claim to having some of the world’s worst cover art.

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Astroworld: Travis Scott and Drake sued over deadly Texas concert crush

Lawsuits brought by some of those injured, including 23-year-old Texas resident Kristian Paredes

The rappers Travis Scott and Drake have been sued for having “incited mayhem” after eight people were killed and dozens injured in a crush during a Texas concert, a law firm has confirmed.

Thomas J Henry Law tweeted a story published by the Daily Mail on the lawsuit, confirming on Sunday that it had filed “one of the first lawsuits in Travis Scott Astroworld festival tragedy”.

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Radiohead: Kid A Mnesia review – two classic albums, plus surprises

(XL)
The band’s 20th-anniversary reissue of Kid A and Amnesiac along with unreleased material makes for fascinating listening

Recorded together but released a year apart, Kid A (2000) and Amnesiac (2001) marked a huge departure from the increasingly baroque guitar-led anthems of Radiohead’s first three albums. The broadening of their palette to embrace Warp-influenced electronica, free jazz and krautrock abstractions initially baffled many (the Guardian awarded Kid A two stars, while Melody Maker’s reviewer was reduced to describing it as “post-bollocks”), but get past the glitchiness and the occasional moments of discord, and here were songs as affecting and powerful as those on OK Computer, just framed somewhat differently.

The change in direction clearly coincided with a particularly fertile period for the band, because this 20th-anniversary box features a bonus disc of unreleased contemporaneous material together with the two original albums. Perhaps unsurprisingly, nothing here eclipses Pyramid Song or Optimistic. Instead there are intriguing alternate versions (including yet another iteration of Morning Bell, this time a lullaby-like instrumental take), half-finished sketches, the gorgeous string arrangement of How to Disappear Completely in isolation, foreshadowing Jonny Greenwood’s Oscar-nominated score for Phantom Thread – and two previously unreleased songs.

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Astroworld: questions over why Travis Scott played on as crush developed

Two investigations launched after eight people killed at event in Houston on Friday night

Organisers of what turned out to be one of the deadliest live music events in US history are facing mounting questions about why the rapper Travis Scott continued performing when first responders were already dealing with a mass casualty event.

Eight people ranging in age from 14 to 27 were killed and dozens were injured at the Astroworld festival in Houston on Friday night, when fans were crushed against the stage.

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Abba: Voyage review – full-on and frothy

(Polydor)
The return of the Swedish super troupers has plenty of bittersweet erudition, plus a good dollop of mass-market cheese

Nearly 40 years after their break-up, Abba’s reunion album upholds the contradictory legacy of the very first Swedish pop powerhouse. Half of this record finds hatchet-burying divorcés Benny Andersson and Anni-Frid Lyngstad, Agnetha Fältskog and Björn Ulvaeus returning as titans of emotionally literate pop. There are songs here with a cinematographic grasp of gesture allied to countermelodies of aching prettiness, almost casually thrown away. In the very same breath, though, Voyage packs in a surfeit of hokey oompah and two Christmas tunes too many. The saccharine children’s choir on Little Things is an inevitability; cynically, Andersson and Ulvaeus probably wanted a slice of the never-ending fruited royalty pudding that comes with Christmas-themed songs.

In short, Voyage is an album that asks: “Which Abba are you – frothy or full-on?” as you hit the skip button. But you’ll be glad Abba made it. Both a monument to bittersweet pop erudition and a mass-market sop, it finds all four singers in strong voice, their effortless harmonies evidence of much water having flowed under Stockholm’s bridges, interpersonally speaking.

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Astroworld: police describe events at fatal festival concert – video

At least eight people died and numerous others were injured in what officials on Saturday described as a surge of the crowd at the Astroworld music festival in Houston while rapper Travis Scott was performing. Officials declared a 'mass casualty incident' just after 9pm on Friday during the festival where an estimated 50,000 people were in attendance, the Houston fire chief, Samuel Peña, told reporters at a news conference

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Courtney Barnett on being forced to stop: ‘I felt myself opening up in a different way’

A breakup, a pandemic and a homecoming left the singer with time to sit and think. Her new album radiates the calmness and kindness she sought

At the beginning of 2020, while her home country burned and the rest of the world was waking up to a global pandemic, Courtney Barnett was in Los Angeles. She’d just completed an American tour; her plan was to find herself an apartment and stick around a little longer to work on songs.

Then – after “it all got really wild” – she came home to Melbourne. For maybe the first time in six years – since her 2016 hit Avant Gardener turned her into the newest “New Dylan” – Barnett finally had time to sit and think.

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‘We had a fierce anger and suspicion’: Thom Yorke and Stanley Donwood on Radiohead’s Kid A and Amnesiac

In this extract from a book compiling artworks made by Donwood and Yorke for Radiohead, the pair discuss how alienation with Cool Britannia saw them retreat into landscapes, labyrinths and inadvertently inventing Twitter

Stanley Donwood I can’t believe the innocent world we lived in when we were making this work. It was before 9/11, before the “war on terror”, before the conjoining of the police and the military – all of the social changes that have led towards the position we now find ourselves in. It wasn’t possible to know what was going on around the world in the same way that it is now, when news has become a sort of surrogate entertainment.

Thom Yorke Everybody involved felt like we’d been in some weird circus for quite a while, after OK Computer. Personally, I mentally completely crashed, as did Stan. We all did, in a way. Rather than immersing ourselves in this congratulatory atmosphere around us, we felt the total opposite. There was this fierce desire to be totally on the outside of everything that was going on, and a fierce anger, and suspicion. And that permeated everything. It was completely out of proportion, deeply unhealthy – but that’s where we were at.

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Diana Ross: Thank You review – an anaemic comeback that should have been great

With disco enjoying one of its periodic moments in the sun, a supremely classy 21st-century reboot was possible. But this isn’t it

In 1982, Diana Ross was interviewed by Smash Hits magazine. Her presence in among the breathless coverage of Duran Duran and Haircut 100 was testament to her continued commercial success two decades on from the Supremes’ first hit. She talked a little about that band’s 60s heyday, but, as befitting an artist who had just enjoyed two platinum albums stuffed with Top 10 singles, insisted that the 80s were the real “golden age. There’s so much opportunity.”

But not, as it turned out, for Diana Ross, whose recording career stalled shortly afterwards. She had her last US Top 10 hit, a tribute to the recently murdered Marvin Gaye called Missing You, 37 years ago. Britain remained under her sway a little longer – Chain Reaction, a flop in the US, rightly reached No 1 in 1986 – but even so, it was all over bar the shouting by the early 90s.

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Madness in her method: Did Lady Gaga really stay in character for 18 months?

Lady Gaga inhabited her role in upcoming drama House of Gucci off screen and on for a year and a half. Was the ‘psychological difficulty’ she suffered as a result worth it?

A Star Is Born was both a blessing and a curse for Lady Gaga. A blessing because it put her at the centre of a commercially successful, Oscar-nominated film, thereby rocketing her to the top of a profession of which she had very little experience. A curse, too, because she was essentially just playing herself; a singer who went from performing in drag bars to commanding huge stages in very little time. Quick, without looking, tell me the name of the character Lady Gaga played in A Star Is Born. You can’t, can you? You’ve always just called her Lady Gaga.

This means that she ultimately had two options after A Star Is Born. She could abandon her movie career in the knowledge that she had blurred the line between character and performer more successfully than any actor working today, or she could find another role. A role not so heavily steeped in her own biography. A role that would finally prove to the world that she was an actor of the highest calibre.

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‘Oh my god, we can’t do this!’ Inside Levi’s sexy, hit-making ads of the 90s

The musicians and execs share the pitches, punch-ups and phone calls behind the adverts that took Stiltskin, Babylon Zoo and Mr Oizo to No 1 – and flipped music and advertising’s relationship on its head

Amid black and white Ansel Adams-style cinematography, two Amish sisters spy on a topless man bathing in a Yosemite river. Suddenly, a peaceful choral soundtrack gave gives way to bone-shaking guitar: Inside, the debut single by Scottish grunge band Stiltskin.

Thus began one of the strangest cultural wrinkles of the 1990s: when Levi’s became a jeans company that could also score UK chart hits. Inside was built around an addictive riff that still sounds fresh, and the advert, entitled Creek, shot it to the top of the UK charts. Over the next few years, the likes of Babylon Zoo, Smoke City, Mr Oizo and Norman Cook’s pre-Fatboy Slim project Freak Power would also score major success off the back of a placement in Levi’s witty, often sexually provocative adverts.

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‘We have to fight for what is right’: Patti Smith on gender, Sally Rooney and Cop26

In the run-up to the climate conference, the rock’n’roll poet reflects – with a little help from her daughter – on a life spent breaking barriers, hanging out with Dylan and learning to Instagram

More than two decades ago, Patti Smith and a group of other artists were sitting with the Dalai Lama when the late Adam Yauch of the Beastie Boys asked the Tibetan spiritual leader a question: what’s the number-one thing that young people can do to make a better world? Without missing a beat, the Dalai Lama replied: “Look after the environment.”

“I thought it was so beautiful,” Smith says in her trademark New York drawl. “That was his number-one preoccupation. Not to free Tibet, but to take in hand a global concern that was going to affect us all, on a scale we haven’t seen before.”

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Zayn Malik denies hitting Yolanda Hadid, grandmother of his child

Singer admits ‘harsh words’ but adamantly denies domestic violence in argument with mother of partner Gigi Hadid

Zayn Malik has denied hitting Yolanda Hadid, the mother of his partner Gigi Hadid and grandmother of their child, in a domestic argument.

The pop singer and former member of boyband One Direction issued a statement, saying: “I adamantly deny striking Yolanda Hadid and for the sake of my daughter I decline to give any further details and I hope that Yolanda will reconsider her false allegations and move towards healing these family issues in private.” TMZ had reported the alleged attack earlier this week.

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Billy Bragg: ‘Boris was trolling me the whole time. We’ve got a wind-up merchant as PM’

As the bard of Barking tours a new album, he reflects on modern politics, his scraps with the Daily Mail and why he could do with listening a bit more

In an Exeter pub on a wet Monday morning, Billy Bragg is talking about a day at the Glastonbury festival in 2000. The BBC had signed up an unusual guest for its coverage – Boris Johnson. In the footage (still online), Johnson – then a year from becoming an MP – forgets to get off the train, gets a comedy henna tattoo in Sanskrit, and growls the Clash’s Bankrobber to Bragg in the car: “It’s your philosophy, isn’t it?” he says. “Leftwing approval of theft from capitalists?”

“He was trolling me the whole time,” Bragg remembers. “That’s what his MO still is. A wind-up merchant who became prime minister! How the fuck did that happen?” He shrugs. “Modern politics needs things he doesn’t have: accountability and empathy.”

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Do the Saigon twist! Meet Phuong Tâm, Vietnam’s first rock’n’roll star

Playing raucous American pop in 1960s Vietnam, Phuong Tâm became a sensation – but turned her back on singing after emigrating to the US. Now she’s 76 and her incredible music can finally be heard after her daughter tracked it down

In early 1960s Saigon, Nguyễn Thi Tâm would appear on stage in the city’s vibrant phòng trà (tearooms) and nightclubs. She embodied quintessential young womanhood, with long, straight black hair and wearing a white áo dài, an elegant Vietnamese dress. But instead of traditional songs, she would belt out music that recalled American hot rods, hip-swinging dance crazes and even teenage abandon: using the stage name Phuong Tâm, she was one of Vietnam’s first rock’n’roll singers. “Back then, everyone was singing Vietnamese, some French, but no one else was singing American music,” says Tâm, now 76. “Just me.”

Lost for decades, 25 of the brilliantly crafted songs she recorded – all rich in verve and atmosphere – can now be found on Magical Nights, a landmark compilation that required an international collective effort to recover a lost era of early Vietnamese rock. Tâm and I speak in Vietnamese, logging on from our homes in two of the world’s largest Vietnamese-diaspora communities: she is in San José, California; I am in Sydney, Australia. Given that we are talking about events from more than half a century ago, I’m astonished by her vivid recall. “Of course, these are precious memories. I was lucky. I sang every night.”

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‘You’ve got long hair, I’ve got long hair!’ The loud, joyful community of rock bars

With strong drinks and stronger music, rock bars are fiercely independent havens for UK metalheads, who have been donating thousands to keep them alive after Covid

It’s Friday night in north London’s Black Heart, a rock and metal bar tucked away on a Camden side street. The walls and ceiling are – inevitably – painted black, the beer taps are furnished with antlers, and the speakers are blasting out Metallica’s Enter Sandman. As the chorus hits, the whole bar breaks into song, and the bartender turns down the volume so all that can be heard is a room full of joyous metalheads belting out: “We’re off to never-never land!”

As pints splash and voices echo, the scene feels poignant: pandemic lockdowns left rock fans wondering when they might have moments like this again, with the Black Heart nearly closing down until it was saved by a crowdfunding campaign with prize draws that raised more than £150,000 in seven weeks.

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The greatest songs about the climate crisis – ranked!

As Cop26 opens in Glasgow, we provide the soundtrack, ranging from Gojira’s metal fury to gorgeous environmental paeans by Childish Gambino, Neil Young and Joni Mitchell

From its cover shot of a submerged bedroom down, 2019’s Titanic Rising feels like an album informed by the climate crisis, but the lyrics seldom address it explicitly. Something to Believe is the perfect example: a plea not to feel overwhelmed by or nihilistic about the challenges faced, beautifully steeped in the lush sound of early 70s Los Angeles.

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Gil Scott-Heron changed my life – and his humane message still resonates

The ‘godfather of rap’ is being inducted into the Rock and Roll Hall of Fame this week alongside Jay Z and LL Cool J, and remains an inspiration for how he lifted up the downtrodden

In 1986, as the Rock and Roll Hall of Fame was being inaugurated in Cleveland, Ohio, I was touring Europe with the artist, poet, author and civil rights activist Gil Scott-Heron. At that time, you wouldn’t have readily associated someone like Gil with the term rock’n’roll. In fact, people were struggling to find any genre name that could encapsulate this urban griot’s unique and diverse repertoire. Gil would often joke that if you wanted to find his music in the record store, “look for a category that says miscellaneous”; true innovators don’t fit into established genres but create them.

Nevertheless, Gil is being inducted this year, a mark of how the Rock and Roll Hall of Fame has diversified and incorporated other musical forms, including hip-hop. Public Enemy were inducted in 2013 and this year Jay-Z and LL Cool J will join the ranks along with Gil.

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World exclusive: Super troupers! Abba on fame, stress, ageing backwards – and why they’ve returned to rescue 2021

World exclusive: Here we go again! After nearly 40 years, Benny, Björn, Agnetha and Anni-Frid are back together. We get the inside story of the greatest reunion in pop

It started with a mysterious image on billboards all over the world (and the internet). The sun rising above four dark planets; the only words Abba: Voyage. By the time an announcement was made on 2 September, it had fair claim to call itself the most anticipated comeback in pop history.

And the details exceeded expectations. Not only was there a new album, Voyage, the first in 40 years: 10 new songs that brought the original band together in the studio for the first time since a split that had been precipitated by the couples in the band divorcing. Not only that, but there was to be a new “immersive live experience”, in a bespoke stadium in London – nobody seemed to have noticed the planning application being published online – featuring futuristic de-aged “Abbatars” playing a potentially never-ending series of gigs. In the depths of a miserable year, it seemed, Abba were coming to rescue 2021.

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