Spike Lee: ‘You hope that black people will stop being hunted down like animals’

The director has spoken about race at the Cannes film festival, where he is the first black president of the Palme d’Or jury

Spike Lee commented on the US’s current racial justice crisis in typically forthright fashion at the Cannes film festival on Tuesday, saying he hoped the time had come that “black people will stop being hunted down like animals”.

Lee, who is the president of the jury that will pick the winner of the Cannes Palme d’Or, was speaking at the jury’s press conference on the first day of the festival. Having been asked a question about his 1989 film Do the Right Thing, which contains a scene in which a black youth, Radio Raheem, is killed by police, Lee responded: “I wrote it in 1988. When you see brother Eric Garner, when you see king George Floyd murdered, lynched, I think of Radio Raheem; and you would think and hope that 30 motherfucking years later, that black people stop being hunted down like animals.”

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Sweet Tooth: the prescient pandemic hit bringing joy to the masses

Centred on a killer virus, Sweet Tooth could have been the most troubling TV to watch during Covid. Instead, as its creators and star Nonso Anozie attest, the Netflix show has become a smash because it’s so redemptive – and happy

The pandemic might not be over yet, but you can already trace a line through the culture it has produced. The overenthusiastic “let’s put on a show!” mania of cast reunions filmed over Zoom quickly gave way to the gnawing listlessness depicted in Bo Burnham’s comedy special Inside. Another part of the line, however, happened by accident.

Netflix’s Sweet Tooth is a series about a devastating global pandemic that kills millions of people and resets humanity. It was filmed last summer, in that brief golden gulp between Covid lockdowns. However, Sweet Tooth wasn’t rush-produced to reflect the situation; instead, it is based on a decade-old graphic novel and has been in development for five years.

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New David Attenborough film looks at Australia’s bushfires and the climate crisis – video trailer

Breaking Boundaries: the Science of our Planet is a new Netflix documentary from Sir David Attenborough that visits scientists working on melting ice, the degradation of the Amazon, and the loss of biodiversity, and looks at the 2019-2020 'summer from hell' black summer bushfires that destroyed large swathes of Kangaroo Island

• David Attenborough Netflix documentary: Australian scientists break down in tears over climate crisis

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‘Silicon Six’ tech giants accused of inflating tax payments by almost $100bn

Study claims firms paid $96bn less in tax between 2011 and 2020 than the notional figures cited in their annual reports

The giant US tech firms known as the “Silicon Six” have been accused of inflating their stated tax payments by almost $100bn (£70bn) over the past decade.

As Chancellor Rishi Sunak called on world leaders to back a new tech tax ahead of next week’s G7 summit in the UK, a report by the campaign group Fair Tax Foundation singled out Amazon, Facebook, Google’s owner, Alphabet, Netflix, Apple and Microsoft.

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‘My parents still have no clue what I’m doing’: Lupin star Omar Sy on Hollywood, fame and fighting racism

After a decade in Hollywood, French actor Omar Sy returned home to star in Netflix’s much-loved hit, Lupin. He talks about playing the charming thief, growing up with Arsenal’s Nicolas Anelka and his battle with racism

Actors, obliged to exhaustively market their wares, will pose for hours in front of posters of their latest film or TV show. They’ll hop between city premieres, sit on dreary festival panels, tell rehearsed comic stories on night-time talkshows, then get up early to be on breakfast radio. Before meeting Omar Sy, a 43-year-old Frenchman who stars in the massively popular Netflix drama Lupin, I’d never heard of an actor picking up a bucket and brush to spend a day gluing up their own billboard posters on the Paris metro. Sy, who is 6ft 2in, born in a working-class Parisian suburb to West African parents, explains the thinking behind this unusual marketing stunt that took place just before the first series of Lupin debuted earlier this year.

“A lot of people know me in Paris,” begins Sy, who worked as a comedian in France through his 20s before becoming a film star there in his early 30s. “Because people in France have watched me in stuff for years, I’m used to meeting strangers who recognise me and who already have smiles on their faces.” In Lupin, lightly adapted from the classic heist books by Maurice Leblanc, Sy plays a French-Senegalese man called Assane Diop, an anonymous Parisian who is used to being ignored and overlooked in his home town, but who is willing to use that to his advantage while robbing the city’s jet-set blind. “The show is entertainment and we want to have fun with it,” he says, “but at the same time we’re talking about something very serious: that some people in France are simply not seen.”

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Netflix shuffle: is the new ‘play something’ feature worth it?

The streamer’s new feature promises to combat endless scrolling by offering you what they think you want to watch

If you log on to Netflix any time soon, you’re likely to see the words “play something” dangling below the profile icons on the menu screen. Click these words and you’ll be taken directly to the platform’s latest experiment in home entertainment: force feeding.

Related: Netflix records dramatic slowdown in subscribers as pandemic boom wears off

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Netflix records dramatic slowdown in subscribers as pandemic boom wears off

  • Streaming giant adds 4m subscribers, 2m below forecast
  • Company blames dearth of new content and last year’s growth

Netflix reported a dramatic slowdown in subscribers in the first three months of 2021, ending a record run in growth during the coronavirus pandemic.

The streaming giant added 4 million new subscribers in the first quarter, 2 million fewer than its original estimate of 6 million and a quarter of the 8 million it added in the last three months of 2020. The company expects to add only about 1 million subscribers in the current quarter, which would be its slowest growth on record.

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The anti-Marie Kondo: Netflix celebrates the clothes we keep

Worn Stories looks to unravel the tales behind the most treasured items in our wardrobes – but is such meaning and emotion easily conveyed via television?

I am not a minimalist: I don’t want to live with extreme amounts of nothing. I like “things”, and I like my things, which means I have several boxes of clothes, bags and shoes in my possession that have accompanied me through the best part of two decades. One of the boxes is my best and largest suitcase. When I was still travelling fairly regularly, I would have to empty out the contents of the suitcase and pile them somewhere else for my return, a process that feels a bit like uncovering memories and repressing them again, two weeks later, with a zip that goes all the way around.

Given the displacement of a series of house moves in my earlier 20s, the fact that I even still possess the navy corduroy American Apparel hotpants I wore to go clubbing at university (now, for users of the fashion app Depop, a vintage item), or the 70s-era yellow, white and purple-striped T-shirt I was wearing when I had an encounter with the far more colourful Iris Apfel, the interior designer, feels nothing short of miraculous. Today, I can recite what I was wearing to interview various figures in my former role as an editor at a fashion magazine, outfits carefully planned though liable to go awry, like when the zip on my green, chequered skirt broke off while meeting Chloë Sevigny.

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Seaspiracy: Netflix documentary accused of misrepresentation by participants

NGOs and experts quoted in film say it contains ‘misleading’ claims, erroneous statistics and out-of-context interviews

A Netflix documentary about the impact of commercial fishing has attracted celebrity endorsements and plaudits from fans with its damning picture of the harm the industry does to ocean life. But NGOs, sustainability labels and experts quoted in Seaspiracy have accused the film-makers of making “misleading claims”, using out-of-context interviews and erroneous statistics.

Seaspiracy, made by the team behind the award-winning 2014 film Cowspiracy, which was backed by Leonardo DiCaprio, pours doubt on the idea of sustainable fishing, shines a spotlight on the aquaculture industry and introduces the notion of “blood shrimp”, seafood tainted with slave labour and human rights abuses.

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Schitt’s Creek motel for sale – minus the ‘Rosebud’ sign

First the Rose family’s former mansion hit the real estate lists – now it’s the 10-room motel they called home

The motel home of the Rose family in the Emmy-sweeping Canadian TV series Schitt’s Creek is up for sale for C$2m.

The Hockley Motel in the Canadian town of Mono, Ontario, was a key filming location throughout the six seasons of the hit CBC sitcom.

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How Millie Bobby Brown used her superpowers

The Stranger Things star is still in her teens, but has moved beyond new kid on the block to be a Hollywood power broker

It was clearly a moment designed to perplex. Fans of the hit Netflix show Stranger Things were left speculating at the end of season three as to how and why Eleven, played by Millie Bobby Brown, had suddenly lost her supernatural power to move things around with her mind.

Theories have ricocheted across social media during the long wait for the return of the show. But Brown, an English actress who is only 17, has already made such an impact with her Stranger Things role that this spring the question seems something of a side issue, even among her many devotees.

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Netflix weighs up crackdown on password sharing

Streaming service tests feature that asks viewers if they share household with subscriber

Netflix has begun testing a feature that asks viewers whether they share a household with a subscriber, in a move that could lead to crackdown on the widespread practice of sharing passwords among friends and family.

Some Netflix users are reported to have received a message asking them to confirm they live with the account owner by entering a code included in a text message or email sent to the subscriber.

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Golden Globes 2021: Nomadland and The Crown major winners

Netflix royal drama and Chloe Zhao were toast of the night amid technical difficulties and against background of diversity issues

With spotty wifi, lagging sound and Zoom chaos, the 78th Golden Globes was a half-virtual ceremony once again dominated by British stars but marred by technical difficulties and renewed scrutiny on the awards’ lack of diversity.

Related: The full list of Golden Globes 2021 winners

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Other TV is available: did Netflix sweep the Golden Globes by default?

The absence of I May Destroy You was the most memorable part of the small-screen awards, where voters had seemingly binged the biggest streaming hits – and little else

It has always been hard to care about the Golden Globes, and God knows that it’s difficult to rouse the enthusiasm to care about anything one year into a pandemic. So, in truth, last night’s special pandemic edition of the Golden Globes – an entertainment awards show made in a year when most entertainment has either been cancelled or postponed – barely even deserves acknowledgment.

In fact, if last night’s show will be remembered for anything at all – which in all honesty seems like a stretch – then it will be the swirl of controversy that engulfed its nominations. In summary: when its shortlists were announced, the best TV show of the year (I May Destroy You) was nowhere to be seen. But the worst TV show of the year (Emily in Paris) was. It’s also worth noting that many lavish treats were gifted to voters by the production a year ago. All that, plus it was just revealed that not a single black person participated in the voting process.

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‘Record companies have me on a dartboard’: the man making millions buying classic hits

Hit songs can be a better investment than gold – and by snapping up the rights, Merck Mercuriadis has become the most disruptive force in music

Merck Mercuriadis had a good Christmas. On Christmas Day, the No 1 song in the UK was LadBaby’s Don’t Stop Me Eatin’, a novelty cover version of Journey’s 1981 soft-rock anthem Don’t Stop Believin’. It replaced Mariah Carey’s All I Want For Christmas Is You, which had topped the chart 26 years after its original release. Both songs are unkillable, evergreen hits, which are closing in on 1 billion Spotify streams apiece. Both songs are among the 61,000 owned, in whole or in part, by Mercuriadis’s investment company, Hipgnosis Songs Fund, and epitomise the thesis that has made the 57-year-old Canadian, in less than three years, the most disruptive force in the music business.

Put simply, Hipgnosis raises money from investors and spends it on acquiring the intellectual property rights to popular songs by people like Mark Ronson, Timbaland, Barry Manilow and Blondie. In a fast-growing market, what sets Hipgnosis apart from competitors is its founder’s bona fides as a veteran A&R man, manager and record label CEO. Like an old-school music mogul, Mercuriadis sells his brand by selling himself. Unlike those moguls, he’s a buff, teetotal vegan with spartan tastes. “The only material thing that I really care about is vinyl,” he says. “And Arsenal football club.” He looks rather like a rock-concert security guard: shaven head, burly torso, plain black T-shirt, hawkish gaze. Mark Ronson calls him “the smartest guy in the room”.

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Making a superhero: how Pelé became more myth than man | Jonathan Liew

Netflix’s new film captures the legendary Brazilian’s genius, but its lead character remains a fascinating enigma

Casa Pelé, the small two‑room house in Três Corações where Pelé was born in 1940, is now a popular tourist attraction. As no photographs or descriptions of the original house have survived, it was rebuilt entirely from the memories of Pelé’s mother, Dona Celeste, and his uncle Jorge, with period furniture and fixings sourced from antique shops. And so what greets visitors today is really only a vague approximation of the house where one of the world’s most famous footballers spent his earliest years: a heavily curated blend of hazy memories and selective detail. As you walk in, a wireless radio plays classic songs from the early 1940s on an endless loop.

As it turns out, this is also pretty much how Pelé himself is remembered these days. It’s 50 years since he played his last game for Brazil. Only a fraction of his rich and prolific playing career has survived on video. The vast majority of us never saw him play live. And so for the most part, the genius of Pelé exists largely in the abstract: something you heard or read about rather than something you saw, a bequeathed fact rather than a lived experience, a processed product rather than an organic document.

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Redwall is coming to Netflix: where to start for kids (and adults)

Brian Jacques’ tale of valiant mice and no-good rats introduced me to fantasy fiction. My daughters love it too, and here are some reasons why everyone should

If, like me, you are a fan of Brian Jacques, then the news that Netflix is working on an adaptation of Redwall will have you setting the abbey bells a-ringing in joy. Jacques’ bestselling stories of talking mice, squirrels and otters (the goodies) and rats, foxes and wildcats (the baddies) gave me so much happiness as a child. The first novel, 1986’s Redwall, was my introduction to fantasy: Matthias, a young orphan mouse, seeks a lost sword to see off an evil rat army led by Cluny the Scourge. (“Cluny was a God of War! Cluny was coming nearer!”) Heroism and sacrifice, comedy and evil – all of life is contained in Jacques’ anthropomorphic world.

After Redwall, Jacques told the story of how Redwall Abbey came to be, in the sequel Mossflower, as Martin the Warrior (another mouse, of course) arrives to save the creatures of the forest from the grip of the wildcats (Tsarmina Greeneyes is a particularly wonderful villain). Mattimeo continued the saga, following Matthias’s son as he is kidnapped by the slaver fox Slagar the Cruel (another excellent baddie; Jacques does villainous animals very well).

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Oscars release first shortlists for 2021 Academy Awards

Boys State, MLK/FBI and Crip Camp among contenders as categories announced include best documentary and best international film

Shortlists for nine Oscar categories have been unveiled by the Academy of Motion Picture Arts and Sciences (Ampas), an intermediate stage in the thinning-out of films that have qualified for consideration for the Academy Awards. The categories include best documentary, best international film and best song, as well as best live action and documentary shorts.

The rules for each voting process vary, but in most categories a preliminary vote from industry specialists in each field is employed to create the shortlist and then the final five nominations, with the full membership of the Academy invited to vote on the winner.

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Is big tech now just too big to stomach?

The Covid crisis has turbo-charged profits and share prices. But are the big six now too powerful for regulators to ignore?

The coronavirus pandemic has wrought economic disruption on a global scale, but one sector has marched on throughout the chaos: big tech.

Further evidence of the industry’s relentless progress has come in recent weeks with the news that Apple and Amazon both raked in sales of $100bn (£72bn) over the past three months – 25% more than Tesco brings in over a full year.

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Out of the dark ages: Netflix film The Dig ignites ballyhoo about Sutton Hoo

Archaeologists at British Museum and National Trust report surge in interest in 1939 Anglo-Saxon find

It was when she spotted #SuttonHoo trending on Twitter that Sue Brunning knew this was not going to be just like any other week.

As the curator of the early medieval collection at the British Museum, and the guardian of the spectacular Sutton Hoo treasures, Brunning is well used to fielding interest in what are justly some of the museum’s best loved exhibits.

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