Standing on a corner of downtown Chicago as a dazzling rocket ship of mirrored glass and salmon pink steel, the James R Thompson Center, more than any other building, encapsulates the flamboyant oeuvre of the German-American architect Helmut Jahn, who has died aged 81 in a cycling accident.
The glitzy government building, originally known as the State of Illinois Center, is a fitting monument to the larger than life architect, as exuberant as it is divisive.
Continue reading...The state governor seems determined to give the city’s famous skyline a lumpy revamp
Andrew Cuomo, the governor of New York state, is currently resisting calls to resign over allegations of sexual harassment. So what better way to prove that he is definitely not a phallocratic bully than to “ram through”, as one outlet puts it, a super-tall tower called Penn 15, and a vast development around it?
It’s not just that its name reads like the personalised licence plate of an inadequate and not-literate male. It is also that this lumpy object will compete on the New York city skyline with the nearby Empire State Building – Penn 15 would be bulkier than its famous neighbour and almost as tall. It is part of the Penn District, a proposed “campus” that will rip up several city blocks and replace them with what, on the available evidence, looks like further big lumps swathed in bland and generic design.
Continue reading...Buildings covered in plants do more than just make the cityscape attractive – they contribute to human wellbeing, biodiversity, and action on climate change
Our cities are dominated by glass-faced edifices that overheat like greenhouses then guzzle energy to cool down. Instead, we could have buildings that are intimately connected to the living systems that have evolved with us, that celebrate the human-nature connection that is central to our wellbeing.
As more of us in Australia live in urban areas and our cities grow, bringing nature into our cities is a key part of establishing and rebuilding that connection. As well as bringing beauty into urban environments, we know that people are healthier when they are connected to nature. Research also shows that crime rates decrease in areas with street trees and that property values increase.
Continue reading...He built wild, magical buildings and furniture that is still thrilling today. But a new film suggests the celebrated Finn was also a domineering philanderer deeply indebted to his talented wives
Wonky lumps of misshapen, scorched bricks burst from a block of student flats in Cambridge, Massachusetts, giving a warty look to the long wall that winds its way along the Charles River. “The lousiest bricks in the world,” is how Finnish architect Alvar Aalto described the local New England materials he used for his Baker House dorms at the Massachusetts Institute of Technology in 1947. It was meant as a compliment – he loved their twisted, blackened, brutish texture, which gave the walls the look of coarse tweed.
The pockmarked wall is one of many such strange and beautiful things covered in a new feature-length documentary film about Aalto, Finland’s most famous designer export and one of the most celebrated architects of the 20th century, who built a career on his obsessive attention to material details. Always thinking about the human experience of moving through a building, he considered everything from the feel of a leather-wrapped door handle to the pleasure of a misshapen brick.
Continue reading...London housing block residents choose location-led name, having rejected option to reflect black historical figures
Cecil Rhodes House, which overlooks St Pancras rail station in London, is to be renamed after decades of unsuccessful attempts to rid the property of its association with the Victorian imperialist.
But to the disappointment of some local historians, residents rejected renaming the building after a black historical figure, opting instead for Park View House.
Continue reading...The Pritzker prize, once reserved for flamboyant creators of icons, has gone to Lacaton & Vassal, whose rallying cry is: ‘Never demolish, never remove – always add, transform and reuse’
When Lacaton & Vassal were commissioned to redesign a public square in Bordeaux, their response was unusual. The French architects told the client to leave it alone. They thought the square was perfectly good as it was, and that public money would be better spent elsewhere.
“When you go to the doctor,” said Jean-Philippe Vassal, “they might tell you that you’re fine, that you don’t need any medicine. Architecture should be the same. If you take time to observe, and look very precisely, sometimes the answer is to do nothing.” In Bordeaux, the architects’ diagnosis was that the square just needed some new gravel.
Vassal and his partner, Anne Lacaton, have built a 30-year career on knowing how to intervene with the most economical of means, for which they have now been recognised with the Pritzker prize, architecture’s highest honour. In an age of demolishing public housing and replacing it with shiny new carbon-hungry developments in the name of “regeneration”, Lacaton & Vassal have worked tirelessly to expand and upgrade existing buildings with surgical precision, transforming the lives of thousands of people in the process.
Campaigners call for historic sports venue in Madrid to become a world heritage site after its €38m restoration
Beneath a pale-blue late-winter sky, and behind an elegant but unassuming facade, one of Madrid’s great unsung survivors sits waiting, once more, for news of the latest in a long and improbable series of metamorphoses.
Since its inauguration 127 years ago, the Frontón Beti-Jai, built at the height of the Spanish capital’s love affair with the Basque game of pelota, has echoed with the crack of leather-stitched balls, with cheers, screams, the thrill of invention, the gunning of thirsty American engines and, most recently, the chirping of the birds who nested in its almost terminal decay.
Continue reading...The £150m repair of Hammersmith Bridge, closed since 2019, is mired in squabbling – and it’s just one of many across the UK that need work
Toby Gordon-Smith can see the district of Hammersmith from his flat. In normal times it takes him a few minutes to get there in his wheelchair. His cannabidiol products business is there, with the accessible tube station that he needs to get to the rest of London. The station is the reason why he moved to the area, but now it might as well be in another city. For he lives in Barnes, on the south side of the River Thames, opposite Hammersmith, and the bridge that connected them is closed for safety reasons – to vehicles since April 2019, and to pedestrians, cyclists and wheelchair users since last August. Although it is nearly two years since the first closure, there is still no clear plan for fixing the bridge.
There are thousands of stories like Gordon-Smith’s. For children in Barnes who go to schools in Hammersmith, what was once a 15-minute walk is now a tortuous three-mile journey along a towpath regularly flooded by the tide, up flights of steps on to a railway bridge (which makes cycling difficult) and through an ill-lit park with high rates of crime. Or they can take a long bus ride, which means getting up at 6am, if you’re going to beat the rush-hour traffic. The area’s main hospital, Charing Cross, is on the north side of the river, so those of its staff who live to the south, and patients needing such things as chemotherapy, now have to make gruelling journeys of an hour or more each way. Ambulances face potentially lethal delays.
Continue reading...While Ethiopia’s ancient sites are valued, urban heritage is an afterthought in a city forced to expand ever upwards
Only rubble remains of the former home of Dejazmatch Asfaw Kebede, a member of Emperor Haile Selassie’s government. Built in the early 1900s, and inspired by Indian as well as Ethiopian architecture, the building was demolished in early January without the knowledge of Addis Ababa’s conservation agency, the Culture and Tourism Bureau.
Demolition and reconstruction are now the most common sights along Addis Ababa’s unrecognisably altered skeleton skyline. The collateral damage is the city’s heritage.
Continue reading...Few places have seen such turbocharged luxury development as Nine Elms on the London riverside. So why are prices tumbling, investors melting away and promises turning to dust?
Every morning, when Nadeem Iqbal wakes up and walks into his living room, he has a view of a miraculous world first. A crisp oblong of crystal clear water now hangs in the air between two apartment buildings opposite his balcony, a liquid blue block suspended against the sky with the gravity-defying quality of a Magritte painting.
This is the Sky Pool, the latest addition to the luxury residential enclave of Embassy Gardens in Nine Elms, south-west London – one absurdist step beyond the private cinema, indoor pool, gym and rooftop lounge bar. It was dismissed as a “crackers” PR stunt when the plan was unveiled by Irish developer Ballymore in 2015, a fantastical aquarium of captive high net worth individuals for the rest of us to gawp at from far below. Surely it would never materialise. But last week the scaffolding was taken down to reveal a bright blue rectangle hovering against the leaden January skies, 10 storeys up in the air – just outside the 30-metre bomb blast seclusion zone around the new neighbouring US embassy.
Continue reading...Weird and wonderful buildings are springing up in China and elsewhere, driven by cities’ desire to make a mark in a world full of eye-popping imagery
An image opens on my screen: a 2,000-seat theatre on the edge lands of Guangzhou, a territory of raw new towers and just-departed rural ghosts, designed to look like a swirl of red silk, imprinted with “tattoos” of phoenixes, cranes and other ornithology. It refers, goes the explanatory text, to Guangzhou’s historic role as “the birthplace of the silk road on the sea”. It is a declaration of something where there was formerly nothing, a three-dimensional advertisement for the colossal Sunac Wanda cultural tourism city of which it is part. I peer at the image – is it virtual or real? It’s real.
It enters a mental folder already bulging with such projects as a football stadium – reportedly the largest in the world – under construction in the same city in the shape of a giant lotus flower. Also the completed Zendai Himalayas centre in Nanjing, a 560,000 sq metre mixed-use development shaped like a mountain range, which is said to adapt “the traditional Chinese shanshui ethos of spiritual harmony between nature and humanity to the modern urban environment”. Other prodigies demand attention: a pair of super-tall skyscrapers in Shenzhen whose conjoined nether regions melt into tree-filled terraces and undulant glass, a quartet of twisting aluminium-clad towers in Qatar and apartment towers in Vancouver propped like tulip heads on narrow stalks.
Continue reading...Italy’s Superstudio collective warned against rampant development by imagining one continuous structure stretching around Earth. But did their warning actually inspire new Saudi plans for a 100-mile linear city?
There was a sense of deja vu last week when Saudi Arabia’s crown prince, Mohammed bin Salman, unveiled his plans for a futuristic 100-mile-long linear city, momentously titled The Line. The dramatic promotional video showed aerial views of a glowing urban ribbon cutting right across the country, forming a “belt of hyperconnected future communities” from sea to sea. It will be free from cars, he declared, powered by renewable energy and run by artificial intelligence, slicing straight through the Arabian desert in one continuous strip. As part of the country’s $500bn Neom development, the plan was trumpeted as a “civilisational revolution that puts humans first”; but it had inescapable echoes of another project with a very different purpose.
Three thousand miles away, in a gallery in Brussels, hangs a 1960s photomontage of an eerily similar vision, part of a new exhibition about the radical Italian architecture collective Superstudio. A great white oblong is depicted cutting through a desert, slicing through sand dunes and marching past palm trees in an unbroken urban block, its surface inscribed with an endless square grid.
Continue reading...Plans for the centre of Coventry claim to offer a sense of place, but ignore its pioneering mid-century reconstruction
Coventry is UK City of Culture 2021, a title that focuses attention on its contribution to the cultural life of the nation: 1980s two-tone music, the legend of Lady Godiva, and its role in the development of the bicycle and car industries. And, high on this list, the fact that it was the pre-eminent example of reconstruction after wartime bombing.
Among the most devastated cities, Coventry was also one of the most determined and thoughtful in its reconstruction. This was partly expressed by its new cathedral, which brought together leading art and architecture, and connected movingly with the ruins of its predecessor. It was also expressed by the city centre, rebuilt as a series of human-scaled, pedestrian-friendly precincts. Here, too, the idea was for art and architecture to work together.
Continue reading...Nicknamed The Wodge because of its girth, the capital’s tallest ever office has just muscled onto the skyline. But in the age of coronavirus, who wants to jostle for 60 lifts with 12,000 others?
With the City of London deserted once more, its streets only populated by the occasional Deliveroo driver or tumbleweed-seeking photographer, it seems a strange time to be completing the largest office building the capital has ever seen, not least because the very future of the workplace is now in question.
But, rising far above the Cheesegrater and the Walkie-Talkie, dwarfing the now fun-sized Gherkin and boasting the floor area of almost all three combined, 22 Bishopsgate stands as the mother of all office towers. It is the City’s menacing final boss, a glacial hulk that fills its plot to the very edges and rises directly up until it hits the flight path of passing jets. The building muscles into every panorama of London, its broad girth dominating the centre of the skyline and congealing the Square Mile’s distinctive individual silhouettes into one great, grey lump.
Continue reading...Critics say Narendra Modi’s $3bn redevelopment of Lutyen’s central vista is ‘expensive vanity project’
India’s supreme court has given approval for a new parliament building that critics have called an “expensive vanity project” for the prime minister, Narendra Modi.
Under the $3bn development project, Delhi’s iconic central vista at the heart of the capital, home to its parliament and the famous India Gate monument, will be transformed by a new triangular parliament building, government and legislature offices and a new home for the prime minister.
Continue reading...In the wake of Covid, doctors and designers are radically adapting their thinking about what a hospital can be and what it should deliver
St Mary’s hospital was slated for a £1bn redevelopment before the pandemic struck, with work due to start in 2027. The main emergency and specialist hospital serving north-west London will still get its upgrade, but it might look quite different now. “Covid-19 has dramatically changed things,” says James Kinross, a surgeon who works at St Mary’s and sits on its redevelopment planning committee.
Before the pandemic, Kinross says, the committee’s goal was to improve the efficiency of existing care pathways; now it’s to rethink those pathways entirely. St Mary’s is a test case, but the shape of healthcare is being reconsidered everywhere and that has major implications for the way hospitals will look in future.
Continue reading...The cellist believes that plans for a UK Holocaust memorial are ‘counter-productive’. What matters most, she argues, is education
Have you, I ask the cellist Anita Lasker-Wallfisch, ever seen a memorial to the Holocaust – or to any atrocity – that was effective?
“It’s difficult to say how effective it is on the person who looks at it,” she says. “I mean I was in it, after all, I’m a survivor of it. Nothing really can come anywhere near what actually happened, you know.”
Continue reading...They set out to capture the forgotten France, the everyday architecture of emptied towns and overlooked villages – before their uniqueness is lost for ever. Eric Tabuchi and Nelly Monnier talk us through their vast photographic atlas
From the industrial north to the sun-baked south, Eric Tabuchi has spent two decades scouring the landscape of France with an obsessive eye. In 2008, the Danish-Japanese-French photographer created a beguiling series called Alphabet Truck by sneaking up on 26 different articulated lorries on the move and photographing the single giant letter adorning each one’s rear, from A to Z. In 2017, he made Atlas of Forms, a 256-page guide to all the shapes, from pyramid to polygon, the world’s buildings are based on. And in 2017, he joined forces with the painter Nelly Monnier, also his partner, to create the Atlas des Régions Naturelles.
This sprawling, unwieldy multipart portrait of a nation takes as its foundation the 500-odd régions naturelles, or non-administrative areas (a bit like British counties) into which mainland France is divided. Monnier and Tabuchi are slowly making their way around the country, arriving in each area with a minimum of preconceptions. First impressions are key, the idea being to shoot a few characteristic landscapes, then to work their way up through the area’s vernacular architecture, with everything dictated by local conditions.
Continue reading...Artefacts held by British Museum and other western institutions were looted by British forces in 1897
A new museum designed by Sir David Adjaye is to be built following the most extensive archaeological excavation ever undertaken in Benin City, Nigeria, raising hopes of a resolution to one of the world’s most controversial debates over looted museum artefacts.
The kingdom of Benin, in what is now southern Nigeria and not to be confused with the modern-day country of Benin, was one of the most important and powerful pre-colonial states of west Africa.
Continue reading...A British art historian’s painstaking study of the cathedral in Santiago de Compostela uncovered a medieval prank
He is a medieval in-joke, a male figure carved in the early 12th century for one of the world’s greatest cathedrals, but no one has known of his existence until now. The figure has gone unnoticed by millions of worshippers who have made the long pilgrimage to Santiago de Compostela in Galicia, north-western Spain over the centuries. He has looked down on them from the top of one of the many pillars that soar upwards, each decorated with carved foliage, among which he is concealed.
Now he has been discovered by a British art scholar who believes that he was actually never meant to be seen because he is a self-portrait of a stonemason who worked on the cathedral in the 12th century.
Continue reading...