Drag Race stars get political: ‘People were like, you queens should stick to wigs and makeup’

They’ve been told to stick to makeup. But for RuPaul queens Latrice Royale, Peppermint and Alaska, and the legendary Lady Bunny, channelling drag’s revolutionary spirit is a must in 2020

Drag and activism have always gone hand in hand. In June 1969, Marsha P Johnson, a Black drag performer reputedly threw the first brick in the Stonewall uprising in New York City; the violence that followed inspired LGBTQ+ people the world over to stand up to oppression and discrimination. Now, 51 years later, drag is more visible than ever, due in no small part to the multiple Emmy award-winning reality series RuPaul’s Drag Race. The show has given a powerful platform to a new generation of drag, trans and non-binary performers. And, whereas early activists often had to contend with police batons, water cannon and prison cells, these queens have more freedom to speak their minds.

“Drag has always been a stronghold against shitty politicians,” says Alaska, in her trademark vocal fry. The ferociously witty winner of RuPaul’s Drag Race All Stars season 2 says her political role models include Act Up (Aids Coalition to Unleash Power), the movement that advocates to end Aids, and Elizabeth Taylor, one of the first Hollywood icons to speak up during the Aids crisis in the 1980s, who “wasn’t technically a drag queen, but she kind of was, right?”

“Act Up had this badass element and ‘enough is enough’ attitude. It was during the Reagan presidency and they were, like: ‘This man doesn’t see us, we have a crisis, people are dying – we’re burying all our friends and the president won’t even acknowledge it.’ They had to take really drastic measures because it was the only way to get through,” she says.

Alaska has also found an effective medium to get her point across. The bi-weekly podcast Race Chaser, which she co-hosts with fellow Drag Race contestant Willam, features Let’s Get Political, a segment in which the queens share crucial information about registering to vote and engaging with good causes, while making no secret of their personal sentiments. Alaska recently said, “An empty suit on a hanger in a closet would do less damage than the current person in the White House.” With 1.2 to 1.5m downloads a month, their platform is not to be sniffed at.

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‘Every boy’s dream is to be James Bond’: Inside North Korea with ‘Mr James’ and ‘the Mole’

Danish film-maker Mads Brügger’s latest documentary is an absurdly brave look at Kim Jong-un’s regime that has all the intrigue of a spy thriller

Physically, Ulrich Larsen doesn’t stand out. Polite, unassuming, his unmemorable 44-year-old face is how I imagine an efit template might be, what you start with before you add distinguishing features. You get to decide who he is. Perfect for blending in. Or infiltrating the world’s most secretive regime perhaps, which, as it happens, is what he did. Larsen is “the Mole”.

Jim Latrache-Qvortrup is the opposite. Forty-eight, big, bold, bearded, inked, with an expensive-looking set of teeth and an explosive laugh. Ex-military? Better still, he joined the French Foreign Legion at 19. Crime? Tick; he spent eight years in jail for drug dealing. International arms dealer, buying stinger missiles from North Korea for anyone who will have them? Actually no, but he does a very good job of pretending to be one, hardly has to act at all in fact. Latrache-Qvortrup is “Mr James”.

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Red, White and Blue review – Steve McQueen and John Boyega hit gold

Issues of bigotry, belonging, race and redemption and are unpicked in this majestic biopic of police officer Leroy Logan

Steve McQueen’s five-movie series for the BBC, Small Axe, only gets more thrilling and captivating with the appearance of this new episode at the New York film festival. He is setting new gold standard for drama – and cinema – on screens of any size.

Related: Lovers Rock review – Steve McQueen throws the best party ever

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Sir David Attenborough reveals favourite animal to young royals

Duke and Duchess of Cambridge’s three children quiz veteran broadcaster on his passion for nature

The Duke and Duchess of Cambridge’s children have shared their passion for animals with Sir David Attenborough in an adorable video.

Prince George, seven, Princess Charlotte, five, and Prince Louis, two, quizzed the 94-year-old broadcaster in a video recorded at Kensington Palace in August. Princess Charlotte revealed that she likes spiders, and Attenborough told Prince Louis that his favourite animals were monkeys.

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‘So old he was losing his hair’: survivors urge MPs to end scandal of UK’s child brides

A new bill could close loophole allowing under-18s to marry in England and Wales, as charities warn Covid has exacerbated hidden child marriage

When Payzee Mahmod was married at 16 to a man nearly twice her age she didn’t understand the words spoken during the Islamic ceremony – and nobody thought to translate them for her.

The teenager, who loved fashion and pop music, was preparing to start college. “I had just finished school and the idea of not wearing a uniform was exciting to me,” she remembers. “Instead I found myself trussed up in a wedding dress, with elaborate jewellery, feeling like a sale item at an auction.”

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Steve McQueen: ‘Our Marlon Brandos are on building sites, or driving buses’

The director’s new Small Axe series kicks off with the landmark 1971 trial of the Mangrove Nine. It’s his aim to fill these gaps in British history, he says, and to open the industry to other black film-makers

Photographer Misan Harriman is gently cajoling actor Shaun Parkes as the sun burns through the morning cloud above St Michael’s church in Ladbroke Grove, west London. “Look at me as if you’re searching for redemption,” he says, as Parkes looks down the lens. “But it’s redemption for something you haven’t even done.” Parkes, who rose to prominence as a raver in Human Traffic but now has flecks of grey in his beard, doesn’t ask for more clarity; he simply flashes a look at the camera and then slowly changes pose.

Today Parkes and Harriman, who recently shot Vogue’s “Activism Now” September issue, along with portraits of Black Lives Matter protesters, are revisiting the west London area that is the setting of Steve McQueen’s new film, Mangrove. It’s a glorious September morning and, despite the Covid-19 restrictions, the cafes are busy and the flower shops open. It’s hard to imagine that 50 years earlier, a few streets away, there was a pitched battle between the police and protesters that would help change the way Britain thought about race. Parkes plays Frank Crichlow, the real-life figure at the heart of McQueen’s film, which centres on Notting Hill’s Mangrove restaurant and nine West Indians who fought police harassment and then a court case. The look of redemption that Harriman is searching for is something Crichlow and the Mangrove Nine earned the hard way.

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Netflix faces call to rethink Liu Cixin adaptation after his Uighur comments

Five US senators have written to question plans to adapt The Three-Body Problem after its author voiced support for China’s mass internments in Xinjiang

Five Republican US senators have asked Netflix to reconsider its plans to adapt the bestselling Chinese author Liu Cixin’s book The Three-Body Problem, citing Liu’s comments in support of the Chinese government’s treatment of Uighur Muslims.

In a letter to Netflix, the senators said they had “significant concerns with Netflix’s decision to do business with an individual who is parroting dangerous CCP propaganda”. The letter cites Liu’s interview with the New Yorker last year, in which the Chinese novelist was asked about the mass internment of Muslim Uighurs in Xinjiang.

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Watchmen, Succession and Schitt’s Creek dominate virtual Emmys

The most diverse field in Emmys history garnered several awards for black actors and a full sweep for a Canadian sitcom

It was uncharted waters for the 72nd Emmy awards – the first major acting awards show held since the pandemic began, a strange and subdued ceremony in which stars accepted awards on Zoom. But unwelcome new methods (the telecast required more than 100 live feeds), and the end of former Emmys juggernauts Game of Thrones and Veep, ushered in a celebration of new series and talent: Canadian comedy Schitt’s Creek swept the comedy awards, HBO’s Succession dominated in drama and the evening’s most-nominated show, HBO’s prescient, eerie Watchmen, cleaned up in the limited series category.

Related: Emmy winners 2020: the full list

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Radio reporters to be axed by BBC and told to reapply for new roles

Critics fear end of an era because of plans to make audio journalists work across media platforms

BBC radio voices have described and defined modern British history. Live reports from inside a British bomber over Germany during the second world war, or with the British troops invading Iraq in 2003, or more recently from the frontline of the parent boycott of a Birmingham school over LGBT lessons have also shaped the news agenda.

But now the BBC plans to axe all its national radio reporters and ask them to reapply for a smaller number of jobs as television, radio and digital reporters, rather than as dedicated audio journalists. Many fear it is not just the end of their careers but the premature end of an era for the BBC.

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Diana Rigg: star with an independent streak to match her glamour

From kick-ass screen roles to award-winning theatre and TV ones, with a curious sideline in nuns, the Yorkshire-born actor’s class and spirit earned her a magnificent career

When Diana Rigg made her Broadway debut in 1971, the theatre programme Playbill introduced her in terms that established the wide range of work and appeal that still marked her career at her death today, five decades later, at the age of 82.

The then-31-year-old Yorkshirewoman, theatregoers were told, was “a highly established star of the theatre, motion pictures and films in England” who had recently “become popular in the United States as the glamorous Emma Peel in The Avengers television series and as the leading lady in the latest James Bond film, On Her Majesty’s Secret Service”.

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Diana Rigg, Avengers and Game of Thrones star, dies aged 82

Actor who played Emma Peel in hit spy series and James Bond’s only wife was diagnosed with cancer in March

The actor Diana Rigg, known for her roles on stage and in film and television – including The Avengers and On Her Majesty’s Secret Service – has died at the age of 82.

Rigg, who rose to prominence in the 1960s through her starring role as Emma Peel in The Avengers alongside Patrick Macnee, enjoyed a long and varied career, playing Lady Olenna Tyrell in HBO’s smash hit Game of Thrones, a show she admitted in 2019 that she had never watched. She also played Countess Teresa di Vicenzo, or Tracy Bond, James Bond’s first and only wife to date, in the 1969 film On Her Majesty’s Secret Service.

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Sue Perkins: Along the US-Mexico Border review – darkness leavened with a dash of wit

More of a travelogue than a documentary, Perkins begins in the border town of Tijuana, where she finds tequila-fuelled parties sit uneasily alongside the scale of asylum seekers’ suffering

Watching Sue Perkins present a programme always brings to mind the moment in Blackadder when Edmund, in financial straits, is showing prospective buyers around his home. “You’ve really worked out your banter, haven’t you?” says one of them. “No, not really,” replies Blackadder. “This is a different thing – it’s spontaneous, and it’s called wit.”

Wit is Perkins’ USP. All presenters have warmth and intelligence, though both can vary in degree and kind, and in the proportions in which they are blended. But it is Perkins’ ability to think on her feet – and, I suppose, the willingness of her editors to keep it in and not flatten her into traditional affectlessness – that marks her (and the likes of Grayson Perry and Paul O’Grady when he lets rip) out. It adds zest to proceedings. This is always welcome, even when – as with last night’s opening episode of the two-part Sue Perkins: Along the US-Mexico Border (BBC One) – the programme’s subject matter is notably colourful stuff on its own.

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Goodies star Bill Oddie reveals he has been ‘very ill’

Performer and presenter says he has been suffering ‘almost fatal’ condition of lithium toxicity

Former Goodies star Bill Oddie has revealed he has been suffering from an “almost fatal” condition this summer.

The 79-year-old conservationist and birdwatcher used Twitter to tell followers he had been “very ill” with “lithium toxicity”.

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BBC boss Tim Davie to crack down on staff airing views on social media

New director general says he wants to focus on impartiality after accusations of bias

Tim Davie is to crack down on staff posting their views on social media in a move to restore the view of the BBC as impartial, and raised the question of slashing the corporation’s output by a fifth, cutting more jobs and potentially shutting TV channels.

The new director general said the BBC had to focus on impartiality to address accusations of bias from politicians on both sides of the political divide.

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Does Netflix’s Blood and Water show the ‘real’ South Africa?

The streaming giant’s Cape Town-set series has been a huge hit. But do dramas of its ilk lack authenticity, or is their global feel the key to their success?

Neon lights dance across an infinity pool, while, inside an enormous mansion, couples canoodle in immaculate white corridors and the cool kids sneak away to smoke. At this kind of party, there are those who are recognised at the door and those who have to blag to get their name on the guestlist. As the birthday girl schmoozes with her guests, an awkward attendee does anything to escape the hubbub and keep her head down, as red cups pile up in the garden and a queue forms for the bar.

So far, so teen drama. But this isn’t London or LA: the two girls are Fikile Bhele and Puleng Khumalo, and the show is Blood and Water, set in South Africa. The second African series produced and released by Netflix, it focuses on the class divide between private Parkhurst school in Cape Town and its unnamed public counterpart, as well as Khumalo’s search for her missing sister. Like many dramas aimed at younger viewers, the first instalment kicks off in the midst of a debauched, booze-soaked gathering before branching out into the dark underbelly of popularity – think student-teacher relationships and moneyed parents wielding their power in the education system in the form of “donations”.

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Alan Partridge on his new podcast: ‘This is the real, raw, be-cardiganed me’

He’s back – sporting a post-lockdown haircut and hosting a new podcast. Britain’s No 1 raconteur talks about his new hat, driving a Vauxhall, and why Boris Johnson looks like the evil rabbit in Watership Down

Turn right out of Norwich railway station, take the number 12 bus, change at Norfolk and Norwich University Hospital, ride eight stops on the number 4 towards Swanton Morley, walk 1.1 miles, and you can’t help but spot the twin louvred conical towers of the oasthouse that Alan Partridge calls home. It is from this very oasthouse that Partridge – raconteur, national treasure, wit – broadcasts his brand new podcast, From the Oasthouse: The Alan Partridge Podcast, and to which Partridge has invited the Guardian.

Partridge bounds out to greet me in what appears to be an effusive show of hospitality. He offers a handshake before snapping it back into a more pandemic-appropriate wave. “I am so fine with social distancing,” he says. “Remember, I work in television where you’re forever mauled, hugged and leant on by over-pally floor managers or cackling makeup ladies. Now I can say, ‘Get your hands off me!’ without appearing in any way rude.”

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Michaela Coel isn’t buying anything new next month. Are you?

From Chewing Gum to I May Destroy You, the writer and actor has carved out a groove as a true original. Who better to convince us all to shop secondhand?

Michaela Coel could be wearing anything she wanted, right now. As the star and creator of I May Destroy You, the BBC drama that became a water cooler hit even in a summer without water coolers, Coel is the hottest property in town. Any fashion designer would jump at the chance to dress her. But today she is enthusing over a time-pummelled black sweatshirt with faded insignia, sourced not from a Bond Street boutique but from Oxfam’s cavernous warehouse in Batley, North Yorkshire. “I’m here for it,” she murmurs approvingly, pulling it over her head.

She’s here for all of it. She’s here for the pale pink Burberry trenchcoat, another Batley treasure unearthed for our shoot by Oxfam’s senior fashion adviser, Bay Garnett, a nod to Coel’s neon bubblegum bob as Arabella in IMDY. She’s here for the dynamite 80s jeans and matching jacket in toffee-apple faux-leather, a rare Gaultier Jeans find. She’s here for the Fanta-coloured boilersuit (think Ripley in Alien meets Bananarama on Top Of The Pops), for the elegant 70s Jaeger mustard blazer with anchor-stamped gold buttons, and for a knockout pair of Versace high-waisted shorts, illustrated with classic Rita Hayworth film posters.

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Rivals plan Fox News-style opinionated TV station in UK

Groups pitching to perceived desire for alternative output as trust in BBC falls

Rival efforts are under way to launch a Fox News-style opinionated current affairs TV station in Britain to counter the BBC.

One group is promising a news channel “distinctly different from the out-of-touch incumbents” and has already been awarded a licence to broadcast by the media regulator, Ofcom, under the name “GB News”. Its founder has said the BBC is a “disgrace” that “is bad for Britain on so many levels” and “needs to be broken up”.

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Maisie Williams: ‘The people at the top of TV don’t want equality’

As the Game of Thrones star returns to screens in Sky’s Two Weeks to Live, she talks on-set scrapes, off-screen battles, and how the television industry could up its game overnight

When Maisie Williams was shooting a fight scene in her latest TV project, Two Weeks to Live, she took a blow to the head. “I got hit a couple of times with a glass bottle,” she says, matter-of-factly over the phone. I can’t see her face but I can almost hear her smiling, a faint giggle detectable between sentences. “I also kicked my co-star in the chin and made his mouth bleed. Other than that, it was pretty scrape-free.”

A kick in the face and multiple rounds of bottling might sound like the opposite of “scrape-free”, but perhaps it is for an actor such as Williams, best known for her role as Arya Stark in Game of Thrones. As the noblewoman turned assassin, Williams’s fight scenes included some of the show’s most pivotal, such as the one in the bloody, battle-filled penultimate episode, The Long Night, which Williams trained for a year to film.

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Danbury, Connecticut will name sewage plant after John Oliver

  • British-born comic abused city in recent segment on juries
  • Mayor says plant is ‘full of crap just like you, John’

Officials in Danbury, Connecticut, say they will name their sewage plant after the comedian John Oliver, in retaliation for an expletive-filled rant about the city on his HBO show.

Related: John Oliver: US is 'making a mockery of the phrase a jury of your peers'

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