The person who got me through 2021: Awkwafina made me hopeful for success in dark days

In Nora from Queens, Awkwafina’s adorable loser alter ego was inspiring. Faced with constant failure, she kept going, with wit and warmth

During the past 20 months I’ve become addicted to TV shows about women trying and failing to make it. Broad City, Unbreakable Kimmy Schmidt, 2 Broke Girls: it’s like looking in a mirror, if I could be bothered to do even that. But the absolute fabulous queen loser of all is Awkwafina, in her self-created show Nora from Queens.

Awkwafina plays a bizarro-reverse-mirror version of herself as a nearly thirtysomething bum, living in her childhood home with her grandmother and her widowed father. It’s pure lockdown comfort TV, with every petty slight and worldly favour soothed away by familial love. Nothing Nora from Queens does ever works out, and yet it’s always fine in the end. Attempted jobs, moneymaking schemes, love interests and opportunities for growth come and go, with all the wit and humour being incidental. The laughs come from off-the-cuff comments, the quickest physical reactions and scathing jibes, but the emotion is gooey and true. And that’s how I live now – with Nora from Queens as my more adorable, charismatic, sexy, funny, hipster-chic proxy. I actually have the same sloppy tracksuit bottoms, oversized T-shirts, thick dorky glasses and button-down overshirts that Nora wears in the show. If she gets up at noon every day in TV fantasyland, heck, I do it every day in reality. And if she fails at everything while refusing to leave her childhood home or embrace adulthood, well, me too – and I’m 10 years older than Awkwafina herself and 15 older than the show’s character.

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Nirvana seek to dismiss sexual abuse lawsuit concerning Nevermind cover

Lawyers describe Spencer Elden’s claim of child exploitation as ‘not serious’ and says it fails to meet statute of limitations

Lawyers working on behalf of Nirvana have filed to dismiss a lawsuit made against the band by Spencer Elden, who appeared as a baby on the cover of their album Nevermind.

In the lawsuit filed in August, Elden claimed he was the victim of child sexual exploitation and that the cover artwork was a child sexual abuse image. “Defendants knowingly produced, possessed and advertised commercial child pornography depicting Spencer,” the lawsuit read.

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K-pop star Suga tests positive for Covid after BTS return from US

Band’s management says singer self-isolating at home and is not showing any symptoms

Suga, songwriter and rapper for the K-pop sensation BTS, has tested positive for the coronavirus after returning from concerts in the US, the group’s management has said.

The 24-year-old, whose real name is Min Yoon-gi, was confirmed to have contracted the virus on Friday during his self quarantine after returning home to South Korea on Thursday, according to Big Hit Music.

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Joan Didion, American journalist and author, dies at age 87

Unsparing observer of national politics and her own life, she won enormous acclaim for her memoir of grief, The Year of Magical Thinking

Joan Didion, the eminent journalist, author and anthropologist of contemporary American politics and culture – a singularly clear, precise voice across a multitude of subjects for more than 60 years – has died at her home in Manhattan, New York. She was 87 years old.

The cause of death was Parkinson’s disease, according to Paul Bogaards, an executive at Didion’s publisher Knopf.

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Neo rhythms: why techno music and The Matrix are in perfect harmony

The films’ heroes look like they’ve just stepped off the Berghain dancefloor – and the connection isn’t merely aesthetic. The series shares the genre’s philosophy of liberation

“We can’t see it,” says a character in The Matrix Resurrections, “but we’re all trapped inside these strange repeating loops.” Small surprise techno producer Marcel Dettmann was commissioned to write music for this latest film in the franchise. It’s a natural fit. Its director, Lana Wachowski, goes clubbing at Berghain, the Berlin techno club where Dettmann is resident and where, cut off from the everyday world, people have surreal, liberating experiences. Techno continues to inspire the franchise’s aesthetics.

When club techno arose in 1980s Detroit, African American producers were reimagining the deindustrialised city as a site of futurist fantasies. Cybotron’s dystopian 1984 track Techno City was inspired by Fritz Lang’s Metropolis and the Tokyo of Yellow Magic Orchestra’s track Technopolis. “I extrapolated the necessity of interfacing the spirituality of human beings into the cybernetic matrix,” said Cybotron’s Rik Davis (using the word “matrix” before the film existed), “between the brain, the soul and the mechanisms of cyberspace.”

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Travesty or tragedy? What Egypt thinks of Verdi’s Aida

Premiered in Cairo 150 years ago, set in an exoticised ancient Egypt and written by a man who refused to visit the country for fear of ‘being mummified’, the beloved opera has left a complex legacy in the country its drama is set

In the middle of downtown Cairo is an anonymous-looking concrete building that stretches along one side of a huge landscaped roundabout. If you peer upwards, you’ll see it labelled, between rows of air-con units, in Arabic and English: “Opera office building and garage.” As monuments to past cultural glories go, it’s not a thing of beauty. But this block marks the site of the Khedivial Opera House – a venue erected in 1869 – and which, on 24 December 1871, staged the first performance of a new opera by the world’s then most famous composer: Giuseppe Verdi’s Aida.

Today, Aida is one of the most regularly performed operas across the globe. Its just-add-pyramids ancient Egypt setting is as beloved by directors and audiences as Carmen’s Spain or Madama Butterfly’s Japan, almost always preserved as a spectacular backdrop for its conventional Italian-opera love story. Yet in recent decades Aida’s overt exoticism has attracted controversy. The Palestinian intellectual Edward Said argued that it was just another product of European imperialism – an opera that has had, he wrote in 1993, “an anaesthetic as well as informative effect on European audiences”.

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Coldplay dismay fans with news they will stop recording in 2025

Chris Martin says band will continue to tour in interview with Jo Whiley on BBC Radio 2

Fans have reacted with dismay to the news that Coldplay will stop recording music as a band in 2025, although quiet glee was also detected among some detractors.

The band’s frontman, Chris Martin, shared the “huge revelation” with the BBC Radio 2 presenter Jo Whiley on a special show to be broadcast on Friday from 7pm.

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Dirty Harry at 50: Clint Eastwood’s seminal, troubling 70s antihero

The off-the-leash cop archetype was cemented with Don Siegel’s taut, provocative thriller that neither condemns or condones extreme measures

Harry Callahan is the cop we’ve been warned about. Though this week marks fifty years since Don Siegel’s genre-defining thriller Dirty Harry busted into cinemas with Smith & Wessons blazing, the general profile of dangerous, off-the-leash law enforcement solidified over the last half-decade of public discourse sounds like it could’ve been traced from the film’s example. Played with a scowl of blanket disgust by Clint Eastwood – Paul Newman had passed on the role as “too right-wing” – San Francisco PD’s top inspector is more than your standard-issue misanthrope. He’s an equal-opportunity bigot, contemptuous of every ethnic group rattled off by a fellow officer in a laundry list of slurs. He’ll readily resort to violence in his work, not above a bit of crude torture to extract information from a perp with a bullet wound. And most hazardous of all, he believes himself unanswerable to anyone but God, who he’d probably just meet with the same glowering frown.

From its earliest stages of development, the script conceived by husband-and-wife team Harry and Rita Fink made clear that Harry’s no boy Scout, but partisans on either side of the ideological aisle looking for affirmation in their stance will be disappointed. Those with hopes for an out-and-out denunciation of this brutish approach to policing have another thing coming, the coarser methods often validated by necessity, as if Harry’s the last line of defense for a society teetering on the brink of anarchy. (The guy can’t even get a hot dog without a bank robbery demanding his attention.) Any gung-ho types walking away as converted Calla-fans have also missed something crucial, however, blind to his placelessness in the city he’s sworn to protect. Neither condemning nor condoning his actions, the film offers what may be the clearest image of the archetypal cop’s self-perception as the only one willing to do the dirty jobs holding America together, even if it means getting dirty yourself.

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The 15 best video games of 2021

Whether you’re driving a supercar through Mexico or simply unpacking a cardboard box in an utterly engrossing way, the year offered plenty of gaming joy. Our critics pick the top titles

A genuinely inventive tactical role-playing adventure that uses procedural generation to allow for player-created stories, all taking place in a fantasy world constructed from luscious papercraft set-pieces – like a digital board game.

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Eric Clapton to waive legal costs against woman who attempted to sell single bootlegged CD

The artist’s management have issued a clarifying statement after the singer attracted criticism over the David v Goliath win

Eric Clapton has waived the legal costs that a German court ordered a 55-year-old woman to pay, over a single CD containing a bootleg copy of a 1980s concert she attempted to sell.

The musician’s management has also issued a clarifying statement in response to widespread social media criticism over Clapton’s decision to take legal action in the first place, saying Clapton was not involved in the specifics of the case and she “is not the type of person Eric Clapton, or his record company, wish to target”.

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What is Wordle? The new viral word game delighting the internet

A pleasant little daily brainteaser, Wordle is a simple, shareable word guessing game that is gaining popularity on Twitter

If you’ve noticed lots of posts on Twitter containing a bunch of coloured boxes, then you have come across the latest word game sweeping (portions of) the internet: a pleasant little brainteaser named Wordle.

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Suspected Caravaggio work given protected status in Spain

Painting came close to being sold at auction for €1,500 before its true potential value of £50m came to light

A small oil painting that avoided being sold at a Spanish auction for €1,500 earlier this year after experts suggested it could be the work of the Italian master Michelangelo Merisi da Caravaggio has been granted protected status as an item of cultural interest.

The painting of the scourged Christ, which measures 111cm by 86cm, was withdrawn from sale in April after suspicions grew that it had been incorrectly attributed to the circle of the 17th-century Spanish artist José de Ribera.

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Pandemic park life and a secret knitting cult: the best photography books of 2021

From meditative portraits that nod at the Dutch old masters to an incendiary, epic exploration of the Troubles, these are the volumes that resonated this year

The photography book that I returned to more than any other this year was Encampment Wyoming by Lora Webb Nichols, an extraordinary record of life in a US frontier community in the early 20th century. Comprised of photographs by Nichols and other local amateur photographers, it emanates a powerful sense of place. Domestic interiors and still lifes punctuate the portraits, which range from the spectral – a blurred and ghostly adult plaiting the hair of a young girl – to the stylish – a dapper, besuited woman peering through a window. An intimate, quietly compelling portrait of a time, a place and a nascent community.

Perhaps because of the strangely suspended nature of our times, I was also drawn to contemporary books that dealt in quiet reflection. Donavon Smallwood’s Languor was created during the lockdown spring and summer of 2020, as he wandered through the woods in the relatively secluded north-west corner of New York’s Central Park. Smallwood’s images of glades, streams and ravines suggest stillness amid the clamour of the city and are punctuated by his deftly composed portraits of the individuals who were regularly drawn there during the pandemic. The book’s subtext deals with the fraught history of Central Park, a space that has often echoed the city’s racial tensions. “What’s it like to be a black person in nature?” asks Smallwood in this quietly powerful debut.

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The person who got me through 2021: Huey Morgan comforted me amid a deluge of human waste

I had plumbing problems and his radio show transported me from the faecal hellscape in my garden. It became the ideal soundtrack for my pandemic reality

It was spring, and human excrement was pumping into our garden. I watched through the window as a perplexed young plumber with a long metal pole excavated the dark, gurgling drain. As if lockdown hadn’t been bad enough, our kitchen was now heavy with the stench of a thousand flushes. No one knew how to stop it. There was only one thing to do: brew weapons-grade black coffee and switch on the radio. That’s how I discovered Huey Morgan’s Saturday morning breakfast show on BBC 6 Music. It made everything feel a little more right in the world.

What started as a way to distract from the tide of hot, liquid excrement on our patio quickly became the highlight of the week for my girlfriend and me. Huey – of Fun Lovin’ Criminals fame – thumbing you through his records: early 90s rap, early 80s disco, and early 70s soul to blow away the cobwebs, with choice modern selections marbling the retro soundscape.

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The Matrix Resurrections: the bonkers visuals, the love story and the final reveal – discuss with spoilers

Neil Patrick Harris and Yahya Abdul-Mateen II join Keanu Reeves and Carrie-Anne Moss in a fourth instalment in the franchise that is full of little treasures

  • This article contains spoilers for The Matrix Resurrections

There’s no need for a blue pill. The Matrix Resurrections is, by and large, an engaging and energetic motion picture, and worthy of being on the same shelf as the groundbreaking original from 1999. Unlike the soul-crushingly dull previous entry, The Matrix Revolutions, it remembers that mind-scrambling pseudo-intellectual yammering gets tiresome on-screen if there isn’t also some fun. Luckily, director Lana Wachowski, working apart from her sister Lilly for the first time, and her screenwriting partners David Mitchell and Aleksandar Hemon, have included plenty of flashbacks. A rewatch isn’t absolutely necessary. But talking about the new one after you see it is.

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Russell T Davies: ‘I genuinely thought – who wants to watch a show about Aids?’

It’s a Sin has been voted the Guardian’s best TV show of the year. Russell T Davies reveals why it took him 30 years to write, who the real Colin is – and why he just can’t keep away from Doctor Who

The 50 best TV shows of 2021, No 1: It’s a Sin

Russell T Davies doesn’t hold back. If he’s thrilled, he shouts about it. And sure enough, the 6ft 6in giant of a man is shouting today. “I’m gobsmacked. I’ve never come first in this. Ever,he exclaims, admitting that he has always had his eye on the Guardian’s list of the best TV of the year. “If I’ve had a show on, I spend every December watching that countdown wondering if I’ll be on it – I think A Very English Scandal got to No 2.” He’s right, it did. Three years on, his wonderful Channel 4 mini-series It’s a Sin has been voted the Guardian’s best TV show of the year. “I’m ridiculously thrilled,” says Davies, who is Zooming from his home in Manchester.

It’s 30 years since his first TV series – Dark Season, featuring a 15-year-old Kate Winslet – aired on the BBC. Since then, Davies has created any number of groundbreaking dramas (including Queer as Folk; Cucumber, Banana and Tofu; Years and Years) as well as breathing new life into Doctor Who. But he is particularly pleased to have won for It’s a Sin, the five-part drama about a group of young gay friends living – and dying – through the Aids era of the 80s and early 90s. This is the show he knew he had to write 30 years ago, and spent the intervening decades years putting off, because it was simply too personal and painful.

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The Matrix Resurrections review – drained of life by the Hollywood machine

Keanu Reeves is back as cyberpunk icon Neo but fans of the original will find this cynical reboot a bitter pill to swallow

Eighteen years after what we thought was the third and final Matrix film, The Matrix Revolutions, Lana Wachowski has directed a fourth: The Matrix Resurrections. But despite some ingenious touches (a very funny name, for example, for a VR coffee shop) the boulder has been rolled back from the tomb to reveal that the franchise’s corpse is sadly still in there. This is a heavy-footed reboot which doesn’t offer a compelling reason for its existence other than to gouge a fourth income stream from Matrix fans, submissively hooked up for new content, and it doesn’t have anything approaching the breathtaking “bullet time” action sequences that made the original film famous.

The first Matrix was a brilliant, prescient sci-fi action thriller that in 1999 presented us with Keanu Reeves as a computer hacker codenamed “Neo”, stumbling across the apparent activity of a police state whose workings he scarcely suspected. Charismatic rebel Trinity (Carrie-Anne Moss) brings Neo to the mysterious figure of Morpheus (Laurence Fishburne) who offers our reluctant hero one of the most famous choices in modern cinema: the blue pill or the red pill. The first will allow Neo back into his torpid quasi-contentment, the second will irreversibly reveal to him the truth about all existence. He swallows the red and discovers all our lives exist in a digitally fabricated, illusory world, while our comatose bodies are milked for their energies in giant farms by our machine overlords.

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The person who got me through 2021: Larry David helped me embrace life as a bald man

I have finally admitted that my hair has gone for ever, and taken great comfort from the reigning king of baldness

This year will go down in history as the year I went bald. Well, actually, 2018 went down as the year I went bald. But still, 2021 will go down as the year that I stopped fastidiously brushing three long wisps of cobweb over my scalp in the berserk belief that it somehow made me look less bald. I am bald now. Hello.

Obviously, being bald is rubbish. A bad roll of the genetic dice means I am now conclusively unattractive in the eyes of most of the world. Of course I am – I’m 85% forehead now. I can never go out and commit a crime, because a witness would only have to draw a face on their thumb and show it to the Photofit guy and I’d be in handcuffs by teatime.

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