Lawsuits brought by some of those injured, including 23-year-old Texas resident Kristian Paredes
The rappers Travis Scott and Drake have been sued for having “incited mayhem” after eight people were killed and dozens injured in a crush during a Texas concert, a law firm has confirmed.
Thomas J Henry Law tweeted a story published by the Daily Mail on the lawsuit, confirming on Sunday that it had filed “one of the first lawsuits in Travis Scott Astroworld festival tragedy”.
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The band’s 20th-anniversary reissue of Kid A and Amnesiac along with unreleased material makes for fascinating listening
Recorded together but released a year apart, Kid A (2000) and Amnesiac (2001) marked a huge departure from the increasingly baroque guitar-led anthems of Radiohead’s first three albums. The broadening of their palette to embrace Warp-influenced electronica, free jazz and krautrock abstractions initially baffled many (the Guardian awarded Kid A two stars, while Melody Maker’s reviewer was reduced to describing it as “post-bollocks”), but get past the glitchiness and the occasional moments of discord, and here were songs as affecting and powerful as those on OK Computer, just framed somewhat differently.
The change in direction clearly coincided with a particularly fertile period for the band, because this 20th-anniversary box features a bonus disc of unreleased contemporaneous material together with the two original albums. Perhaps unsurprisingly, nothing here eclipses Pyramid Song or Optimistic. Instead there are intriguing alternate versions (including yet another iteration of Morning Bell, this time a lullaby-like instrumental take), half-finished sketches, the gorgeous string arrangement of How to Disappear Completely in isolation, foreshadowing Jonny Greenwood’s Oscar-nominated score for Phantom Thread – and two previously unreleased songs.
Continue reading...Ahead of a UK exhibition of her photo series Journey in the Death Boat, Güliz Vural describes travelling with Syrians being smuggled to Greece from Turkey
Standing on a Turkish beach ready to join a group of Syrian refugees on an inflatable boat bound for Greece, the photojournalist Güliz Vural’s biggest fear was that the people traffickers organising the illegal crossing would not let her onboard.
If she had known that within a few hours of leaving Turkey she would be under arrest, accused of people trafficking herself, she would have thought twice about the journey.
The migrants carry the inflatable boat they will travel in down to the beach. They had to leave all their possessions as they crammed themselves in. Nearly 50 Syrians made the crossing in a boat designed to carry 12 people, adding to the anxiety felt by the children in particular.
Continue reading...A decade on from psychologist Steven Pinker’s declaration that violence is declining, historians show no sign of agreeing a truce
Ten years ago, the psychologist Steven Pinker published The Better Angels of Our Nature, in which he argued that violence in almost all its forms – including war – was declining. The book was ecstatically received in many quarters, but then came the backlash, which shows no signs of abating. In September, 17 historians published a riposte to Pinker, suitably entitled The Darker Angels of Our Nature, in which they attacked his “fake history” to “debunk the myth of non-violent modernity”. Some may see this as a storm in an intellectual teacup, but the central question – can we learn anything about the future of warfare from the ancient past? – remains an important one.
Pinker thought we could and he supported his claim of a long decline with data stretching thousands of years back into prehistory. But among his critics are those who say that warfare between modern nation states, which are only a few hundred years old, has nothing in common with conflict before that time, and therefore it’s too soon to say if the supposed “long peace” we’ve been enjoying since the end of the second world war is a blip or a sustained trend.
Continue reading...Princess’s close friend says story was not handled ‘as respectfully and compassionately’ as she had hoped
Jemima Khan, a close friend of Princess Diana, pulled out of helping to script Netflix’s The Crown because the story was not being handled “as respectfully or compassionately” as she had hoped, she has said.
Khan said she was brought in to help the show’s creator, Peter Morgan, write the script of the fifth series, which includes the years leading up to Diana's death in a Paris car crash in 1997.
Continue reading...An impoverished teen seeks to escape the clutches of a human trafficker in Alexandre Moratto’s complex drama
Brazilian director Alexandre Moratto’s follow-up to his award-winning debut Socrates, 7 Prisoners delves into the subject of modern slavery through the eyes of 18-year-old Mateus (Christian Malheiros, excellent). In order to support his family, Mateus takes a job in the city, but finds himself imprisoned and working off a seemingly endless debt to his employer (Rodrigo Santoro). His initial reaction is desperation and anger, but Mateus is smart and negotiates with his captor on behalf of his fellow workers. The rather on-the-nose storytelling grows increasingly complex and interesting the further that the protagonist ventures into morally ambiguous territory.
In cinemas and on Netflix from 11 November
Continue reading...Two investigations launched after eight people killed at event in Houston on Friday night
Organisers of what turned out to be one of the deadliest live music events in US history are facing mounting questions about why the rapper Travis Scott continued performing when first responders were already dealing with a mass casualty event.
Eight people ranging in age from 14 to 27 were killed and dozens were injured at the Astroworld festival in Houston on Friday night, when fans were crushed against the stage.
Continue reading...Artefacts reflect joys and sorrows of a community persecuted in Spain since Catholic reconquest in 1492
It doesn’t look like a place of legend, but the narrow Carrer de la Cera is the birthplace of la rumba catalana, the infectiously rhythmic stepchild of flamenco created by Barcelona’s Gypsy community in the 1950s and popular today throughout the world.
Now the city’s gitanos have their own museum, a tiny, vibrant space on the Carrer de la Cera, which lies in the multicultural el Raval neighbourhood. The museum will open its doors on Sunday.
Continue reading...The comedian will have you in stitches, but she can also leave you speechless. Katherine Ryan talks to Eva Wiseman about breast implants and potty training – and the jokes even she wouldn’t risk today
Katherine Ryan has named her autobiography The Audacity, a word (she explains) most commonly used to indicate disapproval. “Like, ‘HOW DARE she carry herself with that wicked abundance of self-belief? How AUDACIOUS!’” It is the perfect title. The absolute perfect title for a memoir by a comedian equal parts louche and lurid, famous for her uncompromising attitude, convincing invulnerability and refusal to self-deprecate. Her cover photo, shot when she was nine months pregnant, sees Ryan lucent and blonde in an ice-blue gown trimmed with marabou feathers, holding aloft in her left hand her favourite of her three tiny dogs.
It is these small dogs that greet me at her front door, and an entirely other lady. Instead of TV’s Katherine Ryan, be-lashed and dazzling, a happy cross between Christine Baranski and Taylor Swift, I’m welcomed by real-life Ryan, makeup-less in leggings, immediately offering me a plate of halloumi salad and a selection of milks for my tea. A breast pump sits on the counter beside a bag of golden hair extensions and outside, by the dainty heated swimming pool, her 12-week-old baby Fred sleeps gently in his pram. The atmosphere is one of Californian tranquillity in the London suburbs, only punctured slightly by her description of a man lowering his anus on to a bed post.
Continue reading...The musician and composer on a magical performance by Udo Kier, a west African drumming app and where to find a taste of Palestine
Damon Albarn was born in east London in 1968. Interested in music from a young age, he studied at East 15 Acting School and then Goldsmiths, where he co-founded the band that helped kick off Britpop. As well as recording eight studio albums with Blur, Albarn also co-created Gorillaz and the Good, the Bad & the Queen, spearheaded the collaborative organisation Africa Express and has scored stage productions including Monkey: Journey to the West and Dr Dee. He lives in Notting Hill, west London, with his partner, Suzi Winstanley. On 12 November, Albarn releases his second solo album The Nearer the Fountain, More Pure the Stream Flows on Transgressive Records.
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The return of the Swedish super troupers has plenty of bittersweet erudition, plus a good dollop of mass-market cheese
Nearly 40 years after their break-up, Abba’s reunion album upholds the contradictory legacy of the very first Swedish pop powerhouse. Half of this record finds hatchet-burying divorcés Benny Andersson and Anni-Frid Lyngstad, Agnetha Fältskog and Björn Ulvaeus returning as titans of emotionally literate pop. There are songs here with a cinematographic grasp of gesture allied to countermelodies of aching prettiness, almost casually thrown away. In the very same breath, though, Voyage packs in a surfeit of hokey oompah and two Christmas tunes too many. The saccharine children’s choir on Little Things is an inevitability; cynically, Andersson and Ulvaeus probably wanted a slice of the never-ending fruited royalty pudding that comes with Christmas-themed songs.
In short, Voyage is an album that asks: “Which Abba are you – frothy or full-on?” as you hit the skip button. But you’ll be glad Abba made it. Both a monument to bittersweet pop erudition and a mass-market sop, it finds all four singers in strong voice, their effortless harmonies evidence of much water having flowed under Stockholm’s bridges, interpersonally speaking.
Continue reading...Digital art is a billion-dollar business, with everyone from Paris Hilton to Damien Hirst trading in ‘non-fungible tokens’. But are NFTs just a get-rich-quick scheme masquerading as culture?
“It’s actually a lot simpler than you think.” It’s a Tuesday afternoon, and somewhat to my surprise, I’m on the phone to Paris Hilton, who is graciously explaining the world of NFTs.
Hilton is many things – a reality star, an heiress, an unlikely lockdown fitness guru who uses designer handbags instead of weights. But until now, she has never been considered a significant player in the art world. When artists have acknowledged her, often they’ve done so to fetishise her image. In 2008, Damien Hirst bought a portrait of her by the artist Jonathan Yeo, in which her body is constructed from collaged images cut from porn magazines.
Continue reading...A breakup, a pandemic and a homecoming left the singer with time to sit and think. Her new album radiates the calmness and kindness she sought
At the beginning of 2020, while her home country burned and the rest of the world was waking up to a global pandemic, Courtney Barnett was in Los Angeles. She’d just completed an American tour; her plan was to find herself an apartment and stick around a little longer to work on songs.
Then – after “it all got really wild” – she came home to Melbourne. For maybe the first time in six years – since her 2016 hit Avant Gardener turned her into the newest “New Dylan” – Barnett finally had time to sit and think.
Continue reading...Following the acclaimed author’s decision not to have Beautiful World, Where Are You translated by an Israeli publisher, two major retailers have removed her work from their shelves
Books by Sally Rooney will no longer be sold in two Israeli bookshop chains, after the acclaimed writer’s decision not to sell translation rights for her most recent novel to an Israeli publisher.
Rooney’s novels were previously available from Steimatzky and Tzomet Sefarim, but the books have now been removed from their websites, and will be pulled from physical shops too. The retailers have more than 200 branches between them.
Continue reading...From The Shrink Next Door to Dr Death, true-crime podcasts are being snapped up for TV. But how does it really feel when your worst nightmare becomes a bingewatch?
The dark new drama The Shrink Next Door tells an almost unbelievable story. Almost, of course, because it actually happened. In 1980s New York, wealthy businessman Martin “Marty” Markowitz fell under the spell of his psychiatrist Isaac “Ike” Herschkopf, who manipulated Marty into giving him his house, handing over his business and cutting off his family for almost 30 years. In an adaptation penned by one of Succession’s writers, Georgia Pritchett, Will Ferrell plays the patient whom many assumed was the handyman in his own home, while Paul Rudd is the smarmy shrink turned cuckoo in the nest.
If the story sounds familiar, that’s because the show is based on the hit podcast of the same name. The Shrink Next Door is the latest in the podcast to TV trend, which includes Julia Roberts’s Homecoming, Dirty John, with Connie Britton as the gaslit victim of “Dirty” John Meehan (Eric Bana), and Dr Death – based on the terrifying tale of sociopathic surgeon Christopher Duntsch – starring Joshua Jackson, Christian Slater and Alec Baldwin.
Continue reading...Scotland’s newly reopened mountain bothies are shining examples of sustainable tourism. Our photographer takes us on a guided tour
The Mountain Bothies Association (MBA) charity has reopened its 105 mountain huts, shelters and howffs after more than a year of closure due to Covid. The overwhelming majority of these are in Scotland and they reopened in August for what the MBA described as “responsible use”, pointing out that Covid has not gone away. The bothies are all sorts of shapes and sizes in varied locations – many are extremely remote and operated with the agreement of owners and estates and maintained by MBA volunteers since the late 60s and early 70s.
Above,Allt nam Fang, approaching Meanach Bothy; right, Meanach Bothy, renovated in 1977, is approximately 1,000ft above sea level
Continue reading...The Prison Arts Collective brings art, and renowned artists, to incarcerated people as a form of therapy and escape
The American prison has a long cultural history, depicted in movies from The Shawshank Redemption to The Green Mile. They are generally portrayed as harsh, dehumanising places populated by hardened criminals and vicious guards.
Who better, then, to demystify prisons and those who live in them than artists themselves? “We’ve had this glorified TV version of what a prison is in America and sure, it’s not a cakewalk, but it’s also humans in there – our fellow humans,” says Brian Roettinger, a graphic designer based in Los Angeles.
Continue reading...With his films Tick, Tick ... Boom! and The Eyes of Tammy Faye tipped for Oscars success, he discusses his inner malevolence, his mother’s death – and his ‘heartbreaking’ time as Spider-Man
Andrew Garfield is smiling beatifically and clasping his hands together as if in prayer. The pose suits an actor who has cornered the market in the holy and heroic, from a Jesuit priest in Silence to a Seventh-day Adventist saving lives on the battlefield in Hacksaw Ridge; from a man left paralysed by polio in Breathe to a credulous innocent who dies surrendering his organs in Never Let Me Go. He is a remarkable actor, but watch too many of his movies back to back and you are liable to hear celestial trumpets.
His prayer-like gesture of gratitude comes in response to my promise not to ask whether he and his fellow former web-slinger Tobey Maguire will be appearing in the new Spider-Man: No Way Home. “I appreciate that,” says the 38-year-old, speaking over Zoom from Calgary, where he is shooting the murder-and-Mormons series Under the Banner of Heaven. There seems no point posing the Spidey question when he has greeted each identical inquiry this year with a display of shrugging bafflement that may or may not be genuine. (Let’s see when the movie opens next month.)
Continue reading...Clint Eastwood’s A Fistful of Dollars is the latest to be dubbed in the Indigenous language set to premiere on 16 November
Manuelito Wheeler isn’t sure exactly why Navajo elders admire Western films.
It could be that decades ago, many of them were treated to the films in boarding schools off the reservation decades ago. Or, like his father, they told stories of growing up gathered around a television to watch gunslingers in a battle against good and evil on familiar-looking landscapes.
Continue reading...Actor bans real guns in movies made by his company after the fatal shooting of cinematographer Halyna Hutchins
Hollywood action star Dwayne Johnson, known as The Rock, has promised to not use real guns in his movies anymore after a fatal shooting incident involving actor Alec Baldwin on a film set in New Mexico last month.
Johnson, who was in Los Angeles attending the world premiere of his new Netflix blockbuster, Red Notice, with co-stars Ryan Reynolds and Gal Gadot, said on Wednesday films made by his company, Seven Buck Productions, would “not use real guns ever again”.
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