Category Archives: Culture

7 Prisoners review – a powerful tale of slavery in modern-day São Paulo

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An impoverished teen seeks to escape the clutches of a human trafficker in Alexandre Moratto’s complex drama

Brazilian director Alexandre Moratto’s follow-up to his award-winning debut Socrates, 7 Prisoners delves into the subject of modern slavery through the eyes of 18-year-old Mateus (Christian Malheiros, excellent). In order to support his family, Mateus takes a job in the city, but finds himself imprisoned and working off a seemingly endless debt to his employer (Rodrigo Santoro). His initial reaction is desperation and anger, but Mateus is smart and negotiates with his captor on behalf of his fellow workers. The rather on-the-nose storytelling grows increasingly complex and interesting the further that the protagonist ventures into morally ambiguous territory.

In cinemas and on Netflix from 11 November

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Astroworld: questions over why Travis Scott played on as crush developed

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Two investigations launched after eight people killed at event in Houston on Friday night

Organisers of what turned out to be one of the deadliest live music events in US history are facing mounting questions about why the rapper Travis Scott continued performing when first responders were already dealing with a mass casualty event.

Eight people ranging in age from 14 to 27 were killed and dozens were injured at the Astroworld festival in Houston on Friday night, when fans were crushed against the stage.

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Museum celebrates Barcelona’s disappearing Gypsy heritage

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Artefacts reflect joys and sorrows of a community persecuted in Spain since Catholic reconquest in 1492

It doesn’t look like a place of legend, but the narrow Carrer de la Cera is the birthplace of la rumba catalana, the infectiously rhythmic stepchild of flamenco created by Barcelona’s Gypsy community in the 1950s and popular today throughout the world.

Now the city’s gitanos have their own museum, a tiny, vibrant space on the Carrer de la Cera, which lies in the multicultural el Raval neighbourhood. The museum will open its doors on Sunday.

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Katherine Ryan: ‘I thought plastic surgery was aspirational’

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The comedian will have you in stitches, but she can also leave you speechless. Katherine Ryan talks to Eva Wiseman about breast implants and potty training – and the jokes even she wouldn’t risk today

Katherine Ryan has named her autobiography The Audacity, a word (she explains) most commonly used to indicate disapproval. “Like, ‘HOW DARE she carry herself with that wicked abundance of self-belief? How AUDACIOUS!’” It is the perfect title. The absolute perfect title for a memoir by a comedian equal parts louche and lurid, famous for her uncompromising attitude, convincing invulnerability and refusal to self-deprecate. Her cover photo, shot when she was nine months pregnant, sees Ryan lucent and blonde in an ice-blue gown trimmed with marabou feathers, holding aloft in her left hand her favourite of her three tiny dogs.

It is these small dogs that greet me at her front door, and an entirely other lady. Instead of TV’s Katherine Ryan, be-lashed and dazzling, a happy cross between Christine Baranski and Taylor Swift, I’m welcomed by real-life Ryan, makeup-less in leggings, immediately offering me a plate of halloumi salad and a selection of milks for my tea. A breast pump sits on the counter beside a bag of golden hair extensions and outside, by the dainty heated swimming pool, her 12-week-old baby Fred sleeps gently in his pram. The atmosphere is one of Californian tranquillity in the London suburbs, only punctured slightly by her description of a man lowering his anus on to a bed post.

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On my radar: Damon Albarn’s cultural highlights

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The musician and composer on a magical performance by Udo Kier, a west African drumming app and where to find a taste of Palestine

Damon Albarn was born in east London in 1968. Interested in music from a young age, he studied at East 15 Acting School and then Goldsmiths, where he co-founded the band that helped kick off Britpop. As well as recording eight studio albums with Blur, Albarn also co-created Gorillaz and the Good, the Bad & the Queen, spearheaded the collaborative organisation Africa Express and has scored stage productions including Monkey: Journey to the West and Dr Dee. He lives in Notting Hill, west London, with his partner, Suzi Winstanley. On 12 November, Albarn releases his second solo album The Nearer the Fountain, More Pure the Stream Flows on Transgressive Records.

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Abba: Voyage review – full-on and frothy

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(Polydor)
The return of the Swedish super troupers has plenty of bittersweet erudition, plus a good dollop of mass-market cheese

Nearly 40 years after their break-up, Abba’s reunion album upholds the contradictory legacy of the very first Swedish pop powerhouse. Half of this record finds hatchet-burying divorcés Benny Andersson and Anni-Frid Lyngstad, Agnetha Fältskog and Björn Ulvaeus returning as titans of emotionally literate pop. There are songs here with a cinematographic grasp of gesture allied to countermelodies of aching prettiness, almost casually thrown away. In the very same breath, though, Voyage packs in a surfeit of hokey oompah and two Christmas tunes too many. The saccharine children’s choir on Little Things is an inevitability; cynically, Andersson and Ulvaeus probably wanted a slice of the never-ending fruited royalty pudding that comes with Christmas-themed songs.

In short, Voyage is an album that asks: “Which Abba are you – frothy or full-on?” as you hit the skip button. But you’ll be glad Abba made it. Both a monument to bittersweet pop erudition and a mass-market sop, it finds all four singers in strong voice, their effortless harmonies evidence of much water having flowed under Stockholm’s bridges, interpersonally speaking.

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‘I went from having to borrow money to making $4m in a day’: how NFTs are shaking up the art world

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Digital art is a billion-dollar business, with everyone from Paris Hilton to Damien Hirst trading in ‘non-fungible tokens’. But are NFTs just a get-rich-quick scheme masquerading as culture?

“It’s actually a lot simpler than you think.” It’s a Tuesday afternoon, and somewhat to my surprise, I’m on the phone to Paris Hilton, who is graciously explaining the world of NFTs.

Hilton is many things – a reality star, an heiress, an unlikely lockdown fitness guru who uses designer handbags instead of weights. But until now, she has never been considered a significant player in the art world. When artists have acknowledged her, often they’ve done so to fetishise her image. In 2008, Damien Hirst bought a portrait of her by the artist Jonathan Yeo, in which her body is constructed from collaged images cut from porn magazines.

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Courtney Barnett on being forced to stop: ‘I felt myself opening up in a different way’

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A breakup, a pandemic and a homecoming left the singer with time to sit and think. Her new album radiates the calmness and kindness she sought

At the beginning of 2020, while her home country burned and the rest of the world was waking up to a global pandemic, Courtney Barnett was in Los Angeles. She’d just completed an American tour; her plan was to find herself an apartment and stick around a little longer to work on songs.

Then – after “it all got really wild” – she came home to Melbourne. For maybe the first time in six years – since her 2016 hit Avant Gardener turned her into the newest “New Dylan” – Barnett finally had time to sit and think.

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Sally Rooney novels pulled from Israeli bookstores after translation boycott

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Following the acclaimed author’s decision not to have Beautiful World, Where Are You translated by an Israeli publisher, two major retailers have removed her work from their shelves

Books by Sally Rooney will no longer be sold in two Israeli bookshop chains, after the acclaimed writer’s decision not to sell translation rights for her most recent novel to an Israeli publisher.

Rooney’s novels were previously available from Steimatzky and Tzomet Sefarim, but the books have now been removed from their websites, and will be pulled from physical shops too. The retailers have more than 200 branches between them.

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‘I had to watch it with my therapist’: when real-life horrors get turned into TV

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From The Shrink Next Door to Dr Death, true-crime podcasts are being snapped up for TV. But how does it really feel when your worst nightmare becomes a bingewatch?

The dark new drama The Shrink Next Door tells an almost unbelievable story. Almost, of course, because it actually happened. In 1980s New York, wealthy businessman Martin “Marty” Markowitz fell under the spell of his psychiatrist Isaac “Ike” Herschkopf, who manipulated Marty into giving him his house, handing over his business and cutting off his family for almost 30 years. In an adaptation penned by one of Succession’s writers, Georgia Pritchett, Will Ferrell plays the patient whom many assumed was the handyman in his own home, while Paul Rudd is the smarmy shrink turned cuckoo in the nest.

If the story sounds familiar, that’s because the show is based on the hit podcast of the same name. The Shrink Next Door is the latest in the podcast to TV trend, which includes Julia Roberts’s Homecoming, Dirty John, with Connie Britton as the gaslit victim of “Dirty” John Meehan (Eric Bana), and Dr Death – based on the terrifying tale of sociopathic surgeon Christopher Duntsch – starring Joshua Jackson, Christian Slater and Alec Baldwin.

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Bothy culture: a tour of the Highlands’ sustainable sanctuaries

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Scotland’s newly reopened mountain bothies are shining examples of sustainable tourism. Our photographer takes us on a guided tour

The Mountain Bothies Association (MBA) charity has reopened its 105 mountain huts, shelters and howffs after more than a year of closure due to Covid. The overwhelming majority of these are in Scotland and they reopened in August for what the MBA described as “responsible use”, pointing out that Covid has not gone away. The bothies are all sorts of shapes and sizes in varied locations – many are extremely remote and operated with the agreement of owners and estates and maintained by MBA volunteers since the late 60s and early 70s.

Above,Allt nam Fang, approaching Meanach Bothy; right, Meanach Bothy, renovated in 1977, is approximately 1,000ft above sea level

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‘A way to deal with emotion’: how teaching art can help prisoners

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The Prison Arts Collective brings art, and renowned artists, to incarcerated people as a form of therapy and escape

The American prison has a long cultural history, depicted in movies from The Shawshank Redemption to The Green Mile. They are generally portrayed as harsh, dehumanising places populated by hardened criminals and vicious guards.

Who better, then, to demystify prisons and those who live in them than artists themselves? “We’ve had this glorified TV version of what a prison is in America and sure, it’s not a cakewalk, but it’s also humans in there – our fellow humans,” says Brian Roettinger, a graphic designer based in Los Angeles.

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Andrew Garfield: ‘I don’t think I present as goody-goody’

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With his films Tick, Tick ... Boom! and The Eyes of Tammy Faye tipped for Oscars success, he discusses his inner malevolence, his mother’s death – and his ‘heartbreaking’ time as Spider-Man

Andrew Garfield is smiling beatifically and clasping his hands together as if in prayer. The pose suits an actor who has cornered the market in the holy and heroic, from a Jesuit priest in Silence to a Seventh-day Adventist saving lives on the battlefield in Hacksaw Ridge; from a man left paralysed by polio in Breathe to a credulous innocent who dies surrendering his organs in Never Let Me Go. He is a remarkable actor, but watch too many of his movies back to back and you are liable to hear celestial trumpets.

His prayer-like gesture of gratitude comes in response to my promise not to ask whether he and his fellow former web-slinger Tobey Maguire will be appearing in the new Spider-Man: No Way Home. “I appreciate that,” says the 38-year-old, speaking over Zoom from Calgary, where he is shooting the murder-and-Mormons series Under the Banner of Heaven. There seems no point posing the Spidey question when he has greeted each identical inquiry this year with a display of shrugging bafflement that may or may not be genuine. (Let’s see when the movie opens next month.)

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‘We feel pride’: old Western gets new life dubbed in Navajo language

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Clint Eastwood’s A Fistful of Dollars is the latest to be dubbed in the Indigenous language set to premiere on 16 November

Manuelito Wheeler isn’t sure exactly why Navajo elders admire Western films.

It could be that decades ago, many of them were treated to the films in boarding schools off the reservation decades ago. Or, like his father, they told stories of growing up gathered around a television to watch gunslingers in a battle against good and evil on familiar-looking landscapes.

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Dwayne ‘The Rock’ Johnson vows to stop using real guns on film sets after Baldwin shooting

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Actor bans real guns in movies made by his company after the fatal shooting of cinematographer Halyna Hutchins

Hollywood action star Dwayne Johnson, known as The Rock, has promised to not use real guns in his movies anymore after a fatal shooting incident involving actor Alec Baldwin on a film set in New Mexico last month.

Johnson, who was in Los Angeles attending the world premiere of his new Netflix blockbuster, Red Notice, with co-stars Ryan Reynolds and Gal Gadot, said on Wednesday films made by his company, Seven Buck Productions, would “not use real guns ever again”.

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Vandalism of LGBT artwork is hate crime, say Merseyside police

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Posters in Liverpool were destroyed after going on display in Homotopia festival’s Queer the City exhibition

Detectives are investigating after two artworks, commissioned in response to a series of homophobic and transphobic attacks in Liverpool, were destroyed. Merseyside police said they are treating the incidents as hate crime.

The artworks were vandalised within days of going on display as part of Homotopia festival’s Queer the City outdoor exhibition.

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Natalie Wood was sexually assaulted as a teen by Kirk Douglas, her sister writes in memoir

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In a memoir coming out next week, Wood’s younger sister identifies the actor’s long-suspected assailant

For decades, it’s been one of Hollywood’s darkest rumors: Natalie Wood was sexually assaulted by a top movie star more than twice her age when she met with him at a hotel in Los Angeles as a teenager.

In a memoir coming out next week, Wood’s younger sister identifies the long-suspected assailant: Kirk Douglas.

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Minari’s Youn Yuh-jung: ‘I’m very strange-looking, in a good way’

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As the London Korean film festival kicks off, Youn Yuh-jung, talks about how her portrayals of racy grannies and scheming maids scandalised the nation

In her Oscar-winning turn in last year’s Minari, Youn Yuh-jung played the mischievous granny you wished you’d had: the one who ignores your fun-sucking parents, takes you on wild adventures and teaches you to do your own thing. “You’re not a real grandma,” her Americanised grandson tells her. “They bake cookies! They don’t swear! They don’t wear men’s underwear!” In real life, Youn is pretty similar: lively, funny, unpretentious, and, she admits, not all that good at cooking. The 74-year-old actor has had an unconventional life and career, and most of us in the west know only a tiny fraction of it.

“My problem is, I don’t plan anything!” Youn laughs over Zoom from Los Angeles. Unlike her character in Minari, she speaks fluent English, although she apologises for it not being good enough.

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‘We had a fierce anger and suspicion’: Thom Yorke and Stanley Donwood on Radiohead’s Kid A and Amnesiac

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In this extract from a book compiling artworks made by Donwood and Yorke for Radiohead, the pair discuss how alienation with Cool Britannia saw them retreat into landscapes, labyrinths and inadvertently inventing Twitter

Stanley Donwood I can’t believe the innocent world we lived in when we were making this work. It was before 9/11, before the “war on terror”, before the conjoining of the police and the military – all of the social changes that have led towards the position we now find ourselves in. It wasn’t possible to know what was going on around the world in the same way that it is now, when news has become a sort of surrogate entertainment.

Thom Yorke Everybody involved felt like we’d been in some weird circus for quite a while, after OK Computer. Personally, I mentally completely crashed, as did Stan. We all did, in a way. Rather than immersing ourselves in this congratulatory atmosphere around us, we felt the total opposite. There was this fierce desire to be totally on the outside of everything that was going on, and a fierce anger, and suspicion. And that permeated everything. It was completely out of proportion, deeply unhealthy – but that’s where we were at.

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Diana Ross: Thank You review – an anaemic comeback that should have been great

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With disco enjoying one of its periodic moments in the sun, a supremely classy 21st-century reboot was possible. But this isn’t it

In 1982, Diana Ross was interviewed by Smash Hits magazine. Her presence in among the breathless coverage of Duran Duran and Haircut 100 was testament to her continued commercial success two decades on from the Supremes’ first hit. She talked a little about that band’s 60s heyday, but, as befitting an artist who had just enjoyed two platinum albums stuffed with Top 10 singles, insisted that the 80s were the real “golden age. There’s so much opportunity.”

But not, as it turned out, for Diana Ross, whose recording career stalled shortly afterwards. She had her last US Top 10 hit, a tribute to the recently murdered Marvin Gaye called Missing You, 37 years ago. Britain remained under her sway a little longer – Chain Reaction, a flop in the US, rightly reached No 1 in 1986 – but even so, it was all over bar the shouting by the early 90s.

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