‘We’re like Mork and Mindy!’ Robert Plant and Alison Krauss, music’s odd couple

Fourteen years after their Grammy-winning debut, the roots duo have reunited – facing high expectations. They explain how they left their comfort zones with a ‘nuts but tasteful’ all-star band

More than half a century since arriving to play his first show in the US with Led Zeppelin, Robert Plant was in the strange position of having to explain himself to the authorities.

“I had to prove that I was contributing to the betterment of the American system somehow, which is kind of cute, really,” Plant says of this post-lockdown trip to Nashville. He is sitting in the city’s famous Sound Emporium studio with his collaborator, the bluegrass legend Alison Krauss. It is the same place where they recorded their second, highly anticipated record as a duo, Raise the Roof, before the pandemic put the world on pause.

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Fugees return to New York for their first gig in 15 years … after a three-hour wait

The rap trio kick off their just-announced world tour to an eager audience but fall into old habits of tardiness

Dressed in a red frock that flounced as she performed, the rapper, singer and musician Lauryn Hill told the eager but weary crowd: “Respect the miracle. Respect the miracle of this union” three and a half hours later than billed.

Related: Fugees announce reunion world tour, 25 years after The Score

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Roger Michell: a quiet genius still hitting his stride | Peter Bradshaw

The director’s death aged 65 is a huge blow for British cinema, whose very best qualities – of wit, intelligence and subtlety – Michell exemplified

Roger Michell was the TV and movie director who had a midas touch with actors and with a particular type of English material: witty, literate, poignant and romantic. Michell was a master at directing anything on the continuum between Jane Austen and Richard Curtis, and knew what animated both.

Related: Roger Michell – a career in pictures

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‘Astronauts check our scripts!’: inside the new age of sumptuous sci-fi TV

With clone emperors in haute couture and exotic wolf-lizards poised to attack, Foundation and For All Mankind herald a new era of ravishing spectaculars. Can they do for sci-fi what Game of Thrones did for fantasy?


Dynastic infighting, the decline and fall of a mighty empire, tyrannical rulers and fantastical beasts. You might be forgiven for thinking that Apple’s Foundation – starring Jared Harris and The Hobbit’s Lee Pace – is staking a claim as heir presumptive to the iron throne of Westeros. Or at least that the new adaptation of Isaac Asimov’s seminal series of books – a galactic saga that takes place over several centuries – might succeed in doing for science fiction what Game of Thrones did for fantasy.

Certainly, sci-fi TV has never looked so sumptuous, with court scenes resplendent with couture that wouldn’t look out of place at the Met Gala, and as many candles and torches as there are strip lights. But for David S Goyer, the showrunner charged with bringing the ambitious story to TV, the influence of the fantasy hit was more nuanced.

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James Bond was ‘basically’ a rapist in early films, says No Time to Die director

Cary Fukunaga cites scene from Thunderball that ‘wouldn’t fly today’ as new film aims to redress franchise’s gender politics

The director of No Time to Die, the 25th James Bond film, has said that Sean Connery’s version of the character was “basically” a rapist.

Speaking to the Hollywood Reporter, Cary Fukunaga appeared to refer to a scene in 1965’s Thunderball in which Connery’s Bond forcibly kisses a nurse (played by Molly Peters) who has spurned his advances. In a later scene, Bond suggests he will keep quiet about information that could cost her her job if she sleeps with him. “I suppose my silence could have a price,” he says.

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On thin ice: how The Alpinist captured the terrifying climbs of Marc-André Leclerc

Climbing solo without ropes, the Canadian adventurer would scale stratospheric walls of ice that could crack and fall with one wrong move. We meet the makers of a gripping, heartbreaking new film

An insect-like creature is climbing a wall. The wall is made of ice – not regular, firm ice, but ice with spikes and cracks and gaps in behind. The creature has extended arms like a mantis, with sharply angled ends that hook into the ice, as well as spikes on its feet to kick in. Still, it doesn’t look very secure: the ice creaks and bits break off and fall. The creature feels around for somewhere else to stick its hooks and spikes, then continues upwards – intently, methodically, almost mechanically. It is both beautiful and absolutely terrifying.

When the camera pans out, it’s even more terrifying, because of the sheer size of this frozen wall. It is vast and vertiginous, the creature a tiny dot creeping upwards, a gnat in a sweeping sub-zero landscape. Except that this gnat has no wings: if it falls, it falls. Nor does it have a rope, because it’s not a gnat or even an insect, but a man – a Canadian by the name of Marc-André Leclerc, climbing solo in the Rockies with crampons and a pair of ice-axes.

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Y: The Last Man review – a stale, male manbaby mess

Disney+’s new drama imagines what the world would look like if there was just one man left on Earth … by sidelining the women who would be in control. What a waste of time

There is much to say about the protagonist of Y: The Last Man (Disney+ in the UK), had we but time and space. For the sake of practicality, let us confine commentary to this: having a whining slacker manbaby as the sole surviving male after a mysterious plague wipes out the rest of XY humanity and upon whom the future of everything depends feels … yeah, about right. Why not get this last undeserved heap of attention, resources and every other goddamned thing shovelled at your emblematically incompetent ass?

I should possibly have recused myself from watching the series until I was in a better mood. On the other hand, there’s something inescapably irritating about switching between looking at the television screen and a phoneful of real-life headlines and not being able to pick out much difference between the fictional dystopia and reality.

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Netflix acquires works of Roald Dahl as it escalates streaming wars

Content deal over author of children’s classics such as Matilda and The BFG is firm’s biggest to date

Netflix has acquired the works of Roald Dahl, the author of children’s classics including the BFG, Fantastic Mr Fox and the Witches, in the streaming company’s biggest content deal to date.

The agreement struck by Netflix, which already has a deal in place with the Roald Dahl Story Company (RDSC) to license 16 titles, will help it build its content arsenal in the streaming wars against rivals including Disney+, Amazon Prime Video and HBO Max.

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‘We want people to freak out’: inside Hollywood’s Museum of Motion Pictures

Boasting the shark from Jaws, the robe from the Big Lebowski, and the slippers from Oz, the Academy museum is finally open. But the real story is its exposé of Hollywood’s racist, sexist past

In 1939, the Academy of Motion Pictures published its first “players directory”, which grouped actors into categories such as “leading women” and “comediennes”, but set aside separate sections for “coloured” and “oriental” performers. The Academy removed the segregated categories a few years later, but many of the actors of colour weren’t integrated into other sections. They were eliminated.

These racist directories are on display at the new Academy Museum of Motion Pictures in Los Angeles, which celebrates some of the most important film-makers in history while also attempting to confront head-on the dark legacy of exclusion and discrimination in the industry. The hope is to tell a much more complicated, and accurate, story of Hollywood through the years.

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Sci-fi script and a cage-shaped mosque: Islamic art gets subversive

From subtle riffs on traditional script-based decoration to a late father’s letters to his lover, the artists vying for the Jameel prize generate deep emotion from meticulousness

Words have had outsize importance in Muslim culture since the beginning. The Qur’an, which literally means “recitation”, was of course revered as the word of God. But, crucially, images of human beings and animals were disapproved of because they could distract people from prayer; as a result, artists poured all their creativity and imagination into calligraphy. Facing the same restriction, craftsmen and architects created dazzling geometric forms into which words were often incorporated. The discipline imposed by not being able to depict living things gave rise to some of the most beguiling decoration on the planet.

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The Many Saints of Newark review – Sopranos prequel keeps it in the family

Michael Gandolfini is goosebump-inducing as the young Tony Soprano, amid race riots and antagonism towards rival African American gangs

Maybe it was inevitable that the greatest TV show in history should spawn a feature-length prequel that is somehow disappointing: it is watchable but weirdly obtuse with a tricksy narrative reveal that doesn’t add much. The Many Saints of Newark, co-written by the Sopranos’ legendary creator David Chase and directed by Alan Taylor, gives us the childhood of a leader: the teenage Tony Soprano, growing up in New Jersey in the 1960s, specifically the time of the 1967 Newark riots, which caused the “white flight” racism that explains the older Tony having that palatial home way out there in the suburbs that he drives up to in the opening credits each episode.

Young Tony is portrayed with goosebump-inducing deja vu by Michael Gandolfini, son of the late James Gandolfini, who played the role on TV. Tony’s sleepy-eyed sensitivity, his melancholy, his glowering resentment and dangerous hurt feelings are there in embryo. His father, Johnny, is played by Jon Bernthal, and his terrifying mother Livia by Vera Farmiga who gives a superb rendering of Livia’s own haughty mannerisms. But you could spend this entire movie hanging on for the first sign of those all-important petit mal fainting fits that the TV show said originated in Tony’s dad. Is history being rewritten, or misrememberings corrected?

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Einstein’s handwritten calculations for theory of relativity to be auctioned for €3m

The rare document, which records attempts to explain an anomaly in the orbit of Mercury, is ‘a fascinating dive into the mind of the greatest scientist of the 20th century’

A crucial series of Albert Einstein’s calculations, scrawled down as the physicist struggled to account for an anomaly in the orbit of Mercury while developing his theory of general relativity, is set to be auctioned for an eye-watering estimate of up to €3m.

Christie’s France and auction house Aguttes, who will auction the manuscript in Paris on 23 November for an estimate of €2m-€3m, said it documents a crucial stage in the development of the theory of general relativity, and is “without doubt the most valuable Einstein manuscript ever offered at auction”.

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From Hogwarts to inter-galactic space: how Alfred Enoch’s career rocketed

He gained cult status in Harry Potter, despite not even wanting to audition, then matured in How to Get Away With Murder. What’s the actor doing now? Playing 1,000-year chess in deep space

At the age of 10, Alfred Enoch was cast as Gryffindor student Dean Thomas in Harry Potter and the Philosopher’s Stone. While it wasn’t the most prominent role, Thomas was one of the few black or Asian characters in the third-highest-grossing film series ever – and this, allied with his boyish good looks, has lent Enoch cult status among Potterheads. “Not to downplay it,” says Enoch, “but I wasn’t an integral character. I’ve expressed that to people and they still say, ‘Yeah, but I saw you and you looked like me.’”

Enoch was cast after catching the Potter team’s eye during a performance at Shakespeare’s Globe in London. However, he’d earlier declined the chance to audition when producers held an open call at his school. “I didn’t go for Harry Potter in the beginning because I couldn’t think of any black characters,” he says.

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China’s ugliest buildings: contest to celebrate unsightly architecture begins

This year’s contenders include a violin-shaped church and a ‘welcome to hell’ glass bridge joining two mountains

An infamous “hall of shame” listing of China’s top 10 “ugliest” buildings has kicked off with 87 bizarre designs in the running, including a violin-shaped church and an Inner Mongolia hotel in the form of a monstrous babushka doll.

Over the past 11 years a Chinese architecture website, archcy.com, has been inviting people to vote in the lighthearted annual contest that it hopes will encourage people to ponder the flexible notion of beauty.

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Mussolini’s Sister review – interestingly quirky portrait of a grumpy octogenarian

This acute documentary gets under the surface of its Palestinian film-maker’s sharp-tongued grandmother to the loneliness and resentment within

Juna Suleiman’s documentary about Hiam, her octogenarian grandmother who lives in Nazareth, is no journey through a picture-perfect family album. Hiam is not the cake-baking kind of grandmother. In fact, she is grumpy, foul-mouthed and very politically incorrect. It could have been quite annoying to spend more than an hour with someone so disagreeable, and yet Suleiman’s love for her grandmother’s quirks shines through, making this familial snapshot an interesting watch.

First off, Hiam is not the sister of that Mussolini. For reasons untold, her parents named one of her brothers after Il Duce. Another child, named Hitler, died in infancy. Still, the film does not dwell much on Hiam’s younger days, and instead focuses on her day-to-day activities, which include berating her ever-changing cleaners, venting bitterness about the news, and lamenting her son’s rare visits. Mostly shot inside Hiam’s apartment, the film acquires an undeniable sense of claustrophobia, which renders her bitterness understandable rather than unforgiving. Instead of turning a senior citizen into a one-dimensional cliche, the decision to capture both Hiam’s humour and her unpleasant side gives us the fullness of her personality. Hiam may look harmless, but you would think twice before crossing her.

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No Michael K Williams? No Anya Taylor-Joy? All the Emmy shocks and snubs

The Emmys were crushingly predictable, as usual – but even in a year of unparalleled horror, surely shows other than The Crown and Ted Lasso deserved a look-in

Ted Lasso and The Crown triumph

Emmys 2021: the full list of winners

If anyone knew anything about the Emmys this year, they knew with absolute certainty that The Crown would win every award going. Because, although The Crown has always been well made, it has also always been fusty and inconsequential. But last year’s series had everything: sex, fights, betrayal, Gillian Anderson going full Spitting Image. The Crown was the solid gold favourite in every category going into the awards last night, so much so that any loss would have been considered seismic.

And guess what? It didn’t lose anything. In every category in which The Crown was nominated, it won. Best drama. Best drama actor. Best drama actress. Best supporting actor, best supporting actress, best writing, best directing. It was exactly as you would expect – and therefore quite boring.

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‘We didn’t want to do a Grease’: how Everybody’s Talking About Jamie became a film

How do you turn hit musicals like Everybody’s Talking About Jamie and Dear Evan Hansen into films? You axe songs, throw out plots and don’t worry about anyone’s favourite bit

Choosing a stage musical to see right now can feel like browsing the cinema listings of the 1980s and 90s. Pretty Woman and Back to the Future are playing across the street from one another in London’s West End, with The Lion King, Matilda and Heathers nearby. Indecent Proposal opens next month.

The speed of traffic travelling in the opposite direction, from stage to screen, tends to be a little faster, though. A film of Dear Evan Hansen, the Broadway hit about an anxious, alienated student who pretends to have been friends with a suicide victim, has arrived only five years after it opened, with Julianne Moore and Amy Adams among the cast. Everybody’s Talking About Jamie, which follows a 16-year-old budding drag queen from Sheffield, has taken just four years, picking up Richard E Grant and Sharon Horgan along the way.

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Violinist Nigel Kennedy cancels concert after Classic FM stops Hendrix tribute

Performer pulls Royal Albert Hall gig over decision he compared to musical segregation

Violinist Nigel Kennedy has pulled out of a concert at the Royal Albert Hall with only days to go after accusing the radio station Classic FM of preventing him from performing a Jimi Hendrix tribute.

Kennedy said the “culturally prejudiced” decision amounted to “musical segregation”, with the station he now calls “Jurassic FM” preferring him to play Vivaldi’s Four Seasons in Wednesday’s show.

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Emmys 2021: Ted Lasso and The Crown triumph while no actors of color win

The big night for TV saw triumphs for Brits – including Olivia Colman, Kate Winslet and Michaela Coel – yet a diversity problem remains

The 73rd Emmy awards mostly stuck to the predicted script on Sunday, celebrating favorites Ted Lasso, The Queen’s Gambit, and The Crown, in an awards-stuffed return to a (mostly) normal ceremony that celebrated diversity yet handed all the acting awards to white performers.

Related: Emmys 2021: the full list of winners

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