Corinne Masiero criticises coronavirus strategy with words ‘no culture no future’ on her chest
A French actor stripped naked on stage during a scaled-back César Awards ceremony in Paris to protest against the government’s closure of theatres and cinemas during the coronavirus pandemic.
Corinne Masiero had “no culture no future” written on her chest and “give us art back Jean” on her back, in a message to the prime minister, Jean Castex.
Continue reading...The former head of Shin Bet came to realize all-out war against terrorists only deepened an existential mire
Ami Ayalon is a retired Israeli warrior with much more history than he needs to fill this compact, compelling memoir. Three years older than the state of Israel, he spent the first two-thirds of his life fighting Arabs, first as a member of Shayetet 13, the Israeli equivalent of the Navy Seals, then as commander of the Israeli navy and finally as head of Shin Bet, the internal security service, its motto: “Defender that shall not be seen.”
Related: Protesters silencing speakers like me won’t solve the Israeli-Palestinian problem | Ami Ayalon
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Part two in NTGent’s Sorrows of Belgium trilogy is a visually arresting account of the rise of the Rex party and the horror of the second world war
Director Luk Perceval’s Sorrows of Belgium trilogy charts three dark chapters in the nation’s history, starting with colonial oppressions in the Congo in Black (produced by NTGent in 2019) and ending with the Brussels terrorist attacks of 2016 in Red (yet to be staged). The second instalment, Yellow, dramatises the rise of the fascist party Rex, which led to collaboration with Nazi occupiers.
What is immediately arresting in NTGent’s live-stream, with English subtitles, is the cinematic quality of the production. It is exquisitely filmed by Daniel Demoustier in the theatre, though not always on the stage. Shot almost entirely in black and white with some intermittent hues of yellow, it seems variously like a dance and a series of sorrowful tableaux of human suffering and collective delusion. Camera angles draw us into the roused faces of Belgian fascists, circling them dizzily as they spit out their rhetoric, and then drawing away to show them as a choreographed ensemble. Annette Kurz’s set design seems more like a moving painting, with the actors often performing on or around a table that serves as a miniature stage.
Continue reading...Prime minister says sculptures taken by Lord Elgin would remain in Britain as they had been legally acquired
Boris Johnson has used his first interview with a European newspaper since becoming the UK’s prime minister to issue a point-blank rejection of the Parthenon marbles being returned to Greece.
Johnson insisted that the sculptures, removed from the monument by Lord Elgin in circumstances that have since spurred one of the world’s most famous cultural rows, would remain in Britain because they had been legally acquired.
Continue reading...Blessed with sunny weather, diverse locations and a ready-made film industry, Sydney and the Gold Coast have become movie powerhouses
On a warmish Wednesday evening early in the year, Paul Mescal was celebrating his birthday and everybody seemed to know. The Irish actor, famous for his neckchain and his leading role in Normal People, was in Sydney, Australia, for a new film, and the word was spreading. He was photographed running in Centennial Park. He was sighted at Tamarama Beach. He popped into an inner-city pub.
But on the list of stars now working in Australia, Mescal – in Sydney for a musical film adaptation of Carmen – is comfortably mid-level. Thanks to its relative freedom from Covid-19 and associated restrictions, Australia – blessed with diverse locations, sunny weather and a ready-made film infrastructure – has become Hollywood Down Under.
Continue reading...In A Little Devil in America, Hanif Abdurraqib set out to celebrate black artists across music, dance, comedy and more, who succeeded even when their own country refused to honour them
When I began A Little Devil in America, I was thinking about Josephine Baker. The title of the book comes from Baker, from her speech at the March on Washington in 1963. It is a speech that is often overlooked. The legacy of the march so often centres on its male speakers (Martin Luther King Jr, A Philip Randolph), and Baker was well past her most notable prime. At 57, she chose to return to the US from France and make a small speech – but also to confront the country she’d left and vowed to not return to. The speech is at times tender, at times funny, at times teeming with rage. There was a fullness to it; Baker considering the vastness of her life and the many lives she’d lived. Her speech is defiant and brilliant, punctuated by Baker aligning her experiences with the national plight of black people in America:
You know, friends, that I do not lie to you when I tell you I have walked into the palaces of kings and queens and into the houses of presidents. And much more. But I could not walk into a hotel in America and get a cup of coffee, and that made me mad. And when I get mad, you know that I open my big mouth. And then look out, ’cause when Josephine opens her mouth, they hear it all over the world.
Continue reading...Sathnam Sanghera speaks out against ‘vicious’ abuse he is receiving over his bestselling book: ‘Empire has been weaponised by the right wing, ever since Black Lives Matter’
Sathnam Sanghera’s Empireland, a journey through Britain’s imperial past, has been a bestseller since it was pubished last month, acclaimed by critics as “unflinching … moving and stimulating” (the Guardian), and “excellent” and “balanced” (the Sunday Times). And yet, from the British public the author has received handwritten hate mail, and thousands of abusive tweets from “imperially nostalgic racists”, as he succinctly replied, some of them verging, he says, on death threats.
Related: Empireland by Sathnam Sanghera and Slave Empire by Padraic X Scanlan – review
Continue reading...Streaming service tests feature that asks viewers if they share household with subscriber
Netflix has begun testing a feature that asks viewers whether they share a household with a subscriber, in a move that could lead to crackdown on the widespread practice of sharing passwords among friends and family.
Some Netflix users are reported to have received a message asking them to confirm they live with the account owner by entering a code included in a text message or email sent to the subscriber.
Continue reading...The streaming giant has come knocking, but a lack of infrastructure and government support continues to hinder the continent telling its own stories
It was the sight of donkeys carrying camera equipment that reminded Lemohang Jeremiah Mosese he was shooting in Lesotho. The director was filming This Is Not a Burial, It Is a Resurrection in a remote part of his tiny home nation, which has no cinemas and – unsurprisingly – zero film infrastructure. “It’s a bit daring to take a crew there and shoot because there’s no electricity,” Mosese says from his home in Berlin. “Especially when we go to the mountains – we had to rely on the donkeys because at some point we just couldn’t carry the equipment.”
The shoot ran on petrol-powered generators. Villagers pitched in as ad-hoc crew members. Many fingers were crossed. “We had to build everything from scratch,” he says. That approach didn’t harm the film. Critically lauded, the stylish mood piece about grief, community and egregious land development has been entered in the Oscars as the country’s 2021 candidate.
Continue reading...Revisit tortured first loves, explore a deserted town and make your daily plod around the park more exciting with Pokémon Go
Given that we are all sitting at home staring at our phones anyway, it’s a good time to take a break from the doomscrolling to broaden your phone game palette. Nobody has really bettered this Escher-esque puzzler about guiding a wee girl through levels full of optical illusions and cool perspective changes. The calming colours and minimalist style offset the fiendishness of its architectural conundrums.
Continue reading...The actor and comic on making her female pronouns permanent, shouting down abuse, enduring a marathon a day – and running for Labour
Eddie Izzard doesn’t understand what all the fuss is about. In December, it was reported that the standup comic/actor/campaigner/endurance runner had adopted the pronouns “she” and “her” and wanted to be “based in girl mode” from now on. Well, it hardly came out of the blue, she says today. Izzard had spent the past 35 years building up to it, and when she did finally make the announcement it happened by chance.
A few months earlier, Izzard had been a guest on the Sky Arts series Portrait Artist Of the Year, and was asked, for the first time, which pronouns she preferred. She replied “she and her” and never gave it another thought. By the time the programme was broadcast, Izzard had forgotten about the conversation. And suddenly she was headline news.
Continue reading...From the Godfathers of Arabic rap to the father of Ethio-jazz, Grammy-winning producer Ian Brennan guides a tour through global music’s greatest
This week I wrote about the glaring lack of international inclusivity in the Grammys’ newly redubbed global music (formerly world music) category.
In the category’s 38-year history, almost 80% of African nations have never had an artist nominated; no Middle Eastern or eastern European musician has ever won; every winner in the past eight years has been a repeat winner; and nearly two-thirds of the nominations have come from just six countries (the US, the UK, Brazil, Mali, South Africa, India). The situation shows little signs of improving.
Continue reading...Ahead of two new albums this spring, the dancehall superstar recalls the poignancy of his first love, and how water polo took his mind off his imprisoned father
When I turned 13 my father had just gone to prison, so without a father figure I looked for heroes in music and sports. Both my parents had been champion swimmers and when I was four or five they would throw me in the water when other kids didn’t want to swim. From the age of 13 to 21 I represented Jamaica in water polo, which my father had played. We trained a lot: 5,000 metres a day, 7,000 to 9,000 metres on Thursdays. It consumed my life but in a good way. It took my mind off my father being in prison.
Continue reading...The award-winning biopic of Jake LaMotta was released 40 years ago. With these exclusive images, Jay Glennie, who interviewed the cast and crew for a new book, reveals secrets of the film’s shoot
With the Oscar winner’s romcom Love, Weddings & Other Disasters out next month in the UK, we run through her greatest roles
Some of the jokes in Sleeper are as dated as the special effects (and they looked creaky enough nearly 50 years ago). But Keaton is ethereally lovely as Luna, a socialite from the future. As always, there is an intelligence to her performance that lifts her above the weaker material, such as Woody Allen’s character floating around a field in a hydrovac suit.
Continue reading...Drawing on her own cathartic relationship with role-playing games, Leilani uses gaming as a narrative device and an inspiration in her acclaimed debut
There is an extraordinary and telling moment in Raven Leilani’s acclaimed novel Luster, about a young black woman who has an affair with a middle-aged white man and ends up living with his family. The woman, Edie, is heading back to her lover’s house with his adopted black daughter, Akila, when the pair are stopped and questioned by two police officers. Although Edie is compliant, Akila – younger and much less worldly – challenges the cops and gets thrust to the ground and restrained. The confrontation is rife with fear and tension, and when it’s over (diffused when Akila’s white mother intervenes), the first thing Edie and Akila do is go inside, sit down and play a video game.
Much of the fervid discussion around Luster has focused on Leilani’s astute and witty analysis of sexual politics and racial power structures in the 21st-century US. But a key part of her acutely realised portrayal of a millennial protagonist coping with crappy jobs and crappier love affairs is Edie’s natural relationship with digital culture and technology. At a time in which video game references are still mostly consigned to YA and sci-fi books, Leilani has made them a central component of a literary novel.
Continue reading...An insomniac student is haunted by a demonic figure in this flamboyant and stylised waking dream of a film
There is something visionary about this near-nonsensical, kitsch but atmospheric techno-thriller from Canadian director Anthony Scott Burns. Drawn along on dark somnambulic rhythms, it incorporates elements of fantasy, horror and 80s synthwave aesthetics without giving itself over completely to any of them.
A wordless first 10 minutes introduces us to Sarah (Julia Sarah Stone), a runaway student apparently unwelcome or unwilling to return home, waking in spectrally lit parks and falling asleep in coffee shops. Dropping suddenly into surrealistic CGI dreams that track inexorably towards a demonic figure who, if approached too closely, wakes her with a start. Sarah decides to try and climb out of this insomniac bath by enrolling in a university sleep study. It is overseen by Dr Meyer, a Cronenbergian academic in big glasses, but run by a trio of researchers who, like the memory technicians in Eternal Sunshine of the Spotless Mind, have a loose relationship with scientific protocol. Becoming close to Jeremy (Landon Liboiron), she learns that they are using pioneering technology to observe the subjects’ dreams – and that the same shadowy presence manifests in all of them.
Continue reading...Researchers in Murcia find exquisite objects at women’s graves later used as sites for elite warrior burials
A burial site found in Spain – described by archaeologists as one of the most lavish bronze age graves discovered to date in Europe – has sparked speculation that women may have been among the rulers of a highly stratified society that flourished on the Iberian peninsula until 1550BC.
Since 2013, a team of more than a dozen researchers have been investigating the site of La Almoloya in the southern Spanish region of Murcia.
Continue reading...Victor Obiols told he had wrong ‘profile’, the second case after Dutch writer resigned from same role
The Catalan translator for the poem that American writer Amanda Gorman read at US president Joe Biden’s inauguration has said he has been removed from the job because he had the wrong “profile”.
It was the second such case in Europe after Dutch writer Marieke Lucas Rijneveld resigned from the job of translating Gorman’s work following criticism that a black writer was not chosen.
Continue reading...Stuttering affects one in 20 children, yet is still stigmatized, something the documentary My Beautiful Stutter hopes to correct
One of the most moving scenes in My Beautiful Stutter, a documentary now streaming on Discovery+, involves just a microphone and an open stage. Many of the attendees at Camp Say in Hendersonville, North Carolina, a getaway for youth who stutter hosted by the New York-based organization the Stuttering Association for the Young, grew up feeling broken or confused, ostracized by a neurological disorder that tangles the flow of fluent speech. Some campers recite poetry, others get through just their name before breaking into tears, all afforded the space to speak rarely given in the non-stuttering world (what can take a non-stutterer a minute to read or say could take a person who stutters 10 times as long). Tears abound; the scene hums with the bottomless human desire, felt most acutely as a teenager, to be seen, heard, loved, accepted.
Related: 'They become dangerous tools': the dark side of personality tests
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