Perfect storm: have the influencers selling a dream lost their allure?

Social media stars, already under fire for trips to Dubai in lockdown, are now involved in a row over Instagram posts

Makeup artist Sasha Louise Pallari started her hashtag #filterdrop in summer 2020. A social media campaign to discourage influencers promoting beauty products by using filters to exaggerate their effect, it paid off last week when the Advertising Standards Authority banned two tanning brands from using misleading filters on Instagram Stories. The ruling means that in future all use of filters will be more tightly controlled – and, so the theory goes, more “natural” content likely to be seen on social media.

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Radical, angry, creative: British women lead a screen revolution

The Golden Globe nominations prove that the industry is in the throes of a sea change for female writers and directors

Corks popped across the film industry when three female directors made history by getting Golden Globe nominations last week. Alongside Regina King and Chloé Zhao was British newcomer Emerald Fennell, until now best known as Camilla in The Crown and for stepping into Phoebe Waller-Bridge’s shoes as show runner on Killing Eve. Her alarming feminist thriller, Promising Young Woman, picked up a clutch of coveted nominations.

“When those directors’ names were announced I ran around the room screaming,” said Jessica Hobbs, one of the directors on The Crown. “I messaged Emerald who couldn’t believe it. I told her I knew it was coming.”

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Destined for an arranged marriage, I chose to follow my heart

As a teenager, true love seemed like an impossible dream, but I was determined to marry for love and not obligation

This year, my husband Richard and I will have been married for 10 years. It may not sound all that long, but it feels quietly significant to me, this decade of us, not least because there was a time that I could not fathom a world in which we could ever be together at all.

I grew up expecting to marry someone my parents chose for me: a suitable young man who would share my Pakistani family background, my cultural heritage and faith. I can’t remember how old I was when I understood this – only that I did, without it needing to be explained. It was what my cousins did and the daughters of our family friends did. It was the way things were.

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Massive Attack: ‘You resurrect ghosts when you bring something back from the past’

Robert Del Naja, of the Bristol pioneers, talks about the power and danger of nostalgia as well as his work collaborating with Adam Curtis

Musicians have been faced with an impossible puzzle since March 2020: with gigs and festivals mothballed for the foreseeable future, how to maintain a profile? For Massive Attack, a solution was probably less of a reach than for many artists. After all, for the Bristolian pioneers, sound and vision have been interacting in unconventional ways for decades.

Related: The Guide: Staying In – sign up for our home entertainment tips

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Christopher Plummer: a fierce yet tender talent that flourished when he was finally let off the leash

The actor remained queasy of the role in The Sound of Music which brought him enduring fame, finally finding his groove aged 80 as a long-closeted father in Mike Mills’s Beginners

It is 1938, and the cynical music impresario Max Detweiler is at the lakeside home of his friend Captain Georg von Trapp in Salzburg, where the conversation has turned to the disagreeable subject of the Nazis and Austria’s imminent Anschluss with Germany. “You know I have no political convictions,” shrugs Detweiler evasively. “Can I help it if other people do?” Von Trapp’s responding flash of anger is a genuinely compelling and grownup moment in this movie – the 1965 hit musical The Sound of Music: “Oh, yes, you can help it. You must help it.” Playing Von Trapp, Christopher Plummer’s face becomes fierce and hawkish with contempt for all those who do nothing and allow evil to flourish.

At 35, the Canadian-born Plummer became an international star in this film, but as the years and decades went by – and almost everyone swallowed their pride and admitted that they loved The Sound of Music – Plummer became the most famous and stubborn refusenik until almost the end of his life, calling it “awful and sentimental and gooey”.

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Christopher Plummer, Sound of Music star and oldest actor to win an Oscar, dies aged 91

Veteran and respected actor had a career stretching back to the 1950s, but won his Oscar for best supporting actor for Beginners in 2011

Christopher Plummer, the dazzlingly versatile Canadian actor whose screen career straddled seven decades, including such high-profile films as The Sound of Music, The Man Who Would Be King and All the Money in the World, has died aged 91.

His family confirmed the news, saying he died peacefully at home in Connecticut with his wife of 53 years, Elaine Taylor, by his side.

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Edvard Munch works up for auction amid renewed interest in artist

Sotheby’s expert says pandemic has been good for the artist, lending his work ‘a whole new meaning’

Two works by Edvard Munch that the Nazis classified as degenerate before selling them for profit are to be offered at auction in London next month, at a time when interest in the Norwegian artist has never been bigger.

A self-portrait painted in 1926, the first formal portrait of Munch to come to auction for 15 years, and Embrace on the Beach, painted for a children’s nursery in 1904 and last on sale more than 80 years ago, are due to go under the hammer at Sotheby’s next month.

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The more satirical street murals are, the less they resemble great art

Street art that we share online tends to be inspiring – not strange, enigmatic or challenging

Whatever you think of street art, there’s no denying its pedigree. The paintings done on cave walls 30,000 years ago are today acknowledged as the first creative triumph of the human mind. But before their modern recognition as prehistoric wonders, these pictures of mammoths and bison were dismissed by Renaissance cavers who came across them as crude contemporary graffiti. That’s because graffiti were as universal 400 years ago as they are today, and just as disreputable.

Today we veer between seeing graffiti as visual noise and genius coming up from the streets. That’s the fascinating ambiguity of those marks and images. They can be dismissed as a public nuisance or hailed as works of witty artistic genius. Banksy in Britain and JR in France have followed in the footsteps of the 1980s New York street and subway art stars Jean-Michel Basquiat and Keith Haring to become respected and marketable. Basquiat and Haring were proteges of Andy Warhol, whose embrace of high and pop art, the beautiful and mundane, set the stage for today’s street art. Warhol himself responded to the graffiti craze with a series of abstract paintings he made by covering the canvases with copper, then urinating on them to oxidise the pigment and produce lovely mineral blues and greens. It was literally the lowest of street activities, peeing against a wall, become Art.

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10 short video games to play with your partner (or housemate)

From detective missions to prison breakouts, playful puzzles to cosy diversions, here are some great games perfect for two

As the long, boring Covid winter drags on and sitting in front of Netflix together has long since lost its appeal, video games remain one of the few social pleasures allowed to us. Though most of the best multiplayer games are online – meaning you need two consoles at home if you want to join someone you live with – there are still plenty you can enjoy together on the couch. Some of these recommendations are two-player games you can play cooperatively, others are shorter story-based games that are fun to play with company, and all will happily fill an evening or two.

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From Massive Attack to Miley Cyrus: Adam Curtis’s favourite cover versions

Radical rewirings and weird new realms – reinterpretations of old classics can give us hope for the future, says the film-maker

Much of modern culture has become like an ageing ghost that constantly haunts us and refuses to allow us to move on into the future. It is extraordinary that we now still listen to music from bands in the 1950s and 1960s, like the Beatles. It is the equivalent of people in the 1960s still dancing to music from the 1890s. One of the most powerful symbols of this frozen culture is the cover version – a symptom of a static world where people constantly rework the material of the past. Just as they do in sampling, and with people constantly reusing and re-editing archive film from the past. But every now and then, people do covers of songs that break out to create something genuinely new. They show that invention is still possible – and that gives you hope we might move on from this static moment in time.

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‘I think I’ve written more Sherlock Holmes than even Conan Doyle’: the ongoing fight to reimagine Holmes

Arthur Conan Doyle’s master detective has been endlessly rewritten. But nearly a century after the author’s death, how new writers portray him remains contested

The first ever mention of Sherlock Holmes came in A Study in Scarlet, published in Beeton’s Christmas Annual of 1887. Dr Watson is looking for lodgings, and meets an old acquaintance who knows of someone he could share with, but does not recommend.

Young Stamford looked rather strangely at me over his wine-glass. ‘You don’t know Sherlock Holmes yet,’ he said; ‘perhaps you would not care for him as a constant companion.’

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Miranda Richardson’s teenage obsessions: ‘I rescued a kestrel and became fascinated by birds of prey’

With the release of her new film Rams, the actor remembers her love of westerns and John Wayne, playing male parts at her all girls’ school and the thrill of frightening humour

I grew up in Southport, Lancashire, with a cinema about 50 yards from my house. So Saturday mornings were spent with The ABC Minors: the Saturday cinema club with the theme song set to the tune of Blaze Away by Abe Holzmann, a red ball bouncing over the lyrics so you could sing along.

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Carly Simon’s 20 greatest tracks – ranked!

As her debut album turns 50, we select the best work by a songwriter with a standout talent for finely drawn character studies

As an album, Hello Big Man was all over the place: reggae tracks recorded with Sly & Robbie, very early 80s world music experiments, slick MOR. Its one undisputed gem is It Happens Every Day, a careworn song about divorce, set to music that, beneath the 80s veneer, is like a lush late-50s ballad.

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Lost Girls and Love Hotels review – submission and secrets in erotic Tokyo drama

Alexandra Daddario’s American English teacher drinks, parties and explores BDSM in this cool movie that only occasionally veers into orientalism

Author and artist Catherine Hanrahan has adapted her novel of the same name for the screen and William Olsson directs. It is the story of Margaret, a young American woman in Tokyo, who has snagged a job teaching trainee flight attendants how to enunciate their English properly. Margaret drinks a lot, parties a lot, shows up hungover and late to work; she is also into BDSM, and is a sub, but can’t find any satisfactory partner, until she chances across Kazu (Takehiro Hira), a yakuza mobster whose naked body naturally turns out to be almost completely covered in scary tattoos. He has exactly the right fiercely negligent ruthlessness when he takes her to love hotels, but through an ironic quirk of fate turns out to have a softer side – something that this liaison with Margaret has unlocked, and in bed confesses to her mournfully that he is about to get married, and this lends something weirdly poignant and melancholy to their eroticism.

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Are we all living in the Matrix? Behind a documentary on simulation theory

In A Glitch in the Matrix, film-maker Rodney Acher speaks to people who are convinced that the world we’re living in isn’t real

Rodney Ascher’s new documentary A Glitch in the Matrix opens, as so many nonfiction films do, with an interview subject getting settled in their camera set-up. In this instance, a guy named Paul Gude is Skyping in from a setting familiar to anyone who’s spent the last year trapped in video-chats. He’s sitting in what appears to be a bedroom made to double as an office, the fisheyed webcam lens catching some dirty laundry, a shelf full of books and decorative toys, some homemade-looking art on the walls. But the eye is instantly drawn to Gude himself, a hyperreal computer-generated creature with shiny copper skin, warrior armor, a scar stretching from his forehead to his cheek, and a mane of shifting polygons in jewel-tone ruby red making his head look like a 20-sided die. He could be a distant cousin of Lion-O from the Thundercats, and he’s here to tell us that everything we know may be a lie.

Related: A Glitch in the Matrix review – deep-dive into simulation theory

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Toyah Willcox: ‘My mother always wanted me altered in some way. I was never right’

The singer and actor has had a productive pandemic – and gone viral from her kitchen. She talks about escaping her childhood, sexual harassment and persuading her rock star husband to dress in a tutu

Of all the celebrity offerings that have come out of the pandemic, the gloriously weird videos made by Toyah Willcox and her husband, Robert Fripp, are surely the most compelling. It is possible, within each short clip, to cycle through every feeling from wanting to cover your eyes while being unable to look away, to the dawning realisation you may be watching a profound piece of performance art. Mostly, it is impossible not to laugh. There they are in their cosy Worcestershire kitchen, perhaps with the dishwasher open in the background, with Willcox, accessorised with mouse ears, tap-dancing, bouncing off the Aga. Both dressed in black tutus at the end of their garden, the pair dance across the screen to music from Swan Lake. Fripp lies on the floor of the hallway, while Willcox – dressed in red PVC and devil horns – performs the Kinks’ You Really Got Me on the stairs. It’s joyous.

Willcox has been uploading their Sunday Lockdown Lunch videos since April last year; they also do a weekly agony aunt session, and Willcox does her own Q&A, talking about her life and long career as an actor, pop star and general cultural fixture for the past 40 years. It started, she says, as a way to occupy Fripp, the musician and founder of the prog rock band King Crimson. “Here I am in this house with this 74-year-old husband who I really don’t want to live without,” she says. “He was withdrawing, so I thought: ‘I’m going to teach him to dance.’ And it became a challenge.” They posted a video, and it took off. “It was: ‘Wow, I’ve never experienced the power of that connection.’”

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The Recce review – crossing enemy lines in South African action-drama

An elite soldier is sent on a perilous solo mission in this underwhelming drama set during the Namibian war of independence

This South African-made action-drama unfolds against the background of a conflict little known about above the equator, much less used as a setting for film – the Namibian war of independence from 1966-90, AKA the South African border war. Often considered South Africa’s version of Vietnam, it was, among other things, a proxy fight between South Africa, then still under apartheid, and its allies at the time, and the People’s Liberation Army of Namibia, who were backed by the Soviet Union and Cuba.

Although there’s a fair amount of on-screen contextualising in the opening minutes to explain key terms and ideas, The Recce feels made for a local audience that has a grasp of the cultural and historical background. That means it’s not easy for outsiders to read the ideology of this stylised, fictional account of an elite Afrikaner soldier, Henk Viljoen (Greg Kriek), the “recce”, who is ordered to go across enemy lines alone one last time to kill a Russian officer. Henk leaves behind his pregnant wife Nicola (Christia Visser), with whom we spend a lot of screen time as she looks anxious, remembers happier moments in her marriage and visits Henk’s parents, who are sick with worry about their son. In the narrative mix is Captain Le Roux (Grant Swanby), an English-speaking South African officer who is also worried about Henk and the general madness of the war.

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Jazmine Sullivan: ‘I want to get to the root of why people do things’

With 12 Grammy nominations since her 2008 debut, the US singer is already a genre leader – and her new EP seals her reputation with a cinematic portrait of six women commodified by their beauty

“Did you see the message from Issa?” Jazmine Sullivan asks me excitedly. For all the acclaim and Grammy recognition the R&B star has accrued over the past 12 years, she still reacts to starry praise with joy and disbelief. A hopeful tweet suggesting Insecure’s Issa Rae turn Sullivan’s latest EP into a short film elicited a positive response, and later in the week, the pattern repeats with Mary J Blige. “Wait … wtf?! I’m so happy man!” Sullivan tweeted after the soul legend signals her eagerness for a guest spot.

To onlookers, though, there was little surprise about the Philadelphia native – also picked to sing the national anthem at this year’s Super Bowl – being treated as one of the modern greats of R&B. When Sullivan arrived on the music scene in 2008, a much-touted 21-year-old protege of Missy Elliott, her USP was familiar in the genre: a vocal force of nature, honed in church, who drew on personal experience to deliver raw soul in the lineage of Blige (with whom she toured in 2010) and Keyshia Cole.

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Golden Globes upend history as three female directors nominated

Emerald Fennell, Chloé Zhao and Regina King compete in category previously marked by its male dominance, as Mank and The Trial of the Chicago 7 lead field of overall nominations

Three female directors will compete for the first time at this year’s Golden Globes, following decades in which it was rare a single woman was mentioned in the category.

Only five female directors have ever been nominated in the Globes’ 78 year history: Sofia Coppola, Jane Campion and Ava DuVernay, while Kathryn Bigelow and Barbra Streisand have both been nominated twice. Only Streisand has won – for Yentl in 1983.

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Fears rise that Polish libel trial could threaten future Holocaust research

Case brought in wake of rightwing government criminalising blame of Polish nation for Nazi crimes could have implications for further research

Two Polish historians are facing a libel trial over a book examining Poles’ behaviour during the second world war, a case whose outcome is expected to determine the future of independent Holocaust research under Poland’s nationalist government.

A verdict is expected in Warsaw’s district court on 9 February in the case against Barbara Engelking, a historian with the Polish Centre for Holocaust Research in Warsaw, and Jan Grabowski, a professor of history at the University of Ottawa. While the case is a libel trial, it comes in the wake of a 2018 law that makes it a crime to falsely accuse the Polish nation of crimes committed by Nazi Germany. The law caused a major diplomatic spat with Israel.

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