Category Archives: Film

On my radar: Damon Albarn’s cultural highlights

Posted on by

The musician and composer on a magical performance by Udo Kier, a west African drumming app and where to find a taste of Palestine

Damon Albarn was born in east London in 1968. Interested in music from a young age, he studied at East 15 Acting School and then Goldsmiths, where he co-founded the band that helped kick off Britpop. As well as recording eight studio albums with Blur, Albarn also co-created Gorillaz and the Good, the Bad & the Queen, spearheaded the collaborative organisation Africa Express and has scored stage productions including Monkey: Journey to the West and Dr Dee. He lives in Notting Hill, west London, with his partner, Suzi Winstanley. On 12 November, Albarn releases his second solo album The Nearer the Fountain, More Pure the Stream Flows on Transgressive Records.

Continue reading...

Andrew Garfield: ‘I don’t think I present as goody-goody’

Posted on by

With his films Tick, Tick ... Boom! and The Eyes of Tammy Faye tipped for Oscars success, he discusses his inner malevolence, his mother’s death – and his ‘heartbreaking’ time as Spider-Man

Andrew Garfield is smiling beatifically and clasping his hands together as if in prayer. The pose suits an actor who has cornered the market in the holy and heroic, from a Jesuit priest in Silence to a Seventh-day Adventist saving lives on the battlefield in Hacksaw Ridge; from a man left paralysed by polio in Breathe to a credulous innocent who dies surrendering his organs in Never Let Me Go. He is a remarkable actor, but watch too many of his movies back to back and you are liable to hear celestial trumpets.

His prayer-like gesture of gratitude comes in response to my promise not to ask whether he and his fellow former web-slinger Tobey Maguire will be appearing in the new Spider-Man: No Way Home. “I appreciate that,” says the 38-year-old, speaking over Zoom from Calgary, where he is shooting the murder-and-Mormons series Under the Banner of Heaven. There seems no point posing the Spidey question when he has greeted each identical inquiry this year with a display of shrugging bafflement that may or may not be genuine. (Let’s see when the movie opens next month.)

Continue reading...

‘We feel pride’: old Western gets new life dubbed in Navajo language

Posted on by

Clint Eastwood’s A Fistful of Dollars is the latest to be dubbed in the Indigenous language set to premiere on 16 November

Manuelito Wheeler isn’t sure exactly why Navajo elders admire Western films.

It could be that decades ago, many of them were treated to the films in boarding schools off the reservation decades ago. Or, like his father, they told stories of growing up gathered around a television to watch gunslingers in a battle against good and evil on familiar-looking landscapes.

Continue reading...

Dwayne ‘The Rock’ Johnson vows to stop using real guns on film sets after Baldwin shooting

Posted on by

Actor bans real guns in movies made by his company after the fatal shooting of cinematographer Halyna Hutchins

Hollywood action star Dwayne Johnson, known as The Rock, has promised to not use real guns in his movies anymore after a fatal shooting incident involving actor Alec Baldwin on a film set in New Mexico last month.

Johnson, who was in Los Angeles attending the world premiere of his new Netflix blockbuster, Red Notice, with co-stars Ryan Reynolds and Gal Gadot, said on Wednesday films made by his company, Seven Buck Productions, would “not use real guns ever again”.

Continue reading...

Natalie Wood was sexually assaulted as a teen by Kirk Douglas, her sister writes in memoir

Posted on by

In a memoir coming out next week, Wood’s younger sister identifies the actor’s long-suspected assailant

For decades, it’s been one of Hollywood’s darkest rumors: Natalie Wood was sexually assaulted by a top movie star more than twice her age when she met with him at a hotel in Los Angeles as a teenager.

In a memoir coming out next week, Wood’s younger sister identifies the long-suspected assailant: Kirk Douglas.

Continue reading...

Minari’s Youn Yuh-jung: ‘I’m very strange-looking, in a good way’

Posted on by

As the London Korean film festival kicks off, Youn Yuh-jung, talks about how her portrayals of racy grannies and scheming maids scandalised the nation

In her Oscar-winning turn in last year’s Minari, Youn Yuh-jung played the mischievous granny you wished you’d had: the one who ignores your fun-sucking parents, takes you on wild adventures and teaches you to do your own thing. “You’re not a real grandma,” her Americanised grandson tells her. “They bake cookies! They don’t swear! They don’t wear men’s underwear!” In real life, Youn is pretty similar: lively, funny, unpretentious, and, she admits, not all that good at cooking. The 74-year-old actor has had an unconventional life and career, and most of us in the west know only a tiny fraction of it.

“My problem is, I don’t plan anything!” Youn laughs over Zoom from Los Angeles. Unlike her character in Minari, she speaks fluent English, although she apologises for it not being good enough.

Continue reading...

Ridley Scott films – ranked!

Posted on by

With The Last Duel out now, and House of Gucci at the end of the month, we rate the top 20 movies by the go-to director for swords, sandals, cyborgs and Sigourney

A film to prove that straight-up feelgood comedy is not Ridley Scott’s forte and casting his favourite leading man is no guarantee of success, either. This is based on a novel by Peter “A Year in Provence” Mayle: incredibly, it is Russell Crowe playing the quirkily conceited yet adorable Brit who inherits a sumptuous house-plus-vineyard in the south of France, comes over intending to sell it, but instead falls in love with the place and all the picturesque Frenchness thereabouts, including Marion Cotillard.

Continue reading...

Madness in her method: Did Lady Gaga really stay in character for 18 months?

Posted on by

Lady Gaga inhabited her role in upcoming drama House of Gucci off screen and on for a year and a half. Was the ‘psychological difficulty’ she suffered as a result worth it?

A Star Is Born was both a blessing and a curse for Lady Gaga. A blessing because it put her at the centre of a commercially successful, Oscar-nominated film, thereby rocketing her to the top of a profession of which she had very little experience. A curse, too, because she was essentially just playing herself; a singer who went from performing in drag bars to commanding huge stages in very little time. Quick, without looking, tell me the name of the character Lady Gaga played in A Star Is Born. You can’t, can you? You’ve always just called her Lady Gaga.

This means that she ultimately had two options after A Star Is Born. She could abandon her movie career in the knowledge that she had blurred the line between character and performer more successfully than any actor working today, or she could find another role. A role not so heavily steeped in her own biography. A role that would finally prove to the world that she was an actor of the highest calibre.

Continue reading...

‘It’s absolutely insane’: the US-based camp where Jews guarded Nazis

Posted on by

Semi-animated Netflix documentary short reveals the secret story of the Jewish soldiers who watched over prisoners of war on US soil

Too vast in scope to be contained within war drama, the Holocaust movie constitutes an entire genre unto itself, collecting a potentially infinite number of tragedies great and small. The history of the 20th century’s most massive atrocity comes with thousands of footnotes now gradually expanded upon by media depicting the unsung courage and untold evil. Israeli documentary film-makers Daniel Sivan and Mor Loushy singled out one such extraordinary tale for their latest joint project, Netflix’s short film Camp Confidential, drawing attention to a highly covert military operation only recently released from behind redaction-marker bars. “The first thing is, when producers Benji and Jono Bergmann approached us with this and told us of the story, we didn’t believe it,” Sivan tells the Guardian. “It was just so out-there.”

The black-op facility tucked away in northern Virginia’s Fairfax county sounds like something out of a pulp paperback: Jewish soldiers, many of them refugees from the devastation in Europe, watched over Nazi prisoners of war in a surreally domestic setting. Known as PO Box 1142, it housed such notables as spymaster Reinhard Gehlen and rocket scientist Wernher von Braun. But those in charge of the base were also tasked with maintaining a baseline quality of life for the inmates, leading to bizarre scenes such as a department store outing with former members of the Third Reich to purchase unmentionables for their wives. Bulldozed after the war and buried in secrecy until the National Parks Service unearthed some remnants in the early 2000s, the clandestine camp now doubles as a cautionary tale for modern Jews and a memorial for those who came before them.

Continue reading...

David Chase: I was annoyed that fans wanted Tony Soprano dead

Posted on by

Series showrunner tells podcast that ambiguous ending rankled with viewers who wanted to see the character ‘face-down in linguini’

David Chase, the creator of The Sopranos, has spoken about his irritation at viewers’ desire to see Tony Soprano die at the end of the hit series.

Speaking on the Hollywood Reporter’s Awards Chatter podcast, the 76-year-old said he had been “bothered” by people’s obsession with the blackout ending of the 2007 finale, which stopped short of confirming the fate of its lead character.

Continue reading...

Salma Hayek: ‘Weinstein would scream at me, I didn’t hire you to look ugly’

Posted on by

The actor talks about being bullied by the disgraced movie mogul, marrying a billionaire and becoming a superhero at 55

Salma Hayek is dreadfully jetlagged, which is one of the perils of having homes around the world and frequently hopping between them. “Let me tell you about my craziness,” she says by video chat from her home in west London. “I’m here for less than a week, then I go back [to the US] for five days for my husband’s work, then I come back here for my work, then I go back to LA because I’m getting a star on the Hollywood Boulevard! It’s crazy,” she says. After this interview she has a fitting for dresses for various movie premieres.

“We’re just making it up as we go along!” she says in exasperation at her crazy life. Despite the craziness, she looks impeccable in a Gucci dress (“As comfortable as your sweats!”), framed by the enormous mirrored painting behind her. “It’s by [Takashi] Murakami,” she says casually of one of the most expensive living artists. She blows a kiss to her husband, François-Henri Pinault, as he leaves the house. Pinault is the CEO of the fashion conglomerate Kering, which is behind labels such as Gucci, Balenciaga, Yves Saint Laurent and many others. The Pinault family wealth is estimated at $49bn. It’s crazy.

“No to me taking a shower with him. No to letting him watch me take a shower. No to letting him give me a massage. No to letting a naked friend of his give me a massage. No to letting him give me oral sex. No to my getting naked with another woman. No no no no no … And with every refusal came Harvey’s Machiavellian rage.”

Continue reading...

Amélie at 20: how has the sugar-sweet Parisian whimsy aged?

Posted on by

Jean-Pierre Jeunet’s fantastical romantic comedy made a star of Audrey Tautou and its distinctive visuals influenced a decade’s worth of film-makers

There’s a defining moment early in Jean-Pierre Jeunet’s Amélie when Amélie Poulain (Audrey Tautou), a painfully shy and uncommonly adorable waitress at the Two Windmills cafe in Montmartre, arranges the return of childhood treasures to a middle-aged man who’d hidden them in her apartment building 40 years earlier. She has gone through an exhaustive search to find this man, meeting all manner of eccentric Parisians along the way, but she eventually summons the right person to a phone booth and watches the tears roll down his cheeks as this tin full of trinkets unleashes a flood of memories.

As she glides blissfully through the frame, the narrator says, “Amélie has a strange feeling of absolute harmony. It’s a perfect moment. A soft light, a scent in the air, the quiet murmur of the city. A surge of love, an urge to help mankind overcomes her.”

Continue reading...

Hating Peter Tatchell review – crusading activist’s greatest hits

Posted on by

Ian McKellen, Stephen Fry and the former archbishop of Canterbury appear in a chummy documentary recounting the gay rights activist’s most outrageous stunts and impressive achievements

“My doctors have said very clearly: ‘No more head injuries.’” So says Peter Tatchell, one of the world’s most tenacious, divisive and necessary activists, as he prepares to fly to Moscow in 2018 to protest against state-sanctioned homophobia. The trip, which returns him to the city where he was beaten and arrested in 2007, forms one of the few present-tense sections of this greatest hits-style documentary. Tatchell has sustained numerous injuries from his lifetime of protest, though claims of memory loss are comically undermined during a kid-gloves interview with Ian McKellen. “Fifty two years of civil disobedience, Peter!” gasps the actor admiringly. “Fifty three now,” Tatchell replies, unable to resist the lure of being right.

As of this year, it’s 54. Tatchell was already an activist when he moved from Melbourne to London in 1971 at the age of 19. Among other achievements, he went on to stage the first gay rights protest in a communist country (East Germany, 1973), co-found the gay pressure group OutRage!, and attempt citizen’s arrests of Robert Mugabe (London, 1999 and Brussels, 2001). The former MP Chris Smith correctly identifies those run-ins with the Zimbabwean dictator as turning points which softened public hostility toward Tatchell.

Continue reading...

‘Tom Cruise was an intense kid’: How Francis Ford Coppola made The Outsiders

Posted on by

‘I was famous for casting unknown actors. I had Nicolas Cage, Robert Downey Jr and Matt Dillon in a circle watching each other try for parts’

Francis Ford Coppola, director
After my 1982 film One from the Heart failed commercially, my production company American Zoetrope was bankrupt – it was a low period for me. But then I received a letter written by Jo Ellen Misakian, a junior school librarian from Fresno, California. It read: “We are all so impressed with the book, The Outsiders by SE Hinton, that a petition has been circulated asking that it be made into a movie. We have chosen you to send it to.” It contained about 15 pages of children’s signatures written in different-coloured pens. It was very moving.

I read Susan Hinton’s book, written when she was in her late teens, and was touched by the level of regard these poor “Greaser” kids had for each other, even though they didn’t have the advantages of their “Social” rivals. I’ve always believed that kids have many more feelings than we give them credit for, and I wanted to make the story. When I was about 17, I had been a drama counsellor at a summer camp, and the idea of being with half a dozen kids in the country and making a movie seemed like being a camp counsellor again. I’d forget my troubles and have some laughs.

Continue reading...

The real life Forrest Gump: why did Rob Pope run across the US five times?

Posted on by

Forrest Gump’s wisdom has inspired many of us, but Rob Pope took that a step further, dressing as his hero for the run of his life. But why? And what did he learn?

On 15 September 2016, Rob Pope, a chipper veterinarian from Liverpool, sat down in the chair of Fluke’s Barbers in Mobile, Alabama, and readied himself for a haircut. “So what would you like?” the barber asked him. Pope held up a photo of Forrest Gump. It had taken years of planning for Pope to embark on this trip to America, to make it to this barber’s chair. He’d spent countless hours daydreaming about it, building the momentum to go. As his job became ever more miserable – he was working 13-hour days, five days a week – the urge to escape became insurmountable. He quit and, along with his partner and fellow vet, Nadine, headed west.

In many ways, the seed for this adventure was sown in 2002. That was the year Pope’s mum, Cathy, died after a cancer diagnosis. Cathy was a medical laboratory scientific officer and a single parent. She raised Pope with grit, determination and heartfelt support of his passion: running. He’d shown promise at the sport since his school days when he took part in the oft-dreaded cross-country and excelled at it. Cathy would take him to his races, which soon became marathons. Marathons after marathons. To Pope she was a best friend, a rock, an inspiration, a support-crew leader. Before she died she asked him to make a promise: “Do one thing in your life that makes a difference.” These words echoed in his mind as he sat in that Alabamabarbershop, awaiting his turn beneath the clippers.

Continue reading...

Mark Gatiss: ‘I’m currently very, very ashamed of being English’

Posted on by

The former League of Gentlemen star on his love of low-budget British spinechillers, his loathing of Brexit and a slew of projects opening this winter

Mark Gatiss scans the breakfast menu at an east London restaurant with a famished eye. We’re at the hinge moment between the nightlife of an A-lister, who attended the James Bond premiere the previous evening, and the day job as an actor who, by his own account, could only land a role he had wanted all his life by writing the play himself. “It was a long evening,” he says of No Time to Die. He hadn’t had dinner and was trying to stave off the hunger pangs by sipping water, but not too much, because he couldn’t get out to the loo: “So I’m just really hungry.” He’s like a jovial Eeyore, painting himself into a lugubrious picture of the turnip fields of celebrity, before deciding, with a giggle, that a hearty breakfast of avocado on toast is exactly what’s needed to put everything to rights.

This is certainly no time to die of hunger for Gatiss, who has rocketed out of the pandemic as one of British showbusiness’s most sought-after all-rounders. He’s currently putting the finishing touches to his remake of the 1972 children’s film The Amazing Mr Blunden while rehearsing his new adaptation of A Christmas Carol. The latest in a series of half-hour ghost stories, The Mezzotint, is ready to roll into his now customary slot on the Christmas TV schedules. But it’s not all fear and Victorian clothing, he spent part of the lost year in the Outer Hebrides, playing a country doctor in a first world war romance, The Road Dance, and another part messing about in a pedalo on a boating lake with his old League of Gentlemen muckers Steve Pemberton and Reece Shearsmith for a new series of their TV comedy Inside No 9.

Continue reading...

‘My Elizabeth Barrett Browning film needs a woman’s touch – but where are all the female directors?’

Posted on by

Screenwriter of biopic about the radical poet says the industry must do more to get women behind the camera lens

A new film about a 19th-century poet and early feminist is crying out to be filmed through a woman’s lens, but it is likely to be directed by a man because there is such a shortage of female directors, according to one of Britain’s leading screenwriters.

Paula Milne has written a feature film inspired by Elizabeth Barrett Browning, who campaigned against social injustice, including slavery and child labour, while living in fear of her own father. Milne believes that such a story, with its many contemporary parallels, should be filmed by a woman, because of the natural empathy that women have for one another, but that is unlikely to happen.

Continue reading...

Maya Hawke: ‘My parents didn’t want to have me do bit-parts in their movies’

Posted on by

The Stranger Things star on viral fame, the challenges of dyslexia, and convincing her actor parents she wanted to follow in their footsteps

New York-born Maya Hawke, 23, began her career in modelling before making her screen debut as Jo March in the BBC’s 2017 adaptation of Little Women. She was Linda “Flowerchild” Kasabian in Quentin Tarantino’s Once Upon a Time in Hollywood and plays Robin in Netflix hit Stranger Things. Hawke now stars in Mainstream, directed and written by Gia Coppola. She lives in New York and is the daughter of actors Uma Thurman and Ethan Hawke.

Your new film Mainstream is a satire on viral fame. Are people too reliant on their mobile phones nowadays?
I’m sure they are, but it would be hypocritical of me to be judgmental because I love my phone. I love that I can go for a walk, put on headphones, listen to Phoebe Bridgers, feel melancholy and cry. I love that I can take a bath, play an audiobook and learn about neuroscience while I wash my hair. For someone who travels all the time and hates being alone, that connectivity is awesome. I use my phone all the time but I’m sure it’s rotting my brain and separating me from real connections. For my generation it’s hard to know life without it and what we’re missing out on.

Continue reading...

Last Night in Soho review – a deliciously twisted journey back to London’s swinging past

Posted on by

Slasher fantasy and ghostly magic collide in Edgar Wright’s heady thriller about a fashion student who is mysteriously transported into the life of a 60s nightclub singer

“It’s not what you imagine, London,” says Rita Tushingham in this deliciously twisted love letter to Britain’s cinematic pop-culture past. Director and co-writer Edgar Wright, whose CV runs from the rural action-comedy Hot Fuzz to the recent dramatic music doc The Sparks Brothers, has cheekily described Last Night in Soho as “Peeping Tom’s Midnight Garden”, a mashup of seedy Soho nostalgia and melancholy magic. Making superb use of its West End and Fitzrovia locations, and boasting a cast that includes Terence Stamp (cutting a silhouette that weirdly recalls William Hartnell’s Doctor Who) and Diana Rigg in her final role, it’s a head-spinning fable that twists from finger-snapping retro fun to giallo-esque slasher fantasy as it dances through streets paved not with gold but with glitter, grit and splashes of stabby gore.

Thomasin McKenzie, who dazzled in Debra Granik’s Leave No Trace, is Eloise Turner, a wide-eyed, 60s-obsessed fashion student with a “gift” that leaves her haunted by Don’t Look Now-style visions of her dead mother. Having earned a place at the London College of Fashion, “Ellie” finds herself in a top-floor bedsit from whence she is nightly transported back into the capital’s swinging past through the ghostly mirrored-life of wannabe singer Sandie (Anya Taylor-Joy). In her dreams, Ellie (who says the 60s “speak to me”) both watches and becomes Sandie, aiming for the stars but falling to the streets as the meat-hook realities of London life hit home. Is Sandie a figment of Ellie’s overheated imagination – a wish-fulfilment turned into a nightmare - or has she somehow made a genuine connection across generations?

Continue reading...

Succession’s Nicholas Braun: ‘I feel better being honest than hiding’

Posted on by
He’s the reluctant sex symbol who is now partying with the Clintons. But actor Nicholas Braun is only just coming to terms with his life-changing role as Cousin Greg, TV’s favourite antihero in Succession. He reveals how he is learning to embrace his newfound fame

Nicholas Braun arrived on Long Island by train, and then he took a car to the compound. This was three years ago. Braun had been invited to a weekend-long party at a fancy home owned by friends of the American actor Jeremy Strong, who Braun knew from the set of the Emmy Award-winning television show Succession, in which they both star. At the compound he was patted down by members of the secret service, which startled him at first, and then delighted him. (He later referred to the agents as “my boys”.) As guests flashed around, Braun remembers thinking, “How is it I’ve ended up here, at a party in a locked-down compound that has a federal agency working the door?” And then the Clintons arrived.

By this point, Braun had filmed just one series of Succession, the HBO juggernaut, which revolves around and pillories the Roy family, a venomous media dynasty in the mould of the Murdochs. (Perhaps you’ve heard of it.) Braun plays Greg Hirsch, a distant cousin and Roy family satellite who, as the show progresses, finds himself increasingly surrounded by powerful and prestigious people and the mucky opulence in which they operate, and becomes both seduced and confused by his new surroundings, often to comic effect.

Continue reading...