The Crown’s Josh O’Connor: ‘My advice to my 21-year-old self? Find a therapist’

Before his turn as a conflicted survivor of the first world war in Mothering Sunday, the star of God’s Own Country, The Durrells and The Crown answers your questions

If you weren’t an actor and you had to work in the film industry, what would you like to do? avishagfink

I would like to be a ceramicist. I still want to be a ceramicist while also being an actor. A functional ceramicist. My grandmother was a sculptural ceramicist and she was very brilliant, but I’d like to make plates and pots and mugs. I’m a big fan of Ian Godfrey and I’m very fortunate to have a couple of his pieces. Lucie Rie and Hans Coper I really like; Richard Batterham, very much.

Continue reading...

Peter Jackson sells special effects studio Weta Digital for $1.63bn

The Wellington-based studio built characters and scenes for films including Avatar, Lord of the Rings, Wonder Woman and Planet of the Apes

The special effects studio co-founded by Sir Peter Jackson, which has brought blockbusters including Lord of the Rings and Game of Thrones to life, has been sold for more than $1.6bn, in the latest blow to New Zealand’s film and TV industry.

The cash and shares deal, which will see Weta Digital sold to US-based video game company Unity Software for $1.63bn, comes less than three months after Amazon made the shock decision to move its $1bn-plus development of a small screen adaptation of JRR Tolkien’s Lord of the Rings (LOTR) from New Zealand to the UK after shooting just one series.

Continue reading...

Volcano review – spoon-glueing Ukrainian adventure takes a surreal turn

Roman Bondarchuk handles this strange tale about an interpreter left stranded with some locals with deadpan poise

“That’s our wandering buoy. It slipped its anchor near the dam. It appears and disappears at will.” A light, unfathomable absurdity governs this 2018 fiction debut by Ukrainian documentarian Roman Bondarchuk, set in the area around the city of Kherson; a sun-roasted steppe north of the Crimea where Organisation for Security and Cooperation in Europe (OSCE) interpreter Lukas (Serhiy Stepansky) becomes stranded. He’s escorting an SUV full of foreign delegates when it breaks down and he wanders off in search of a mobile signal. On his return, both car and foreigners have vanished.

Hitching a ride, Lukas is invited to stay with Vova (Viktor Zhdanov), a middle-aged potterer living with his mother and daughter in a capacious ramshackle construction on the banks of the Dnieper river. So begins Lukas’s initiation – like a milder Ukrainian version of Wake in Fright – into the local anomie. Vova enjoys sticking spoons to his forehead using the supply of glue that was his severance payment from the Soviet fish farm he worked for; then Lukas gets an invite to a listless student party where someone nicks his jacket and wallet. Constantly slipping sly details into the frame, Bondarchuk handles the whole farrago with a lovely deadpan poise. Incensed by the theft, Lukas heads to the police station to make a complaint. Cut to him in the cells.

Continue reading...

Dean Stockwell, Quantum Leap and Blue Velvet actor, dies aged 85

Versatile actor had worked in Hollywood since childhood, and was Oscar nominated for his role in 1988 comedy Married to the Mob

A life in pictures: Dean Stockwell

Dean Stockwell, the former child star who became a key figure in the Hollywood counter-culture and enjoyed late success in popular TV shows, has died aged 85. According to Deadline, his family said he died at home “of natural causes”.

Born in Los Angeles in 1936, Stockwell had become a major name while still in high school, starring in the anti-racism parable The Boy With Green Hair in 1948 and alongside Errol Flynn in the 1950 adaptation of Rudyard Kipling’s Kim. However, Stockwell found the transition to adulthood difficult and after dropping out of university he re-established his film career with a lead role in Compulsion, the 1959 crime film based on the Leopold and Loeb murder case, for which he won a best actor award at the Cannes film festival alongside co-stars Orson Welles and Bradford Dillman.

Continue reading...

Knocking review – noises in the night fuel urban paranoia and apartment angst

Claustrophic tale of a woman falling apart in her flat is familiar territory, but told here with fresh panache

Documentary-maker Frida Kempff makes her feature debut with a Swedish-set thriller drenched in urban paranoia. Molly (Cecilia Milocco), who has recently finished a stay at a psychiatric hospital following a personal tragedy, has moved into a new flat hoping for a fresh start. The plan proves futile: she is soon plagued by mysterious, relentless sounds of knocking coming from her ceiling. Convinced that someone is being hurt, Molly is determined to trace the origin of this mysterious cry for help, only to be faced with others’ disbelief and her own deteriorating sanity.

Such a premise is by no means novel – apartment angst has been done to death since at least the mid-60s, after Polanski’s Repulsion – yet the eerie visuals and Milocco’s heart-wrenching performance elevate Knocking above its otherwise thin plot. Set during a scorching heatwave, the film beautifully pairs the restlessness of the summer with Molly’s own wandering mind, which scissors back and forth between her claustrophobic present and sun-drenched memories of a former lover on the beach. Natural light only exists in these aching echoes of the past. Mostly shot inside Molly’s flat, the imagery is smothered in jaundiced fluorescent tones, only accentuating her isolation and worsening state of mind.

Continue reading...

7 Prisoners review – a powerful tale of slavery in modern-day São Paulo

An impoverished teen seeks to escape the clutches of a human trafficker in Alexandre Moratto’s complex drama

Brazilian director Alexandre Moratto’s follow-up to his award-winning debut Socrates, 7 Prisoners delves into the subject of modern slavery through the eyes of 18-year-old Mateus (Christian Malheiros, excellent). In order to support his family, Mateus takes a job in the city, but finds himself imprisoned and working off a seemingly endless debt to his employer (Rodrigo Santoro). His initial reaction is desperation and anger, but Mateus is smart and negotiates with his captor on behalf of his fellow workers. The rather on-the-nose storytelling grows increasingly complex and interesting the further that the protagonist ventures into morally ambiguous territory.

In cinemas and on Netflix from 11 November

Continue reading...

Will Poulter: ‘I have a lot of pinch-myself moments’

It’s not often a young actor finds himself shooting scenes with the likes of Leonardo DiCaprio, Jennifer Aniston or Michael Keaton. But such has been the meteoric career of Will Poulter. He talks to Tim Lewis about boomerang eyebrows, acting and activism – and his sneaker obsession

The actor Will Poulter arrives for our lunch date alone, 15 minutes early and, perhaps counter-intuitively, carrying a bag of his own food. He explains that he’s on a strict diet for a film role, but can’t tell me what the part is. He buys a juice from the café that I’m not sure he actually wants, and suggests we sit outside, which is pretty damp and cold if I’m honest, because he thinks it would be taking the piss somewhat to occupy a table inside when he’s only bought a drink. Poulter’s thoughtful like that. He then unwraps what looks like a chocolate Rice Krispie square, but tastes much less fun apparently, and apologises that I have to watch him chomp his way through it. “I’m speaking fluent cake,” he says, chewing dutifully. He has just come from a workout and it’s clear that his pandemic experience has included more than just the occasional Joe Wicks session. He wears a black Nike compression shirt, mercifully less figure-hugging shorts and, though it’s not very 2021 to note this, the guy is shredded.

The whole, slightly strange scene makes a lot more sense a couple of weeks later when the reason for Poulter’s carb-loading and gym-bunnying is revealed. The gig he couldn’t talk about is that he has been cast in Marvel’s Guardians of the Galaxy Vol 3 as Adam Warlock. Even if you’re not that invested in the superhero universe this, in Hollywood power terms, is a big deal. It’s rumoured that pretty well every 20-something actor here and in the US and beyond wanted the role. It is a huge coup for Poulter and the 28-year-old from west London is taking the transformation into Warlock, a character genetically created by scientists to be the perfect, invincible human, seriously. And if that means eating bland, protein-packed oat snacks, so be it.

Continue reading...

On my radar: Damon Albarn’s cultural highlights

The musician and composer on a magical performance by Udo Kier, a west African drumming app and where to find a taste of Palestine

Damon Albarn was born in east London in 1968. Interested in music from a young age, he studied at East 15 Acting School and then Goldsmiths, where he co-founded the band that helped kick off Britpop. As well as recording eight studio albums with Blur, Albarn also co-created Gorillaz and the Good, the Bad & the Queen, spearheaded the collaborative organisation Africa Express and has scored stage productions including Monkey: Journey to the West and Dr Dee. He lives in Notting Hill, west London, with his partner, Suzi Winstanley. On 12 November, Albarn releases his second solo album The Nearer the Fountain, More Pure the Stream Flows on Transgressive Records.

Continue reading...

Andrew Garfield: ‘I don’t think I present as goody-goody’

With his films Tick, Tick ... Boom! and The Eyes of Tammy Faye tipped for Oscars success, he discusses his inner malevolence, his mother’s death – and his ‘heartbreaking’ time as Spider-Man

Andrew Garfield is smiling beatifically and clasping his hands together as if in prayer. The pose suits an actor who has cornered the market in the holy and heroic, from a Jesuit priest in Silence to a Seventh-day Adventist saving lives on the battlefield in Hacksaw Ridge; from a man left paralysed by polio in Breathe to a credulous innocent who dies surrendering his organs in Never Let Me Go. He is a remarkable actor, but watch too many of his movies back to back and you are liable to hear celestial trumpets.

His prayer-like gesture of gratitude comes in response to my promise not to ask whether he and his fellow former web-slinger Tobey Maguire will be appearing in the new Spider-Man: No Way Home. “I appreciate that,” says the 38-year-old, speaking over Zoom from Calgary, where he is shooting the murder-and-Mormons series Under the Banner of Heaven. There seems no point posing the Spidey question when he has greeted each identical inquiry this year with a display of shrugging bafflement that may or may not be genuine. (Let’s see when the movie opens next month.)

Continue reading...

‘We feel pride’: old Western gets new life dubbed in Navajo language

Clint Eastwood’s A Fistful of Dollars is the latest to be dubbed in the Indigenous language set to premiere on 16 November

Manuelito Wheeler isn’t sure exactly why Navajo elders admire Western films.

It could be that decades ago, many of them were treated to the films in boarding schools off the reservation decades ago. Or, like his father, they told stories of growing up gathered around a television to watch gunslingers in a battle against good and evil on familiar-looking landscapes.

Continue reading...

Dwayne ‘The Rock’ Johnson vows to stop using real guns on film sets after Baldwin shooting

Actor bans real guns in movies made by his company after the fatal shooting of cinematographer Halyna Hutchins

Hollywood action star Dwayne Johnson, known as The Rock, has promised to not use real guns in his movies anymore after a fatal shooting incident involving actor Alec Baldwin on a film set in New Mexico last month.

Johnson, who was in Los Angeles attending the world premiere of his new Netflix blockbuster, Red Notice, with co-stars Ryan Reynolds and Gal Gadot, said on Wednesday films made by his company, Seven Buck Productions, would “not use real guns ever again”.

Continue reading...

Natalie Wood was sexually assaulted as a teen by Kirk Douglas, her sister writes in memoir

In a memoir coming out next week, Wood’s younger sister identifies the actor’s long-suspected assailant

For decades, it’s been one of Hollywood’s darkest rumors: Natalie Wood was sexually assaulted by a top movie star more than twice her age when she met with him at a hotel in Los Angeles as a teenager.

In a memoir coming out next week, Wood’s younger sister identifies the long-suspected assailant: Kirk Douglas.

Continue reading...

Minari’s Youn Yuh-jung: ‘I’m very strange-looking, in a good way’

As the London Korean film festival kicks off, Youn Yuh-jung, talks about how her portrayals of racy grannies and scheming maids scandalised the nation

In her Oscar-winning turn in last year’s Minari, Youn Yuh-jung played the mischievous granny you wished you’d had: the one who ignores your fun-sucking parents, takes you on wild adventures and teaches you to do your own thing. “You’re not a real grandma,” her Americanised grandson tells her. “They bake cookies! They don’t swear! They don’t wear men’s underwear!” In real life, Youn is pretty similar: lively, funny, unpretentious, and, she admits, not all that good at cooking. The 74-year-old actor has had an unconventional life and career, and most of us in the west know only a tiny fraction of it.

“My problem is, I don’t plan anything!” Youn laughs over Zoom from Los Angeles. Unlike her character in Minari, she speaks fluent English, although she apologises for it not being good enough.

Continue reading...

Ridley Scott films – ranked!

With The Last Duel out now, and House of Gucci at the end of the month, we rate the top 20 movies by the go-to director for swords, sandals, cyborgs and Sigourney

A film to prove that straight-up feelgood comedy is not Ridley Scott’s forte and casting his favourite leading man is no guarantee of success, either. This is based on a novel by Peter “A Year in Provence” Mayle: incredibly, it is Russell Crowe playing the quirkily conceited yet adorable Brit who inherits a sumptuous house-plus-vineyard in the south of France, comes over intending to sell it, but instead falls in love with the place and all the picturesque Frenchness thereabouts, including Marion Cotillard.

Continue reading...

Madness in her method: Did Lady Gaga really stay in character for 18 months?

Lady Gaga inhabited her role in upcoming drama House of Gucci off screen and on for a year and a half. Was the ‘psychological difficulty’ she suffered as a result worth it?

A Star Is Born was both a blessing and a curse for Lady Gaga. A blessing because it put her at the centre of a commercially successful, Oscar-nominated film, thereby rocketing her to the top of a profession of which she had very little experience. A curse, too, because she was essentially just playing herself; a singer who went from performing in drag bars to commanding huge stages in very little time. Quick, without looking, tell me the name of the character Lady Gaga played in A Star Is Born. You can’t, can you? You’ve always just called her Lady Gaga.

This means that she ultimately had two options after A Star Is Born. She could abandon her movie career in the knowledge that she had blurred the line between character and performer more successfully than any actor working today, or she could find another role. A role not so heavily steeped in her own biography. A role that would finally prove to the world that she was an actor of the highest calibre.

Continue reading...

‘It’s absolutely insane’: the US-based camp where Jews guarded Nazis

Semi-animated Netflix documentary short reveals the secret story of the Jewish soldiers who watched over prisoners of war on US soil

Too vast in scope to be contained within war drama, the Holocaust movie constitutes an entire genre unto itself, collecting a potentially infinite number of tragedies great and small. The history of the 20th century’s most massive atrocity comes with thousands of footnotes now gradually expanded upon by media depicting the unsung courage and untold evil. Israeli documentary film-makers Daniel Sivan and Mor Loushy singled out one such extraordinary tale for their latest joint project, Netflix’s short film Camp Confidential, drawing attention to a highly covert military operation only recently released from behind redaction-marker bars. “The first thing is, when producers Benji and Jono Bergmann approached us with this and told us of the story, we didn’t believe it,” Sivan tells the Guardian. “It was just so out-there.”

The black-op facility tucked away in northern Virginia’s Fairfax county sounds like something out of a pulp paperback: Jewish soldiers, many of them refugees from the devastation in Europe, watched over Nazi prisoners of war in a surreally domestic setting. Known as PO Box 1142, it housed such notables as spymaster Reinhard Gehlen and rocket scientist Wernher von Braun. But those in charge of the base were also tasked with maintaining a baseline quality of life for the inmates, leading to bizarre scenes such as a department store outing with former members of the Third Reich to purchase unmentionables for their wives. Bulldozed after the war and buried in secrecy until the National Parks Service unearthed some remnants in the early 2000s, the clandestine camp now doubles as a cautionary tale for modern Jews and a memorial for those who came before them.

Continue reading...

David Chase: I was annoyed that fans wanted Tony Soprano dead

Series showrunner tells podcast that ambiguous ending rankled with viewers who wanted to see the character ‘face-down in linguini’

David Chase, the creator of The Sopranos, has spoken about his irritation at viewers’ desire to see Tony Soprano die at the end of the hit series.

Speaking on the Hollywood Reporter’s Awards Chatter podcast, the 76-year-old said he had been “bothered” by people’s obsession with the blackout ending of the 2007 finale, which stopped short of confirming the fate of its lead character.

Continue reading...

Salma Hayek: ‘Weinstein would scream at me, I didn’t hire you to look ugly’

The actor talks about being bullied by the disgraced movie mogul, marrying a billionaire and becoming a superhero at 55

Salma Hayek is dreadfully jetlagged, which is one of the perils of having homes around the world and frequently hopping between them. “Let me tell you about my craziness,” she says by video chat from her home in west London. “I’m here for less than a week, then I go back [to the US] for five days for my husband’s work, then I come back here for my work, then I go back to LA because I’m getting a star on the Hollywood Boulevard! It’s crazy,” she says. After this interview she has a fitting for dresses for various movie premieres.

“We’re just making it up as we go along!” she says in exasperation at her crazy life. Despite the craziness, she looks impeccable in a Gucci dress (“As comfortable as your sweats!”), framed by the enormous mirrored painting behind her. “It’s by [Takashi] Murakami,” she says casually of one of the most expensive living artists. She blows a kiss to her husband, François-Henri Pinault, as he leaves the house. Pinault is the CEO of the fashion conglomerate Kering, which is behind labels such as Gucci, Balenciaga, Yves Saint Laurent and many others. The Pinault family wealth is estimated at $49bn. It’s crazy.

“No to me taking a shower with him. No to letting him watch me take a shower. No to letting him give me a massage. No to letting a naked friend of his give me a massage. No to letting him give me oral sex. No to my getting naked with another woman. No no no no no … And with every refusal came Harvey’s Machiavellian rage.”

Continue reading...

Amélie at 20: how has the sugar-sweet Parisian whimsy aged?

Jean-Pierre Jeunet’s fantastical romantic comedy made a star of Audrey Tautou and its distinctive visuals influenced a decade’s worth of film-makers

There’s a defining moment early in Jean-Pierre Jeunet’s Amélie when Amélie Poulain (Audrey Tautou), a painfully shy and uncommonly adorable waitress at the Two Windmills cafe in Montmartre, arranges the return of childhood treasures to a middle-aged man who’d hidden them in her apartment building 40 years earlier. She has gone through an exhaustive search to find this man, meeting all manner of eccentric Parisians along the way, but she eventually summons the right person to a phone booth and watches the tears roll down his cheeks as this tin full of trinkets unleashes a flood of memories.

As she glides blissfully through the frame, the narrator says, “Amélie has a strange feeling of absolute harmony. It’s a perfect moment. A soft light, a scent in the air, the quiet murmur of the city. A surge of love, an urge to help mankind overcomes her.”

Continue reading...