Historic wins for Nomadland – and surprise victory for Anthony Hopkins – at odd Oscars

Chloé Zhao made history as the first woman of colour to win best director with her drama about van-dwellers as Hopkins and Frances McDormand won top acting honours

During an unusual Oscars ceremony, on-the-road drama Nomadland triumphed with a win for best picture, best actress and a historic victory for Chloé Zhao, becoming the first woman of colour to be named best director and only the second woman ever.

The film, starring Frances McDormand as a woman living out of her van and interacting with real-life nomads, took home the top trophy near the end of a delayed night and a delayed season amid the pandemic. The ceremony played out in person but with safety precautions and a modest guest list.

Continue reading...

Oscars 2021 live: Minari’s Youn Yuh-jung wins best supporting actress

At the 93rd Academy Awards, Chloé Zhao wins best director for Nomadland and Daniel Kaluuya wins best supporting actor for Judas and the Black Messiah

Oscar winners 2021: the full list – updating live!

Oscars 2021: predictions, timetable and what to expect

Angela Bassett is here to introduce the In Memoriam segment. This has been a genuinely miserable year, and the faces of people we lost are speeding through at a genuinely unprecedented rate, which only really serves to make the whole thing even sadder.

The culmination of the pub station is Glenn Close twerking. Glenn Close twerking during a pub quiz in a train station. And to think people probably aren’t watching this.

GLENN CLOSE DOING "DA BUTT" #Oscars pic.twitter.com/AwhR46pmWX

Continue reading...

Youn Yuh-jung wins best supporting actress Oscar for Minari

South Korean follows her Bafta win with an Academy Award for Minari, in which she played a ‘grandma’ living on a farm in Arkansas

South Korean performer Youn Yuh-jung has won the best supporting actress Oscar for her role in Minari at the 93rd Academy Awards, which are taking place in Los Angeles.

In Minari, Youn plays Soon-ja, “grandma” to young David, who comes from Korea to stay with the family on their farm in Arkansas. She brings with her the “minari” seeds that gives the film its title.

Continue reading...

Guardian film Colette wins Oscar for best documentary short

Film about a former resistance fighter travelling to visit the concentration camp where her brother died wins prize at the 93rd Academy Awards

Watch the Guardian’s Oscar winning film, Colette

Colette, a film released by the Guardian, has won the Oscar for best documentary short at the 93rd Academy Awards in Los Angeles.

Written and directed by Anthony Giacchino, and produced by Alice Doyard, Annie Small and Aaron Matthews, Colette tells the story of 90-year-old former French resistance member Colette Marin-Catherine, who visits the concentration camp where her brother was murdered during the war with a young history student, Lucie Fouble.

Continue reading...

Real-life plot twists leave Oscars struggling to adapt to new reality

Lockdowns, the rise of streaming and demands for diversity are forcing change on the 93rd Academy Awards

No full-blown red carpet, no outfit questions, no after-parties – many involved in Sunday’s Oscars are happy to take a break from a four-hour seated ceremony that, some argue, has long put the movie industry’s in-house favourites, the promotion of luxury lifestyles and virtue-signalling ahead of peer-reviewed creative recognition.

The event has been under reconstruction since the #OscarsSoWhite campaign forced an expansion of the voting body’s membership and drafting of inclusivity requirements that will come into effect next year.

Continue reading...

Joanna Lumley: ‘I love Patsy because we’re such polar opposites…’

The actor, 74, on Ab Fab, recycling, President Clinton and why you can’t be happy all the time

The nuns at convent school wore black stockings under their long habits and wimples. They were part of the Blue Stockings teaching community, and more concerned with turning us into interesting, strong women than anything holy.

We followed my father’s regiment in the Gurkhas from India to Hong Kong and Malaysia. My memories are of a bungalow that looked out over a little air strip where biplanes would land and the spotlight from a prison camp that flicked through my bedroom windows.

Continue reading...

Rudy Giuliani wins a Razzie for his role in Borat Subsequent Moviefilm

Singer-songwriter Sia picks up three Golden Raspberry Awards for her controversial film on autism

The former mayor of New York, Rudy Giuliani, has been awarded a Razzie for one of the year’s worst performances for his unwitting appearance in Sacha Baron Cohen’s sequel to Borat.

The Golden Raspberry Awards, colloquially known as Razzies, are an annual prize for Hollywood’s lowlights, taking place the day before the lavish Oscars ceremony.

Continue reading...

And the winner should be … Peter Bradshaw’s predictions for the 2021 Oscars

Will Nomadland clean up this year? Will Anthony Hopkins get best actor? Our film critic gives the low down on the contenders for the Academy Awards

Will win: Nomadland
Should win: Nomadland
Shoulda been a contender: Quo Vadis, Aida?

Continue reading...

The Oak Room review – bar-room tales brew up a storm

A father’s legacy is in dispute when wayward son RJ Mitte decides to spar with the barman who guards the man’s ashes

Several men walk into several bars in this interlocking suite of tales, and the repeating permutations of barman and barfly, blue collar and white collar, father and son, raconteur and listener pile up pleasingly into a kind of oppressive, Coenesque cosmic joke. RJ Mitte, Breaking Bad’s Walter White Jr, plays college boy Steve, who turns up in a snowstorm at a bar owned by the irascible Paul (Peter Outerbridge). He owes the latter money – and without it, Paul won’t give up the ashes of Steve’s recently deceased dad, Gord, whose funeral the youth failed to attend. And then this arrogant sadsack – whose very presence aggravates Paul – offers to pay him with a story.

Steve’s yarn is a slack spin on his own: a freezing wayfarer walks into The Oak Room, a pub in a neighbouring town, and puts a set of demands to an irked barman. Unimpressed, Paul tells him that he must learn to “goose the truth” to hold an audience, and then sucker-punches him with a story about Gord, with another story inside. Or he thinks it’s a sucker-punch – Steve reveals that he had only told the ending of his, and the start will transform everything.

Continue reading...

The secret to being Tom Cruise? Three days of chocolate cake

Little by little, the way for everyday mortals to become more like the world’s most extraordinary movie star becomes clearer. And this latest stage may be easier than expected

Tom Cruise is arguably the most intimidating movie star in existence. He’s less a human being and more a physical manifestation of human willpower. He does his own stunts. He flies his own planes. Back when everyone was worried that Covid would permanently bring the world to its knees, he offered hope; first by driving an actual motorbike off a literal cliff to prove to the world that no virus could stop him from doing loads of knuckleheaded stunts, and second by screaming blue murder at his crew whenever they got closer than two metres to each other.

Continue reading...

How we made Christiane F – the shocking cult film about a child heroin addict

‘Filming was banned at the station we shot at. So the cinematographer sat in a wheelchair, concealed the camera on his lap, and I pushed him around, following Natja cruising’

The director Uli Edel and his team came to my school. I was sitting there eating an apple. Uli’s assistant came up and said: “We’re looking for girls for a film. Do you want to try out?” I said: “OK, since you’ve asked me, I’ll come.”

Continue reading...

Cielo review – love letter to the desert’s starry skies

Alison McAlpine’s documentary draws out tales from locals and astronomers to evoke the magic and mystery of Chile’s stargazing hotspot

Cielo means “sky” in Spanish, and “heaven”, too. And it’s with a sense of humbled wonder at the immense mystery of it all that the Canadian film-maker Alison McAlpine casts her camera upwards in this beautiful documentary about the night sky. It’s filmed at the stargazing hotspot of Chile’s Atacama desert, where there is virtually no light pollution; the heavens appear to be within touching distance – as if a seam in the sky has been unpicked and the stars tumble out like diamonds.

For those of us who live in urban areas, we look up from noisy streets and bright city lights to the vast emptiness of the sky. In Atacama, it’s the reverse; the sky seems more alive than the earth – a bare, Martian landscape of rock and sand. With her cinematographer, Benjamín Echazarreta, McAlpine shoots some astonishing time-lapse photography, which features alongside interviews with astronomers at the European observatories in the desert and locals who eke out a living somehow. One man is a UFO photographer; he thinks that humans are more evil than the aliens and, knowing this, the aliens don’t bother to land.

Continue reading...

Sofia review – Moroccan society through the eyes of an unwed mother

Meryem Benm’Barek’s smart debut lays bare the scandalous consequences for a Casablanca woman who finds herself single and pregnant

In Morocco, sex outside marriage is punishable by up to 12 months in prison. But when unmarried Sofia gives birth, in this debut feature from Meryem Benm’Barek, her family’s biggest fear is not her going to jail, it’s preserving their honour. The film is straightforward, a blunt social-realist drama. (Sofia goes into labour at a kitchen sink, while washing up.) Only at the end does it dawn on you how carefully the story is plotted: something happens that recasts everything that has gone before – and, if anything, makes the story even more grim.

Maha Alemi stars as 20-year-old Sofia, who doesn’t know that she is pregnant until her waters break during a family party in Casablanca. It’s never clear whether Sofia, who didn’t gain much weight, was completely unaware of the pregnancy; perhaps she suspected it but had blocked it out. Her face is mostly blank, and she walks through the film numbed and zombie-like. After the birth, her family is disgusted – and terrified that a scandal will blow her dad’s business deal with wealthy entrepreneur named Ahmed. (Ahmed is played by Mohamed Bousbaa. Like a bit character in a murder mystery, watch him – he’ll be important later.)

Continue reading...

‘An explosive energy’: Sam Mendes pays tribute to Helen McCrory

Whether acting in Chekhov on stage or a Bond film, the star – who has died aged 52 – was incredibly exciting to watch, remembers the Skyfall director

Most actors are liked by those they work with. A few are loved. With Helen it was unquestionably the latter. People would light up at the mention of her name. I was one of those people.

When I was directing Uncle Vanya and Twelfth Night as my final productions as artistic director of the Donmar in 2002, I asked Helen to play the role of Sonya in Uncle Vanya. Word came back that she would love to have a chat about it. She strode into my office, sat on the sofa and immediately told me I had it all wrong. She told me she should be playing Yelena – the other young female role – and then proceeded to spend the next hour telling me exactly why. She left the room with the part. This has never happened to me before or since. All I can say by way of explanation is that it just felt inevitable. She was clearly already half way to giving a superb performance, I simply had to get out of the way and let her complete the job. Which, of course, she did – with utter brilliance.

Continue reading...

Helen McCrory remembered: ‘She had a brightness about her. She was a star’

Richard Eyre, the National Theatre director who cast the actor in some of her earliest roles, pays tribute to her after her death

Part of the tragedy of Helen McCrory dying at such a young age, leaving a husband and two young children, is that professionally she had everything to look forward to. She had established herself as a very considerable actor in the theatre and on film and television.

She had a brightness about her, a luminosity: she was, in short, a star. She lit up a stage or a screen – you knew you were in the presence of a force of character and talent.

Continue reading...

Harry Connick Jr: ‘I love learning about women’

The singer, 53, on Mardi Gras parades, When Harry Met Sally, feeling thankful each day and the females in his family

I’d be completely different if I hadn’t grown up in New Orleans – there was music everywhere. So much of it was live. You could walk down a street at any time of the day or night and there would be people making music: a tuba player, horn players, bass drum players. And there would be brass bands and people dancing. All this was normal to me, and it wasn’t until I left that I realised how fortunate I’d been to be surrounded by this incredible diversity of live music. You feel its energy in the air.

Both my parents were lawyers. My father was the district attorney of New Orleans and my mother was a judge, so they were both in public service. From them I got ideas about trying to be vocal about change. The first thing I did, in 1993, was to start a Mardi Gras parade inclusive of everyone – men, women, black, white – because I thought people should be able to celebrate together. The parade is called Krewe of Orpheus. Today it’s the biggest, most beautiful parade in the whole of the New Orleans Mardi Gras.

Continue reading...

Helen McCrory, star of Peaky Blinders and Harry Potter, dies aged 52

Actor was also known for her roles in the films The Queen and The Special Relationship

The actor Helen McCrory has died at the age of 52. McCrory was best known for her roles in the films The Queen and The Special Relationship and the Harry Potter franchise, and TV series including Peaky Blinders.

Her husband, fellow actor Damian Lewis, announced her death on Twitter, saying that McCrory had died “peacefully at home”. Lewis said: “I’m heartbroken to announce that after an heroic battle with cancer, the beautiful and mighty woman that is Helen McCrory has died … surrounded by a wave of love from friends and family.”

Continue reading...

‘He’s telling a story of his time’: how Bill Traylor, born into slavery, became an art titan

Referred to as ‘the greatest artist you’ve never heard of’, Bill Traylor’s compelling life is put under the spotlight in a new documentary

Bill Traylor had already lived a full life before he was born as an artist. Enslaved at birth on an Alabama cotton plantation in 1853 and having spent his entire life as a farmer within a 40-mile radius of Montgomery, it was only in his late 80s that he, homeless and alone, parked himself by a bustling intersection in the state capitol’s segregated black neighborhood and began to draw and paint.

Related: In the Absence of Light: celebrating the history of black artists in America

Continue reading...