Disney opts for digital-first release of Mulan, shocking cinema owners

Mulan is first blockbuster to go straight to streaming in response to Covid-19 shuttering cinemas

Disney’s decision to bypass cinemas and offer its latest big budget film Mulan directly to streaming subscribers for $29.99 could signal the beginning of the end for the traditional movie-going experience – and forever change the long-established business model underpinning the Hollywood blockbuster.

The surprise move has stunned cinema owners, who had been banking on the film, along with Christopher Nolan’s sci-fi thriller Tenet, to jump-start box office takings as theatre chains struggle to recover from the coronavirus pandemic.

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Dan Aykroyd and John Landis: how we made The Blues Brothers

‘For some of the crew working nights on the film, cocaine was almost like coffee. I never liked it myself but I wasn’t going to police others’ behaviour’

My original script was called The Return of the Blues Brothers and had two movies in it. John Landis turned it into a manageable 150 pages. He was the keystone of the project – he pulled it all together.

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Alan Parker, director of Midnight Express and Bugsy Malone, dies aged 76

Director who first made his mark in the 1970s and had later hits including Fame and The Commitments, became the chair of the UK Film Council

Peter Bradshaw on Alan Parker: a maker of glorious films with a gift for connecting with audiences
A life in pictures

Alan Parker, the British director behind a string of hits including Midnight Express, Bugsy Malone, and The Commitments, has died aged 76.

The news was announced by a representative, who said he had died on Friday “after a lengthy illness”.

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Chateau Marmont in Hollywood to become members-only hotel

Celebrity hangout will allow select group to own shares in ‘world’s best real estate’

The Chateau Marmont, a Hollywood hotspot and hangout for nearly a century, will be converted into a members-only hotel over the next year.

The owner, André Balazs, confirmed his plans to turn the 91-year-old building into a hotel at which a select group of members could buy into “a piece of a portfolio of the best real estate in the world”, the Los Angeles Times reported.

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Seth Rogen: ‘I was fed a huge amount of lies about Israel’

Actor says when he was younger he wasn’t told Palestinians lived on land that became the Jewish state

Seth Rogen has said he was “fed a huge amount of lies about Israel” as a young Jewish person, stoking controversy around the country’s sometimes fraught relationship with many North American Jews.

The Canadian-US actor, who attended Jewish camp and whose parents met on a kibbutz in Israel, said the fact that the Jewish state was created on land where Palestinians were living had always been omitted.

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Again Once Again review – elegant meditation on the pains of motherhood

This engaging, philosophical film unpicks the challenges faced by a young mother trying to reconnect with the life she had before her son’s birth

A woman leaves her boyfriend to visit her mum in Buenos Aires, taking their three-year-old son with her – not sure yet if it’s a holiday or a breakup. She hasn’t worked since her son was born and is having an emotional and intellectual crisis. She feels almost non-existent. “I don’t see myself. Who am I?”

This is an elegant, elusive debut from the Argentinian playwright Romina Paula, who picks away at the fantasy that motherhood leads to instant fulfilment. Her film is like an arthouse version of the sitcoms Motherland and Catastrophe, with fewer laughs and more philosophical introspection. It has the feel of a feminist essay that has been semi-dramatised for screen – with Paula starring as a fictional version of herself and her real-life mum and son Ramón playing themselves.

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Olivia de Havilland: Hollywood’s queen of radiant calm | Peter Bradshaw

The Gone With the Wind star, known for her lifelong feud with her sister as much as the bewitching brilliance of her acting, and the last link to Hollywood’s golden age

Olivia de Havilland established herself for ever in the film world’s collective memory at the age of 22, as the wise, gentle and beautiful Melanie Hamilton in the colossal epic Gone With the Wind. The film appeared in 1939 as war was breaking out in Europe: the mighty theme of old orders being swept away was especially potent. De Havilland was an exemplar of radiant womanly calmness, a polar opposite to the capricious sexiness of Vivien Leigh’s bewitching belle Scarlett O’Hara. The role probably encumbered her with something stately and reserved, which she never entirely lost – though with a hint of mystery and suppressed emotional tumult, on screen and off. Because, however sedate her image, De Havilland was the subject of two of the juiciest scandals of Hollywood’s golden age: her relationship with longtime co-star Errol Flynn, and her lifelong feud with her sister and rival Joan Fontaine.

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Olivia de Havilland, star of Gone with the Wind, dies at 104

Double Oscar-winning actor, who won acclaim for multiple Hollywood costume dramas before moving to Paris, has died

Olivia de Havilland, the fragrant queen of the Hollywood costume drama, has died at the age of 104.

According to the Hollywood Reporter, her publicist said she had died from natural causes in Paris, where she lived.

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Mel Gibson was hospitalised with coronavirus in April

The actor spent a week in a Los Angeles hospital after contracting the illness and was treated with the drug Remdesivir

The actor Mel Gibson spent a week in hospital after contracting coronavirus earlier this year, his representatives have confirmed. Speaking to the Daily Telegraph Australia, the spokesperson said: “He tested positive in April and spent a week in the hospital. He was treated with the drug Remdesivir, while in the hospital, and has tested negative numerous times since then as well as positive for the antibodies.”

News of the hospitalisation of Gibson, 64, emerges a month after the actor fought back against allegations of anti-semitism and homophobia by Winona Ryder. A representative for Gibson denied the allegations and accused Ryder of lying “about it over a decade ago, when she talked to the press, and lying about it now”.

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The Rifleman review – Latvian war epic aims high

This trench-warfare tale is its country’s biggest box-office success, but it is guilty of some bad misfires

The Rifleman is the top-grossing film of all time at the Latvian box office and if you had to guess at the kind of film that would inspire such nationwide enthusiasm, you’d guess it was something like this: a lavishly mounted, lion-hearted first world war epic based on a book banned by the Soviets for 60 years.

Oto Brantevics stars as Arturs, a 16-year-old who signs up in 1915 to fight the Germans, alongside his brother Edgars (Raimonds Celms) and father Vanags (Martins Vilsons). Both Arturs and his dad are outside the required age range for the army, but rules are bent on account of the father’s exceptional marksmanship. Thus, three men of the same family set off to war, fighting sometimes for the Tsar, sometimes for the Red Army – but always, really, for each other.

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Amber Heard said Johnny Depp tried to suffocate her with pillow, court told

Makeup artist says she concealed Heard’s cut lip and bruises after alleged attack

Amber Heard had a cut lip and bruises that she said had been inflicted by Johnny Depp, who she said had tried to suffocate her with a pillow, Heard’s regular makeup artist has told a court.

Giving evidence via video link from California, Mélanie Inglessis said she was called by Heard to the Hollywood couple’s penthouse apartment in Los Angeles in December 2015 and helped to conceal the injuries so that Heard could appear on a US chat show the next day apparently unblemished.

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Once There Was Brasília review – sci-fi odyssey into Brazil’s murky politics

An intergalactic refugee travels through time to modern-day Brazil in an eerie tale that has real-life corruption at its heart

Brazilian director Adirley Queirós here cobbles together something comparable, though far more lo-fi, to Wong Kar-wai’s 2046: a haunted, backwards-looking sci-fi assembled from textures of the past, which encourages you to pick through the wreckage of political ideology it strews in its wake. Wellington Abreu plays WA4, a Mad Max-style refugee from outer space who, as punishment for an illegal land occupation on his own planet, is sent to Earth to assassinate the real-life former Brazilian president Juscelino Kubitschek on the inauguration day of the capital city, Brasília, in 1961. But his ship crash-lands in the present day, in the satellite city of Ceilândia, an overflow enclave for the dispossessed that represents how the country’s utopia has been thwarted.

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Hostage siege ends after Ukrainian president endorses Joaquin Phoenix film

Gunman surrenders after video recommending 2005’s Earthlings posted on Facebook

A gunman in Ukraine armed with an automatic rifle and grenades has surrendered to police and released 13 hostages after the country’s president consented to his demand to recommend the 2005 film Earthlings starring Joaquin Phoenix.

The niche film recommendation, delivered by President Volodymyr Zelenskiy over Facebook, helped end an hours-long standoff in the western Ukrainian city of Lutsk, where 44-year-old Maksym Kryvosh seized a bus and demanded that dozens of government officials admit to being “terrorists”.

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Amber Heard says she punched Johnny Depp to defend her sister

Actor tells court she feared Depp would push her sister down the stairs like he allegedly did to Kate Moss

Amber Heard has admitted punching her ex-husband Johnny Depp, saying it was to prevent him from pushing her sister down a flight of stairs and claiming he had previously done this to his ex-girlfriend Kate Moss.

Giving evidence for a second day at the high court in London, Heard recalled an incident in March 2015 in the couple’s Los Angeles penthouse when she struck Depp because, she said, she wanted to protect her younger sister Whitney.

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Amber Heard: Johnny Depp threatened to carve up my face

Court hears testimony from actor’s ex-wife, who says he was abusive and violent

Johnny Depp threatened to carve and disfigure Amber Heard’s face if she left him, repeatedly demeaned her and often physically attacked her, she has told the high court.

Opening the defence case in the libel trial initiated by the Pirates of the Caribbean star, Heard said her former husband insulted her and on one occasion told her: “I’m going to have to watch you get raped.”

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Alfre Woodard: ‘We want all those with a stake in the death row business to see this film’

The star of the award-winning film Clemency talks about the US prison system, her enslaved great-grandfather and her hopes for Black Lives Matter

The focus of Black Lives Matter protests has inevitably fallen on the most visible injustice - instances of police brutality. More systemic racial disparities in the American penal system are too often hidden from plain sight. The US incarcerates more of its citizens – 2.2 million people – than any other country on Earth. African American adults are nearly six times more likely to receive a prison sentence than white adults. Nearly half of the 206,000 people serving life sentences in 2018 were black, though black people represent only 13.4% of the population; almost equal numbers of white and black prisoners are currently on death row – just over 1,000 of each ethnicity – but as the prosecution of capital punishment has declined, so the racial imbalance has increased.

If ever a film could bring home the buried trauma of those latter statistics it is Clemency. The film, which won a grand jury prize at Sundance last year, has been instrumental in catalysing again urgent debates around mass incarceration, capital punishment and race.

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‘Money makes money’: Uganda’s Tarantino raises funds with rap

Wakaliwood’s Isaac Nabwana swapped directing shootouts to parody music videos to support rural projects hit by Covid-19

The helicopter and the bling are made of cardboard and the dollar bills carefully drawn on paper by local children. But the people are very real and the music is totally authentic.

A new video from Ugandan film director Isaac Nabwana is a move away from his previous output – movies heavy on blood and gore and ultra-low on budgets – which is gaining him an international cult following. And he says the pandemic’s impact in pushing film online, with the trend towards all-digital film festivals, has helped.

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Malcolm McDowell: ‘I have no memory of doing most of my films’

He was once the embodiment of youthful rage and rebellion. Now, the Clockwork Orange star is reconciled to a life of golf, gangster flicks and the odd glimpse of genius

Malcolm McDowell was the insolent prince of early-70s cinema, the Liverpool salesman who stormed the establishment’s barricades. You can see him on screen in Lindsay Anderson’s If…., kickstarting a bloody revolution inside an English public school. You can see him in Stanley Kubrick’s A Clockwork Orange, hanging with his droogs at the Korova milk-bar, making up his rassoodock what to do with the night. The sky was the limit. The world was his oyster. One felt he could achieve pretty much anything.

If McDowell’s life was a movie, he would either have gone on to be crowned king or he would have exploded and vanished, ideally before he turned 30. But real life has a way of monkeying with the script, which may explain why McDowell is now a snowy-haired 77-year-old. He is a father of five, an avid golfer and a jobbing Hollywood actor specialising in baddies. His wild youth is behind him. He has made peace with his lot. “I had an incredible first few years,” he explains. “And of course that was the golden age. But you can’t keep playing the rebel for ever.”

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Good Manners review – superbly strange nanny horror

São Paulo is transformed into a spooky fairytale landscape in this elegant, unsettling tale of a pregnant woman and her prospective employee

There’s an enjoyably inscrutable performance at the heart of this Brazilian fairytale for grownups. Clara (Isabél Zuaa), an unsmiling mystery women, arrives at the luxurious São Paulo apartment of pregnant Ana (Marjorie Estiano), to be interviewed for the position of nanny. But is that really the role on offer? And is Clara an entirely honest applicant?

The first third of this two-hour-plus film keeps us wondering. It’s clear that something is off between the women, but impossible to determine where the balance of power lies. Is this a Rosemary’s Baby-style horror about satanic foetus worship? A Parasite-like study of the subversive intimacy between domestic servant and employer? Or some unholy combination of the two? Then, with all the sprightly mischief of one of Ana’s country-music workout videos, the plot dances off again, in an entirely different direction.

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Winona Ryder says Johnny Depp was never violent to her

Ex-partners Ryder and Vanessa Paradis say allegations against actor are ‘impossible to believe’

Two of Johnny Depp’s former partners, Winona Ryder and Vanessa Paradis, have said he was never abusive or violent towards them and that allegations he is a “wife-beater” were “impossible to believe”.

The two women had been due to give evidence at the high court in London on Thursday via remote video links from the US.

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