Category Archives: Comedy films

Dune, Bond and Top Gun returns: Films to look out for in 2021

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Daniel Craig hands in his licence to kill, Frances McDormand delivers her best ever performance, Carey Mulligan unsettles in a rape-revenge drama and Tom Cruise reaches for the skies … this year’s must-see films

Paul Greengrass’s latest film is based on the western novel by Paulette Jiles, about a girl returning to her family in 1860s Texas after being kidnapped by the Kiowa tribe. Helena Zengel plays the girl, Johanna, and Tom Hanks plays the man who must look after her: Captain Kidd, an ex-army veteran who makes a living reading aloud from newspapers to illiterate townsfolk, and who is now in the middle of a very big news story.
• Released in the UK on 1 January

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Coolie No 1 review – David Dhawan’s comedy remake is bigger but not better

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Dhawan casts his son Varun in the role made famous in 1995 by Govinda, but little effort has been made to acknowledge the quarter-century since

It’s a tale of two Bollywoods this Christmas. Over at Netflix, Anurag Kashyap and Vikramaditya Motwane, representing Indian film’s modernising wing, have engineered the sharp and knowing meta-thriller AK vs AK. Here on Amazon Prime Video meanwhile, you can watch veteran comedy director David Dhawan renew his IP rights on Coolie No 1, previously a hit 1995 vehicle for the Sandwell-born funnyman Govinda. Even the latter’s most devout fans would probably concede the original left room for improvements, but that’s something Dhawan appears unfussed about. This Coolie updates a few reference points and replaces Govinda with latter-day hunk Varun Dhawan – the director’s son – then surrounds him with antiquated players and playing, part of a frenetic attempt to pretend the last 30 years never happened.

The plot – lowly railway porter (Dhawan) is hired to woo a society belle (Sara Ali Khan) as part of a conspiracy to disgrace her family – remains familiar and predictable. The most immediate contrast with the original is a result of the casting. Rather too obviously a handsome, cardio-trained leading man schlubbing down for (not many) easy laughs, Dhawan Jr bounds onscreen with boyish enthusiasm, but trails a lingering note of condescension – and Dhawan Sr was evidently too busy remembering how best to smash his supporting actors in the gonads to direct anyone. Khan, sadly, is stranded on balconies looking fetchingly concerned while the men below determine her character’s destiny. In this, Coolie 2020 really does seem so last century.

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Richard Curtis on Four Weddings: ‘I don’t know how fully I thought through Andie MacDowell’s character’

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The film has topped a poll for the most rewatchable film. Its director, Mike Newell, sees why. So why would Curtis, who wrote the script, rather rewatch Elf?

Richard Curtis rarely rewatches Four Weddings and a Funeral. “There isn’t a natural circumstance where I say: ‘I’ll tell you what I’ll do for the next two hours, see one of my films.’” Partly, it is knowing the punchlines. Partly, it is being a bit busy. On the wall of Curtis’s Notting Hill home office (stucco fireplace, neon art, whopping clock), just out of frame of his laptop camera, are six Post-it reminders of pre-Christmas tasks. Wrap presents? Make pud? Nope: rewrite a film, cast an online panto, appoint a new CEO for Comic Relief. Et cetera.

Anyway, for those of us a bit less pressed, things are different. Four Weddings – in which Hugh Grant’s stuttering bachelor, in a series of morning suits, woos Andie MacDowell – was the runaway winner in a new, slightly strange poll to find Britain’s most rewatchable movie. In a list of 50 films co-curated by the British Film Institute and Google Pixel, the tale of Charles and Carrie took 49% of the votes, with Skyfall on 37% and Harry Potter and the Prisoner of Azkaban on 33%.

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Let Them All Talk review – haughty Meryl Streep is queen of the high seas

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Tensions arise between a writer and her coterie aboard an ocean liner in Steven Soderbergh’s sweet, unfocused drama

There’s an awful lot going on in this new movie from Steven Soderbergh. The title is appropriate: it’s garrulous, elegant, bristling with classy performances from an A-list cast, and Deborah Eisenberg’s screenplay has a theatrical intimacy. It’s loosely and waywardly plotted, perhaps as a result of having gone through many drafts, though maybe not enough. It is slightly unfocused and uncertain as to where its emotional centre really lies – though there is a charm and a big dramatic finale.

The story is mostly set (and economically filmed, by Soderbergh himself) on a luxury liner, , the Queen Mary 2, crossing from New York to Southampton. Meryl Streep plays Alice Hughes, a renowned novelist whose reputation and sales rely chiefly on a sensational early book about the collapse of a woman’s marriage. Her agent (Gemma Chan) takes her out for lunch and has to charm her cantankerous client into going to London to accept a prestigious award; she is also nervous about the fact that Alice still hasn’t delivered her latest manuscript but excited at the rumours that it could be a sequel to the sensational early book.

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Melissa McCarthy’s 20 best films – ranked!

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With the actor’s new release, Superintelligence, seeing her try to save the world, here’s a look at the films that made her a comedy star

One of Melissa McCarthy’s many early, quirky cameos comes in the final film from the director Alan Parker – a mystery crime drama with a hint of Fritz Lang. Kevin Spacey stars as an anti-capital-punishment campaigner who finds himself on death row after being convicted of murder. McCarthy plays Nico, a goth girl in fishnets and piercings who gives creepy tours of the crime scene.

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Home Alone at 30: how the unlikely Christmas comedy has endured

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No one could have predicted that a simple family film would have been such a box office smash in 1990 or that it would remain a favorite decades after

To the news of Disney’s plans to produce a remake of holiday classic Home Alone, director of the genuine article Chris Columbus had words sharper than a toy car on a bare foot. “It’s a waste of time, as far as I’m concerned,” Columbus said in a recent interview with Insider commemorating the 30th anniversary of the film’s release. “What’s the point? I’m a firm believer that you don’t remake films that have had the longevity of Home Alone. You’re not going to create lightning in a bottle again. It’s just not going to happen.”

Related: My favourite Christmas film: Home Alone

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Lucky Grandma review – gambling granny goes on fun knockabout caper

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Former Bond girl Tsai Chin confounds expectations brilliantly as an older woman who gets mixed up with the Chinese mafia

Sentimentalising, patronising and generally disrespecting our elders is by now enough of a movie trope that any title including the words “grandma” or “grandpa” causes an involuntary shudder. That Lucky Grandma isn’t one of those films is mostly down to its star, Tsai Chin, whose many attributes include the ability to conduct full conversations with a lit cigarette suspended from her bottom lip. One look at Grandma’s stern face tells us she did not come to play.

Related: Tsai Chin: 'What was it like being in bed with Sean Connery? Fine'

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Pitt! Aniston! Roberts! Freeman! Was this the starriest Zoom ever?

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A live-reading of 80s teen comedy Fast Times at Ridgemont High brought together an array of big names with a surprising standout

It can feel rather unsporting to turn a critical eye on the live-read fundraisers that have been cropping up since the Covid-19 pandemic banished all celebrities to their handsomely appointed homes. A guy’s got to be one of the world’s wetter blankets to dump on a charity event that aspires to little more than fostering a loose, convivial environment in which we can join famous friends as they have a good time. Fortunately, last night’s stripped-down Zoom read-through of the script for Fast Times at Ridgemont High – a special event put together by Dane Cook’s “Feeling A-Live” benefit series, with an introduction from Los Angeles Mayor Eric Garcetti explaining the good work of foundations CORE and Reform Alliance – didn’t give too much cause for harshing anyone’s buzz.

Related: 30 Rock: is the quarantine reunion worth the wait?

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‘I always knew I was wired differently’: why David Arquette went from Hollywood to wrestling

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He was the star of the Scream films, became a heavyweight world champion – and, with the deaths of his sister Alexis and best friend Luke Perry, still has demons to grapple with

I always had a soft spot for David Arquette. From the first time I spotted him, in a bit part in Beverly Hills 90210, and ever after, whether he was playing the dorky policeman in the Scream films, carrying offbeat indie films such as Dream with the Fishes, or playing a Jewish rebel in the Holocaust film The Grey Zone, he radiated a sweet likeability you just can’t fake. It was cheering to spot his goofily handsome face onscreen, like finding your brother’s funny friend hanging out in your kitchen when you got home from school.

The baby brother of acclaimed actors Rosanna, Patricia and Alexis, his talent was obvious; he was on the cover of Vanity Fair’s 1996 Hollywood issue alongside Leonardo DiCaprio, Will Smith and Benicio del Toro. He was so watchable that, even though his character was supposed to die in the first Scream, Wes Craven rejigged the script so that he became the backbone of the franchise.

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Dan Aykroyd and John Landis: how we made The Blues Brothers

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‘For some of the crew working nights on the film, cocaine was almost like coffee. I never liked it myself but I wasn’t going to police others’ behaviour’

My original script was called The Return of the Blues Brothers and had two movies in it. John Landis turned it into a manageable 150 pages. He was the keystone of the project – he pulled it all together.

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Dermot Mulroney: ‘I remember Charlie Sheen climbing over a balcony, half-clothed …’

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The star of Young Guns made his name as one of the Brat Pack. Three decades on, while others have crashed and burned, he is dreaming of ‘reopening’ the entertainment industry after lockdown

In a quiet corner of his Los Angeles home, Dermot Mulroney grapples with a question that many actors’ egos would not allow them to entertain: why isn’t he a bigger star?

“Well, I had some alcoholism. That slowed me down. And I ... wasn’t six feet. Does that work? No, that’s a little flimsy. Let’s keep thinking.”

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Hollywood comedy legend Carl Reiner dies aged 98

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Director of Steve Martin comedies The Jerk and The Man With Two Brains was also famed for his collaboration with Mel Brooks

Carl Reiner, the veteran comic and film-maker renowned for his double act with Mel Brooks as well as directing a string of hit comedies including The Jerk and The Man With Two Brains, has died 98.

Variety confirmed the news, reporting that his publicist said he died of natural causes on Monday night at his home in Beverly Hills.

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‘The older I get, the less I fear’: meet the Italian Larry David

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A decade after his two much-loved comedies about the vicissitudes of ageing, director Gianni Di Gregorio explains why, against his own expectations, he had to make another

In 2000, after a decade of caring for his ailing mother in her large flat in Rome, Gianni Di Gregorio wrote a comedy about a bloke called Gianni who looks after his 93-year-old mother in a large flat in Rome. No one was interested in the story, in which the unemployed bachelor ends up running around after a cohort of old ladies whose spirit and vigour remain undimmed despite various ailments. Everyone thought he was crazy: who would be interested in a funny film about four old women and a middle-aged bloke?

Related: Gianni Di Gregorio: The incidental director

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Fred Willard, much-loved star of Best in Show and This is Spinal Tap, dies aged 86

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Willard, whose career was reinvigorated by his work on the mockumentaries of Rob Reiner and Christopher Guest, was a beloved and ubiquitous presence in US comedy

Fred Willard, an actor whose career was dotted with innumerable indelible cameos playing genial buffoons in unfortunate roles of authority, has died aged 86.

The news was first broken by Jamie Lee Curtis, the wife of Christopher Guest, in whose mockumentaries – including Best in Show and A Mighty Wind – Willard won a new army of fans.

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Tommy Chong: ‘We were always high. That was the job’

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How does half of stoner duo Cheech and Chong cope with coronavirus lockdown? Fine – thanks to drugs, his wife and the experience of nine months in prison for selling bong pipes

Tommy Chong has got the munchies. It’s early afternoon in locked-down LA, and last night he was on the pot cookies. “My wife, Shelby, just made a whole batch of them – oatmeal and maple syrup.” He stops to correct himself. “I put the pot in there, and of course I put too much in. Last night it got me almost comatose. Shelby got kinda mad at me. You know like when a kid gets so stoned all you do is sit there and grin.” Chong is 82 next month.

He sounds about four decades younger – his voice is deep, sexy, pulsing with life. Chong is one half of the most famous stoner comic partnership in history, Cheech and Chong. In the 1970s, they not only sold out their live shows, they topped the album charts and had huge box-office hits with movies such as Up in Smoke and Cheech and Chong’s Next Movie. The double-act were as radical as they were bonkers. And while the films were ostensibly about two aspiring rock stars in search of the next spliff, they introduced audiences to a downtown, multiracial Los Angeles rarely seen in movies.

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Czech new wave director Ivan Passer dies aged 86

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Passer was a key figure in the Czech new wave before moving to the US, where his best known film was the cult thriller Cutter’s Way

Ivan Passer, the film-maker who was a key figure in the Czech new wave and who went on to direct the thriller Cutter’s Way after emigrating to the US, has died aged 86. Variety reported that an associate of his family confirmed the news.

Passer, who was born in Prague in 1933, spent his career inextricably associated with, and to some extent overshadowed by, his friend and fellow Czech director Miloš Forman. The pair met as schoolboys and studied together at the Prague Film Academy; they both became part of a group of film-makers who took advantage of a slight weakening of the communist government’s iron grip in the late 50s and early 60s. “We were all united, one way or another, with desire to expose the regime on the screen,” Passer told the LA Times. “And we got away with it because the regime was melting.”

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Armando Iannucci: ‘I personally am not a sweary, angry man’

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He’s famous for the expletive-packed political satire The Thick of It, but now the comedy guru is tackling Dickens

Armando Iannucci is not someone you’d describe as having a commanding presence. He doesn’t want to consume all the oxygen in the room or, with a show of bored impatience, imply that it’s your good fortune to share his company. He may be well known, but there’s nothing of the celebrity about him. Short, balding and understated in manner, he could pass for a provincial loss adjuster come to assess your insurance claim. But he is arguably the most influential figure in British comedy of the past three decades, not to mention an accomplished film director.

When I meet him at a London hotel, he is busy promoting his third feature film, The Personal History of David Copperfield, an adaptation of Charles Dickens’s eighth and most autobiographical novel. His first film, In the Loop, grew out of his seminal satirical TV comedy The Thick of It. The second, the highly acclaimed The Death of Stalin, was a darkly comic but historically accurate account of the Soviet dictator’s end and its farcical aftermath.

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The new heart-throbs: how Hollywood embraced east Asian actors, from Henry Golding to Simu Liu

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From romcoms to Marvel blockbusters, east Asian actors are enjoying unprecedented success. What’s taken the film industry so long?

It was the moment that all romance fans look forward to at the end of a film, hearts bubbling with anticipation: the kiss. I was watching The Edge of Seventeen, a smart coming-of-age movie, in which Nadine (Hailee Steinfeld) had rushed to see her awkwardly endearing classmate (Hayden Szeto). After a bungled date and a crush on another man, she had decided Erwin was the one she wanted.

And then, instead of any show of passion, there came … an affectionate pat on the back as he introduced her to his friends. Moments before, I had been delighted that a Canadian actor of Chinese descent had been cast as the love interest of a white American woman. As the credits rolled, I felt cheated.

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The 50 best comedians of the 21st century

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From apocalyptic standup Frankie Boyle to the many hilarious faces of Tina Fey, Steve Coogan, Sharon Horgan and Kristen Wiig, we present the funniest comics of the era

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