‘She has invaded all our lives’ – Tong Yang-tze, the artist making calligraphy cool

From railway signs to perfume bottles to Taiwan’s official passport stamp, the artist is giving ancient lettering a modern twist. How will her work go down at Hong Kong’s controversial new M+ gallery?

The most striking thing about Tong Yang-tze, sitting inside her modest Taipei studio residence, is her confidence, and the sense that she’s had it all along. Now in her late 70s and considered one of Taiwan’s foremost calligraphers and artists, Tong grins and jokes over cups of green tea and local sweets, belying her fame and cultural significance. “Of course I’m good!” she laughs at one point, recalling an offer early in her career from her former university to teach. “I said no, I don’t want a teaching job. At that time, everybody needed a job but I wanted to be an artist. No regrets.”

Last week Tong’s calligraphy with a modern art twist greeted visitors to the hotly anticipated M+ museum in Hong Kong, an ambitious decade-long project to create what has been dubbed Asia’s Tate Modern. The 33-gallery space, in a harbourside building designed by “starchitects” Herzog & de Meuron in collaboration with TFP Farrells and Arup, opened last week.

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Return of Parthenon marbles is up to British Museum, says No 10

Spokesperson’s comments before Boris Johnson meets Greek PM appear to signal softening of position

Returning the Parthenon marbles to Greece is a matter for the British Museum, Downing Street has said, apparently reversing longstanding UK government opposition to the idea, reiterated by Boris Johnson as recently as March.

Johnson was scheduled to meet the Greek prime minister, Kyriakos Mitsotakis, at No 10 later on Tuesday, and Mitsotakis was expected to argue that the reunification of the “stolen” sculptures was a key mutual issue, and one that had to be resolved by ministers.

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Greek prime minister tries to broker deal for return of Parthenon marbles

Kyriakos Mitsotakis offers to loan Greek treasures to British Museum if ‘stolen’ sculptures are returned to Acropolis

The Greek prime minister has demanded that the 2,500-year-old Parthenon marbles be returned to Athens and has repeated an offer to loan some of his country’s treasures to the British Museum in an attempt to broker a deal.

Kyriakos Mitsotakis told the Daily Telegraph that the sculptures, also known as the Elgin marbles, belong in the Acropolis Museum at the foot of the Periclean masterpiece.

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Banksy artwork deliberately destroyed by Christopher Walken in BBC comedy show finale

Hollywood actor paints over original work, which was created for Stephen Merchant’s TV series The Outlaws

A piece of art created by Banksy was painted over by Hollywood actor Christopher Walken in the final episode of BBC series The Outlaws.

The six-part comedy-drama, which Stephen Merchant co-created with US writer and producer Elgin James, and also directed, follows a group of misfits renovating a derelict community centre in Bristol, as part of community service for crimes they have committed.

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‘A remarkable history’: inside the exhibition bringing Peru’s past to life

A British Museum show on ancient Andean civilisations is revealing new insights into their views of time, society and war

The British Museum’s landmark show Peru: A Journey in Time has been a decade in the making and enables the museum to foreground objects from its own collections and present them alongside treasures from Peru seen for the first time in the UK. Its opening coincides with the 200th anniversary of Peru declaring its independence from Spain, with the UK being one of the first countries to recognise the new nation’s sovereignty. But the neatness of this chronology is perhaps, to a western audience, almost the only familiar aspect of a show that consistently challenges the most basic notions of how the world works and how it can, and should, be lived in. Not the least of these challenges is to the concept of time itself.

The subtitle of the exhibition is both a prosaic description of a chronological examination of many different cultures over 3,500 years, but also an introduction to how Andean time was experienced. “We generally think that we’re in the present, the past is behind us and the future is ahead of us,” explains its co-curator Jago Cooper. “Whereas in Andean societies, the past, present and future are parallel lines happening contemporaneously. So the past isn’t dead, it’s happening at the same time as the present, which can therefore change it. And it is by accepting the interrelationship between the past and present that you can best plan for the future.”

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On my radar: Damon Albarn’s cultural highlights

The musician and composer on a magical performance by Udo Kier, a west African drumming app and where to find a taste of Palestine

Damon Albarn was born in east London in 1968. Interested in music from a young age, he studied at East 15 Acting School and then Goldsmiths, where he co-founded the band that helped kick off Britpop. As well as recording eight studio albums with Blur, Albarn also co-created Gorillaz and the Good, the Bad & the Queen, spearheaded the collaborative organisation Africa Express and has scored stage productions including Monkey: Journey to the West and Dr Dee. He lives in Notting Hill, west London, with his partner, Suzi Winstanley. On 12 November, Albarn releases his second solo album The Nearer the Fountain, More Pure the Stream Flows on Transgressive Records.

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‘I went from having to borrow money to making $4m in a day’: how NFTs are shaking up the art world

Digital art is a billion-dollar business, with everyone from Paris Hilton to Damien Hirst trading in ‘non-fungible tokens’. But are NFTs just a get-rich-quick scheme masquerading as culture?

“It’s actually a lot simpler than you think.” It’s a Tuesday afternoon, and somewhat to my surprise, I’m on the phone to Paris Hilton, who is graciously explaining the world of NFTs.

Hilton is many things – a reality star, an heiress, an unlikely lockdown fitness guru who uses designer handbags instead of weights. But until now, she has never been considered a significant player in the art world. When artists have acknowledged her, often they’ve done so to fetishise her image. In 2008, Damien Hirst bought a portrait of her by the artist Jonathan Yeo, in which her body is constructed from collaged images cut from porn magazines.

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‘A way to deal with emotion’: how teaching art can help prisoners

The Prison Arts Collective brings art, and renowned artists, to incarcerated people as a form of therapy and escape

The American prison has a long cultural history, depicted in movies from The Shawshank Redemption to The Green Mile. They are generally portrayed as harsh, dehumanising places populated by hardened criminals and vicious guards.

Who better, then, to demystify prisons and those who live in them than artists themselves? “We’ve had this glorified TV version of what a prison is in America and sure, it’s not a cakewalk, but it’s also humans in there – our fellow humans,” says Brian Roettinger, a graphic designer based in Los Angeles.

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Vandalism of LGBT artwork is hate crime, say Merseyside police

Posters in Liverpool were destroyed after going on display in Homotopia festival’s Queer the City exhibition

Detectives are investigating after two artworks, commissioned in response to a series of homophobic and transphobic attacks in Liverpool, were destroyed. Merseyside police said they are treating the incidents as hate crime.

The artworks were vandalised within days of going on display as part of Homotopia festival’s Queer the City outdoor exhibition.

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‘We had a fierce anger and suspicion’: Thom Yorke and Stanley Donwood on Radiohead’s Kid A and Amnesiac

In this extract from a book compiling artworks made by Donwood and Yorke for Radiohead, the pair discuss how alienation with Cool Britannia saw them retreat into landscapes, labyrinths and inadvertently inventing Twitter

Stanley Donwood I can’t believe the innocent world we lived in when we were making this work. It was before 9/11, before the “war on terror”, before the conjoining of the police and the military – all of the social changes that have led towards the position we now find ourselves in. It wasn’t possible to know what was going on around the world in the same way that it is now, when news has become a sort of surrogate entertainment.

Thom Yorke Everybody involved felt like we’d been in some weird circus for quite a while, after OK Computer. Personally, I mentally completely crashed, as did Stan. We all did, in a way. Rather than immersing ourselves in this congratulatory atmosphere around us, we felt the total opposite. There was this fierce desire to be totally on the outside of everything that was going on, and a fierce anger, and suspicion. And that permeated everything. It was completely out of proportion, deeply unhealthy – but that’s where we were at.

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‘Ecological vandalism’: embattled Queen Elizabeth tribute gets go-ahead

Northumberland landmark, named Ascendant, is intended as tribute for Queen’s platinum jubilee year

For supporters, the 55m turbine-blade-like sculpture jutting out of an isolated Northumberland hilltop will attract tourists and be a fitting tribute to Queen and Commonwealth.

For opponents it will be “ecological vandalism” that spoils the landscape and is an artwork which would not look out of place in Communist-era eastern Europe.

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Franz Kafka drawings reveal ‘sunny’ side to bleak Bohemian novelist

Surreal drawings by author of The Trial – which he demanded be burnt after his death – to be published

Stricken with self-doubt, paranoia and existential despair, the writings of Franz Kafka have taken generations of readers on what the author called “the descent into the cold abyss of oneself”.

A trove of 150 drawings, retrieved from a Swiss bank vault in 2019 after years of legal wrangling and presented to the public for the first time on Thursday, offers a more cheerful interpretation of the term “Kafkaesque”, however.

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‘Joyously subversive sex goddesses’: the artists who gave witches a spellbinding makeover

Thousands of women were slain after being accused of witchcraft. Don’t they deserve more than the evil cackling hag stereotype? A powerful new book blows away the satanic baby-eating myths

We all know what a witch looks like. A gnarled old face full of warts with teeth missing and bright green skin. Then there’s the long black coat, the tall black hat and let’s not forget the sizable crooked nose, sniffing the fumes rising from a bubbling cauldron in a room festooned with cobwebs.

But that’s not what witches look like at all, or at least not according a hefty new art book being published in time for Halloween. In this compendium of witchy women, from Renaissance paintings to modern Wicca, the caricature of the evil hag is turned upside down. Witchcraft, the latest volume in Taschen’s Library of Esoterica, finds evidence from artists as diverse as Auguste Rodin and Kiki Smith for its revisionist view that witches are typically young, glamorous practitioners of highly sexualised magick. The cover painting, by Victorian artist JW Waterhouse, depicts the ancient enchantress Circe in pale, red-lipped pre-Raphaelite ecstasy – and the fun just keeps coming. The witches here are powerful feminist sex goddesses whose rites and incantations are joyously subversive.

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Six jailed in Spain for selling fakes of Goya and other artists online

Valencia police seized 27 paintings by various artists being sold for €1.2m, 18 of which were crude forgeries

Six people have been jailed in the eastern Spanish region of Valencia after police broke up a criminal gang that was using the internet to sell crudely forged paintings attributed to artists including Francisco de Goya, José Benlliure y Gil and Nicolás Falcó.

The investigation, carried out by officers from the historical heritage group of the Valencian police, began when doubts arose over the provenance of Falcó’s The Adoration of the Three Wise Men, which had been bought for €18,000 (£15,000) and was being resold for €45,000.

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‘We planted a seed’: the Afghan artists who painted for freedom

The Taliban has whitewashed Kabul’s political murals – and those who created them have fled into exile

Negina Azimi felt shock and fear like never before when she heard that Taliban fighters had entered Kabul on 15 August. As an outspoken female artist in Afghanistan, she knew they would come for her.

“We heard reports that the Taliban might raid houses. I was scared because I live in a very central neighbourhood and every room in my house is adorned with the kind of art the Taliban won’t approve of,” she says, referring to paintings that feature messages about women’s empowerment and are critical of the Taliban’s atrocities.

Negina Azimi, who is now in a refugee camp in Albania with others of the ArtLords collective. They are now planning an exhibition

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‘You can sense Selim the Grim’s anger’: portraits of Ottoman sultans go on show

Set of six copies of portraits first produced in 1579 in Venice are going up for auction in London next week

They were powerful rulers of perhaps the mightiest empire the world has ever seen, and their portraits oiled the wheels of diplomacy. Six sultans of the Ottoman empire, which spanned more than six centuries and dominated a great swathe of the world, gaze out beneath magnificent, bulbous turbans, a symbol of their wealth and status.

An original set of 14 portraits was produced in Venice in 1579, and copies were made later. The only surviving intact set is in Munich, but a set of six goes on display at Christie’s in London this weekend before being sold at auction on 28 October.

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‘Secret piety’: new show reveals Andy Warhol’s Catholic roots

Known for his wild parties and proud queerness, he went to church, met the pope and prayed daily with his mother

He is celebrated for his Marilyn Monroe and Campbell’s Soup prints, legendary parties, proud queerness and worship of celebrity.

But Andy Warhol was raised by a devout Catholic mother with whom he prayed daily throughout the two decades in which they shared a New York home. The wild prince of pop art went to church, met the pope and financed his nephew’s studies to become a priest.

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Egypt detains artist robot Ai-Da before historic pyramid show

Sculpture and its futuristic creator held for 10 days, possibly in fear she is part of spying plot

She has been described as “a vision of the future” who is every bit as good as other abstract artists today, but Ai-Da – the world’s first ultra-realistic robot artist – hit a temporary snag before her latest exhibition when Egyptian security forces detained her at customs.

Ai-Da is due to open and present her work at the Great Pyramid of Giza on Thursday, the first time contemporary art has been allowed next to the pyramid in thousands of years.

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‘People felt threatened even by a puppet refugee’: Little Amal’s epic walk through love and fear

From being pelted with stones in Greece to receiving a papal welcome in Rome, the giant girl’s migrant trek from Syria to Manchester provoked powerful responses

In Greece, far-right protesters threw things at her as she walked through the streets, local councillors voted to ban her from visiting a village of Orthodox monasteries, and protests in Athens meant her route had to be diverted. In France, the mayor of Calais raised objections to her presence.

At times, the 8,000km journey across Europe of a 3.5m-tall puppet child refugee highlighted the hostility experienced by refugees who have been travelling along the same route from the Syrian border to the UK for years. Elsewhere, this ambitious theatrical project has triggered the scenes of welcome its artistic directors hoped to inspire when they embarked on this walk in July.

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‘It feels really natural’: hundreds pose nude for Spencer Tunick shoot near Dead Sea

US artist returns to site for third time to highlight plight of Dead Sea, which is receding by about a metre a year

Hundreds of models wearing only white body paint have walked across a stark desert expanse near the Dead Sea, part of the latest photography project of American artist Spencer Tunick.

The 54-year-old photographer visited the spot in southern Israel as a guest of the tourism ministry to portray for the third time the shrinking Dead Sea via nude subjects.

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