‘He was a radical’: John Belushi remembered by his wife and fellow comics

The gruesome decline and drugs-related death of the comedy icon has overshadowed his legacy, says his widow Judy, who welcomes a new film showing him as a sensitive star full of doubts

Can you disentangle the life of John Belushi from his tragic death? Has he left a comic legacy – or just a template for living fast and dying young? On the one hand, he spearheaded the pioneering comedy show Saturday Night Live, still running 45 years later, becoming its first breakout star with smash-hit movies Animal House and The Blues Brothers. The poster for the latter has been a fixture on teenagers’ bedroom walls ever since. But is that down to Belushi’s comedy – or because he was dead within two years of the film’s release, a victim of drug addiction and the pressures of extreme success?

This week sees the release of a Showtime documentary, Belushi, made by the team behind the Emmy-nominated Brando documentary Listen to Me, Marlon. It’s the first telling of Belushi’s story, says his widow Judy Belushi Pisano, to apportion “even-handed” attention to her husband’s life and death. Pisano has always regretted how Bob Woodward’s 1984 book Wired, a fix-by-fix account of the star’s gruesome decline, came to define her husband’s memory. “Had John died in his sleep,” she says, speaking to me by phone, “we would view his life much differently. We really would.”

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Ma Rainey’s Black Bottom review – Chadwick Boseman glorious in his final film role

The movie version of August Wilson’s story of the blues, starring Boseman and a tremendous Viola Davis, is a ferocious opera of passion and pain

A detonation of pure acting firepower is what’s on offer in this movie version of August Wilson’s 1982 stage play. Declarative and theatrical it might be, but it’s also ferociously intelligent and violently focused, an opera of passion and pain. We see African-American musicians hanging around a white-owned Chicago studio one stiflingly hot day in the 1920s, waiting for the legendary blues singer Gertrude “Ma” Rainey to show up with her entourage so they can cut an album. The lead track is expected to be her live hit, Ma Rainey’s Black Bottom, and the drama imagines a certain pushy trumpeter in the band named Levee angling for his own version to be recorded. A simmering argument about how this song is to be arranged and performed forms the basis of a confrontation about race, sex and power.

Viola Davis plays Ma Rainey with tremendous hauteur: Cate Blanchett’s Elizabeth I never arrived at Hampton Court with more magnificent display or more queenly prerogative than Davis’s Rainey making her entrance, with her own lovers and court favourites, sweating at the temperature, her painful feet and the incompetence of the studio chiefs. And Chadwick Boseman gives a moving performance as the fiercely talented but insecure Levee, crucified by a childhood experience of racist violence and dreaming of fronting his own band.

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Viral video of ballerina with Alzheimer’s shows vital role of music in memory

Music’s primal power for those living with dementia has inspired thousands of YouTube views for a clip of a former dancer

We see a frail and elderly woman in a chair, her eyes downcast. She motions for the music to be turned up, a swelling melody from Tchaikovsky’s Swan Lake, and with a little encouragement her hands begin to flutter. Then suddenly her eyes flash and she’s Odette the swan queen at the misty lakeside, arms raised. She leans forward, wrists crossed in classic swan pose; her chin lifts as if she’s commanding the stage once more, her face lost in reverie.

The woman in the film is Marta Cinta González Saldaña, a former ballet dancer who died in 2019, the year the video was shot. But the clip has gone viral since being posted recently by Spanish organisation Música Para Despertar (Music to Awaken), which promotes the value of music for those living with Alzheimer’s. Many of the details accompanying the video on its journey around the internet have been erroneous. Marta Cinta was not a member of the “New York Ballet” (there’s no such company) or the actual New York City Ballet, but seems to have run her own dance company in the city; the ballerina performing in the intercut video is not her but Ulyana Lopatkina, who is not even dancing Swan Lake but Mikhail Fokine’s The Dying Swan. Yet none of that takes away the impact of watching someone seemingly light up and have their memories unlocked by the power of melody. It’s as if you’re seeing Saldaña inhabit her true self.

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Caught in time’s current: Margaret Atwood on grief, poetry and the past four years

In an exclusive new poem and essay Margaret Atwood reflects on the passing of time and how to create lasting art in a rapidly changing world

Read Dearly by Margaret Atwood

I can say with a measure of certainty – having consulted my poor excuse for a journal – that my poem “Dearly” was written in the third week of August 2017, on a back street of Stratford, Ontario, Canada, with either a pencil or a rollerball (I’d have to check that) on some piece of paper that may have been anything from an old envelope to a shopping list to a notebook page; I’d have to check that as well, but I’m guessing notebook. The language is early 21st-century Canadian English, which accounts for the phrase “less of a shit”, which would never have been used in, for instance, Tennyson’s “In Memoriam AHH”; though something like it might have appeared in one of Chaucer’s more vernacular tales – “lesse of a shitte”, perhaps. This poem was then taken out of a drawer, its handwriting more or less deciphered by me, and typed as a digital document in December 2017. I know that part from the date and time identifier on the document.

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Rocky Horror’s Richard O’Brien: ‘I should be dead. I’ve had an excessive lifestyle’

The creator of the cult show is not going quietly into his 70s. He talks about coming out as trans, going ‘loopy’ on crack – and speaking in tongues after suffering a stroke

Richard O’Brien is 78, but his toothpick body and lightbulb head have always lent him a certain agelessness. A few months ago, however, the rakish Rocky Horror Show creator, Crystal Maze presenter and transgender parent-of-three received a stark reminder of his advancing years.

He was pottering around at home in New Zealand when he suddenly found himself lying on the floor. “I didn’t register that something was desperately wrong,” he says, speaking from the house he shares with his third wife, Sabrina, 10 miles outside of Katikati. “I just thought: ‘I wonder why I can’t get up.’” Struggling to his feet, he attempted to make a drink, only to discover he couldn’t put the top back on the milk. “I was in a dream-like state. Finally, I gave up with the milk, went to go back to the bedroom, slid down the wall and started speaking in tongues. That’s when Sabrina called the ambulance.”

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Wole Soyinka to publish first novel in almost 50 years

Chronicles of the Happiest People on Earth will be released this year, with the 86-year-old author also planning fresh theatre work after ‘continuous writing’ in lockdown

Wole Soyinka has used his time in lockdown to write his first novel in almost 50 years.

The Nigerian playwright and poet, who became the first African to win the Nobel prize for literature in 1986, published his widely celebrated debut novel, The Interpreters, in 1965. His second and most recent novel, Season of Anomy, was released in 1973.

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The Nepalese play letting the crowd reimagine the ending – and their lives

Familiar issues of discrimination and child marriage are being taken to the stage through interactive theatre in remote villages

High in the mountains of a remote village in western Nepal – a region once home to a fierce Maoist insurgency – a large crowd is gathering.

Women arrive with babies strapped to their fronts; children sit at the edge of the makeshift stage; local officials take up ad hoc seats. Not only is this the first time a play has been performed here – it is the first time a vehicle has ever reached the village. Whatever this travelling theatre group intends to perform, it is a spectacle not to be missed.

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‘I felt unwanted’: Zodwa Nyoni on the immigration tales behind Nine Lives

The playwright’s monologue, staged at the Bridge theatre, reflects the anger and pain of refugees and asylum seekers

My family migrated from Zimbabwe to England in the late 90s. Most of my teens and all of my 20s were shaped by applying for residency. I spent a lot of time feeling unwanted despite giving back to communities and to the arts, representing the UK at international poetry festivals and exchanges, and contributing to the landscape of British theatre.

In 2014, I was commissioned to write a play for Leeds Playhouse and Glasgow’s Òran Mór as part of the series A Play, a Pie and a Pint. I wrote Nine Lives, a one-man show about Ishmael, a gay Zimbabwean asylum seeker who is dispersed to Leeds while he awaits the Home Office’s decision on his case.

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Alex Winter: ‘I had extreme PTSD for many, many years. That will wreak havoc’

He is starring in a new Bill & Ted movie and releasing a documentary about child actors. The film-maker discusses the abuse he experienced as a young performer, his close friendship with Keanu Reeves – and why he quit acting

By the age of 12, Alex Winter knew both the highs and horrors of life as a child actor. Three years into his career, he was sharing a Broadway stage with Yul Brynner in The King and I. “But at the same time,” he says, “I was dealing with really intense and prolonged abuse.

“There was The King and I – eight shows a week, happy face – feeling genuinely happy in that role. Great relationship with my mom and dad; great relationship with the co-workers around me; doing interviews, signing autographs, living this amazing … and then this nightmarish other existence.” He has not named his abuser, who he says is dead.

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Diana Rigg: star with an independent streak to match her glamour

From kick-ass screen roles to award-winning theatre and TV ones, with a curious sideline in nuns, the Yorkshire-born actor’s class and spirit earned her a magnificent career

When Diana Rigg made her Broadway debut in 1971, the theatre programme Playbill introduced her in terms that established the wide range of work and appeal that still marked her career at her death today, five decades later, at the age of 82.

The then-31-year-old Yorkshirewoman, theatregoers were told, was “a highly established star of the theatre, motion pictures and films in England” who had recently “become popular in the United States as the glamorous Emma Peel in The Avengers television series and as the leading lady in the latest James Bond film, On Her Majesty’s Secret Service”.

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Diana Rigg, Avengers and Game of Thrones star, dies aged 82

Actor who played Emma Peel in hit spy series and James Bond’s only wife was diagnosed with cancer in March

The actor Diana Rigg, known for her roles on stage and in film and television – including The Avengers and On Her Majesty’s Secret Service – has died at the age of 82.

Rigg, who rose to prominence in the 1960s through her starring role as Emma Peel in The Avengers alongside Patrick Macnee, enjoyed a long and varied career, playing Lady Olenna Tyrell in HBO’s smash hit Game of Thrones, a show she admitted in 2019 that she had never watched. She also played Countess Teresa di Vicenzo, or Tracy Bond, James Bond’s first and only wife to date, in the 1969 film On Her Majesty’s Secret Service.

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Ruth Mackenzie: the British change-maker sacked by Paris’s artistic elite

Despite fulfilling her brief to bring diversity to the Châtelet Theatre, the veteran director was brusquely dismissed. So what went wrong?

When the British arts supremo Ruth Mackenzie was named artistic director of Paris’s Châtelet theatre she thought everyone knew what they were getting.

Her pitch for the job, approved by the mayor of Paris, Anne Hidalgo, after a gruelling four interview panels, was to reinvent the historic Paris venue – known as “Broadway sur Seine” after the previous director’s penchant for American musicals – as a more diverse and inclusive people’s theatre.

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Australian theatres nervously reopen with mandatory masks and temperature checks

Sydney Theatre Company, Belvoir and Adelaide’s STCSA are among the main stages pushing ahead. No one expects a profit – and many will take a loss

Sydney Theatre Company has announced it is ready to open the doors of the Roslyn Packer theatre and present its first show since March.

Wonnangatta, a new drama written by the award-winning Melbourne playwright Angus Cerini and featuring the actors Hugo Weaving and Wayne Blair, will play from 21 September to 31 October in a socially distanced production for audiences numbering no more than 147 (the Roslyn Packer can usually seat 880 patrons).

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Performers could sing or play softly to reduce Covid risk, study shows

Research suggests musicians can reduce infections by decreasing volume

Sing softly and don’t shout to reduce the risk of Covid-19 spread, new research suggests, offering a ray of hope for musicians who have been restricted from performing in public.

Music makers have been hit hard by the coronavirus pandemic, with singing, as well as playing of woodwind and brass instruments deemed to be a potential high risk for spreading the disease – a concern fuelled by outbreaks in choirs.

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An oral history of Fame: ‘We were dancing on cars in the epicentre of porn and filth!’

It was the late director Alan Parker’s most enduring hit, capturing what it was to be young and ambitious in the hot, gritty New York of 1980. The cast and crew reflect on the acting, fighting, flirting and fallout

• ‘The most important experience of my youth’: Fame star Barry Miller on Alan Parker

Forty years ago, Alan Parker’s musical about a group of teenagers at the New York High School for the Performing Arts was released.

Originally titled Hot Lunch after one of the composer Christopher Hope’s key numbers, the film is a crowd-pleaser with a heart of ice. For all the fun and legwarmers, this isn’t some starry-eyed fantasy. Rather, its edge and pessimism make it a remarkably responsible piece of film-making, with a conclusion about the wisdom of pursuing a career in the arts that is ambivalent at best.

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‘I’ve had men rub their genitals against me’: female comedians on extreme sexism in standup

For years, sexual predators have infested the live comedy scene. But female comedians are demanding action. Is this British standup’s #MeToo moment?

‘If this was a normal office where, on your first day, someone higher up than you goes: ‘Here’s a list of guys in the office who might rape you,’ you would go straight to HR. But there’s no HR – there’s nowhere we can go to say this is happening,” says Laura Duddy, who started out in standup comedy last year.

“For new comics, it’s normal that a more established comic will give them a list of open-mic gigs to try,” says Ellie Calnan, who began standup 18 months ago. “Whereas for women, it’s: ‘Here’s the people and gigs to avoid.’”

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‘Egregious’ distancing violations at Hamptons charity concert – Cuomo

New York governor says event featuring Goldman Sachs CEO and Chainsmokers breached Covid-19 rules

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  • New York health authorities are to investigate a charity concert in the Hamptons, which included performances by the Goldman Sachs chief David Solomon and DJ duo the Chainsmokers, over “egregious” social distancing violations.

    The drive-in event, Safe & Sound, had space for about 600 cars and was held in Southampton village on Saturday. It was the first in a series of such concerts planned for the US, according to the organisers’ website.

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    Nick Cordero: Broadway star dies aged 41 of coronavirus complications

    Tony-nominated actor spent more than 90 days in hospital and had his right leg amputated

    The Tony award-nominated Broadway actor Nick Cordero, who starred in hit musicals including Waitress, A Bronx Tale and Bullets Over Broadway, has died in Los Angeles from severe medical complications after contracting coronavirus. He was 41.

    Cordero died on Sunday at Cedars-Sinai hospital after spending more than 90 days in the hospital, according to his wife, Amanda Kloots. “God has another angel in heaven now,” she posted on Instagram. “Nick was such a bright light. He was everyone’s friend, loved to listen, help and especially talk. He was an incredible actor and musician. He loved his family and loved being a father and husband.”

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