Cannes festival in row after director and baby blocked from Palais entry

British film-maker claims she was denied access to Marché du Film, then told to pay fee for baby and wait two days for it to be processed

The Cannes film festival has been criticised for its treatment of mothers and babies after a female director claimed she and her child were prevented from entering the festival site.

British director Greta Bellamacina, whose film Hurt By Paradise is screening in the market section of the festival, said the festival had displayed an “outrageous” attitude after she attempted to enter the festival with her four-month son.

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Anjelica Huston defends Woody Allen and Roman Polanski

Actor says she would work with Allen again ‘in a second’ and that Polanski had ‘paid his price’ for his behaviour

Actor Anjelica Huston has come out in defence of under-fire film-maker Woody Allen, and expressed sympathy for other controversial entertainment industry figures including Roman Polanski and Jeffrey Tambor.

In an outspoken and wide-ranging interview published in New York magazine, Huston was asked for her thoughts on Allen, with whom she worked on his acclaimed 1989 film Crimes and Misdemeanors. Huston said she would work with him in again “in a second”, noting that “two states investigated him, and neither of them prosecuted him”. Allen is currently in a legal dispute with Amazon, which cancelled its four-film agreement with him in the wake of his daughter Dylan’s allegations of sexual abuse and his response to the #MeToo campaign.

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Spandex snobbery smackdown: why the liberal elite snubs wrestling

The sport has drama, showmanship, and gender equality – as the film Fighting With My Family proves. Yet, because it’s working class, it’s marginalised, writes director Stephen Merchant

In 2014, after years of struggle, a working-class British woman, aged just 21, was awarded the highest honour her profession can bestow, live, in front of 20,000 people and a television audience of millions.

The Guardian didn’t report it. In the days following, there were no laudatory profiles, no in-depth interviews, no op-eds about her stratospheric success in a male-dominated world.

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‘Centuries of entitlement’: Emma Thompson on why she quit Lasseter film

In her resignation letter from the film Luck, the actor questions whether any company should work with disgraced film executive John Lasseter

When the actor Emma Thompson left the forthcoming animated film Luck last month while it was still in production, it was done without public fanfare, and was only confirmed when film-industry publications such as Variety magazine picked up on it. Now Thompson has put herself firmly above the MeToo parapet with the publication publishing her incendiary letter of resignation addressed to the film’s backers, Skydance Media, one of Hollywood’s most prestigious studios.

It was known that Thompson was unhappy with the arrival in January of former head of Pixar John Lasseter as the new head of Skydance Animation. But the letter goes into extraordinary detail about her disquiet over the appointment of a studio executive whose downfall had been one of the key landmarks of the Me Too and Times Up campaigns.

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Oscars reverses plan for ad-break presentations after industry outcry

Decision to relegate four awards, including best cinematography and best editing overturned following protests by Martin Scorsese, Brad Pitt and others

Bowing to a backlash that had threatened to engulf an already blunder-plagued Academy Awards, the Academy of Motion Picture Arts and Sciences (Ampas) reversed its decision to present four awards during the commercial breaks of this year’s Oscar broadcast.

Related: Who should win? Critic Peter Bradshaw's Oscars picks

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