‘Shocked by the uproar’: Amanda Gorman’s white translator quits

International Booker winner Marieke Lucas Rijneveld will not translate inaugural poet’s work into Dutch after anger that a Black writer was not hired

The acclaimed author Marieke Lucas Rijneveld has pulled out of translating Amanda Gorman’s poetry into Dutch, after their publisher was criticised for picking a writer for the role who was not also Black.

Related: 'My family are too frightened to read my book': meet Europe's most exciting authors

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‘The Earth could hear itself think’: how birdsong became the sound of lockdown

When the pandemic hit, the song of birds offered joy and hope. The author of a new book recalls that glittering spring and explains the science behind bird calls and how to identify them

It’s six in the morning and still dark, 24 March 2020. I wake early and, knowing the children will soon be up, decide to steal half an hour’s solitude in the park. From the dense latticework of trees and shrubs that clothe the wooded slope comes a constant scuttling through dead leaves. The darkness is awake and vigilant; there’s the warning tik-tik of an invisible robin from the bushes, and then the next second it appears on the path. Each individual movement of the bird, each wing-flick and pivot, is brisk and definite yet the overall impression is one of nervousness and indecision. It leaps round once more on the spot, then flits back into the darkness.

From close by comes a blast of song from a wren. Its harsh trill is like coarse twine zipping over a flywheel. The air is cool, not cold, and smells deliciously of earth and moss. There’s a sudden disturbance from the deeper shade, and a blackbird comes careering out with a mad clatter and pauses, alert, on the great arm of a beech tree. It’s evidently agitated. It flicks about the bough, dipping then raising its wings, and tilting its head all the while in response to something I can’t sense. After a few seconds of this twitching the bird seems to experience some sort of inner resolution, and, as the first beam of grey light wakes the colours of the tree, it raises its head and lets out a quiet phrase of song. Spring has arrived.

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‘I felt a strange grief when I found my birth mother’: Jackie Kay on The Adoption Papers

The poet explains how researching her history led her to tell the story from three perspectives: the birth mother, the adoptive mother and the daughter

In one way, I’d been writing the poems in The Adoption Papers for my whole life. I’d been making up an imaginary birth mother and father with my adoptive mother for years, since I was a kid. She would say of my birth father: “I’m picturing a Paul Robeson figure, Jackie, perhaps with a bit of Nelson Mandela mixed in.”

In another, I started writing the book when I was pregnant. It’s difficult when your writing infiltrates your life and vice versa, difficult to work out what actually happened and what didn’t. Your imaginative life is your reality.

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Megan Nolan: ‘When I think back, the way I drank was crazy. Everyone I knew did it’

The novelist talks about the heartache and hedonism that inspired her debut – and how writing helped her find a way out of the chaos of young adult life

Megan Nolan is weighing up how she feels about her relatives back home in Waterford, Ireland, reading her first novel, Acts of Desperation. She is not, she says, looking forward to it. I tell her that she might have to get used to it; I don’t live far from Waterford, and have noticed that she has already made the local newspaper (not to mention previews of 2021’s notable new voices in the Irish Times and the Observer). Anyway, what’s the problem? Everyone has been so supportive, she replies, “as soon as they heard that I was writing this book, and was having the book published, you know, everyone is so nice about it. And they’ll say, ‘I can’t wait to get it, and we’re going to have such a party when you get back.’ And then I just think: ‘Oh my God, they’re all going to buy it and be really moved that they’re buying it and then they’ll get home and have to read that.’”

“That”, she elaborates, is not exactly the sexual explicitness of Acts of Desperation’s depiction of a young woman’s life in Dublin, nor even its portrayal of prodigious boozing and partying, “but just that it’s so unhappy. You know, it’s quite a painful book to read. I just think, ‘I wish I could have given them a good experience.’”

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Canada spy agency unwittingly seeks double agent in Le Carré ad gaffe

CSIS included quote from A Perfect Spy in tweet about job postings, bewildering Twitter users

For an intelligence agency seeking new recruits, the promises of adventure and intrigue found within the pages of famous spy novels might seem like a useful recruiting tool.

But promoting a double agent who lies to his family, betrays his country and ultimately takes his own life, is possibly not a strategy that will produce the best candidates.

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Key Biden aide said pandemic was ‘best thing that ever happened to him’, book says

  • Anita Dunn said privately what aides ‘would never say in public’
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  • US politics – live coverage

A senior adviser to Democrat Joe Biden in his campaign for president believed “Covid is the best thing that ever happened to him”, a new book reports.

Related: Ruling on Trump tax records could be costliest defeat of his losing streak

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The soul of the city: San Francisco honors literary hero Lawrence Ferlinghetti

The co-founder of the City Lights Bookstore had global stature but remained a neighborhood fixture

By early afternoon, a small memorial of flowers and a can of Pabst had begun to accumulate outside the door of City Lights Books, to commemorate the death of its co-founder Lawrence Ferlinghetti.

And by the evening, a vigil for Ferlinghetti, one of the last living links to the Beat generation, was being held in the adjacent Jack Kerouac Alley, a tiny side street that separates the bookstore – a tourist attraction and official city landmark for decades – from the celebrated Beat hangout Vesuvio Cafe.

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Nude selfies: are they now art?

Lockdown has triggered a boom in the exchange of intimate shots – and now a new book called Sending Nudes is celebrating the pleasures and perils of baring all to the camera

Have you ever sent a nude selfie? The question draws a thick red line between generations, throwing one side into a panic while the other just laughs. And yet, as far back as 2009, that fount of moral wisdom, Kanye West, was advising how to stay safe. “When you take the picture cut off your face / And cover up the tattoo by the waist,” he rapped in Jamie Foxx’s song Digital Girl.

As the pandemic forces relationships to be conducted remotely, more people than ever are resorting to the virtual exchange of intimacies. Last autumn, a poll of 7,000 UK schoolchildren by the youth sexual health charity Brook put the figure at nearly one in five who said they would send a naked selfie to a partner during a lockdown.

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As a Black Lord of the Rings fan, I felt left out of fantasy worlds. So I created my own | Namina Forna

Author Namina Forna loved JRR Tolkien and CS Lewis’ books as a child, but saw little that resembled the magic and rich mythology she saw in Africa

When I was a child, I was what you would call a JRR Tolkien fangirl. I read The Lord of the Rings over and over. I traipsed around the countryside, imagining it was Middle-earth. With just a flight of imagination, I could be snug in the Shire, exploring the mines of Moria, or even flitting through the woods of Lothlórien.

When the first Lord of the Rings movie was finally released, I was 14 and so excited to see it. But immediately, I noticed something distressing: no one on screen looked like me. The darkest characters on screen, the orcs, were all male. Even as a monster, it seemed, there was no place for people who looked like me in Tolkien’s world.

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Eliot Higgins: ‘People accuse me of working for the CIA’

The founder of the online investigative collective Bellingcat talks about working with Alexei Navalny, open source reporting and the trouble with ‘cyber-miserablism’

Eliot Higgins launched Bellingcat in summer 2014, days after the Russian military shot down Malaysian Airlines MH17 over eastern Ukraine. The online outfit has broken a series of international scoops. In 2018 it discovered the identities of the two undercover assassins who poisoned Sergei Skripal in Salisbury. Last year Bellingcat revealed extraordinary details of the plot by Russia’s FSB spy agency to poison the opposition leader Alexei Navalny.

Higgins’s first book tells the story of how open source investigation has redefined reporting in the 21st century. He argues that the internet can still be a force for good, despite bad actors, complacent technology firms and an explosion in alternative “facts”. Higgins lives in Leicester with his wife, daughter and son.

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On my radar: Brett Anderson’s cultural highlights

The Suede frontman on his latest musical discoveries, the brilliance of Michael Clark and the enduring appeal of mudlarking by the Thames

Born in Sussex in 1967, Brett Anderson founded alternative rock band Suede in 1989 with then-girlfriend Justine Frischmann and childhood friend Mat Osman. Billed by Melody Maker as “the best new band in Britain”, Suede released five albums including their self-titled debut and Coming Up, before disbanding in 2003. Anderson went on to front the Tears and release four solo albums. In 2010 Suede reformed and released a further three albums, the latest of which is 2018’s The Blue Hour. Anderson will perform with Charles Hazlewood and Paraorchestra as part of the Gŵyl 2021 festival, 6-7 March.

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‘You can smell the sweat and hair gel’: the best nightclub scenes from culture

Writers and artists including Róisín Murphy, Tiffany Calver and Sigala on the art that transports them to the dancefloor during lockdown

There have been many notable nightclubs in film history. The Blue Angel in the Marlene Dietrich movie; the Copacabana in Goodfellas, accessible to privileged wiseguys via the kitchen; the Slow Club in Blue Velvet, with the emotionally damaged star turn Isabella Rossellini singing the song of the same name.

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TS Eliot winner Bhanu Kapil: ‘It’s hard to study something by standing in front of it’

The poet’s latest collection, How to Wash a Heart, was partly inspired by a news story about a liberal white couple taking in an Asian refugee

Bhanu Kapil’s fourth poetry collection, Schizophrene, relays a scene from India’s partition. A girl fleeing her childhood home glimpses, through a hole in the cart in which she’s hidden, countless women tied to trees on the newly drawn border with Pakistan, their stomachs cut out. “This story, which really wasn’t a story but an image, was repeated to me at many bedtimes of my own childhood,” Kapil writes. This image was, in fact, “a way of conveying information”.

Throughout her work, Kapil examines the intergenerational effects of a historical silence that has slowly lifted over the largest mass migrations in history, which was also one of the most violent. These images demonstrate how colonial violence embedded in the heart of the British empire breeds racial trauma for migrants within its own borders. As she writes, again in Schizophrene, “it is psychotic not to know where you are in a national space”.

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Unseen work by Proust announced as ‘thunderclap’ by French publisher

The Seventy-Five Pages, out next month, contains germinal versions of episodes developed in In Search of Lost Time and opens ‘the primitive Proustian crypt’

For everyone who decided to bite the madeleine and read all 3,000-odd pages of Marcel Proust’s In Search of Lost Time during lockdown, what’s one more book? French publisher Gallimard has announced that it will be releasing a never-before-published work by the great French writer: Les Soixante-quinze feuillets, or The Seventy-Five Pages, on 18 March.

The texts in The Seventy-Five Pages were written in 1908, around the time Proust began working on In Search of Lost Time, which was published between 1913 and 1927. The papers were part of a collection of documents held by the late publisher Bernard de Fallois, who died in 2018. During his lifetime, De Fallois oversaw the posthumous publication of several Proust works including Jean Santeuil, Proust’s abandoned first novel from the 1890s.

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How to Avoid a Climate Disaster by Bill Gates; The New Climate War by Michael E Mann – review

Two eminent voices on the climate crisis present clear strategies for tackling emissions, deniers and doomsayers

President Joe Biden has promised a new era of American leadership on global climate action, after four years of unscientific denial and misinformation under Donald Trump. Two important new books by prominent American authors, both written before the result of the presidential election was known, should help to capitalise on the new spirit of cautious optimism by laying out bold but well-argued plans for accelerating action against climate change.

How to Avoid a Climate Disaster: The Solutions We Have and the Breakthroughs We Need by Bill Gates presents a compelling explanation of how the world can stop global warming by reducing greenhouse gas emissions effectively to zero. Gates and his wife, Melinda, are well known for their foundation’s tremendous work on improving health and tackling disease around the world, particularly in poor countries. It is this concern for the most vulnerable people on the planet that has meant Gates has occasionally appeared equivocal about climate and energy policies that he thought could undermine the fight against poverty and illness. However, this book lays out forcefully his understanding that the impact of climate change poses a far bigger threat to lives and livelihoods in developing countries – it is thwarting efforts to raise living standards because poor people, in every country, are the most at risk from droughts, floods and heatwaves.

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‘A gift for Holocaust deniers’: how Polish libel ruling will hit historians

The authors of a study on the fate of Polish Jews under Nazism have been told to apologise to a woman for defaming her uncle. The implications for future historical work are alarming

Poland’s nationalists have won their latest battle to defend the country’s wartime reputation. On Tuesday, the Warsaw district court ordered two leading historians to apologise to a woman for defaming a relative in their book about the Holocaust. The landmark ruling has serious implications for academic freedom and the future of Holocaust research, with historians around the world condemning the judgment.

“These are not matters to be adjudicated by courts, this is a point that can be discussed by scholars or interested readers in the exchange of opinions. In that sense, it’s really scandalous,” says Jan Tomasz Gross, whose seminal book Neighbours was a watershed in Poland’s public discussion of the Holocaust more than 20 years ago. “It’s part of a broad effort to stifle any inquiry and particularly the complicity of the local population in the persecution of Jews during that time.”

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Redwall is coming to Netflix: where to start for kids (and adults)

Brian Jacques’ tale of valiant mice and no-good rats introduced me to fantasy fiction. My daughters love it too, and here are some reasons why everyone should

If, like me, you are a fan of Brian Jacques, then the news that Netflix is working on an adaptation of Redwall will have you setting the abbey bells a-ringing in joy. Jacques’ bestselling stories of talking mice, squirrels and otters (the goodies) and rats, foxes and wildcats (the baddies) gave me so much happiness as a child. The first novel, 1986’s Redwall, was my introduction to fantasy: Matthias, a young orphan mouse, seeks a lost sword to see off an evil rat army led by Cluny the Scourge. (“Cluny was a God of War! Cluny was coming nearer!”) Heroism and sacrifice, comedy and evil – all of life is contained in Jacques’ anthropomorphic world.

After Redwall, Jacques told the story of how Redwall Abbey came to be, in the sequel Mossflower, as Martin the Warrior (another mouse, of course) arrives to save the creatures of the forest from the grip of the wildcats (Tsarmina Greeneyes is a particularly wonderful villain). Mattimeo continued the saga, following Matthias’s son as he is kidnapped by the slaver fox Slagar the Cruel (another excellent baddie; Jacques does villainous animals very well).

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Oscars release first shortlists for 2021 Academy Awards

Boys State, MLK/FBI and Crip Camp among contenders as categories announced include best documentary and best international film

Shortlists for nine Oscar categories have been unveiled by the Academy of Motion Picture Arts and Sciences (Ampas), an intermediate stage in the thinning-out of films that have qualified for consideration for the Academy Awards. The categories include best documentary, best international film and best song, as well as best live action and documentary shorts.

The rules for each voting process vary, but in most categories a preliminary vote from industry specialists in each field is employed to create the shortlist and then the final five nominations, with the full membership of the Academy invited to vote on the winner.

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Francis Bacon: Revelations review – a landmark biography

From designing rugs in Paris to painting visions of human suffering … the origins of some of the 20th century’s most iconic artworks

Francis Bacon didn’t just create some of the most unforgettable images of the human figure in 20th-century painting. He created “Francis Bacon”, a legendary persona: big beast of the London art world, wild man and bon vivant, whose raw painterly gift – he is one of only three British artists to be given two retrospectives at the Tate Gallery in their lifetime – was matched by his appetite for champagne, gambling and rough sex with East End crooks. His death in 1992 triggered a run of tell-all biographies, including first-hand accounts by his friends. What further revelations, you wonder, can there be?

Most of the surprises in this landmark new biography of Bacon, the first for 25 years, concern his early life and career, which turn out to have been – at least outwardly – embarrassingly conventional. Born in Dublin in 1909 to Anglo-Irish gentry, Bacon grew up in a series of big country houses, with dashes to England during the Irish revolutionary period. He was severely asthmatic. One of his childhood memories was being shut into a dark cupboard by a housemaid for long periods; he said that the feeling of asphyxiation resembled an asthma attack. He also remembered the entire family hiding in their locked rooms at night, in dread of a visit from the IRA. Suffocation, confinement, a sense of terror – the foundations of Francis Bacon, man and artist, were being laid.

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How we made: Jane Asher and Roger Corman on The Masque of the Red Death

‘I hated the bath scene. They stuck awful little modesty circles on my nipples and they kept floating off’

My Edgar Allan Poe adaptations began in 1960 with The Fall of the House of Usher. I held off doing The Masque of the Red Death, because I felt it had some similarities to Ingmar Bergman’s The Seventh Seal, with its hooded figures, and I might be accused of copying. But it got to the point where it was the best unadapted one left, so I thought I’d go ahead and worry about it later.

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