Viet Thanh Nguyen: ‘I always felt displaced no matter where I was’

The Pulitzer-winning author on difficult second novel syndrome, using humour to explore trauma, and the return to a ‘more efficient version of American imperialism’

The Vietnamese-American author Viet Thanh Nguyen’s second novel, The Committed, is the sequel to his celebrated debut, The Sympathizer, a spy thriller set against the backdrop of the Vietnam war that was both a New York Times bestseller and winner of the 2016 Pulitzer prize for fiction. The Sympathizer established Nguyen as both a literary star and an advocate for displaced people around the world. In The Committed, his unnamed protagonist arrives, as a refugee, in 1970s Paris, looking to shore up his identity on a diet of drug-dealing gangsterism and poststructuralist theory. Nguyen is a professor of English, American studies and ethnicity, and comparative literature at the University of Southern California as well as a contributing opinion writer for the New York Times.

You’ve written about the ease of writing your first novel. How was it sitting down to write your second with a Pulitzer under your belt?
It was certainly more challenging, not necessarily because of heightened expectations but because of the publicity around the Pulitzer. I got very distracted doing interviews and lectures and all of that. With The Sympathizer I had two years of total concentration because nobody knew who I was. With The Committed, I had to write it in bits and pieces with lots of interruptions.

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Amanda Gorman tells of being followed by security guard who said she looked ‘suspicious’

Poet, acclaimed for her performance at Joe Biden’s inauguration, tweeted ‘this is the reality of black girls’

Amanda Gorman, the poet who won acclaim for her performance at Joe Biden’s inauguration, has told of being followed home and accosted by a security guard who allegedly claimed she looked suspicious.

She said the incident, on Friday night, was emblematic of “the reality of black girls” in the US, in which “one day you’re called an icon” but the next day considered a threat.

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‘It is the question of the century’: will tech solve the climate crisis – or make it worse?

Robots on coral reefs, vast barriers to hold back the glaciers, simulated volcanic eruptions to offset global heating ... Can technology repair the mess we have made? Elizabeth Kolbert is not convinced

Elizabeth Kolbert’s favourite movie is the end-of-the-world comedy Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb. For those who need a quick recap, this cold war film features a deranged US air force general who orders a nuclear attack on the Soviet Union using weapons developed by a mad Nazi scientist played by Peter Sellers. A last-minute glitch almost forestalls an apocalyptic war, but a gung-ho B-52 pilot has other ideas. He opens the bomb doors and mounts the H-bomb as if it were a horse, waving his hat and whooping as he rides the missile towards the world’s oblivion. No heroism could be more misguided. No movie could end with a blunter message: how on Earth can we humans trust ourselves with planet-altering technology?

The same absurdly serious question lies at the heart of Kolbert’s new book, Under a White Sky. The Sixth Extinction, her previous book, won a Pulitzer prize for its investigation into how mankind has devastated the natural world. Now she has widened her gaze to whether we can remedy this with ingenious technological fixes – or make things worse. “There was definitely a question left hanging: now we have become such a dominant force on planet Earth, and created so many problems through our intervention, what happens next?”, she says.

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Dr Seuss’s legacy of kindness has only been bolstered by his estate’s decision

We make changes to children’s books all the time. It’s important to ask: does the cultural value of this book outweigh the potential harm?

Children’s literature sits at an awkward crossroads, where it is expected to be art, education and moral instruction. Children’s books are designed to teach our kids to read, to teach them about the world, about themselves and their bodies, about how to be kind, about society’s morals and values.

This is true of all children’s literature, but it is particularly true of books by Theodor Seuss Geisel (Dr Seuss), which do all these things deliberately and explicitly. Which is why I’m not at all surprised that Seuss’s estate has decided to cease publication of six titles due to their racist portrayal of people of colour. To do otherwise would be disrespectful to Seuss’s legacy of kindness and empathy.

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World Book Day: five simple costumes anyone can make, even in lockdown

Are you left scrambling for paints and glue-guns every year? Never fear – here are some options that Donna Ferguson and nine-year-old Flora put together in less than 30 minutes

It’s World Book Day in the UK and Ireland today, one many parents approach each year with a stomach-clenching sense of dread. I know, because I used to be one of them. I cannot sew, I am useless at craft and I am not the most organised parent in the world. Or even in our house.

But my daughter Flora is nine, and I’ve learned a few tricks over the years. Armed with just four essential items – a professional face-paint kit, safety pins, a stash of coloured card and ribbons – I can throw together a World Book Day outfit in minutes, using the clothes in my daughter’s wardrobe. Here are five options using things most of us will already have in the house, and a good daytime activity that will cheer up those still remote-learning in the UK.

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Edna O’Brien to receive France’s highest honour for the arts

The 90-year-old Irish writer will be named commander of the French Ordre des Arts et des Lettres on Sunday

Edna O’Brien is to receive France’s highest cultural distinction, and be named commander of the French Ordre des Arts et des Lettres this week.

Related: Edna O’Brien on turning 90: ‘I can’t pretend that I haven’t made mistakes’

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‘Shocked by the uproar’: Amanda Gorman’s white translator quits

International Booker winner Marieke Lucas Rijneveld will not translate inaugural poet’s work into Dutch after anger that a Black writer was not hired

The acclaimed author Marieke Lucas Rijneveld has pulled out of translating Amanda Gorman’s poetry into Dutch, after their publisher was criticised for picking a writer for the role who was not also Black.

Related: 'My family are too frightened to read my book': meet Europe's most exciting authors

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‘The Earth could hear itself think’: how birdsong became the sound of lockdown

When the pandemic hit, the song of birds offered joy and hope. The author of a new book recalls that glittering spring and explains the science behind bird calls and how to identify them

It’s six in the morning and still dark, 24 March 2020. I wake early and, knowing the children will soon be up, decide to steal half an hour’s solitude in the park. From the dense latticework of trees and shrubs that clothe the wooded slope comes a constant scuttling through dead leaves. The darkness is awake and vigilant; there’s the warning tik-tik of an invisible robin from the bushes, and then the next second it appears on the path. Each individual movement of the bird, each wing-flick and pivot, is brisk and definite yet the overall impression is one of nervousness and indecision. It leaps round once more on the spot, then flits back into the darkness.

From close by comes a blast of song from a wren. Its harsh trill is like coarse twine zipping over a flywheel. The air is cool, not cold, and smells deliciously of earth and moss. There’s a sudden disturbance from the deeper shade, and a blackbird comes careering out with a mad clatter and pauses, alert, on the great arm of a beech tree. It’s evidently agitated. It flicks about the bough, dipping then raising its wings, and tilting its head all the while in response to something I can’t sense. After a few seconds of this twitching the bird seems to experience some sort of inner resolution, and, as the first beam of grey light wakes the colours of the tree, it raises its head and lets out a quiet phrase of song. Spring has arrived.

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‘I felt a strange grief when I found my birth mother’: Jackie Kay on The Adoption Papers

The poet explains how researching her history led her to tell the story from three perspectives: the birth mother, the adoptive mother and the daughter

In one way, I’d been writing the poems in The Adoption Papers for my whole life. I’d been making up an imaginary birth mother and father with my adoptive mother for years, since I was a kid. She would say of my birth father: “I’m picturing a Paul Robeson figure, Jackie, perhaps with a bit of Nelson Mandela mixed in.”

In another, I started writing the book when I was pregnant. It’s difficult when your writing infiltrates your life and vice versa, difficult to work out what actually happened and what didn’t. Your imaginative life is your reality.

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Megan Nolan: ‘When I think back, the way I drank was crazy. Everyone I knew did it’

The novelist talks about the heartache and hedonism that inspired her debut – and how writing helped her find a way out of the chaos of young adult life

Megan Nolan is weighing up how she feels about her relatives back home in Waterford, Ireland, reading her first novel, Acts of Desperation. She is not, she says, looking forward to it. I tell her that she might have to get used to it; I don’t live far from Waterford, and have noticed that she has already made the local newspaper (not to mention previews of 2021’s notable new voices in the Irish Times and the Observer). Anyway, what’s the problem? Everyone has been so supportive, she replies, “as soon as they heard that I was writing this book, and was having the book published, you know, everyone is so nice about it. And they’ll say, ‘I can’t wait to get it, and we’re going to have such a party when you get back.’ And then I just think: ‘Oh my God, they’re all going to buy it and be really moved that they’re buying it and then they’ll get home and have to read that.’”

“That”, she elaborates, is not exactly the sexual explicitness of Acts of Desperation’s depiction of a young woman’s life in Dublin, nor even its portrayal of prodigious boozing and partying, “but just that it’s so unhappy. You know, it’s quite a painful book to read. I just think, ‘I wish I could have given them a good experience.’”

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Canada spy agency unwittingly seeks double agent in Le Carré ad gaffe

CSIS included quote from A Perfect Spy in tweet about job postings, bewildering Twitter users

For an intelligence agency seeking new recruits, the promises of adventure and intrigue found within the pages of famous spy novels might seem like a useful recruiting tool.

But promoting a double agent who lies to his family, betrays his country and ultimately takes his own life, is possibly not a strategy that will produce the best candidates.

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Key Biden aide said pandemic was ‘best thing that ever happened to him’, book says

  • Anita Dunn said privately what aides ‘would never say in public’
  • Cautious campaigning won Covid battle with Trump
  • US politics – live coverage

A senior adviser to Democrat Joe Biden in his campaign for president believed “Covid is the best thing that ever happened to him”, a new book reports.

Related: Ruling on Trump tax records could be costliest defeat of his losing streak

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The soul of the city: San Francisco honors literary hero Lawrence Ferlinghetti

The co-founder of the City Lights Bookstore had global stature but remained a neighborhood fixture

By early afternoon, a small memorial of flowers and a can of Pabst had begun to accumulate outside the door of City Lights Books, to commemorate the death of its co-founder Lawrence Ferlinghetti.

And by the evening, a vigil for Ferlinghetti, one of the last living links to the Beat generation, was being held in the adjacent Jack Kerouac Alley, a tiny side street that separates the bookstore – a tourist attraction and official city landmark for decades – from the celebrated Beat hangout Vesuvio Cafe.

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Nude selfies: are they now art?

Lockdown has triggered a boom in the exchange of intimate shots – and now a new book called Sending Nudes is celebrating the pleasures and perils of baring all to the camera

Have you ever sent a nude selfie? The question draws a thick red line between generations, throwing one side into a panic while the other just laughs. And yet, as far back as 2009, that fount of moral wisdom, Kanye West, was advising how to stay safe. “When you take the picture cut off your face / And cover up the tattoo by the waist,” he rapped in Jamie Foxx’s song Digital Girl.

As the pandemic forces relationships to be conducted remotely, more people than ever are resorting to the virtual exchange of intimacies. Last autumn, a poll of 7,000 UK schoolchildren by the youth sexual health charity Brook put the figure at nearly one in five who said they would send a naked selfie to a partner during a lockdown.

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As a Black Lord of the Rings fan, I felt left out of fantasy worlds. So I created my own | Namina Forna

Author Namina Forna loved JRR Tolkien and CS Lewis’ books as a child, but saw little that resembled the magic and rich mythology she saw in Africa

When I was a child, I was what you would call a JRR Tolkien fangirl. I read The Lord of the Rings over and over. I traipsed around the countryside, imagining it was Middle-earth. With just a flight of imagination, I could be snug in the Shire, exploring the mines of Moria, or even flitting through the woods of Lothlórien.

When the first Lord of the Rings movie was finally released, I was 14 and so excited to see it. But immediately, I noticed something distressing: no one on screen looked like me. The darkest characters on screen, the orcs, were all male. Even as a monster, it seemed, there was no place for people who looked like me in Tolkien’s world.

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Eliot Higgins: ‘People accuse me of working for the CIA’

The founder of the online investigative collective Bellingcat talks about working with Alexei Navalny, open source reporting and the trouble with ‘cyber-miserablism’

Eliot Higgins launched Bellingcat in summer 2014, days after the Russian military shot down Malaysian Airlines MH17 over eastern Ukraine. The online outfit has broken a series of international scoops. In 2018 it discovered the identities of the two undercover assassins who poisoned Sergei Skripal in Salisbury. Last year Bellingcat revealed extraordinary details of the plot by Russia’s FSB spy agency to poison the opposition leader Alexei Navalny.

Higgins’s first book tells the story of how open source investigation has redefined reporting in the 21st century. He argues that the internet can still be a force for good, despite bad actors, complacent technology firms and an explosion in alternative “facts”. Higgins lives in Leicester with his wife, daughter and son.

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On my radar: Brett Anderson’s cultural highlights

The Suede frontman on his latest musical discoveries, the brilliance of Michael Clark and the enduring appeal of mudlarking by the Thames

Born in Sussex in 1967, Brett Anderson founded alternative rock band Suede in 1989 with then-girlfriend Justine Frischmann and childhood friend Mat Osman. Billed by Melody Maker as “the best new band in Britain”, Suede released five albums including their self-titled debut and Coming Up, before disbanding in 2003. Anderson went on to front the Tears and release four solo albums. In 2010 Suede reformed and released a further three albums, the latest of which is 2018’s The Blue Hour. Anderson will perform with Charles Hazlewood and Paraorchestra as part of the Gŵyl 2021 festival, 6-7 March.

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‘You can smell the sweat and hair gel’: the best nightclub scenes from culture

Writers and artists including Róisín Murphy, Tiffany Calver and Sigala on the art that transports them to the dancefloor during lockdown

There have been many notable nightclubs in film history. The Blue Angel in the Marlene Dietrich movie; the Copacabana in Goodfellas, accessible to privileged wiseguys via the kitchen; the Slow Club in Blue Velvet, with the emotionally damaged star turn Isabella Rossellini singing the song of the same name.

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TS Eliot winner Bhanu Kapil: ‘It’s hard to study something by standing in front of it’

The poet’s latest collection, How to Wash a Heart, was partly inspired by a news story about a liberal white couple taking in an Asian refugee

Bhanu Kapil’s fourth poetry collection, Schizophrene, relays a scene from India’s partition. A girl fleeing her childhood home glimpses, through a hole in the cart in which she’s hidden, countless women tied to trees on the newly drawn border with Pakistan, their stomachs cut out. “This story, which really wasn’t a story but an image, was repeated to me at many bedtimes of my own childhood,” Kapil writes. This image was, in fact, “a way of conveying information”.

Throughout her work, Kapil examines the intergenerational effects of a historical silence that has slowly lifted over the largest mass migrations in history, which was also one of the most violent. These images demonstrate how colonial violence embedded in the heart of the British empire breeds racial trauma for migrants within its own borders. As she writes, again in Schizophrene, “it is psychotic not to know where you are in a national space”.

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Unseen work by Proust announced as ‘thunderclap’ by French publisher

The Seventy-Five Pages, out next month, contains germinal versions of episodes developed in In Search of Lost Time and opens ‘the primitive Proustian crypt’

For everyone who decided to bite the madeleine and read all 3,000-odd pages of Marcel Proust’s In Search of Lost Time during lockdown, what’s one more book? French publisher Gallimard has announced that it will be releasing a never-before-published work by the great French writer: Les Soixante-quinze feuillets, or The Seventy-Five Pages, on 18 March.

The texts in The Seventy-Five Pages were written in 1908, around the time Proust began working on In Search of Lost Time, which was published between 1913 and 1927. The papers were part of a collection of documents held by the late publisher Bernard de Fallois, who died in 2018. During his lifetime, De Fallois oversaw the posthumous publication of several Proust works including Jean Santeuil, Proust’s abandoned first novel from the 1890s.

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