Category Archives: Music

Sophie: 10 of the greatest tracks by a genius of pop’s expressive power

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From productions for Charli XCX and Gaika to Sophie’s emotionally shattering solo works, we celebrate a truly singular artist who has died aged 34

This was the track that brought Sophie, the Scottish producer who has died aged 34 following an accidental fall, to wider attention, and how could it not. The opening sounds like an alert announcing a malfunction on a clown car assembly line, all sproings and sirens; these polished, corporate sonics would become a hallmark of the producer’s early work, revelling in the kitsch of the smartphone age. But unlike producers with similar satiric intentions like James Ferraro and Oneohtrix Point Never, you could dance to Sophie – and Bipp is so deliriously danceable.

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John Mayall’s teenage obsessions: ‘I lived in a tree house until I got married’

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As a huge box set of his work is released, the 87-year-old British bluesman reminisces about the thrill of discovering boogie-woogie piano and buying his first six-string in Japan

I lived in Acre Lane in Cheadle Hulme, Greater Manchester, and became a teenager on 29 November 1946. My parents had divorced and I lived with my mother and my grandfather. The house was a bit crowded, so I built a tree house in the garden, which basically became my room, my world. I built it with window frames and tarpaulin, but eventually it had a paraffin lamp, a bed and all my 78rpm records and such up there. It was about 25ft (7.6 metres) up an oak tree.

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Nancy Sinatra: ‘I’ll never forgive Trump voters. I hope the anger doesn’t kill me’

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She may be 80 and cut off by Covid, but she’s still ready to walk all over Donald Trump. As her greatest songs are reissued, she reflects on the sexual politics of the 60s, her friendship with Elvis and her hopes for peace in the US

Nancy Sinatra has one of the most famous surnames in America, but she has struggled to feel proudly American of late. It’s a couple of weeks away from the inauguration of Joe Biden, and the singer and film star is recalling Donald Trump’s preparations for his own inauguration in 2017: his first dance with his wife Melania would be to her father’s signature hit, My Way.

Sinatra was disgusted. Her father was no fan of Trump: according to Frank’s former manager, he told Trump to “go fuck himself” after the billionaire refused to meet Frank’s fee for a 1990 performance at an Atlantic City casino. Nancy, in a since deleted tweet to Trump, wrote: “Just remember the first line of the song.” My Way begins: “And now the end is near.”

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Bridgerton inspires rise in demand for classical pop song covers

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Netflix drama’s use of string versions of Ariana Grande and Billie Eilish hits has tripled streaming figures for Vitamin String Quartet

The success of Netflix’s Bridgerton has produced some unexpected trends, such as huge increases in people searching online for Regency fashion items including corsets. But the latest is a dramatic rise in the number of people streaming classical cover versions of contemporary pop songs.

Vitamin String Quartet, the group that provide most of the classical versions of Ariana Grande, Billie Eilish and Maroon 5 songs in the modernised costume drama, have had a 350% increase in the number of people streaming their work since the show was released in December.

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Kyrgyzstan ballads, Okinawan folk, Ugandan hymns … the album rewriting global music history

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Excavated Shellac rejects the western canon of pop, rock, jazz, classical and more to champion 78rpm gems from overlooked corners of the world – ‘an alternate universe’, according to the man behind it

Imagine an anthology of 20th-century music making that purposely ignored pop, rock, jazz, blues, country, classical and opera. Cue outrage, at least from English-speaking listeners. But away from the western canon that has come to dominate our conception of music-making, much of the world was busy creating swathes of very different, extremely beautiful music.

These overlooked styles are collated on a new 100-track compilation, An Alternate History of the World’s Music, and presumptuous as it may seem to announce that the best album of 2021 has already been released, to my mind it’s unlikely it will be topped. Helmed by Dust-to-Digital, the US label that has done a magnificent job with box sets chronicling overlooked areas of pre-second world war music, the digital release also features a 186-page ebook (complete with beautiful illustrations like the ones here), in which every tune gets discussed – the first is a South African miner’s protest against police brutality, the last a sultry Cuban dance tune whose singers sound like they might have been hitting the rum while recording. This sonic smorgasbord from across the globe lives up to the provocative title, with music from Afghanistan, Sudan, the former Yugoslavia, Uganda, Spain, Albania, Mongolia, Mexico and elsewhere. Ever wondered what the Crimean Tartar Orchestra might sound like? Well, their raucous, minor key, brass party music is fabulous.

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Someone you loved: how British pop could fade out in Europe

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Brexit rule changes that make it tricky to tour the EU will hold back UK artists from a fast-growing market

Limiting UK artists from working and touring in the EU post-Brexit will destroy the development of British music, say European industry experts, amid thriving competition from German rap, Spanish pop and more.

British artists now face the need for visas, work permits and equipment carnets when working in the EU, with emerging acts most likely to feel the impact of this costly and time-consuming admin. Over the last month, the UK and the EU have blamed each other for the inability to strike a deal to help the creative industries.

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Jon Bon Jovi on wealth, love and his ugly tussle with Trump: ‘It was seriously scarring’

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The big hair and bombast have long gone and the thoughtful singer-songwriter remains. He talks about politics, pain and meeting his wife of 40 years in history class

Jon Bon Jovi is singing Livin’ on a Prayer to me. No, this is not another crazy lockdown dream; it is actually happening.

“Tommy used to work on the docks …” he begins, strumming a guitar he produces out of nowhere, his still impressive bouffant (“I’m the only man in my field brave enough to let it go grey!”) bouncing in time to the music.

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Goat Girl: ‘We’re seen as harmless because we’re not men’

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With a member diagnosed with cancer and their politics deepened by BLM, the south London indie quartet have reassessed their priorities ahead of their excellent second album

South London quartet Goat Girl were deep into making their second album when it became clear that something was very wrong with their youngest member, guitarist-vocalist Ellie Rose Davies. At the end of 2019, she had had lumps on her neck for some time, which eventually spread to both armpits. It wasn’t until the 23-year-old’s “fourth or fifth” trip to the doctors that she was finally referred for a blood test, then a biopsy. “By which time the cancer was at stage four,” she says.

Davies had Hodgkin lymphoma, a cancer of the blood, and had to start a six-month course of chemotherapy immediately. “We were pretty worried because we knew it was getting worse,” says their bassist, Holly Mullineaux. They had been mixing the record with their producer, Dan Carey, when Davies got her results, “and we all just started crying”.

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Suzi Quatro: ‘At 70, I zip up the jumpsuit and feel like me’

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As a bass-playing, leather-clad lead singer, Quatro paved the way for a new generation of female rock stars in the 70s. She talks about fending off predatory men, carrying a knife for protection and why she still wears her famous jumpsuit

Suzi Quatro is remembering a “pivotal moment”. It was 1973, and the RAK Records boss, Mickie Most, asked her what she would like to wear to promote her wonderfully raucous single, Can the Can. “When I said leather, he said that was old-fashioned, but I stuck to my guns,” she recalls. Most relented, sketching a jumpsuit inspired by Jane Fonda’s character in the 1968 film Barbarella. “I went to the photo shoot in the jumpsuit and the photographer Gered Mankowitz said: ‘Suzi, give me that Suzi Quatro look.’ And all of a sudden, I had a look I didn’t know I had. I swear to God I didn’t know it was sexy until we got the photos back. He said: ‘Come and look.’ And I just went ‘Oh …’”

Can the Can rocketed to No 1, followed by smashes such as 48 Crash and Devil Gate Drive , numerous Top of the Pops appearances and 55m record sales to date.

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Raw, brave, wild and honest: why Germany is Europe’s greatest artistic nation

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Germany became a unified state 150 years ago this week – and no other country has produced such original, provocative and powerful art since, from Richter to Klee, from Dix to Höch

Situated on the edge of the Alps, Neuschwanstein Castle may not look like the birthplace of modern art. Best seen from a perilously crowded footbridge across a vertiginous gorge, it floats in misty rains, a cloudy dream of white spires and battlements. Yet this 19th-century colossus is an architectural homage to one man: a composer who inspired the avant garde to make the leap to modernism.

Richard Wagner’s music so enflamed King Ludwig II of Bavaria, he built this magnificent medieval vision in honour of the composer. But, in artists across Europe, Wagner’s musical might released much more futuristic impulses. The abstract leitmotifs and unearthly symbolism of his operas fascinated artists from Aubrey Beardsley to Paul Cézanne. The impressionists, too, were entranced: Renoir travelled to Palermo, Sicily, to portray Wagner when he was composing Parsifal.

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The day my voice broke: what an injury taught me about the power of speech

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When I damaged my vocal cords, I was forced to change the way I spoke – and discovered how much our voices reveal who we are

Some years ago, I was invited by my then boss, Jann Wenner, the owner of Rolling Stone, to be the lead singer in a band he was putting together from the magazine’s staff. I had just turned 41, and I jumped at the opportunity to sustain the delusion that I was not getting old. “Sign me up!” I said.

My chief attributes as a singer included impressive volume and an ability to stay more or less in tune, but I was strictly a self-taught amateur. I had, for instance, never done a proper voice warmup, and had certainly never been informed that the delicate layers of vibratory tissue, muscle and mucus membrane that make up the vocal cords are as prone to injury as a middle-aged knee joint. So, on practice days, I simply rose from my desk (I was finishing a book on deadline and spent eight hours a day writing, in complete silence), rode the subway to our rehearsal space in downtown Manhattan, took my place behind the microphone and started wailing over my bandmates’ cranked-up guitars and drums.

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How we made: All Together Now by the Farm

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‘Pills were just starting to flow in Britain. We thought: “What will this sound like in a club with people off their heads?”’

The origins of All Together Now go back to 1981. Michael Foot had been the centre of tabloid outrage after wearing what the papers called a “donkey jacket” at the Cenotaph on Remembrance Sunday. He later revealed that it was an £800 coat from Harrods which the Queen Mother had actually complimented him on, but the outrage made me angry. I thought the soldiers in the trenches would be more annoyed with the top brass that sent them to the front than, decades later, a Labour party leader’s attire. I’d trained as a history teacher and this incident inspired me to read more about the first world war. I chanced upon an article about the unofficial truce in 1914, when British and German troops came out of the trenches to play football with each other for Christmas. I wrote a song called No Man’s Land and we recorded it for a John Peel session. A couple of years later Paul McCartney released Pipes of Peace, with the same theme. I thought: “Bastard!”

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Phil Spector brought joy to pop music – and misery to so many lives

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Spector’s ‘Wall of Sound’ technique gave his artists’ music an infectious joie de vivre, but the man behind it was damaged, bitter and violent

Three years before his death in 2006, I interviewed Gene Pitney. Talk inevitably turned to Phil Spector. He had written Spector’s real breakthrough record – the Crystals’ 1962 No 1 He’s a Rebel – unequivocally one of the greatest singles in pop history, a perfect cocktail of soaring melody, echo-drenched production and Darlene Love’s exuberant vocal. A year before that, he’d sung Every Breath I Take, which, with its rumbling timpani, overload of backing vocals and dramatic orchestration, was one of the few early Spector productions to hint at the more-is-more Wall of Sound approach that would make him a legend. And, moreover, Spector was, as Pitney put it, “kind of a hot news item”: he was awaiting trial for murder.

Like a lot of people who knew Spector, Pitney seemed horrified yet oddly unsurprised at this turn of events, as if something like that was bound to happen sooner or later: the booze, the drugs, the evident instability, the obsession with guns and the history of violence towards women. Spector, he suggested, had been in trouble from the start. “I had dinner with him the first day he arrived in New York, and he said to me that his sister was in an asylum and she was the sane one in the family,” he recalled. “I thought, ‘Wow, where did that come from?’”

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Phil Spector, pop producer convicted of murder, dies aged 81

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Producer who revolutionised music in 1960s with his ‘wall of sound’ dies while serving sentence

Phil Spector, the music producer behind some of pop music’s biggest hits, has died aged 81 while serving a prison sentence for murder.

Media reports said Spector, who had been sentenced to 19 years to life for murdering the actor Lana Clarkson, died after being diagnosed with Covid-19 four weeks ago.

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On my radar: Jason Williamson’s cultural highlights

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The Sleaford Mods frontman on a favourite singer-songwriter, a hellish horror film and why he spends seven hours a day on Twitter

Jason Williamson, lead vocalist of English electronic punk music duo Sleaford Mods, was born in Grantham, Lincolnshire in 1970. He moved to Nottingham in 1995, where he began working with rock band Spiritualized and electronic duo Bent. In 2009, he met Andrew Fearn and they released the first Sleaford Mods album, Divide and Exit, in 2014. They have since been called “the voice of Britain” by their fans and “the world’s greatest rock’n’roll band” by Iggy Pop. Their latest album, Spare Ribs, is out now on Rough Trade Records. The band will tour the UK in late 2021.

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Simon Rattle decries Brexit as he applies for German citizenship

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Conductor laments impact on UK musicians’ careers and describes application as ‘absolute necessity’

The conductor Simon Rattle, who announced this week that he was cutting short his tenure at Britain’s leading orchestra to return to Germany, has applied for German citizenship after Brexit.

The Liverpool-born musician lamented the barriers thrown up by Britain’s departure from the European Union to the careers of young musicians who had grown used to performing freely to the continent’s music-hungry public.

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Sylvain Sylvain was the visionary eye of the New York Dolls’ storm

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The guitarist who never lost his defiant streak brought solidity and swashbuckling style to one of the 70s’ wildest bands

There is a story that Sylvain Sylvain liked to tell about his arrival in New York City. He was Sylvain Mizrahi then, a seven-year-old Syrian Jew whose family had fled Egypt for the US during the Suez crisis. “I was probably one of the last immigrants to sail into New York harbour to be greeted by the Statue of Liberty,” he recalled. “I would be standing there in my fucking brown shoes and people would say, ‘You speak English?’ I’d say no. They’d say, ‘Fuck you.’ The first words I learned when I got off the boat were ‘fuck you.’”

Related: Sylvain Sylvain, showboating guitarist of New York Dolls, dies aged 69

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The true story behind the viral TikTok sea shanty hit

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Rediscovered song, which has a ‘cheerful energy’, was likely written by a teenage sailor or shore whaler in New Zealand in the 1830s

Even from “the back of nowhere, far from any city” – not to mention the sea – John Archer caught wind of the sea shanty revival before anyone else.

From his home in landlocked Ōhakune, Archer had noticed a sharp uptick in visitors to the New Zealand Folk Song website he set up in 1998. One 19th-century seafaring epic was of particular interest: Soon May The Wellerman Come.

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Dave Grohl’s teenage obsessions: ‘I learned drums by arranging pillows on my floor’

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Ahead of the 10th Foo Fighters album, their frontman recalls the music and scenes that made him – from punk gigs in Chicago to sleeping on floors in Italian squats

Before I was a teenager, I started playing music in my bedroom by myself. I fell in love with the Beatles, then began to discover classic rock. I went from Kiss to Rush to AC/DC, but in 1983 I discovered punk rock music through a cousin in Chicago. My world turned upside down. My favourite bands were Bad Brains and Naked Raygun; I listened to Dead Kennedys and Black Flag. My introduction to live music came when my brother took me to a punk show in a small bar in Chicago. I didn’t have that festival/stadium/arena rock experience; I just saw four punk rock dudes on the stage, playing this fast three-chord music, with about 75 people in the audience climbing all over each other. It changed my life. One of the most prolific scenes in hardcore American punk rock was in Washington DC, just across the bridge [from Grohl’s home town of Springfield, Virginia]. So I started going to see bands like Minor Threat and Fugazi. By the time I was 14, I was cutting and dyeing my hair and wearing leather jackets. All I wanted to do was leave school, jump in a van and tour shitty basement clubs with my punk band.

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‘I came up a black staircase’: how Dapper Dan went from fashion industry pariah to Gucci god

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In the 1980s, his Harlem store attracted famous athletes and musicians. Then the luxury brands got him shut down. Now, at 76, he’s more successful than ever – and still on his own terms

It was a mentor on the gambling circuit in Harlem, New York, who gave Daniel Day the moniker that would make him famous. Day was just 13, but had revealed himself to be not only a better craps player than his guide, who was the original Dapper Dan, but also a better dresser. So it came to be that Day was christened “the new Dapper Dan”.

It wouldn’t be until decades later that Day would truly make his name. Dapper Dan’s Boutique, the legendary Harlem couturier he opened in 1982, kitted out local gamblers and gangsters, then later hip-hop stars and athletes such as Mike Tyson, Bobby Brown and Salt-N-Pepa. His custom pieces repurposed logos from the fashion houses that had overlooked black clientele. A pioneer in luxury streetwear, Day screenprinted the monograms of Gucci, Louis Vuitton, MCM and Fendi on to premium leathers to create silhouettes synonymous with early hip-hop style: tracksuits, bomber jackets, baseball and kufi caps. In the process he became a pariah of the fashion industry – and to this day, now aged 76, still one of its great influencers.

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