‘I got the shotgun. You got the briefcase’ – how The Wire’s Omar changed TV

He was the terrifying stick-up man who loved his gran, shopped in his pyjamas and tenderly kissed his boyfriend. We remember Omar’s great scenes – and pay tribute to Michael K Williams, the actor who brought him to life

Playing stick-up man Omar Little on The Wire, Michael K Williams was tough, frightening and brutal – his face scarred, his smile wide, toting a shotgun and wearing a long trenchcoat. So viewers of David Simon’s intricate TV portrait of Baltimore’s streets, docks, schools and politics felt the rug pulled from under them when they first saw him kiss his boyfriend in episode four of season one.

It was a moment that subverted audience expectations and signalled the complexity, ambition and depth that The Wire – which is often placed at or near the top of lists of the all-time greatest TV shows – was aiming to achieve. This is not a character you’ve seen before, the show seemed to be saying. These aren’t your usual stereotypes and cliches. A similar moment saw Idris Elba’s drug chief Stringer Bell attend a business studies class.

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The Wire star Michael K Williams dies aged 54

The actor was best known for his role as Omar Little in the HBO series, and also starred in Boardwalk Empire

The actor Michael K Williams, best known for his role as Omar Little in The Wire, has died at the age of 54.

Confirming his death to the Hollywood Reporter, Williams’s representative said that it was “with deep sorrow that the family announces the passing of Emmy-nominated actor Michael Kenneth Williams. They ask for your privacy while grieving this unsurmountable loss.”

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‘I went to school drunk in a bikini’: how Sophie Willan turned her chaotic life into sitcom gold

She won a Bafta for Alma’s Not Normal – and that was just the pilot episode. As the full series launches, the ex-standup talks about growing up in care, getting the comedy bug in Ibiza and finally hitting the big time

Earlier this year, Sophie Willan went through an extraordinary run of extreme highs and lows. She was filming her sitcom Alma’s Not Normal, a project she started working on years ago, when her grandmother died. She had brought Willan up for part of her childhood and inspired a character in the show. The day after, Willan found out she had been Bafta nominated for comedy writing.

A few weeks later, while she watched the ceremony on a laptop on a picnic bench outside the converted barn she was staying in, Willan was named the winner. Her response, posted on Instagram by castmate Jayde Adams, is the most joyous thing you may see all year: Willan takes off on a victory lap, magnificent red sequinned dress matching a tractor in the background, sprinting and shouting “What the fuck?” over and over. “I woke up all the kids that had been put to bed in the house next door,” says Willan, laughing. “It was fabulous. It was surreal.”

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Sarah Harding, singer with Girls Aloud, dies aged 39 from breast cancer

Fans and figures from show business pay tribute to pop star who was diagnosed in August 2020 and wrote memoir during her illness

The pop singer and TV personality Sarah Harding, who had 21 UK Top 10 singles as a member of Girls Aloud, has died aged 39 from breast cancer.

Her mother, Marie, announced her death on Instagram, prompting a flood of tributes from fans and figures from show business. Geri Horner, the Spice Girls singer and a judge on the TV talent show that created Girls Aloud, wrote: “Rest in peace, Sarah Harding. You’ll be remembered for the light and joy you brought to the world. X”

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‘Images were suddenly powerless’: how the arts responded to 9/11

On the 20th anniversary of the attack on New York’s Twin Towers, we consider how artists, writers, film-makers and comedians have attempted to grasp that momentous day and it’s legacy

As the world clustered, transfixed, around television screens, watching and rewatching footage of a plane gliding into the top of New York’s twin towers and a tiny, anonymous man plummeting to earth, another scene was unfolding on the ground, as panic-stricken families stumbled through the smoke and rubble to gather up their children from schools and kindergartens.

Art Spiegelman and Françoise Mouly stood four blocks away with their daughter, watching the second tower fall “in excruciatingly slow motion”. As art director of the New Yorker magazine, Mouly knew that she would have to come up with a rapid response. “I felt that images were suddenly powerless to help us understand what had happened. The only appropriate solution seemed to be to publish no cover image at all – an all-black cover. Then Art suggested adding the outlines of the two towers, black on black. So from no cover came a perfect image, which conveyed something about the unbearable loss of life, the sudden absence in our skyline, the abrupt tear in the fabric of reality,” she later recalled.

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Last Night in Soho review – a gaudy romp that’s stupidly enjoyable

Edgar Wright’s time-travel film plays like a 60s pop song building towards a big climax

The nostalgia gauge is code-red on Last Night in Soho, a gaudy time-travel romp that whisks its modern-day heroine to a bygone London that probably never existed outside our fevered cultural imagination. It’s the era of Dusty Springfield and Biba; great music, cool threads. British writer-director Edgar Wright takes a grab-bag of 1960s ingredients, paints them up and makes them dance to his tune. His film is thoroughly silly and stupidly enjoyable. To misquote William Faulkner, the past isn’t dead, it’s propping up the bar at the Café de Paris.

“You like that retro style, huh?” a classmate remarks to Eloise Turner, a 21st-century design student – and you can bet your house she does. Eloise is up from deepest Cornwall to attend the London College of Fashion, still haunted by her mother’s suicide and struggling to find her feet in a city that’s not like the one she expected. Thomasin McKenzie plays her as your classic fairytale ingenue, guileless and wide-eyed, entirely out of her depth. She’s eyeing the future but her feet are stuck in the past.

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Life, death and gabagool: how The Sopranos explains everything

Ahead of the release of prequel The Many Saints of Newark, a look at how David Chase’s classic mob drama saw the world in a grain of parmigiano

In 1999, a 40-year old Italian-American man started a course of therapy and created a new template for prestige television. The Sopranos, David Chase’s smash-hit TV series, was about the nasty inner workings of the DiMeo crime family. It was also about a mafioso’s midlife crisis, his children and his marriage, his debilitating anxiety and lurid nightmares.

Related: The Guide: Staying In – sign up for our home entertainment tips

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The D’Amelio Show: what do you do with TikTok fame?

The new reality show on Charli and Dixie D’Amelio attempts to transfer one kind of gargantuan fame into another with mixed results

“I get asked why I’m famous a lot,” says Charli D’Amelio, the most followed person on TikTok, early in the third episode of her family’s new Hulu reality show. Just two years ago, she was a high school sophomore in suburban Connecticut posting snippets of dances and jokes with friends to the app. Now 17, she has 123.6 million followers on the app; she and her sister Dixie, 20, are two of the most recognizable faces among Gen Z, superstars on the most culturally influential social media platform in the country right now.

Yet “I don’t consider myself famous,” she says. “I’m just a person that a lot of people follow for some reason. I think it was right place, right time. I think it was a vibe, maybe, that I give off.”

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China bans reality talent shows to curb behaviours of ‘idol’ fandoms

Broadcasters ordered not to promote ‘sissy’ men in attempt to reshape country’s entertainment industry

China has banned some reality talent shows and ordered broadcasters not to promote “sissy” men, in the latest attempt to reshape the culture of the country’s huge entertainment industry that authorities believe is leading young Chinese people astray.

“Broadcast and TV institutions must not screen idol development programmes or variety shows and reality shows that feature the children of celebrities,” China’s broadcast regulator, the National Radio and Television Administration said, in new regulations announced on Thursday.

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Why is Spike Lee’s 9/11 docuseries so controversial?

His new HBO series has been re-edited after backlash over featuring 9/11 ‘truthers’ – but a thread of distrust remains

Spike Lee is no stranger to controversy, but pre-emption is new for him. His incendiary work has inspired scandals both righteous (Do the Right Thing frightened a complacent America with its vision of urban unrest) and regrettable (the Jewish club owners in Mo’ Better Blues attracted charges of antisemitism), and now, his new docuseries NYC Epicenters 9/11 —> 2021½ has landed him in the same hot water that never seems to cool.

Related: Two decades after 9/11, the real threat to the US is our own far right | Harsha Panduranga

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Frank Oz on life as Fozzie Bear, Miss Piggy and Yoda: ‘I’d love to do the Muppets again but Disney doesn’t want me’

He played some of the most memorable characters of all time on The Muppet Show and Sesame Street - then became a brilliant comedy director. What is he most proud of?

I ask Frank Oz if he feels like the Paul McCartney to Jim Henson’s John Lennon, the one left behind to carry the flame after his revered creative partner suddenly and shockingly died. Oz takes a deep breath and turns his head to the side, thinking.

If you grew up in the 1970s and 80s, your childhood was shaped by Henson and Oz and their work with the Muppets, just as the kids who grew up in the 50s and 60s did so in the shadow of Lennon and McCartney. Even if you weren’t a devoted fan of the Muppets themselves, you couldn’t help but take in their influence osmotically, what with The Muppet Show, Sesame Street, the Muppets movies and Labyrinth swirling in the atmosphere. I was pretty much raised on the Muppets, just as I now raise my own kids on them, and I cannot remember a time when Henson and Oz’s creations were not stamped in my mind’s eye.

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Ed Asner, who played Lou Grant in two hit shows, dies aged 91

  • Actor shone in The Mary Tyler Moore Show and spin-off
  • Spell as Screen Actors Guild president ended over liberal views

Ed Asner, a burly and prolific character actor who became a star in middle age as the gruff but lovable newsman Lou Grant, first in the hit comedy The Mary Tyler Moore Show and later in the drama Lou Grant, died on Sunday. He was 91.

Related: Ed Asner obituary

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Sex Education’s Aimee Lou Wood: ‘I was in so much pain underneath it all’

As the high school comedy returns for a third series, its Bafta-winning star talks about stage fright, embarrassing scenes, and the torment that lay behind her desire to please people

In June, Aimee Lou Wood, 26, won a Bafta for best female performance in a comedy programme for her role as another Aimee (a teenager) in the hit Netflix show Sex Education, about a set of sexually active high school students, now returning for a third series. Even before the Bafta, Wood was always being stopped in the street. Fans wanted to talk to her, about Sex Education, about everything, because they related to her so strongly. Wood is naturally so friendly, she’d engage in conversation and make herself late. Then she starred opposite Bill Nighy in the forthcoming Oliver Hermanus film, Living: “Obviously, every single person recognises Bill Nighy, and he handles it with such grace,” Wood says, when we meet to talk in a north London photo studio. “With people in the street, I was like [she mock hyperventilates]: ‘Did I say the right thing? Was I nice enough?’ Now I’m learning to be: ‘Thank you so much!’ and carry on walking.”

It’s easy to see why fans relate to Wood: never mind the dazzling prettiness, she’s sparky, warm and expressive. She comes from a working-class family in Stockport, Greater Manchester, and although, following her parents’ divorce, her mother’s new partner paid for her to attend a private secondary school, she kept her rich Mancunian tones: “I sound like my mum and I like that. I like that I sound like where I’m from.”

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Beyond normal: new novel brings Sally Rooney mania to bookshops across UK

Many shops plan to open early for the arrival of Sally Rooney’s latest novel, Beautiful World, Where Are You next month

When they were children they lined the streets in their witch hats and capes, keen to pick up the latest Harry Potter title as bookshops opened their doors at midnight. Now they are a little older, the prospect of a tussle with some millennial emotions could see them queuing around the block again on 7 September, as dozens of bookshops plan to open early for the arrival of Sally Rooney’s latest novel, Beautiful World, Where Are You.

In a nationwide promotional push, prompted by signs of big public demand, freshly printed copies of the Irish author’s third novel are to be served to customers with special commemorative merchandise as they enjoy a coffee and pastry.

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From Shonda Rhimes to Armando Iannucci: 10 of the best TV showrunners

A celebration of the brains behind some of the small screen’s biggest and best shows, including The Wire, Grey’s Anatomy and Friends

Since graduating from the US remake of The Office, Schur has done more than anyone to develop its ethos of making comedy that’s cool without being unkind. He was the boss of Parks and Recreation, which recovered from a so-so start to become truly beloved. Then The Good Place wowed us with primary colours and slyly intelligent philosophising. He co-created Brooklyn Nine-Nine, too.

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Vinnie Jones: ‘My career flew off the rails. The wheels were going. There wasn’t a spare seat!’

The footballer-turned-movie hard man is back, starring in a new Footsoldier film. He talks about how his film and TV career exploded and refinding his dignity

I am, obviously, scared of Vinnie Jones. Even though he is calling from New York, 3,000 miles and five hours away, I keep expecting him to click his neck three times and pull me into a breathless headlock. But instead, he is sleepy and then charming, and doesn’t threaten to kick my face in once.

He is sleepy because he was up until 2.30am shooting Law & Order: Organized Crime, in which he appears in the recurring role of Albanian gangster Albi. “Going toe-to-toe with Christopher Meloni,” he smiles, “a legend in the acting world.”

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Cancel Me: John Cleese to present Channel 4 show on ‘woke’ thought

Comedian to interview ‘cancelled’ subjects while examining ‘all aspects of political correctness … there’s so much I don’t understand’

John Cleese will take on the topic of “cancel culture” in a forthcoming television series for the UK’s Channel 4.

The new documentary will reportedly explore “why a new ‘woke’ generation is trying to rewrite the rules on what can and can’t be said”.

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Jeanie Finlay: ‘I don’t film alpha males. They don’t need more exposure’

She spent a year in her room as a teenager, and now makes heart-wrenching documentaries about people looking for safe spaces in record shops, on goth cruises – and even on the set of Game of Thrones

There are many wonderful moments in the films of Jeanie Finlay but my current favourite is in Seahorse, her intimate and profoundly moving 2019 documentary about the struggles of transgender man Freddy McConnell to conceive and give birth to his own child. The scene takes place during a party at Freddy’s mum’s house as a room full of family friends, all women, talk to Freddy about the clothes he’ll wear during pregnancy.

Related: ‘It’s so normalised you think it’s part of your job’: the woman who lifted the lid on harassment in TV

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Nicole Ari Parker to join Sex and the City reboot in place of Kim Cattrall

Boogie Nights star reportedly cast as Carrie Bradshaw’s best friend in HBO Max series And Just Like That …

Nicole Ari Parker has been billed to replace Kim Cattrall in the Sex and the City reboot, following the backlash that accompanied the news that the era-defining show’s most iconic character was done with the series.

Ari Parker, known for starring in the acclaimed series Empire as well as Paul Thomas Anderson’s Boogie Nights, will reportedly replace Cattrall as the fourth member of the New York friend group. According to the Mail on Sunday, Ari Parker, 50, will play Carrie Bradshaw’s new best friend, documentary-maker Lisa Todd Wexley.

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The Handmaid’s Tale: will the TV hit break its cycle of cruelty?

Season four of the drama based on Margaret Atwood’s novel has seen Elisabeth Moss’s June in near-constant peril. However, it seems her latent rage could be the thing that sets her free

I find myself wondering why I am still so invested in The Handmaid’s Tale on a weekly basis, as the camera slowly closes in on Elisabeth Moss’s face, her character June pained and broken by cruelty after cruelty. The apocalyptic drama is coming to the end of its fourth run, and when this season began, it found itself boxed into an inevitable corner. How could it sustain the story far beyond Margaret Atwood’s novel, without keeping its characters in a cage, and becoming an unrewarding display of relentless misery?

It had begun to go around in circles. June would defy the rules, escape the authorities, get captured, undergo torture, and then begin the whole cycle again. It made it hard for viewers to feel satisfaction in her victories. What was the point in rooting for her, if she would inevitably end up back at the start?

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