Supermodel Karen Elson on fashion’s toxic truth: ‘I survived harassment, body shaming and bullying – and I’m one of the lucky ones’

She has been at the top of the industry for decades. Now she’s speaking out about the dark reality of life behind the scenes

When Karen Elson was a young hopeful trying to make it in Paris, a model scout took her to a nightclub. After long days on the Métro trekking to castings that came to nothing, and evenings alone in a run-down apartment, she was excited to be out having fun. The music was good and the scout, to whom her agent had introduced her, kept the drinks coming. She started to feel tipsy. A friend of the scout’s arrived, and the pair started massaging her shoulders, making sexual suggestions. “I was 16 and I’d never kissed a boy,” she recalls. “It was my first experience of sexual – well, sexual anything, and this was sexual harassment. They both had their hands on me.”

She told them she wanted to go home, and left to find a taxi, but they followed her into it, kissing her neck on the back seat. When they reached her street, she jumped out, slammed the taxi door and ran inside. The next day she told another model what had happened, and the scout found out. “His reaction was to corner me in the model agency and say: ‘I’ll fucking get you kicked out of Paris if you ever fucking say anything ever again.’”

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Hannah Gadsby – Body of Work: a joyful guide to blasting Netflix and messing with Christian bakers

Joan Sutherland Theatre, Sydney Opera House
The Australian comedian has opted for a feel-good show, but without any easy sentimentality

What better way to symbolise your favourable turn in fortune than with adorable bunnies, the sign of good luck? Comedian Hannah Gadsby has marked her return to the Sydney Opera House with four rabbits across the stage, though you will probably first notice the one in the Joan Sutherland theatre that functions as a lantern, a beacon of hope.

Of course, none of these rabbits are alive, which turns out to be apt, given the desecration of one unlucky bunny that hopped into the middle of the performer’s toxic relationship with an ex she struggled to shake off and another that emits a high-pitched squeal of terror as it crosses paths with Gadsby, her new wife and producer, Jenney Shamash, and their two dogs, Douglas and Jasper, on an outdoor stroll.

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And Just Like That: bad jokes are the least of its problems

Some franchises cannot endure, it turns out – but, happily, old box sets live forever

Good sex, like good comedy, relies on timing, and maybe, 17 years after the original show ended, 11 years after the second film departed cinemas, Sex and the City no longer has its finger on the clitoris when it comes to timing. “And Just Like That, It All Went Wrong” was the New York Times’s verdict on the wildly publicised, moderately anticipated SATC follow-up series, And Just Like That, which debuted its first two episodes this week. The Guardian’s Lucy Mangan described it as at times “excruciating”.

Certainly the jokes are bad. Not “Lawrence of my labia” bad, as Samantha (Kim Cattrall) notoriously said in Sex and the City 2. But a far cry from the spit-out-your-wine-with-laughter-and-shock level of the original show, which ran from 1998 to 2004. And that’s the least of its problems.

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‘Just for the fun of it’: Countdown star, 17, targets more TV success

Eton scholar Jasamrit Rahala, a Child Genius finalist at 10, is in the knockouts and already looking for his next test

If TV quiz fans think Jasamrit Rahala’s face looks familiar, they would be right.

The 17-year-old from Slough has reached the knockout finals of Channel 4’s Countdown, having been a fan of the programme since primary school. But for Jasamrit, identified as a maths prodigy aged nine, Countdown is just the latest in a string of gameshow endeavours, having become the youngest finalist on Child Genius aged 10 and competed in Britain’s Brightest Family.

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‘This is our voice’: The Uyghur traditions being erased by China’s cultural crackdown

Ancient shrines, oral folklore and hip-hop cyphers are all part of a rich artistic heritage being ‘hollowed out’ in Xinjiang, say Uyghur exiles and scholars

On Thursday, the Uyghur Tribunal delivered its damning judgment on the human rights abuses allegedly committed by the Chinese state in Xinjiang. Over the past months this London-based people’s tribunal has heard testimony from international scholars as well as survivors of Chinese detention and “re-education camps”.

While the ruling has no legal standing, the aim is to highlight the treatment of Uyghurs, Kazakhs and other Turkic Muslims in north-west China. Rachel Harris, a British ethnomusicologist and Uyghur specialist, has described the state’s strategy as an attempt “to hollow out a whole culture and terrorise a whole people”.

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Madness in their method: have we fallen out of love with actorly excess?

The Succession star Jeremy Strong has been widely scorned after a magazine profile revealed his ‘preening’ and ‘self-indulgent’ acting process. But many actors have been lauded for their method – so what has changed?

Robert De Niro is the greatest actor of his generation. So claimed the headline in a popular magazine last year, and it’s not a controversial claim. The evidence offered for this opinion was the same that’s always wheeled out when discussing De Niro’s acting: “[He] took method acting to previously uncharted levels. He got a New York cab licence for Taxi Driver, learned Italian and lived in Sicily to prepare for The Godfather Part II, put on 60lbs to play Jake LaMotta in Raging Bull, learned Latin for True Confessions and the sax for New York, New York. He was the hardest-working man in Hollywood,” wrote the journalist.

For decades, this has been the general feeling about actors: the more method, the better. After all, if they don’t eat raw bison and sleep in an animal carcass (Leonardo DiCaprio in The Revenant), stay in a wheelchair and be spoonfed by the crew (Daniel Day-Lewis in My Left Foot) or lose so much weight that they start to go blind (Matthew McConaughey in Dallas Buyers Club), they’re just playing make-believe. And why should they get all that fame, adoration and money just for that? All of the above actors were rewarded for their efforts with an Oscar, and actors talking about their method efforts has become as much a part of the run-up to the Oscars as shops playing Do They Know It’s Christmas in the run-up to the holidays.

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New York’s Met museum to remove Sackler family name from its galleries

Art museum announces change in the wake of leading members of the family being blamed for fueling the deadly US opioids crisis

New York’s famed Metropolitan Museum of Art is going to remove the name of arguably its most controversial donor groups – the billionaire Sackler family – from its galleries.

The news comes in the wake of leading members of the US family, one of America’s richest, being blamed for fueling the deadly opioids crisis in America with the aggressive selling of the family company’s prescription narcotic painkiller, OxyContin.

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George Michael’s 30 greatest songs – ranked!

With Last Christmas sailing up the singles charts again, now’s the time to reappraise Michael’s best tracks, from sublime pop to haunting elegies

Tucked away on the B-side of The Edge of Heaven, Battlestations is a fascinating anomaly in the Wham! catalogue. Raw, minimal, and influenced by contemporary dancefloor trends – but still very much a pop song – it gives a glimpse of what might have happened had the duo stayed together and taken a hipper, more experimental direction.

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‘I’d stop stockpiling toilet paper’: Cate Blanchett, Mark Rylance and Tyler Perry on their end-of-the-world plans

The stars of Adam McKay’s apocalypse satire Don’t Look Up discuss their worst fears, their favourite conspiracy theories and their final moments on Earth

If a massive meteor were expected to collide with Earth in six months’ time, what would our leaders do? Everything in their power to stop it? Or everything possible to leverage it for political and financial gain?

How about the rest of us? How would we cope with the prospect of impending apocalypse? By facing the end of the world with sobriety and compassion? Or drowning ourselves in sex, drugs and celebrity gossip? Might some of us even enjoy the drama?

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Belgian pop sensation Angèle: ‘When we speak about feminism, people are afraid’

A million-selling superstar at home and in France, she discusses her confrontation with Playboy, growing up in a famous family and being publicly outed as bisexual

A few years ago, a popular pub quiz question involved naming 10 famous Belgians. The answers often revealed more about British cultural ignorance than Belgium’s ability to produce international celebrities, given that the fictional Tintin and Hercule Poirot were the best many could come up with.

The game has got easier since the rise of Angèle, a stridently feminist Belgian pop singer-songwriter who shot to fame in 2016 after posting short clips singing covers and playing the piano on Instagram. She was young, talented and not afraid to make fun of herself, pulling faces and sticking pencils up her nose. Her 2018 debut album, Brol, sold a million copies; by 2019, she was a face of Chanel. “I’d always wanted a career in music, but I was thinking more of working as a piano accompanist,” she says, folding into an armchair at a five-star boutique hotel near the Paris Opéra. “I really didn’t expect it to happen like that.”

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And Just Like That review – Sex and the City sequel has a mouthful of teething troubles

Carrie and co are back and having excruciating ‘learning experiences’ to haul themselves into modern times. But there are reasons to be hopeful!

Warning: this review contains spoilers from the first episode of And Just Like That.

The first 20 minutes of the long-anticipated, much-hyped reboot of Sex and the City, And Just Like That (Sky Comedy/HBO Max), are terrible. The Manhattan streets are alive with the sound of crowbars jimmying more exposition into the dialogue than Carrie’s closet has shoes. Samantha’s absence (Kim Cattrall declined to take part in the new show, apparently as a result of longstanding animus between her and Sarah Jessica Parker) is briskly dealt with. She moved to London (“Sexy sirens in their 60s are still viable there!” says someone with their tongue not firmly enough in their cheek) in a fit of pique after Carrie told her she didn’t need her as a publicist any more. That this does not square with anything we have ever known about Samantha apparently matters not a jot.

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From snubbing Mick Jagger to explaining the cosmos: the secret life of MC Escher and his impossible worlds

The artist’s mind-boggling works – full of stairways leading nowhere and water flowing uphill – defy logic. But did they also foresee the second world war? And why was he so riled by the Stones frontman?

You are walking up a staircase that winds up to the top of a tall square tower. It ascends one side, then the next, then the next – and then suddenly you are right back where you started. This is the kind of problem people who are trapped in the geometrically impossible, yet still strangely plausible, worlds of MC Escher have to deal with all the time. In his mind-boggling creations, dimensions collide and normality dissolves. Looking into his pictures is like standing on the very edge of a cliff – and being right down at the bottom at the same time.

The Dutchman’s illusions have been famous and beloved since the 1950s, when spaced-out fans first started claiming to see hemp plants hidden in his art. And now we have Kaleidocycles, a Taschen book about the artist featuring paper puzzle kits that allow you to actually build his paradoxical structures at home, unlikely as that may seem. The tome has just been reissued in time for Christmas and the 50th anniversary of his death next year. His work does seem perfect for the festive season, given it’s all fun and games. Or at least that’s how it seems, initially.

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‘The Wizard of Oz of entertainment’: the incredible career of Robert Stigwood

He managed the Bee Gees and created Saturday Night Fever but the closeted impressario ‘never felt that sense of success’ according to a new documentary

According to film director John Maggio, two types of executives run the entertainment industry – one far rarer than the other. “The vast majority of them don’t know what’s good, or what will be a hit, until ten other people tell them,” he said. “But a few can tell you right away. They’re the visionaries.”

For an extended time, one of the most clairvoyant was Robert Stigwood. Yet no one had made a feature documentary about him until now. Mr Saturday Night lays out the rocket-like trajectory of this manager turned producer turned impresario who scored hits in the worlds of music, theater, concerts and film. Stigwood’s projects ranged from managing the Bee Gees to running a record label featuring artists like Eric Clapton to producing two of the biggest movies of all time – Saturday Night Fever and Grease, as well as the successful movie version of the Who’s Tommy – to bankrolling smash plays like Jesus Christ Superstar and Evita. “For a time, he was the Wizard of Oz of entertainment,” said Maggio, who directed the film, to the Guardian. “Between 1970 and 1978, he could not not make a hit.”

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60s psych-rockers the Electric Prunes: ‘We couldn’t sit around stoned!’

Discovered in an LA garage, the band rode a psychedelic wave into Easy Rider and a trippy Latin mass – even if they didn’t actually take acid. As a box set revives the music, their lead singer looks back

“I guess I’m part of history,” says James Lowe, lead singer of the Electric Prunes, of the band’s oeuvre being gathered into a box set this month. “It suggests the idea we had for the band was viable – at least for a while.”

Indeed, the Los Angeles quintet were, if only briefly, one of psychedelic rock’s pioneers. Ironically, as Lowe confirms, the Prunes weren’t particularly interested in hallucinogenic drugs – “we had no support crew, no tour bus; we couldn’t sit around stoned” – and no Prune possessed the dark charisma of fellow LA psychedelic shamans Arthur Lee or Jim Morrison. Initially a surf-rock outfit, a passing real-estate agent heard the band rehearsing in a garage and suggested a friend of hers might be interested in them. Lowe gave his phone number but thought nothing of it, because “everyone in LA knows ‘someone’ in the film or music industry”.

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Rajan the last ocean-swimming elephant: Jody MacDonald’s best photograph

‘He had been used for logging on the Andaman Islands. When I found him, he was 60, living in retirement – and loving his swims’

I lived at sea for 10 years. I co-owned and ran a global kiteboarding expedition business. We’d sail around the world on a 60-foot catamaran, following the trade winds, kiteboarding, surfing and paragliding in remote locations. One night, I watched a Hollywood movie called The Fall, which had a section where an elephant was swimming in tropical blue water. I didn’t know if it was real or a fake Hollywood thing. But I thought: “Man, if that does exist, I’d love to photograph it.”

I searched the internet and found the elephant from the film was living in the Andaman Islands, an Indian territory in the Bay of Bengal. When we sailed into the capital, Port Blair, a few months later in 2010, I decided to hop off and try to find this elephant. I found Rajan on Havelock (now Swaraj) Island and spent two weeks with him, learning about his incredible story.

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Steven Spielberg on making West Side Story with Stephen Sondheim: ‘I called him SS1!’

The legendary director used to get scolded by his parents for singing its songs at the dinner table. As his version hits the big screen, he talks about his own dancefloor prowess – and the ‘obscure movie club’ he formed with Sondheim

It’s a winter afternoon and you’re about to begin a video call with Steven Spielberg. The perfect opportunity, then, to make a quick brew in your Gremlins mug (Spielberg produced that devilish 1984 horror-comedy) then brandish it in front of the webcam for the director’s benefit. “Oh, I love that, thank you,” he says, chuckling softly. Then he wags a cautionary finger: “Don’t drink it after midnight!”

The most famous and widely cherished film-maker in history is all twinkling eyes and gee-whiz charm today. He is about to turn 75 but first there is the release of his muscular new take on West Side Story, which marks his third collaboration with the playwright Tony Kushner, who also scripted Munich and Lincoln. Spielberg is at pains to point out that this not a remake of the Oscar-laden movie but a reimagining of the original stage musical. “I never would have dared go near it had it only been a film,” he says. “But, because it’s constantly being performed across the globe, I didn’t feel I was claim-jumping on my friend Robert Wise’s 1961 movie.”

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‘It’s soul-crushing’: the shocking story of Guantánamo Bay’s ‘forever prisoner’

In Alex Gibney’s harrowing documentary, the tale of Abu Zubaydah, seen as patient zero for the CIA’s torture programme, is explored with horrifying new details

From “a black site” in Thailand in 2002, CIA officers warned headquarters that their interrogation techniques might result in the death of a prisoner. If that happened, he would be cremated, leaving no trace. But if he survived, could the CIA offer assurance that he would be remain in isolation?

It could. Abu Zubaydah, the agency said in a cable, “will never be placed in a situation where he has any significant contact with others” and “should remain incommunicado for the remainder of his life”.

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Jussie Smollett to return to witness stand after calling claim he staged attack ‘100% false’

Empire actor faces charges he lied to Chicago police about an alleged anti-gay, racist attack in January 2019

Jussie Smollett will return to the witness stand on Tuesday at his trial in Chicago, where the former Empire actor said that claims he staged an anti-gay, racist attack on himself were “100% false”.

Prosecutors will continue cross-examining the 39-year-old, who appeared calm through several hours of testimony Monday. He told jurors “there was no hoax” and that he was the victim of a hate crime in his downtown Chicago neighborhood.

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Marianela Núñez: ‘What lockdown taught me, one more time, is that dance is my true passion’

The Royal Ballet’s phenomenal principal dancer was the fixed star at the heart of an extraordinary year for the company

It’s been an oddly fractured year for dance. Repeated lockdowns stifled talent, thwarted new ideas. Online and outdoor offerings provided some release but when theatres reopened in May, dancers emerged as if from hibernation, full of life, anxious to get on with their notoriously short careers.

None more so than Marianela Núñez. The Royal Ballet has excelled as a company this year, but she is the fixed star gleaming at its heart, never disappointing, always moving towards her aim of perfection. Her smile irradiates the stage, but it is the purity of her classical technique, the sense that you are watching someone at the absolute peak of their abilities.

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David Thewlis on new show Landscapers and the misogyny of Naked: ‘I find it much tougher to watch today’

As he stars alongside Olivia Colman in a drama about the Mansfield Murders, the actor talks about his discomfort with Naked, doing night shoots with Julie Walters – and growing old grotesquely

David Thewlis, speaking by Zoom from his home in the Berkshire village of Sunningdale, has set his screen at a jaunty angle. His manner is equable, nerdy, eager to please. Nothing like what you’d expect, in other words – unless you had watched Landscapers, a new four-part TV drama in which Thewlis stars opposite Olivia Colman. Perhaps he’s one of those actors who doesn’t de-role until he’s on to the next character.

Landscapers is true crime, in so far as the protagonists are Susan and Christopher Edwards, the so-called Mansfield Murderers convicted in 2014 of killing Susan’s parents and burying them in the garden 15 years before. Yet it is absolutely nothing like true crime. It jumps through time and genre, smashes the fourth wall then puts it back together as a jail cell. It is vividly experimental yet recalls the golden age of British TV, specifically Dennis Potter and his dreamlike, restless theatricality. “I didn’t think of that while we were making it,” says Thewlis. “But when I saw it, I thought of The Singing Detective – which I was in!”

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