‘Boys can be fairies – it’s the 21st century’: How Fate: The Winx Saga finds the reality in fantasy

The writer and star of the new Netflix series explain the myriad challenges of turning a manga-style kids’ cartoon into a live-action teen drama

How do you make teen TV magic? You call Brian Young. The writer cut his teeth on The Vampire Diaries, a supernatural teen drama that emerged from the Twilight era of sexy-horror fandoms, but it soon established its own identity, resulting in a successful eight seasons. So, when Netflix wanted to turn Winx Club – the hit Italian cartoon about fairies – into a live-action fantasy series for young adults, they recruited Young.

To him, the challenge of re-imagining the Winx world for a more mature audience was clear: “Tone. It’s trying to figure out how we ground this show in real character moments, things that any audience member would relate to. And this is coming from a massive fantasy fan – I had my Dungeons & Dragons character when I was a kid – but it is very easy to spiral off into absurdity with stuff like this.”

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Shawn Mendes: ‘The fear strangled me. I really fell down’

As a teen he wanted to be the biggest pop star in the world, but global fame came with crippling anxiety that left him unable to sing. So, ‘three therapists and 55 self-help books’ later, has he overcome his addiction to success?

Shawn Mendes had a simple ambition. He wanted to be the biggest pop star in the world. At the age of 14, he taught himself guitar from YouTube videos. At 15, he was recording six-second covers of other people’s songs on the social media platform Vine. By the time Vine was discontinued three years later, he had clocked up more than half a billion views.

When he was 17, his debut album of self-penned songs (with help from seasoned professionals), Handwritten, went to No 1 in the US and his home country, Canada. So did its two successors. His first No 1 single, Stitches, has been viewed on YouTube well over 1bn times, as has Señorita, a duet with his girlfriend, Camila Cabello. His song Treat You Better is closing in on 2bn YouTube views. It really is an astonishing story.

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Lost relics telling story of Madagascar’s last queen will return home

Indian Ocean island purchases archive found in UK attic relating to life of Queen Ranavalona III

An archive of fashion, photographs and letters telling the remarkable story of the last queen of Madagascar will return home after it was bought at auction by the island’s government.

The jumble of ephemera, along with an ornate 19th-century dress, all relates to the life of Queen Ranavalona III, who was dethroned by the French and exiled to Algiers.

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The Wolf Dividing Norway: the hunter v the environmentalist

With unique access to remote communities in the snow-capped landscape of Norway, this film follows characters on either side of a fierce debate on whether to cull the wolf population. For decades the topic has split political parties, families and communities across the country, with environmentalists world-wide criticising Norway for how it handles its tiny population of critically endangered wolves. Here, a group of hunters await news from the government on whether their yearly hunt will be permitted, while the environmentalists anticipate the worst. With angry threats on both sides, the film takes a deep dive into what’s at stake for both groups, as well as the wider world

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A Christmas Carol review – Nicholas Hytner delivers an ode to theatre

Bridge theatre, London
Simon Russell Beale stars in an economical Dickens adaptation that reminds us of the richness of live theatre

What has made this Victorian tale of child poverty, stalking apparitions and pathological miserliness chime across the ages? GK Chesterton cited the defeat of humbuggery and triumph of happiness. George Orwell wrote of its myth of moral transformation and the “good rich man, handing out guineas”. More recently Jack Thorne spoke of its resonance in our era of austerity.

Nicholas Hytner’s adaptation at the Bridge theatre certainly has an economy of scale. A powerhouse three-strong cast, Simon Russell Beale, Patsy Ferran and Eben Figueiredo, play every character between them alongside song, dance and nimble, poignant puppetry. But the show seems less concerned with austerity than reminding us of the richness of live theatre and offering an imaginative escape from our pandemic-scarred realities.

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US composer Harold Budd dies aged 84

Composer of calmly beautiful works who rejected the term ‘ambient’ collaborated with Brian Eno, Cocteau Twins and more

Harold Budd, the left-field American composer whose work straddled minimalism, jazz, dream-pop and more, has died aged 84. His death was confirmed by his close collaborator Robin Guthrie of Cocteau Twins, who wrote on Facebook that he was “feeling empty, shattered lost and unprepared for this”.

Cocteau Twins wrote on Facebook: “It is with great sadness that we learned of the passing of Harold Budd. Rest in peace, poet of the piano.”

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Noël Coward’s private lives: the photographs that could have landed him in jail

A newly discovered album contains intimate, joyful glimpses of the playwright drinking, partying and holidaying with his famous friends and lovers. The result is an astonishing insight into gay life in the interwar years

In 1931, Noël Coward was the highest-earning author in the western world, celebrated for his scintillating comedies and sensational dramas of hidden love such as The Vortex, Private Lives and Easy Virtue. As well as writing hit songs, musicals, novels and short stories, he painted and, not least, performed. But perhaps the most astounding thing of all is the fact that – at a time when homosexuality was illegal and would remain so for some time – he lived an openly gay life.

It is this that makes a newly discovered photograph album so extraordinary. It shows intimate glimpses from the private life of this towering cultural figure. Apparently compiled in the 1930s by Coward’s closest female friend, Joyce Carey, the album is a remarkable insight into gay lives of the interwar years, lived in plain sight. Carey died in 1993. It is because of her long-held loyalty to the man she and other intimates only half-ironically called the Master that the album has only now come to light, due to be sold at a London sale room later this month.

Many of the shots were taken at Goldenhurst, Coward’s country retreat in Kent, an extended redbrick farmhouse he bought in 1926. Here, and at more exotic sites, we see the artist and his famous friends at play. They bask in the ancient, faded sunlight, these people whose lives were bookended by two world wars. There’s Lord Mountbatten, fishing – Coward was later to play him in the wartime film In Which We Serve. And here’s Alec Guinness, in smart sunglasses, with his seraphic smile that gave little of his personal life away.

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Tina Turner: ‘When I was in the zone, it was like I was flying’

She was a rock’n’roll powerhouse who electrified audiences worldwide. As Tina Turner releases a guide to happiness, she talks to playwright V (formerly Eve Ensler) about how she found the strength to overcome illness, abuse and tragedy

The first time I experienced Tina Turner in the flesh, I was a 16-year-old hippy chick doused in patchouli oil. I didn’t just see and hear Ms Turner sing Proud Mary at the Fillmore East in New York City – I felt her in every cell of my teenage body. I was transfixed by the ecstasy of her thunderous hips and legs, the vibrating canopy of her shaking fringe, the irrefutable bidding of her sultry, raw voice.

She was female sexuality fully embodied and unleashed. She catalysed the same in me and in multitudes across the planet, selling more than 200m records in her lifetime. The queen of rock’n’roll seemed as much shaman as singer. I knew instinctively that she had suffered abuse and pain. We survivors have a kind of radar.

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Craig Revel Horwood: ‘I’m a baddie in panto but on Strictly I’m just being honest’

The Strictly Come Dancing judge reveals which contestant surprised him the most and why he’s looking forward to getting booed twice a day in Robin Hood

You’re a panto regular – what do you enjoy most about it?
I love live theatre – it’s where I started my career back home in Australia and I got into it as soon as I arrived in the UK. As much as I love my screen career, you simply can’t beat helping an audience to suspend their disbelief for a few hours and enjoy a shared experience live and in real time. While we all take it seriously and it’s hard work, panto is fun, festive and lets me show audiences what I can do when I’m not sitting behind my Strictly desk.

Panto has never fully been exported to Australia. When did you first see one?
The first ever pantomime I was in! Our producers, Qdos Entertainment, once called offering me the job of directing one of their productions, but due to filming commitments I couldn’t make it work. They called back five minutes later and asked me if I wanted to be in the panto instead and I jumped at the chance. It was a baptism of fire – wearing a dress, ridiculously high heels and getting booed twice a day. But I loved it, and I still do.

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After no club dancefloors for almost a year, last night was cathartic, joyous and sweaty | Ben Neutze

Sydney and Melbourne nightclubs are finally open (with a few Covidsafe caveats) – and for LGBTQI people, an essential space has returned

The perfect lockdown anthem came pretty early in 2020: Charli XCX’s frantic, party-thirsty Anthems, from her album released in mid-May. She starts by declaring “I’m so bored” before recounting days in lockdown and everything she desperately craves about partying: anthems, late nights, her friends, “the heat from all the bodies”. Charli also misses New York – although the city that never sleeps is still very deep in its Covid-induced nap.

It’s a different story in Australia where, after seven months, Sydney and Melbourne finally got the green light to return to nightclubs on Monday. There was one sticking point: no more than 50 people on the dancefloor at once, with enough space for one person per four square metres.

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Dominic Cummings gag voted Christmas cracker joke of the year

Gag about former No 10 adviser tops TV channel Gold’s top 10 list of seasonal gags

Moments of light relief have been hard to come by this year but the annual ranking of topical Christmas cracker jokes provides some, with the top spot taken by one that has a punchline featuring a Chris Rea song and Dominic Cummings.

The TV channel Gold’s eighth annual ranking, which is chosen by a panel chaired by the comedy critic Bruce Dessau, was put to 2,000 voters who chose: “What is Dominic Cummings’ favourite Christmas song? Driving Home for Christmas”, as the best cracker joke this year.

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Land of shuang bao tai: twins in Yunnan province – a photo essay

Shuang bao tai 双胞胎 is the Chinese word for twin. Following on from Land of Ibeji, Sanne de Wilde and Bénédicte Kurzen travel to Mojiang in Yunnan for the second chapter of their project about the mythology of twinhood. The area has an exceptionally high percentage of twins, celebrated in its annual tropic of cancer twin festival

The first chapter of this project was called Land Of Ibeji. West Africa, and specifically Yorubaland, has 10 times more twins than any other region in the world. Ibeji, meaning “double birth” and “the inseparable two” in Yoruba stands for the ultimate harmony between two people. “Shuang bao tai”, 双胞胎 is the Chinese word for twin, which translates as: 双 double 胞 womb 胎 embryo.

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Eat, drink, play: the recipe for memorable food in video games

You can’t taste it or smell it, but food and drink play a big role in video games, providing everything from sustenance to secret weaponry

Food has always played a vital role in video games. From Pac-Man’s bonus fruits to Mario’s magical mushrooms, it has provided everything from sustenance to supernatural abilities – and in games such as Cooking Mama and Overcooked, food preparation became a genre in its own right. Game developers, like the creators of cooking programmes and recipe books, have discovered that well-presented food is irresistible – even when we can’t eat it.

In the modern games industry, where detail and authenticity are paramount, the depiction of food has become an art form. Kaname Fujioka, executive director on Capcom’s fantasy adventure, Monster Hunter: World, says: “We design the ingredients and recipes based around the grade of the food, as well as any seasonal events it may be tied to. Since we’re unable to showcase the most important elements of food (taste and smell), we have to alter, exaggerate or potentially deform the visuals in a way that conveys that as best as possible. In order for players to believe that the visuals look ‘delicious’, a lot of fine-tuning is done on details like the colour, lighting and softness.”

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The Bee Gees’ Barry Gibb: ‘There’s fame and there’s ultra-fame – it can destroy you’

The band’s last surviving member talks about falling out with his brothers before they died, how his wife saved him from drugs – and why he had to ask Michael Jackson to leave his house

From underneath a black Stetson hat, Barry Gibb stares out of my laptop screen. He is in Miami, where he has lived since 1974 when the Bee Gees’ career was in the doldrums and Eric Clapton suggested a change of scenery might do them good. They relocated en masse, moving into the house Clapton immortalised in the title of his album 461 Ocean Boulevard. Gibb never really left, although he still has a home in England. He liked Miami, he says, because it reminded him of Australia, where his parents emigrated when he was 11.

He lives in a waterfront mansion in an exclusive country club, which is clearly a long way from the penury the Gibb family experienced in Australia – of which more later – but that’s what comes of selling between 120m and 220m records, depending on whose estimate you believe. His late brother Robin used to own a house a couple of doors down – Tony Blair caused rather a fuss by holidaying there when he was prime minister – and, as he puts it, “multiple Gibbs” live nearby: five children, seven grandchildren. There are clearly worse places in the world to be holed up during a pandemic. “We’ve been trying to self-isolate and do everything we’re supposed to do,” he says. “As you’ve seen on the news, [coronavirus] is pretty rampant in Miami.”

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Brandon Cronenberg on gougings, knifings and pokerings: ‘CGI is too floaty and unreal’

The horror director is back with a sci-fi shocker about mind-robbing assassins going on violent killing sprees. He tells our writer why digital effects just don’t cut the eyeball

Brandon Cronenberg has the sniffles. This would not be worthy of note, but for the fact that the 40-year-old Canadian film-maker, son of horror pioneer David, made his directorial debut in 2012 with Antiviral, about a clinic that harvests diseases from celebrities. For the right price, patients can be infected with Hollywood herpes, or catch the exact strain of flu that caused their favourite singer to cancel a tour. So whose cold is he wearing? “Nothing so interesting,” says Cronenberg through a bunged-up nose. “It’s just sinus trouble. Sorry, I didn’t mean to be disgusting.”

It’s a bit late for that, as anyone who has seen his films will attest. In Antiviral, restaurants serve steaks cultivated from A-list muscle tissue – while his new psychological horror, Possessor, features assassins who inhabit people’s bodies via neural implants, then use them as puppets to carry out hits. One such operative, played by Andrea Riseborough, is having difficulty negotiating the work-life balance. Although equipped with a gun, she takes it upon herself to sever her victim’s jugular instead. The stabbing felt “in character”, she says during her debriefing, to which her boss, played by Jennifer Jason Leigh, asks: “Whose character?” Decanted into another patsy, Riseborough goes wild, driving a poker into her target’s mouth and breaking his teeth like biscuits, before gouging out an eyeball for good measure.

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‘It was a little awkward’ – how Rick Schatzberg shot his old friends topless

They grew up in a ‘nowhere’ suburb in the 70s, smoking skunk, going for rides and dating girls. The photographer reveals why he decided to capture the ravages of time on his old childhood gang

Rick Schatzberg had a dark epiphany a few years back, when two of his friends died in quick succession, one from a heart attack, the other from an overdose. “When two people you know and love die within six weeks of each other,” says the photographer quietly, “you realise that death is not just something that happens to other people, to the unlucky people. It’s something that is suddenly very present.”

Schatzberg’s response was to undertake a project about encroaching mortality – his friends’ and by extension his own. The result, several years in the making, is The Boys, a photobook that is both nostalgic and brutally realistic: a visual evocation of youth in all its instinctive carefreeness; and old age in all its debilitating inevitability. Composed of casual colour snapshots of his male friends in the 1970s, and large-format contemporary portraits of their ageing bodies, it lays bare what the novelist Rick Moody, in his accompanying essay, calls “the sobering action of time”.

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Remarkable story of Madagascar’s last queen emerges from Surrey attic

Auctioneer pieces together poignant tale of Ranavalona III from satin court dress and box of mementos

It began with a fabulous 19th-century dress and a box of jumbled photographs cleared out of a Guildford attic before a move to the country. It has resulted in being able to tell the true, poignant story of Ranavalona III, the last queen of Madagascar.

Ranavalona’s remarkable life of can be revealed thanks to the auction this week of personal effects unearthed by a descendent of Clara Herbert, who worked for the Madagascan royal family from the 1890s to the 1920s.

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Nazi art dispute goes to US supreme court in landmark case

Heirs of Jewish art dealers bring case over Guelph Treasure that defence lawyers say could open floodgates

A 12-year wrangle over a rare collection of medieval ecclesiastical art sold by Jewish art dealers to the Nazis in 1935 will arrive in front of the highest court in the US on Monday, in a landmark case defence lawyers say could open the floodgates for restitution battles from all over the world to be fought via the US.

The supreme court will hear oral arguments on whether the dealers’ heirs can sue in US courts to retrieve the church reliquaries, known as the Guelph Treasure or Welfenschatz, from Germany.

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