Rachel Louise Snyder: ‘Domestic abuse is as common as rain’

Rachel Louise Snyder talks about the personal history behind her award-winning book, No Visible Bruises, which charts the shocking rise of familial violence against women in the US

In 2002, Dorothy Giunta-Cotter was shot and killed in her own home in Massachusetts by her husband and relentless abuser of 20 years, William Cotter. He then turned the gun on himself. Dorothy, 35, had fled from him with their two daughters a few days earlier because Cotter had begun to hurt their 11-year-old, but she had refused the offer of a refuge. She told the police that if her daughters were with her, Cotter would find them, and kill all three. “She attempted to avert the worst of two terrible outcomes,” wrote the American journalist Rachel Louise Snyder in an article published in the New Yorker in 2013, “the loss of her daughters’ lives along with her own.”

That article, A Raised Hand, became part of eight years of research from one of the frontlines of what the World Health Organization (WHO) has deemed “a global epidemic”. Snyder’s work is now an award-winning book, No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us. In the UK, the issue of domestic abuse is not “taboo”, which Snyder says the subject still is in the US. Here, while it may be a family secret, it is recognised and discussed nationally; the impact of austerity on closing refuges, slashing legal aid and axing specialist domestic abuse services, has kept the issue high on the UK agenda. It’s a crime that impacts on men too but women make up the overwhelming majority of victims. Eighty women were killed by a partner or ex in the year to March 2019, an increase of 27% on the previous year, while an incident of domestic abuse is reported every minute in England and Wales. The government estimates that the social and economic cost of domestic abuse is a staggering £66bn a year.

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Marxist marsupial: Germany’s left draws hope from an unlikely hero

Radicals are enjoying a resurgence, but their most popular activist is a communist kangaroo

The most popular symbol of the radical left in Germany is an avowed anti-capitalist and a firm believer in collective property. He takes down neo-Nazis with the same bouncy energy as he tackles property speculators.

Books expounding his views, running at several volumes, top the German bestseller charts; posters bearing his face are currently plastered all over the country’s cities.

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Snapshot sisterhood: women train the lens on women – in pictures

To mark International Women’s Day, ActionAid is staging a photography exhibition that celebrates female trailblazers in poor countries – from the Guatemalan hip-hop artist who uses her music to champion feminism, to the founder of Kabul’s first yoga studio. All of the images, which are on show at the Oxo Tower in London until 8 March, are taken by female photographers

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Will Europe’s museums rise to the challenge of decolonisation? | Dan Hicks

With new museums opening in Africa, and calls for restitution increasing, old institutions are being forced to address the legacies of empire

Anthropology and archaeology were among the most important of the colonial disciplines. They derived their power from the trick of collapsing time and space. In his classic 1983 book Time and the Other, Amsterdam-based anthropologist Johannes Fabian described how this illusion operated. It was as if the further the colonial explorer travelled from the metropolis, the further back in time they went – until they found themselves, whether in Africa, Tasmania, or Tierra del Fuego, no longer in the present, but in the Stone Age.

Anthropology museums – which hold “world culture” collections – first developed in Europe, especially Germany and Britain, in the late 19th century. They were designed to realise these exoticising time-warps. In these places, the racist ideologies that sought to justify and naturalise European imperialism were institutionalised, helping create the idea of a distinction between “primitive art” and “civilisation”. Today the colonial mindset of European anthropology museums is being questioned and rethought – and we should all be paying attention.

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Harvey Weinstein sentence should reflect ‘lifetime of abuse’ – prosecutors

Harvey Weinstein’s record of sexual attacks and harassment against women dates back to the 1970s in a “lifetime of abuse” in which he “trapped women into his exclusive control and assaulted or attempted to assault them”, according to New York prosecutors.

In a note to the New York supreme court released on Friday ahead of Weinstein’s sentencing next week, the lead prosecutor at his rape trial essentially threw the book at the fallen movie mogul. Without providing the state’s desired sentence, Joan Illuzzi-Orbon urged Judge James Burke to impose “a sentence that reflects the seriousness of [his] offenses, his total lack of remorse for the harm he has caused, and the need to deter him and others from engaging in further criminal conduct”.

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Hachette cancels plan to publish Woody Allen memoir

  • Staff at Hachette’s New York office walked out in protest
  • ‘The decision to cancel Mr Allen’s book was a difficult one’

Hachette has dropped plans to publish a memoir by Woody Allen, the Oscar-winning film director who has been accused of sexually abusing his daughter.

“We take our relationships with authors very seriously, and do not cancel books lightly,” the publishing company said in a statement.

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Ernesto Cardenal obituary

Poet and priest who mixed religion and politics in his commitment to social justice in Nicaragua

In 1983 ministers of the revolutionary Sandinista government lined up on the tarmac to welcome Pope John Paul II on his first visit to Nicaragua. Moments later, TV cameras showed the pontiff wagging a finger at the kneeling Ernesto Cardenal, priest and minister of culture, admonishing him for mixing religion and politics.

But for Cardenal, who has died aged 95, there was no distinction between the two. His beliefs as a Roman Catholic growing up in Central America in the 1940s and 50s led him to seek social justice in a country that had for many years suffered under the dynastic rule of the Somoza family. His faith also meant he could not avoid political responsibility if it was thrust upon him.

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Oasis’s greatest songs – ranked!

Why did they waste their best tracks on B-sides? Were Noel’s lyrics really that bad? It’s time to reappraise the Mancunian legends …

A stand-alone single that was reportedly removed from Don’t Believe the Truth to cut down on the number of Noel Gallagher-sung tracks, Lord Don’t Slow Me Down offered fruitful, grimy repurposing of the old guitar lick from the Yardbirds’ version of Bo Diddley’s I’m a Man – by way of David Bowie’s The Jean Genie and the Sweet’s Blockbuster.

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Prince’s dagger returned to Indonesia after 45 years lost in Dutch archive

Discovery of secret memos led to two-year search for 19th-century cultural treasure

Forty-five years after the Netherlands promised its return, a gold-inlaid dagger surrendered by a “rebel prince” after his failed 1830 uprising against Dutch rule in Indonesia has been handed back to Jakarta.

The kris, a dagger with a waved blade, was among a number of Prince Diponegoro’s belongings that the Netherlands’ vowed in 1975 to return, only for the priceless cultural treasure to go missing.

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Fever dreams: did author Dean Koontz really predict coronavirus?

From ‘Wuhan-400’, the deadly virus invented by Dean Koontz in 1981, to the plague unleashed in Margaret Atwood’s Oryx and Crake, novelists have long been fascinated by pandemics

According to an online conspiracy theory, the American author Dean Koontz predicted the coronavirus outbreak in 1981. His novel The Eyes of Darkness made reference to a killer virus called “Wuhan-400” – eerily predicting the Chinese city where Covid-19 would emerge. But the similarities end there: Wuhan-400 is described as having a “kill‑rate” of 100%, developed in labs outside the city as the “perfect” biological weapon. An account with more similarities, also credited by some as predicting coronavirus, is found in the 2011 film Contagion, about a global pandemic that jumps from animals to humans and spreads arbitrarily around the globe.

But when it comes to our suffering, we want something more than arbitrariness. We want it to mean something. This is evident in our stories about illness and disease, from contemporary science fiction all the way back to Homer’s Iliad. Even malign actors are more reassuring than blind happenstance. Angry gods are better than no gods at all.

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Golden Bear winner Mohammad Rasoulof sentenced to jail in Iran

Director’s films ‘propaganda against the system’, judges reported to have declared – but coronoavirus outbreak casts doubt on whether he will accept summons to prison

Mohammad Rasoulof, the Iranian director who won the the top award at last month’s Berlin film festival, has been ordered to serve a one-year prison sentence over his movies, his lawyer has said.

Rasoulof’s sentence arose from three films that Iran’s authorities found to be “propaganda against the system”, his lawyer Nasser Zarafshan told the Associated Press. The sentence also included an order than he stop film-making for two years, the lawyer said.

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Immortal Hero review – silly vanity project made in bad faith

The self-produced film by faith leader Ryuho Okawa is woefully misjudged and reveals the laughable reality behind Happy Science

Here’s a biopic about a world-changing faith leader, a man who has published 2,500 books – according to his website – including accounts of his seances with the ghosts of world leaders. (Available to buy on Amazon: Margaret Thatcher’s Miraculous Message – An Interview with the Iron Lady 19 Hours After Her Death.) If you’ve never heard him, Ryuho Okawa is the founder and CEO of Happy Science, a religious movement that claims to have 11 million followers worldwide; some call it a cult. Now Okawa has executive-produced a long and incredibly leaden drama about himself written by his daughter, Sayaka.

If you’re going to make a film about yourself called Immortal Hero, hiring an actor with knee-wobbling charisma should be your number-one priority. But lead Hisaaki Takeuchi plays a self-help author called Makoto Mioya – an obvious stand-in for Okawa – with a blank-faced and catatonic presence. When he’s rushed to hospital after a heart attack, Mioya is told he won’t make it through the night. But he miraculously cures himself with the power of his mind. It turns out that Mioya has been visited his entire life by celestial spirits (they look like flickering holograms from an 80s kids’ TV series). Now these spirits command him to fulfil his destiny as the chosen one by unifying world religions. So Mioya abandons the self-help racket and branches into the lucrative business of religion.

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Ronan Farrow condemns his publisher over Woody Allen memoir

Writer known for #MeToo investigations – whose sister says Allen abused her – suggests he can no longer work with Hachette

Ronan Farrow has distanced himself from the publisher of his latest book after the company announced plans to publish a memoir by his father, Woody Allen, saying the move “shows a lack of ethics and compassion for victims of sexual abuse”.

The journalist, best known for his groundbreaking investigations into claims of sexual abuse and misconduct against powerful men, issued a scathing statement in response to Hachette’s announcement on Monday that it would release Allen’s memoir, Apropos of Nothing, on 7 April.

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Watching Russian immersive film ‘felt like rape’, says journalist

Lifelike scenes of violence in Soviet-influenced experimental movie raises ethical concerns

Tatiana Shorokhova, a film critic from St Petersburg, has admitted to feeling sick and “physically afraid” while watching DAU. Natasha, a controversial film by Ilya Khrzhanovsky produced from a years-long experiment on an immersive set built as a replica of a Soviet-era research institute. In fact, she likened the experience to rape.

It was not just the graphic scenes of violence against the titular character or depictions of real sex while drunk, she said, but the understanding that all of this was, in a way, real.

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James Franco accusers are ‘jumping on the #MeToo bandwagon’, say actor’s lawyers

Franco denies allegations and asks Los Angeles county superior court to dismiss lawsuit against him

James Franco has responded to allegations of sexual harassment by two former students by claiming they were an attempt to “jump on the [#MeToo] bandwagon” and played into “the media’s insatiable appetite to ruin the next celebrity”.

In a demurrer filed on 28 February to the Los Angeles county superior court, Franco’s lawyers asked that the lawsuit filed in October by Sarah Tither-Kaplan and Toni Gaal be dismissed, saying none of the alleged events detailed had happened, and the statute of limitations had passed for the accusations.

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Hilary Mantel says ‘invective’ against Meghan is partly due to racism

Wolf Hall novelist adds that centuries on from Henry VIII, a female royal such as the Duchess of Sussex is ‘still perceived as public property’

Hilary Mantel has said that racism has been an element in the “invective” against Meghan, Duchess of Sussex.

The novelist, who is about to publish the third part in her trilogy about the life of Thomas Cromwell, The Mirror and the Light, was asked by the BBC if Meghan had been a victim of racism. She said that “racism is a factor” in the criticism the duchess has faced since marrying Prince Harry.

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‘A generation that decided to fight’: making music amid chaos in Venezuela

As they endure a political crisis that has led millions to flee, Venezuela’s musicians are striving to make life worth living

‘Everything here happens at gunpoint,” someone tells me when I arrive in Caracas. Venezuela is in crisis, suffering from a lack of power, water and basic supplies and enduring widespread violence on the streets: the Venezuelan Observatory of Violence estimates that the country has the world’s highest murder rate at 81.4 per 100,000 people. According to the UN, around 4.5 million people have fled since 2015, escaping an economy in a state of hyperinflation and the authoritarian rule of president Nicolás Maduro.

The chaos has intensified recently, as opposition leader Juan Guaidó – recognised as the true president by more than 50 countries – was forced to storm a barricade of riot police to gain access to the country’s national assembly. Donald Trump has now rolled out economic sanctions to try to squeeze Maduro out of power – but they will squeeze an already embattled Venezuelan public, too.

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‘The road will kill you’: why older musicians are cancelling tours

Health concerns have caused a number of high-profile singers to quit the road but what will it all mean for the industry at large?

In a chilling quote from much-loved music documentary The Last Waltz, about The Band’s final concert in 1976, leader Robbie Robertson looks straight into the camera and ominously says: ‘The road will kill you.”

At the time, he was just 34. Yet, over four decades later, musicians of his storied era are still on the road – and facing escalating health issues as a consequence. Since the start of this year, Ozzy Osbourne, 71, had to cancel his 2020 tour to seek treatment for issues related to his recent diagnosis of Parkinson’s disease. Elton John, 72, had to ditch dates on what was already advertised as his goodbye tour, after declaring himself “extremely unwell”. Madonna, 61, was forced to scratch a bunch of shows from her British tour due to “overwhelming pain” from injuries she sustained on the road which already caused her to nix some US dates. Meanwhile, Aerosmith felt compelled to disinvite drummer Joey Kramer from their Grammy performance, over alleged difficulties the 69-year-old was having keeping the beat, while the group itself has had to scratch dates due to various health issues experienced by Steven Tyler. Then, just this last week, the 56-year-old frontman of Metallica, James Hetfield, needed to cancel shows to, in his words, “look after my mental, physical and spiritual health”.

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‘Hip, rebellious, even a bit sinister’: how Andy Warhol made pop art fashion

As the Tate Modern prepares to open its new exhibition, a menswear expert – and Warhol superfan – explains why the artist continues to impact on personal style

• Read more from the spring/summer 2020 edition of The Fashion, our biannual style supplement

“Artists aren’t supposed to dress up and I’ll never look right anyway,” Andy Warhol utters in Bob Colacello’s fantastic biographical Holy Terror book. It’s ironic, given that when anyone talks about men having a sartorial uniform, I always think of Warhol. Specifically, the blazer, shirt, tie and jeans era. He often also had a plastic carrier bag in hand, with copies of his magazine Interview inside to give out to potential advertisers. Warhol was never not working. He was his art.

Warhol’s dedication to jeans is also something of a personal obsession; I recently bought three pairs of vintage Levi’s – his favourite denim brand. Arguably, one of the best denim-related stories is of Warhol keeping his Levi’s 501s on under his tuxedo suit – he was going to the White House for the first time – because the trousers were itchy. Then there is the picture of him skating in jeans and a blazer, or a roll neck with New Balance trainers, Basquiat in the foreground, topless and weight-training.

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Top authors take to Instagram to defend teenage book lover

Callum Manning, 13, whose reviews were mocked by pupils, backed by Matt Haig and others

A 13-year-old boy who was taunted for his online book reviews has received messages of support from bestselling authors.

Callum Manning, from South Shields, Tyne and Wear, created an Instagram account last week to write posts about some of the books he had read. But he was left “devastated” after other pupils at his new school began to mock the reviews in a group chat he had joined.

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