60s psych-rockers the Electric Prunes: ‘We couldn’t sit around stoned!’

Discovered in an LA garage, the band rode a psychedelic wave into Easy Rider and a trippy Latin mass – even if they didn’t actually take acid. As a box set revives the music, their lead singer looks back

“I guess I’m part of history,” says James Lowe, lead singer of the Electric Prunes, of the band’s oeuvre being gathered into a box set this month. “It suggests the idea we had for the band was viable – at least for a while.”

Indeed, the Los Angeles quintet were, if only briefly, one of psychedelic rock’s pioneers. Ironically, as Lowe confirms, the Prunes weren’t particularly interested in hallucinogenic drugs – “we had no support crew, no tour bus; we couldn’t sit around stoned” – and no Prune possessed the dark charisma of fellow LA psychedelic shamans Arthur Lee or Jim Morrison. Initially a surf-rock outfit, a passing real-estate agent heard the band rehearsing in a garage and suggested a friend of hers might be interested in them. Lowe gave his phone number but thought nothing of it, because “everyone in LA knows ‘someone’ in the film or music industry”.

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Joni Mitchell: ‘I’m hobbling along but I’m doing all right’

Singer discusses health difficulties in rare public speech as she accepts Kennedy Center award

Joni Mitchell addressed her health difficulties in a rare public speech as she accepted her Kennedy Center Honor, one of the most prestigious awards in American cultural life.

At a ceremony attended by Joe Biden – in a show of support for the arts after the awards were snubbed by Donald Trump – Mitchell discussed the issues she’s faced in the wake of an aneurysm in 2015 that left her temporarily unable to walk or talk.

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Billie Eilish: ‘I’ve gotten a lot more proud of who I am’

The pop superstar on her extraordinary year – the Bond theme, that Vogue cover, the success of her second album – and hosting Saturday Night Live

It’s a measure of what Billie Eilish’s life has been like in 2021 that she woke up one morning last month, rolled over to check her phone and found out she’d got seven Grammy award nominations. She’d overslept the actual announcement. “I was up late, watching Fleabag. Again!”

We’re speaking over Zoom from her home in Los Angeles. “This is my third time watching Fleabag. I’ve literally just paused it, again, to do this interview. Andrew Scott is my favourite actor in the world! And Phoebe [Waller-Bridge] is so fucking good, I can’t stress it enough. When I met her at the Bond premiere, I was trying not to blow smoke up her ass the entire night.”

Eilish would be a standout figure of 2021 for her Grammy-winning title music for No Time to Die alone, written, as always, with her big brother, Finneas. It premiered at the pre-Covid 2020 Brit awards and was finally unleashed in the cinemas just over two months ago (“We saw the whole movie in December 2019… we’ve had to keep all the secrets for two years… that was hard!”). But the Bond theme is old news, given everything else that has happened this past year.

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Security, intimacy and money: why Adele is going to Las Vegas

Once a place ‘where careers go to die’, in Vegas you can see the big stars up close – and it makes sense for Adele

Las Vegas shows once conjured images of early-bird dinner specials, corny magicians and Cole Porter standards sung to happily clapping coach parties. But with another of the world’s biggest pop stars signing on to perform in the city, namely Adele, the Vegas concert residency is further cemented as a glamorous and lucrative rite of pop passage.

Her fourth album, 30, released last month, became the biggest-selling album of the year in the US after just three days on sale. That is the kind of popularity that warrants a stadium tour – indeed, she played to nearly 3 million punters across the 120-show stretch of her previous 2017-2018 world tour.

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Ed Sheeran & Elton John: Merry Christmas review – an overstuffed, undercooked turkey

Laudably released for charity, the favourite for this year’s Christmas No 1 leaves no musical cliche untwinkled – and its exhortation to forget the pandemic is crass

Given recent government advice to avoid kissing strangers under the mistletoe this Christmas, there’s a sense in which the long-trailed festive hook-up between Ed Sheeran and Elton John counts as a reckless incitement to anarchy. For his part, Sheeran wants nothing more than a relentless tonguing beneath those poison berries this December: “Kiss me,” he sings; then later, “just keep kissing me!” (To be fair, this noted Wife Guy is unquestionably singing about his wife. Did you know he has a wife? He might have mentioned it.)

In every other respect, however, Merry Christmas – in case the perfunctory title didn’t make clear – is the very exemplar of avoiding unnecessary risk during this perilous season. There are sleigh bells. Church bells. Clattering reindeer hooves. A kids’ choir. Sickly strings. The full selection box, and delivered with about as much imagination as that staple stocking filler. Old friends Sheeran and John encourage us to “pray for December snow”, and the overall effect is a blanketing avalanche of plinky-plonky schmaltz rich in bonhomie and derivative in tune.

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The world owes Yoko an apology! 10 things we learned from The Beatles: Get Back

Peter Jackson’s eight-hour documentary on the Fab Four reveals Ringo is an amazing drummer, McCartney was a joy and their entourage were coolest of all

The concept for Let It Be was: no concept. The Beatles arrived in an empty studio and wondered where the equipment was. (And revealed that they knew very little about setting up PA systems.) What were they rehearsing for? A show on the QE2? A concert on Primrose Hill? A TV special in Libya? A film? What would the set look like? Would it be made of plastic? Why, George Harrison wondered, were they being recorded? Get Back makes clear that the Beatles didn’t have a clue what to expect from Let It Be.

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Barbados’s icon: why Rihanna’s national hero status is so apt

Honoured by her newly independent country, Rihanna has always proudly worn her Bajan heritage – broadening her sound from her Caribbean roots, while staying true to them

Rihanna’s designation as a national hero of Barbados, to coincide with the country’s transition to an independent republic, could not be more apt. Not only has she been an official ambassador for culture and youth in the country since 2018, the singer remains the country’s most famous citizen and indeed advocate. She has never softened her Bajan accent, and her music, while tapping into pop, R&B and dance music, has remained rich with her Caribbean heritage.

In her investiture ceremony, the country’s prime minister Mia Mottley addressed the pop singer, fashion icon and hugely successful entrepreneur as “ambassador Robyn Rihanna Fenty: may you continue to shine like a diamond” – a reference to 2012’s global hit Diamonds – “and bring honour to your nation, by your words, by your actions, and to do credit wherever you shall go. God bless you, my dear.”

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Daniel Johns and the fame trap: get famous enough to buy back the freedom you once had | Brigid Delaney

The anxiety that results from extreme fame can become a prison, but it can be escaped

Fame. You wouldn’t wish it on your worst enemy, particularly not if your enemy was very young.

Fame of the extreme kind – when you are a household name and your image is worshipped on bedroom walls and all manner of fantasies are projected on you – can be experienced as a form of trauma.

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Paul Weller’s 30 greatest songs – ranked!

Drawn from the Jam, the Style Council and his solo work, all of it powered by romance, storytelling and political vim, here is the best of a British songwriter unbounded by genre

On the B-side of A Solid Bond in Your Heart lurks Weller’s mea culpa take on the sudden demise of the Jam, the arrogance of youth and the perils of becoming the Voice of a Generation. “I was a shit-stained statue / Schoolchildren would stand in awe … I thought I was lord of this crappy jungle.”

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Eighties pop star Debbie Gibson: ‘The price of fame is high. I have a therapist on speed dial!’

Squeaky clean, uncool and old before her years, the US singer blazed a trail for young women creating their own material. Having dealt with stalkers, addiction and illness, she’s back

Thirty-three years ago – in musical terms, an epoch – Debbie Gibson was the most famous American teen pop star on Earth. At 17 she was as loved by teenagers as Billie Eilish was at 17, in polar opposite ways. Gibson, uncool and critically dismissed, was the wholesome, toothsome innocent who sang upbeat, unapologetically weedy songs about adolescent love. Eilish, peerlessly cool and critically sacred, remains a sad-eyed cynic singing unapologetically disturbing songs about death, sex and generational neuroses. If popular culture is unrecognisable from 1988, as it should be, one aspect remains identical: the constant judgment of female public figures over their physicality, as Eilish always is and Gibson still is, harangued on social media for being “too thin” since her 2013 Lyme disease diagnosis.

“I hope Billie is handling all the pressure as beautifully as she appears to be handling it,” ponders Gibson today. “She seems a wise old soul. Everyone changes, you lose weight, gain weight, dye your hair, change your aesthetic … life just happens. But with social media, there’s unsolicited feedback coming from everywhere. You need a backbone of steel, like the Kardashians. Young minds are not wired to process that. The price of fame these days is definitely high. Look, even I have a therapist on speed dial!”

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Readers review Adele’s 30: ‘so powerful’ or a ‘depressive black hole’?

It’s the biggest album of the year – and Guardian readers are split on whether Adele’s latest magnum mope-us is raw or overdone

It’s so upfront and honest. You know exactly the story she’s telling, and even if you haven’t experienced divorce yourself, you feel every word of it. Her voice is sounding better than it’s ever done, using so much more of her range – just listen to Love is A Game. Gone are the lofty metaphors that hint at heartbreak, replaced with extremely raw and naked lyrics that welcome you in to her experiences. I think it’s much more poetic than before. Best album so far.

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The Weeknd’s Blinding Lights dethrones the Twist as all-time No.1 Billboard single

Blinding Lights was 2020’s biggest song both in terms of sales and size, cementing the Canadian singer’s status as global pop megastar

The Weeknd’s hit single Blinding Lights has officially been crowned the all-time No 1 song on the Billboard single charts, ousting Chubby Checker’s 1960s hit the Twist.

The song, an instant synth-pop classic, debuted in late November 2019 and topped the weekly Billboard Hot 100 for four weeks in April and May 2020, going on to spend a record-shattering 90 consecutive weeks on the chart.

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2022 Grammys: Jon Batiste, HER and Justin Bieber lead nominations

Olivia Rodrigo, Doja Cat, Billie Eilish and Lil Nas X also among those with multiple nominations in top categories

The highly versatile, socially conscious pianist, singer and composer Jon Batiste has topped this year’s Grammy nominations, with 10 nods.

Batiste’s nominations straddle everything from the top prizes of record and album of the year, to inclusions across R&B, jazz, roots and classical categories. His score for animated film Soul, made with Trent Reznor and Atticus Ross of Nine Inch Nails, is also nominated, as are the directors of his music video Freedom.

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Crazy Frog returns, like it or not: ‘There will always be a place for novelty songs’

With genitalia proudly exposed, the amphibian raced up the charts in 2005 and irritated much of the UK. Why has it been allowed a second chance? Its handler explains himself

For a few months in 2005, you couldn’t move without encountering Crazy Frog. First sold as a ringtone, his nonsensical catchphrase, “Rring ding ding ding baa baa”, entered the national vocabulary. Then it became the most popular – and divisive – single of 2005, coupled with a CGI video of an explicitly naked frog on the lam in a futuristic cityscape. “The frog is irritating to the point of distraction and back again,” wrote BBC News. “And yet at the same, it’s strangely compelling.”

The craze lasted for five Top 20 hits and then mercifully dwindled. The character was so hated that hackers found success with a virus offering to show users an image of him being killed off. But now the frog is staging a comeback. Next month, the once-ubiquitous amphibian will release a new single – a mash-up of a classic and a more recent song, the details of which the frog’s guardians are keeping under wraps, other than to say that both are popular on TikTok.

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Adele interview bungle leaves Australian TV reporter ‘mortified’ and reportedly costs station $1m

‘This is the most important email I have ever missed,’ Seven’s Matt Doran says after failing to listen to singer’s new album 30

A “mortified” Australian TV reporter has tried to explain how he bungled an exclusive interview with the singer Adele about her new album.

The host of Channel Seven’s Weekend Sunrise, Matt Doran, and a crew flew to London for the chat, which reportedly cost A$1m to secure and would have been Adele’s only Australian interview. After Doran conceded during the interview that he had only heard one track from her latest work, 30, the interview was canned.

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Rod Stewart: ‘I got Elton a fridge for Christmas. He got me a Rembrandt’

Answering Guardian readers’ questions, the singer discusses his epic railway modelling, his admiration of the Sex Pistols and the secrets of his hair regime

Did you have any heroes in the beginning of your career that you wanted to move or look like? JoeHill

I didn’t look at singers and think: “That’s how I want to move,” but I sorta wanted to sound like ’em. I started off with Eddie Cochran – that rough-edged voice – and moved on to Otis Redding, Sam Cooke, Bobby Womack and David Ruffin. I went from being a beatnik to a mod with long hair.

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Adele: 30 review – the defining voice of heartbreak returns

(Columbia)
While the topic of her divorce is all-consuming, the singer seems to be pushing gently at the boundaries of what people expect of her

There is a sense in which 2021’s biggest single – 84.9m streams in a week on one platform alone; straight to No 1 in 25 countries; a song that received more first-week plays on US radio than any other song ever – wasn’t so much a comeback as an act of global reassurance. The world may recently have lurched from one unimaginable crisis to another, but Adele’s Easy on Me brought with it the message that at least one thing hasn’t changed: Adele Adkins is still heartbroken and belting it out over a gentle piano and tasteful orchestration.

Romantic despair became her global brand from the moment she stopped the show at the 2011 Brit awards with her tearful performance of Someone Like You. It catapulted her from the massed ranks of soul-influenced singers filling a gap created by Amy Winehouse’s inability to follow up Back to Black, to mind-boggling levels of success. There’s always the chance that millions of people might flock to an upbeat Adele album that depicts her full of the joys of spring, but clearly she wasn’t taking any chances last time around: for want of new unhappiness, 2015’s 25 returned to the same failed relationships that inspired its record-breaking predecessor 21. No matter – it sold 22m copies.

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The Charlatans: how we made The Only One I Know – ‘I’m still not sure which bit’s the chorus’

‘I came up with it on the way to the garage to get fags. I had to pelt back to my mum and dad’s to get my Dictaphone before I forgot it’

I was in a band called the Electric Crayons and we managed to get a gig supporting the Charlatans. They had a different singer, Baz Ketley, then. I ended up jumping on stage and singing one of their songs. Shortly after that, I got a call from the band. They didn’t ask me to audition. It was more a case of: “Would you like to come down to Wednesbury in the Midlands and hang out?”

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Weight loss, deadlifts and divorce: what we learned from Adele’s One Night Only special

In her TV concert special, the singer got personal in an interview with Oprah Winfrey about her dreams of a nuclear family, fixation with her weight loss and how much she can deadlift

Adele opened up about the pain of her divorce, losing the dream of a nuclear family, commentary over her weight and her strained relationship with her late father in a candid, ranging interview with Oprah Winfrey.

During the sit-down in Winfrey’s rose garden, recorded prior to her first concert in more than four years for the CBS special Adele One Night Only, the singer revealed she felt “embarrassed” that she couldn’t make her marriage to Simon Konecki “work”.

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