The actor, who played Screech in the high-school sitcom, had recently been diagnosed with stage 4 lung cancer
Actor Dustin Diamond, best known for playing Screech on high school sitcom Saved by the Bell, has died at the age of 44.
Diamond had been diagnosed last month with stage 4 small cell carcinoma, or lung cancer, and been in treatment ever since. His representative Roger Paul confirmed the news of his death.
Continue reading...The scene-stealing star of the French comedy series - a word-of-mouth Netflix hit - on her journey from a prank show in Paris to co-stardom with Matt Damon
“I bought a few sheep during lockdown. Nobody told me they’d eat all my plants. How Parisian is that?” I’m discussing the pandemic with actor Camille Cottin, who during the first Covid lockdown last year decamped from her apartment in the French capital to do up an old farmhouse in Normandy. Now, she’s back in Paris, preparing for what will be a huge year. Already a star in her native France, Cottin is making the leap to major Hollywood roles. Tom McCarthy’s Stillwater, in which she co-stars with Matt Damon, is due for release in the autumn. She is currently polishing her English for her role in Ridley Scott’s Gucci biopic, which starts shooting in a few months and features Adam Driver as Maurizio Gucci and Lady Gaga his ex-wife. And she has just signed up for a huge project that she’s not yet allowed to talk about.
Before all that comes the fourth and final season on Netflix later this month of Call My Agent!, the word-of-mouth hit drama that has found new fans looking to binge during lockdown. As Andréa – tough, ruthless, gay, and agent to some of France’s biggest movie stars – Cottin’s is the standout role in a show that has brought her international attention, including a role in series three of Killing Eve.
Continue reading...The writer and star of the dysfunctional-family sitcom on his top shows of 2020 and the touching legacy of his hit series
Was there a show that everyone else loved this year that you just couldn’t get on with?
Tiger King. I couldn’t do it. Something about it felt a little too exploitative for me. I never felt OK when I was watching it. Maybe that’s the main thing. There was a full month when everybody was watching it, when I desperately tried to stay part of the conversation. But I just could not invest. And I don’t know, there is something kind of icky about what was going on there. But this is one man’s opinion in a sea of other people.
Conversely, were there are any shows you enjoyed over lockdown that you didn’t expect to?
The Real Housewives of Atlanta. I feel like the characters on that show are so strong and opinionated and have a sense of humour and self-awareness. It’s an incredible alchemy. It’s a great social group that they’ve put together to film. I was surprised to enjoy it, because I worked in reality television for a long time. I hosted the aftershow for The Hills before my career started. And I think that when you work in reality TV, it kind of pulls back the curtain in a way that doesn’t necessarily make you want to watch more of it. So this was the first reality show that I had watched for a really long time.
No more Mr Nice Guys! With his role in the HBO miniseries, Grant – like Richard Gere and Vince Vaughn – has swapped charm for smarm, reflecting a changing society
Hugh Grant made his name in the 90s as a squeaky-clean charmer, but anyone who has been keeping tabs on his career will not have been surprised to see him show up in the HBO miniseries The Undoing as an unhinged philanderer, attacking a man with his bare teeth in a prison-yard brawl. For a while now, the actor who used to warm our hearts has been doing his best to chill our blood. And he has been doing it pretty well: as a scheming politician in A Very English Scandal, as a scheming investigator in The Gentlemen and, best of all, as a scheming theatre impresario in Paddington 2. As mid-career renewals go, Grant’s has been one of the best and The Undoing, six hours of top-notch trash that wraps up tonight, has made the most of its newly depraved star.
The reinvention of the romantic lead is hardly a new phenomenon – it is more than 75 years since Murder, My Sweet turned Dick Powell from a fresh-faced musical star to a whisky-addled noir antihero, but in recent years it has become an especially popular trope. Richard Gere, who, like Grant, found screen stardom by flirting faux-modestly with flattered young ladies, has lately gone to great pains to show off his ugly side. He forged a career from playing wealthy, winsome suitors, but his recent turns as a hedge-fund magnate (Arbitrage), a moneyed philanthropist (The Benefactor), a high-flying politician (The Dinner) and a Murdoch-esque media mogul (MotherFatherSon) have all helped to flip the twinkly-eyed archetype on its head. Gere’s message is clear: I’m not the white knight you all thought I was.
Continue reading...He’s back – sporting a post-lockdown haircut and hosting a new podcast. Britain’s No 1 raconteur talks about his new hat, driving a Vauxhall, and why Boris Johnson looks like the evil rabbit in Watership Down
Turn right out of Norwich railway station, take the number 12 bus, change at Norfolk and Norwich University Hospital, ride eight stops on the number 4 towards Swanton Morley, walk 1.1 miles, and you can’t help but spot the twin louvred conical towers of the oasthouse that Alan Partridge calls home. It is from this very oasthouse that Partridge – raconteur, national treasure, wit – broadcasts his brand new podcast, From the Oasthouse: The Alan Partridge Podcast, and to which Partridge has invited the Guardian.
Partridge bounds out to greet me in what appears to be an effusive show of hospitality. He offers a handshake before snapping it back into a more pandemic-appropriate wave. “I am so fine with social distancing,” he says. “Remember, I work in television where you’re forever mauled, hugged and leant on by over-pally floor managers or cackling makeup ladies. Now I can say, ‘Get your hands off me!’ without appearing in any way rude.”
Continue reading...As the Game of Thrones star returns to screens in Sky’s Two Weeks to Live, she talks on-set scrapes, off-screen battles, and how the television industry could up its game overnight
When Maisie Williams was shooting a fight scene in her latest TV project, Two Weeks to Live, she took a blow to the head. “I got hit a couple of times with a glass bottle,” she says, matter-of-factly over the phone. I can’t see her face but I can almost hear her smiling, a faint giggle detectable between sentences. “I also kicked my co-star in the chin and made his mouth bleed. Other than that, it was pretty scrape-free.”
A kick in the face and multiple rounds of bottling might sound like the opposite of “scrape-free”, but perhaps it is for an actor such as Williams, best known for her role as Arya Stark in Game of Thrones. As the noblewoman turned assassin, Williams’s fight scenes included some of the show’s most pivotal, such as the one in the bloody, battle-filled penultimate episode, The Long Night, which Williams trained for a year to film.
Continue reading...Officials in Danbury, Connecticut, say they will name their sewage plant after the comedian John Oliver, in retaliation for an expletive-filled rant about the city on his HBO show.
Related: John Oliver: US is 'making a mockery of the phrase a jury of your peers'
Continue reading...The actor and writer mined her own dark experiences of assault and racism for the BBC hit drama I May Destroy You
Michaela Coel’s drama I May Destroy You has passed the point where we argue about whether it is a hit. The story of Arabella, a young London writer who’s drugged and raped, and embarks on a quest for justice and self-knowledge, has been a passport for millions of BBC viewers into a world of shifting boundaries around sexual consent, generational clashes, social media addiction and drugs.
Coel, 32, stars, writes and co-directs the drama, which has also launched on America’s HBO. The scrutiny means she’s been prodded to excavate her own past, after she was drugged and assaulted by an unknown assailant in her 20s. So, to Coel the same question that Arabella’s friend asks her on-screen character: why return to the worst of days with such punishing intensity?
Continue reading...The star of Young Guns made his name as one of the Brat Pack. Three decades on, while others have crashed and burned, he is dreaming of ‘reopening’ the entertainment industry after lockdown
In a quiet corner of his Los Angeles home, Dermot Mulroney grapples with a question that many actors’ egos would not allow them to entertain: why isn’t he a bigger star?
“Well, I had some alcoholism. That slowed me down. And I ... wasn’t six feet. Does that work? No, that’s a little flimsy. Let’s keep thinking.”
Continue reading...On Radio 4’s Today programme, the comedian justified decision to portray former South African president in blackface
Harry Enfield has defended the use of blackface on television in an interview broadcast on Radio 4’s Today programme. In conversation with host Nick Robinson and fellow guest Ava Vidal, the comedian aimed to justify his decision to portray Nelson Mandela, describing it as “so wrong that it was right”.
Enfield, known for playing characters including Loadsamoney and Kevin the Teenager on television, said he had also used makeup to play an Indian soldier in a BBC programme, a decision he also deemed appropriate.
Continue reading...Comedian who formed a popular duo with his wife, Anne Meara, has died of natural causes
The comedian Jerry Stiller has died at the age of 92. His death was announced on Monday on Twitter by the actor Ben Stiller, who called him “a great dad and grandfather, and the most dedicated husband”.
Jerry Stiller enjoyed a long career on stage and screen, often accompanied by his wife, Anne Meara, with whom he formed a popular comedy act. They met in 1953, married the following year and regularly teamed up for improv sketches, performing in Las Vegas nightclubs and on The Ed Sullivan Show and other TV programmes, often in character as the squabbling spouses Mary Elizabeth Doyle and Hershey Horowitz, playing upon their Irish Catholic and Jewish cultures. In 2010, they took their act online, performing from the front room of their New York apartment. Meara died in 2015.
Continue reading...The writer-director’s comedies – from Office Space to Silicon Valley – always sum up the spirit of their times. So why has he made an LSD-soaked cartoon about George Clinton and Bootsy Collins?
Few writer-directors have been as consistent and ruthless at capturing the moment as Mike Judge, although he never actually intends to do so. “It’s always a shock when something comes out and it feels so relevant,” he says, in his laconic surfer-dude tone, talking to me by phone from his home in Los Angeles. “But I tend to look at stuff that feels as if it’s everywhere, but nobody’s talking about.”
Judge, 57, is so beady at spotting what’s everywhere, his shows themselves end up becoming ubiquitous, the thing everybody’s talking about. It is impossible to imagine 90s TV without his seminal hits, Beavis and Butt-Head and King of the Hill, the former satirising the worst of youth culture, the latter fondly depicting gentle American conservatism acclimatising itself to the Bill Clinton era.
Continue reading...Quarantine Diaries focuses on sweeping changes unleashed by coronavirus pandemic
From Herculean efforts to keep children from interjecting in conference calls to fitness classes derailed by daytime drinking, a new sitcom in Spain – billed as the first of its kind on primetime TV – is set to tackle the quirks of life in lockdown.
The show aims to offer a humorous take on the sweeping changes unleashed by the pandemic, said Álvaro Longoria, the creator and producer of Quarantine Diaries. “We are in no way trying to make fun of the people that are suffering. The focus is on those trying to make normal life out of an extraordinary situation.”
Continue reading...She loved her nude scenes in the Netflix hit but the West End’s Uncle Vanya gave her stage fright. The Stockport star remembers being the class clown and tracking down her tormentor
Aimee Lou Wood wasn’t sure she wanted to be in Uncle Vanya, even as she made her way to the audition. Having trained at Rada, she knew the lineage of actors who had played the prized part of Sonya, and what an honour it would be to star in a West End Chekhov at the age of 25. “But I just thought it was so the opposite of what I would want to do,” she says.
She did have a point. Sonya is a church-going, sexually naive teenager from the backwaters of 19th-century Russia. Wood, at the time, was fresh out of filming the Netflix teen drama Sex Education. Her character opens the first series with a bout of energetic sex that ends in her boyfriend’s faked orgasm. (Connor Swindells, who played the boyfriend, is her real-life partner of two years.)
Continue reading...The Flight of the Conchords star, who is guest curating the New Zealand festival, reflects on his career and the cost of compromise
Although he’s one of Wellington’s best-known pop cultural exports – as a musician, songwriter, actor and comedian – nobody makes a fuss when Bret McKenzie arrives in a central city cafe.
Fuss wouldn’t be entirely unwarranted. McKenzie’s portrayal of a particular type of socially awkward, deadpan New Zealander helped put the country’s dry humour on the map. And the comedy duo Flight of the Conchords – in which he performs with Jemaine Clement – so enraptured Hollywood that he could still be there if he wanted to, churning out season after season of the acclaimed TV show of the same name.
Continue reading...From apocalyptic standup Frankie Boyle to the many hilarious faces of Tina Fey, Steve Coogan, Sharon Horgan and Kristen Wiig, we present the funniest comics of the era
Continue reading...As the dyspeptic old-school entertainer embarks on a tour, his creator Steve Delaney reflects on dedicating his life to one character
Comedy has its careerists: thrusting tyros zeroing in on the fame, the TV gigs, the movie roles. But there are other, more circuitous routes to the top. The fictional Count Arthur Strong certainly took one, via the dog days of vaudeville and bit parts in Hammer horrors. His creator Steve Delaney took one too, meandering from drama school to a carpentry career to the slow gestation of his alter ego, away from the circuit’s bright lights.
The Count is a star now; his sitcom – co-written with Graham Linehan – ran for three series to 2017. But he was once an oddity on the Edinburgh fringe, where I started watching him at the turn of the century – an experience never to be forgotten, for various reasons. Yes, this blithering, dyspeptic old-school entertainer was a creation of near-genius, and Delaney’s blood vessel-busting performance a spectacle to behold. But – wow! – those early shows could be gruelling. The joke was in Arthur’s frustration and confusion, as his own waning powers (of memory, movement, syntax) thwarted this or that overreaching set piece. Often, Delaney took that joke to painful, patience-fraying extremes.
Continue reading...Where’s Mad Men? How did The Sopranos do? Does The Crown triumph? Can anyone remember Lost? And will Downton Abbey even figure? Find out here – and have your say
Director says Brexit makes him ‘terminally depressed’ while fellow Python Cleese backs it
Terry Gilliam has said he disagrees with the way his friend and fellow Monty Python member John Cleese sees the world, following comments from the latter endorsing Brexit and criticising the makeup of London.
The Python animator and Hollywood director despairs of Donald Trump and Brexit, both of which make him “terminally depressed”. Cleese has previously faced a backlash for voicing support for the UK leaving the EU, and for saying London was no longer an English city.
Continue reading...Star of a string of 60s classics fell foul of Hollywood because of his temper but found a fresh lease of life in comedy, from TV’s Larry Sanders Show to the Men in Black films
Rip Torn, America’s celebrated wildman actor, has died aged 88. Torn, who had been a constant presence on stage and screen since the mid-1950s, was arguably better known for his eccentric, and occasionally violent, antics when the cameras weren’t rolling – and on one notorious occasion, when they were.
His publicist Rick Miramontez confirmed Torn died Tuesday afternoon at his home with his wife, actor Amy Wright, and daughters Katie Torn and Angelica Page by his side. No cause of death was given.
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