Miami rapper Baby Cino shot dead after leaving prison

Unidentified gunman kills 20-year-old vocalist minutes after he was released on bond following arrest in Opa-locka, Florida

Tributes have been paid to Baby Cino, an aspiring rapper from Miami, who was shot and killed in a daylight ambush minutes after leaving a city jail on Wednesday.

The 20-year-old vocalist, whose real name was Timothy Starks, was arrested by Miami-Dade officers at 2am in Opa-locka, Florida on Tuesday after they pulled him over for driving with an obscured number plate. On searching his car, police found a fully loaded Glock 32 pistol.

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Ed Sheeran copyright trial: songwriter made ‘concerted plan’

Former management for Sami Chokri allegedly made ‘huge effort’ to bring song Oh Why to singer’s notice, court hears

Ed Sheeran was targeted with a “concerted plan” to secure his interest in a songwriter who later accused him of copying one of his songs, the high court has been told.

The former management company for Sami Chokri, a grime artist who performs under the name Sami Switch, allegedly made a “huge effort” to bring the 2015 song Oh Why to Sheeran’s notice, the copyright trial heard on Tuesday.

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Timmy Thomas, R&B singer of Why Can’t We Live Together, dies aged 77

Singer’s anti-war song reached US Top 3 in 1973 before being widely covered and sampled by artists including Drake

Timmy Thomas, whose spellbinding anti-war song Why Can’t We Live Together was a global hit in 1973, has died aged 77.

No cause of death has been given. His family wrote on his Facebook page: “With appreciation and gratitude, the family extends a thank you for the prayers, support, precious words and other expressions of love and kindness during this time.”

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‘Music is so different now’: Copyright laws need to change, says legal expert

Industry figures warn that songwriters face future drawn out legal battles because the way in which people consume music has changed

Songwriters such as Ed Sheeran face a future of drawn out legal battles because the way in which people consume music has changed so much in the past half a century, a leading legal expert has warned, as she urged courts to reconsider how they interpret copyright law.

The rise of streaming on platforms such as Spotify and YouTube, combined with larger teams of writers behind hit songs, have led to a surge in high-profile copyright infringement cases in the past few years. Most recently, Sheeran is locked in an ongoing legal battle over Shape of You, Spotify’s most streamed song ever.

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Legendary Nashville store Ernest Tubb Record Shop to close

The oft-photographed country music institution, which has been in Nashville since 1947, will close in the spring

The downtown Nashville, Tennessee, record store that was opened by Opry legend Ernest Tubb in 1947 and has been a landmark in country music for decades will close as the building is being put up for sale.

The owners of the Ernest Tubb Record Shop said in a statement on Friday they were heartbroken that the store, which has been in its current location on Broadway since 1951, will close in the spring. The building and store is owned by the Honky Tonk Circus, LLC, and the David McCormick Company, Inc.

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Jazz ‘genius’ Cécile McLorin Salvant: ‘In periods of loneliness and fear, it’s instinctual to want to talk about love’

Fresh from receiving a MacArthur Foundation grant – and releasing an album inspired by Kate Bush and ghostly folk – the daring singer is already absorbed in the next challenge

In 2020, Cécile McLorin Salvant kept getting calls from an unknown number. Like any self-respecting millennial, she ignored them. “They called me so many times and I didn’t answer because no one answers a number that they don’t know,” she says, speaking by Zoom from her New York apartment.

When she finally picked up the phone, she “freaked out”. It was the MacArthur Foundation calling to tell her she had been chosen as one of its fellows, an honour that comes with a grant of $625,000 (£475,000) paid over five years. Given that Covid-19 meant her tour had been cancelled, it couldn’t have come at a better time. “It felt like a validation that went beyond music,” says the 32-year-old musician. “It felt like a validation of the way that I think. That’s a huge compliment. It’s the greatest honour.”

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‘Impossible’: Bolshoi music director quits over calls to denounce Ukraine invasion

Tugan Sokhiev resigns without stating his position, saying he could not choose between ‘my beloved Russian and beloved French musicians’

The Bolshoi Theatre’s music director and principal conductor Tugan Sokhiev announced his resignation Sunday, saying he felt under pressure due to calls to take a position on the Ukraine conflict.

The Russian said in a statement he was resigning “with immediate effect” from his post at the Moscow theatre, as well as his equivalent position at France’s Orchestre National du Capitole de Toulouse.

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Betty Boo: ‘I think I’ve made the record I should have made when I was 25’

The 90s pop star on rapping with Public Enemy, her inspirational activist granny, and the joy of making music again in her 50s

Alison Clarkson, AKA Betty Boo, 52, grew up in west London with her Scottish mother, Malaysian father and brother. At 17, she ran away to New York with her rap trio, the She Rockers, and by 21 she had three Top 10 singles and a platinum debut album, Boomania. At 24, Madonna offered to sign her to her label, Maverick Records, but Clarkson quit performing instead. Later, she co-wrote Hear’Say’s Pure and Simple and worked with Girls Aloud, Sophie Ellis-Bextor and Blur’s Alex James. Now living in Wiltshire with film producer husband, Paul Toogood, she has just released her first solo single in 29 years, Get Me to the Weekend. An album follows this summer.

The Boo is back. Why now?
It suddenly dawned on me a few years ago that I was going to be 50 and deep down I always wanted to make another Betty Boo record. Getting into middle age, you also start to feel invisible and I didn’t want that to happen. If it’s OK for Mick Jagger or Rick Astley to keep going, why not me?

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Ed Sheeran is a ‘magpie’ who ‘borrows’ ideas, copyright trial hears

The artist was in court for a dispute with two musicians who claim Shape Of You plagiarises parts of their song

Ed Sheeran has been accused of being a “magpie” who allegedly “borrows” ideas from other artists for his songs on the first day of a three-week copyright trial over his hit single Shape Of You.

Sheeran, 31, appeared at the high court on Friday for the dispute with two musicians who claim Shape Of You – the UK’s bestselling song of 2017 and the most streamed song in Spotify’s history – plagiarises parts of their earlier song Oh Why.

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‘A radiant expectant mother’: Rihanna and the rise of the power bump

Pop star challenges perceptions of pregnancy by wearing black negligee to Dior show at Paris fashion week

It was a moment of pure joy at a Paris fashion week sobered by the shadow of war. Rihanna sailed into the Dior show like a galleon in full sail, pregnancy bump lightly veiled in a sheer black negligee of lace-trimmed dotted Swiss tulle. The veteran fashion critic Tim Blanks, who quizzed the pop star backstage as to whether she was expecting a boy or a girl – she wasn’t telling – described her as “the most radiant expectant mother … a real ray of light on a dark day.”

In the month since the unofficial new “Queen of Barbados” announced her pregnancy by posing for the paparazzi photographer Miles Diggs on a snowy New York street with a vintage Chanel pink coat unbuttoned to reveal a naked bump crowned with a cascade of gold and gemstone jewellery, Rihanna has done more than push the boundaries of maternity wear. In characteristic form, she is challenging expectations of how women in the public eye should look and behave.

Rihanna, who wore a fluffy lavender coat over a black latex crop top at Gucci and a peach leather mini dress for the Off-White show, has not been the only expectant mother in the spotlight at this month of fashion shows. At the young designer Nensi Dojaka’s London fashion week show, the tissue-thin sequined slip worn by the model Maggie Maurer celebrated her four-month pregnant shape. “I think it’s quite shocking – in a good way,” Maurer told Vogue. “Women’s bodies are like superpowers.”

In the age of optics, announcing a pregnancy via the medium of fashion has established itself as a power move. A timeline shift toward ever more daring takes on bump-dressing can be tracked via the maternity fashion of a thought leader in this field, Beyoncé. When Beyoncé revealed her first pregnancy in 2011 at the MTV Video Music Awards during her performance of Love on Top – by unbuttoning her sequined blazer and turning to give the audience a profile view – the bump was demurely covered-up in a white shirt and high-waisted trousers.

By the time Beyoncé was pregnant with twins in 2017, the rules of engagement had altered. This time around, Beyoncé made the reveal wearing only a bra and satin knickers, cradling her bump in front of a flower arbour with a veil falling over her shoulders as softly as the hair of Botticelli’s Venus, in an image that set a new record for Instagram likes.

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Paul McCartney and Kendrick Lamar to headline resurgent Glastonbury

As the festival returns from Covid-enforced hiatus, over half of the acts announced so far feature women

Paul McCartney, Kendrick Lamar and Olivia Rodrigo have been announced as among the stars performing at this summer’s Glastonbury festival.

Out of the 89 names announced so far, 48 are women or acts that include female artists, meeting festival co-organiser Emily Eavis’s previously stated intention for Glastonbury to achieve gender parity on its bill. “Our future has to be 50/50,” she told the BBC in 2020.

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‘The canon is so heavy with the male genius’: Neneh Cherry and Robyn on changing the face of pop

As they reboot the classic Buffalo Stance, the friends talk sisterhood, being Swedish and fighting the system

As two of pop’s most innovative stars convene on Zoom – Neneh Cherry in bed in London, Robyn at home in Stockholm – it’s telling that they spend most of their conversation celebrating their collaborators and creative communities.

Thirty-three years since Cherry emerged from the punk underground into the pop mainstream with Buffalo Stance, Robyn (alongside the producer Dev Hynes and the Swedish rapper Mapei) has covered that timelessly bolshie hit for a new covers collection celebrating Cherry’s first three albums. What may appear to be a pop year zero, says Cherry, was simply a threshold in an ongoing continuity that started in her native Sweden’s collectivist spirit, grew through New York City’s burgeoning rap scene and London punk and street style, and, ultimately, swept a preteen Robyn into its orbit.

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Blondie’s Debbie Harry: ‘It wasn’t a great idea to be as reckless as I was’

The singer and style icon answers your questions on becoming ‘Blondie’, a lifetime cheating death – and the secret to a good cover version

Hey, Debbie, in Face It [Harry’s memoir], you discussed the creation of the Blondie persona. How intentional were your choices in character curation, and why did you choose to adopt a persona in the first place? ChloSchmo

I think we’re all seeing images or performances that we like and absorbing and amalgamating them. As a kid, the beautiful women on the silver screen were fairytale versions of what life is for a woman, because when I was coming up there was no such thing as women’s lib. A persona gave me freedom, a world of my own. You pick a character that you love and then it becomes you.

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‘Subtlety is the hardest part’: cult metal band Blood Incantation trade extremes for ambience

The cosmic-minded Denver band broke out with two albums of frenetic riffs and blast beats. Are they risking it all by embracing their inner Zen?

In Blood Incantation’s lyrics, cosmic conspiracy theories abound, telling tales of ancient civilisations, aliens and hallucinogens. But woe betide anyone who describes the Denver metal band’s interests as sci-fi. “The quantum field and holographic universe, DMT and the psychedelic connection, these things are not fictional!” frontman Paul Riedl insists. Clearly he’s argued this before.

“This band isn’t about exploring a fantasy world,” says drummer Isaac Faulk. “It’s about asking questions about the universe that we live in – and that’s way bigger than any fictional universe.” The aim, they say, is for listeners to ask themselves these questions. “We aim to give space for those moments when you can truly attain Zen,” says Riedl.

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Riveting, terrifying, completely singular: how Chrissy Amphlett changed the game

Growing up the daughter of a rock’n’roller, Lo Carmen was meeting stars at gigs from the age of 13. One left a life-changing impression

  • This is an edited extract from Lovers Dreamers Fighters by Lo Carmen

I was 13 when I became enamoured with Chrissy Amphlett.

It was 1983 and I had just started working for our old family friend Vince Lovegrove in the school holidays. In the late 60s Vince had been a frilly-shirted bubble-gum pop singer with the Valentines, alongside AC/DC’s Bon Scott; in the 70s, he’d transitioned to hip music scene journalist, to TV producer, to compère; and now he was managing cutting-edge rock group the Divinyls, whose song Boys in Town I was already obsessed with.

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Aline review – think twice before you watch this scary Céline Dion biopic

Valérie Lemercier directs and plays both old and young versions of the Canadian singer in a bizarre film that digitally superimposes her face on to the head of a young girl

Here is an utterly bizarre fictionalised biopic of Canadian singing star Céline Dion, whose opening scenes will have audiences screaming and running out of the cinemas the way they were mythically supposed to have done at the Lumière brothers’ first silent movie about the arriving train. Even now, I still can’t believe I have seen it.

Valérie Lemercier (from Claire Denis’s Vendredi Soir) directs and stars, playing Aline Dieu – a made-up version of Dion – the youngest of 14 children in Quebec, all the kids kept in line by their formidable working-class mum Sylvette (Danielle Fichaud). Young Aline shows precocious singing talent and her parents send a demo tape to ageing record producer Guy-Claude Kamar (Sylvain Marcel), a version of the real-life René Angélil, who is to become her manager, husband and soulmate as Aline begins her ascent to mega-selling glory, culminating in the Titanic theme My Heart Will Go On and legendary Vegas residencies.

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The show can’t go on: Russian arts cancelled worldwide

Concerts, dance recitals and exhibitions have been postponed indefinitely after Vladimir Putin’s invasion of Ukraine

The Russian invasion of Ukraine has prompted responses from the cultural sphere, with Russian artists and companies beginning to feel the repercussions of decisions taken by the Kremlin. Not only has Russia been stripped of two prestigious events – the Champions League men’s final and Formula One’s Russian Grand Prix –but an increasing number of performances by Russians are being cancelled worldwide.

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Denounce Putin or lose your job: Russian conductor Valery Gergiev given public ultimatum

Star conductor and close friend of Putin dropped by his management ahead of deadline to speak out or be fired from Munich Philharmonic

Russia’s star conductor, Valery Gergiev, has been dropped by his management over his close ties to Vladimir Putin as he faces a looming deadline to publicly denounce the Russian president or lose yet another role in his rapidly crumbling career.

The 68-year-old Russian, an old friend and supporter of Putin, has faced increasing pressure to speak out against Russia’s invasion of Ukraine over the last week. He has been removed from performances around the world and faces more professional punishment if he does not condemn Putin’s aggression in the next 24 hours.

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Lena Zavaroni: fame, anorexia and the tragedy of a 1970s child star

Zavaroni was in the charts at 11 and died after years of illness aged 35. Her father talks about their family life as a new stage show about her is about to open

There are a few recordings of television interviews with Lena Zavaroni around online. One with Russell Harty where he comments that her eating disorder must save on restaurant bills and another when Terry Wogan tells her to eat up so she can get back to “your chunky self”.

The little girl with the big voice was 10 when she appeared on Opportunity Knocks television’s predecessor to Britain’s Got Talent and Pop Idol – singing Ma! He’s Making Eyes at Me, 11 when it was a hit and 13 when she was diagnosed with anorexia, a barely known illness then called the “slimmer’s disease”. Before she died in 1999 the girl from Rothesay on the Scottish island of Bute had hosted her own TV shows, performed at the White House and shared a stage with Barbra Streisand, Frank Sinatra and Lucille Ball. She remains the youngest artist ever to have a record in the Top 10 UK albums chart. Lena was huge.

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