Julian Lloyd Webber: The rich world of African classical music

Musician Rebeca Omordia has spent years unearthing the classical music of a whole continent, culminating in the hugely successful African Concert Series

While the Wigmore Hall has rightly garnered plaudits for keeping classical music alive during lockdown, another pioneering concert series has also beaten the odds with its series of online live events.

The African Concert Series is the brainchild of my former duo partner, the pianist Rebeca Omordia. She has half-Romanian, half-Nigerian heritage. But while we would often discuss world-renowned Romanian classical musicians such as composer Georges Enescu, pianist Dinu Lipatti and conductor Sergiu Celibidache, when it came to Nigerian classical composers, we drew a blank. “There aren’t any,” said Rebeca. I told her there must be, and challenged her to find them. This was back in 2013, and her subsequent research has uncovered more than 200 composers of African art music, Nigerians among them.

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‘A lot of noise, a lot of joy’: Sydney sea shanty club singers raise the roof in raucous reunion

Redfern bar shakes like the hull of a ship as devoted community comes back together after year apart

Over the past year, various members of the Redfern Shanty Club found different ways to cope. Robert Boddington, with his thespian’s voice and easy stage patter, gathered a few friends and tried to sing in public places, “just turning up in the dead of night and quietly singing away”. Robin Howard says he got “the shakes”. Emma Norton, a train driver with a soaring Celtic voice, says: “I sang to myself a lot, I guess.”

On Monday night, as restrictions in Sydney were almost completely lifted – with relaxed caps on capacity in bars, and no limits on singing – this devoted and joyous community finally returned to their favourite weekly ritual.

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Karol G: ‘Why should I limit how I express myself because I’m a woman?’

The vastly popular Colombian singer is challenging outdated views of women in Latin pop – but her naive racial politics have sparked controversy

I catch Colombian singer Karol G in a rare moment of calm, while she is in a car on her way to a hotel. She has just landed in New York to film a music video, but home is Miami, she clarifies, the engine humming in the background. “I love it there because there are so many Latinos!”

Born Carolina Giraldo Navarro in Medellín, Karol G, 30, is one of Latin America’s biggest pop stars, an expressive performer who uses beautiful hooks for lyrics that explore female desire and sexual agency – a rarity in the male-dominated Latin music scene, where, she says, women have historically been treated like “products”.

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Marti Pellow on success, songwriting and sobriety: ‘Every day I punch addiction in the face!’

With Wet Wet Wet, Pellow was one of the biggest-selling musicians of the 90s. But heroin and alcohol soon became a problem. He talks about heroes, love and conquering his demons

Marti Pellow remembers his introduction to booze clearly. He was a young boy, about 11, and he sneaked a can of beer from his father. “I knew as soon as I had my first drink that it made me feel different,” he says. “I had a fuzzy feeling in my stomach. I liked the rush of that. It made me feel light.” By the time he was 12, he would go to dances with his friends and alcohol would give him dutch courage. “I’d ask an adult to buy me a couple of cans of lager. It gave me a wee bit more confidence to ask a girl to dance; it made me feel larger than life.”

Pellow went on to become the frontman of Wet Wet Wet, the blue-eyed soul band whose version of Love Is All Around, as featured in Four Weddings and a Funeral, topped the charts for 15 weeks and is still the UK’s biggest-selling love song. By the time he left Wet Wet Wet for the first time in 1998, three of their five studio albums had topped the UK charts (with the others peaking at No 2) and they had had 26 Top 40 hits. By then, he had also developed a dual addiction to alcohol and heroin that could easily have done for him. It did pretty much do for him, as far as the band was concerned. Sure, he rejoined in 2003, and they spent another 14 years together, but they never enjoyed the same success again.

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The Royal Albert Hall at 150: ‘It’s the Holy Grail for musicians’

It’s hosted opera greats, suffragette rallies, Hitchcock films, sports events, sci-fi conventions – and, of course, the Proms and countless rock gigs. Artists from Led Zeppelin to Abba recall their moments on the hallowed stage

The Royal Albert Hall is 150 years old today (and the Guardian was there to see it opened by Queen Victoria). With a design based on a Roman amphitheatre, stacked balconies pack the audience close to the action – and at a capacity touching 6,000, the number of visitors entertained at the London venue runs to many millions. But what is it like to play as a performer? We asked artists and sportspeople for their memories of being centre stage at the iconic venue.

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Tina review – celebration of a singer who is simply the best

Made with the full cooperation of its 81-year-old subject, this one-off about the astonishing life of Tina Turner is not a gritty documentary, but rather a loving swan song

Sky Documentaries’ two-hour film Tina, a retrospective on the now 81-year-old Tina Turner’s career is stuffed full of footage of her performances over the years. Black and white film of Anna Mae Bullock (as she was then) in the late 50s singing with Ike Turner’s Kings of Rhythm. Then on into the 60s, after he had realised what an asset he had on his hands and married the singer thus known as Tina Turner. Then flowering in the late 60s and early 70s, as the duo rose to greater and greater fame thanks to the Grammy-winning Proud Mary and the multimillion-selling hits River Deep – Mountain High and Nutbush City Limits.

Then come the 80s, when she made an astonishing comeback and dominated every stage she set foot on as a solo performer. And on into the 90s and the new millennium – including performing at the Grammys with Beyoncé and a 50th anniversary tour in 2008 – until she chose to step back. Apart, that is, from a second memoir, a Grammy lifetime achievement award, a musical about her life and a remix of What’s Love Got to Do With It that made her the first artist to have a top 40 hit in seven consecutive decades in the UK

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5,000 attend rock concert in Barcelona after Covid screening

Performance at Palau Sant Jordi concert hall in Barcelona on Saturday night recalls pre-pandemic times

If one overlooked the white face masks dotting the tightly packed crowd of music lovers, it was almost like pre-pandemic times in Barcelona’s Palau Sant Jordi concert hall Saturday night.

Five thousand rock fans enjoyed a real-as-can-be concert after passing a same-day coronavirus screening to test its effectiveness in preventing outbreaks of the virus at large cultural events.

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And the brand played on: Bob Dylan at 80

With a slew of books to mark the songwriter’s birthday due, we look at the industry that has grown up around the man who forced academia to take pop seriously

  • Scroll down for Q&As with the authors of four new Dylan books

“It’s gonna take a hundred years before they understand me!” Bob Dylan once claimed, “they” being the cohorts of fans, critics and Dylanologists who have dogged his tracks ever since Robert Zimmerman, chippy teen of Hibbing, Minnesota, became Bob Dylan, world-famous singer, songwriter, and pop’s most enduring enigma.

“That’s exactly the quote James Joyce made about Ulysses,” points out Sean Latham, professor of English at the University of Tulsa and head of the institute for Bob Dylan Studies recently established there. “Joyce said, ‘I put so many puzzles and enigmas in Ulysses it will take the scholars 100 years to solve them’.”

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Demi Lovato is dancing with the devil on behalf of women everywhere | Rebecca Nicholson

The singer’s brutally frank documentary about the perils of addiction is an exhortation to those under stress to seek help

When the pop star Demi Lovato explains that she wants “to set the record straight about what it was that happened”, in her new documentary Dancing with the Devil, she is not messing around. The first two parts of the film, which were released on YouTube last week, tell the story of Lovato’s relapse into drug use and her near-fatal overdose in 2018. This is the era of selfies, of course, with everything documented and preserved, but a selfie captioned “Demi on crack for the first time” shocked me. This is a brutally frank account of her troubles, with seemingly nothing left out. If anyone remains in doubt that fame is a grim pact for most, and particularly for young women, then this puts the case to the jury, again and again.

Dancing with the Devil was the third documentary I had seen in the last month about a famous woman under unimaginable pressure, in unimaginable pain. I watched Framing Britney Spears and saw a charismatic pop star churned up by the spotlight, hounded wherever she went, cracking under the weight of it all. With heavy heart, I watched the difficult, moving Channel 4 film about Caroline Flack, made with the participation of her brave family. It was announced recently that Brittany Murphy, the Clueless star who died at the age of 32 in 2009, will be the subject of a new two-part documentary that promises to “cut through the tabloid noise” and “[craft] a grounded account of Brittany Murphy’s life struggles”.

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‘So much pressure to look a certain way’: why eating disorders are rife in pop music

A documentary series about Demi Lovato shows how brutally controlled the singer’s diet once was, and, as other pop performers attest, it’s control that underpins damaging behaviour

For eight years of her life, Demi Lovato was served a watermelon cake for her birthday. This wasn’t a watermelon-flavoured version of a proper cake with all the good stuff like butter, sugar and flour, but rather an actual watermelon with some icing on top.

The reason for this was that her team at the time were “trying to keep her weight down”, according to Lovato’s best friend Matthew Scott Montgomery, who is interviewed as part of Demi Lovato: Dancing With the Devil, the YouTube documentary series premiering this week. Her team would police what she ate, he says, and those she was with were also required to eat only when Lovato ate, with no snacking outside of meals, in an attempt to “keep her well” and avoid triggering a relapse into the restrictive eating disorders she struggled with as a teenager.

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System of a Down’s Serj Tankian: ‘If something is true, it should be said’

System of a Down’s political activism helped change the course of Armenian history. But – facing censorship, assassination threats and a divided band – at what price for its frontman?

Of all the nights Serj Tankian has stood on stage surveying a crowd of 50,000 faces roaring his own words back at him, there is one that the System of a Down frontman will never forget. On 23 April 2015, the metal band gave a two-and-half hour, 37-song set to a rapturous audience in Republic Square, in the heart of the Armenian capital Yerevan. For a band formed in the diaspora community of Los Angeles’ Little Armenia in 1994, the occasion could not have been more significant: they had been invited to perform in the country for the first time as part of events marking the centenary of the Armenian genocide, in which an estimated 1.5 million Armenians were killed between 1915 and 1922. “The overwhelming feeling was of belonging,” says Tankian, 53, speaking from his airy home studio in Los Angeles. “It felt like we were created 21 years earlier so we could be there that night.”

For Tankian, whose outspoken political activism often animates his songwriting, seeking international recognition of the Armenian genocide has been a lifelong and personal campaign. On stage that night in Yerevan he told the story of his grandfather Stepan Haytayan, who was just five years old when he saw his father murdered in the atrocities; he later went blind from hunger. Between songs, Tankian railed against Barack Obama’s resistance to using the term “genocide” to describe the atrocities after taking office, before turning his ire on Armenia’s authoritarian president, Serzh Sargsyan. “We’ve come a long way, Armenia, but there’s still a lot of fucking work to do,” Tankian told the audience, before calling out the “institutional injustice” of Sargsyan’s administration and demanding the introduction of an “egalitarian civil society”.

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Serpentwithfeet: ‘Nobody can take my joy. Not the government, not a random white person’

With his new album, Deacon, the US singer-songwriter has finally left heartbreak and anger behind. It’s been a journey

Across the long stretch of the pandemic, with formal face-to-face interviews replaced by cosy conversations over phones and laptops, we have become used to images of kitchens, living rooms and carefully selected bookshelves. For today’s conversation, though, singer-songwriter Serpentwithfeet has offered up a far more novel setting in the current locked-down climate: an airport. After struggling to connect, he appears, most of his face covered with a mask, his neck tattoos just visible through the compressed video image. “Can you hear me?” he asks, before a disembodied voice interrupts to announce that a flight is now boarding.

Related: The Guide: Staying In – sign up for our home entertainment tips

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Waiting for a Star to Fall: Boy Meets Girl on how they made a pop classic

‘We were at a Whitney Houston concert in LA. I glanced up and saw a shooting star. It felt like a sign from the heavens’

We’d written How Will I Know and I Wanna Dance With Somebody (Who Loves Me) for Whitney Houston, so were given tickets when she played the Greek Theatre in Los Angeles on her first tour in 1986. After she sang How Will I Know, I glanced up and there was a shooting star in the night sky above the amphitheatre. I pulled out my notebook and wrote down: “Waiting for a star to fall.” It felt like a sign from the heavens.

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Neuroscience, the cosmos and trees: going deep with composer Hannah Peel

From praise from Paul McCartney to writing music for Game of Thrones, the musician has had an extraordinary career so far. She discusses her next step - an album embracing the natural world through electronica

Paul McCartney knew Hannah Peel’s talent before the world did. He hands out pin-badges at every degree ceremony at Liverpool’s Institute for Performing Arts, which he co-founded, and where Peel studied music. In 2007, her graduation year, she’d been chosen to compose something to accompany each student walking on stage.

Peel had been advised to do a fanfare of trumpets, but refused; she wrote a minimalist miniature for vibraphone and marimba instead. “My principal hated it,” she says, laughing down the Zoom line. “But when I crossed the stage and shook Paul McCartney’s hand, he whispered in my ear, ‘I really like your music. Well done!’”

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‘It’s the way she owns her body’: how Megan Thee Stallion rode to Grammys glory

Last week’s triple triumph capped the glorious rise of a rapper who has inspired a generation of women with her confidence and sublime talent

In 2014, a then-unknown Megan Thee Stallion tweeted: “I need a team [because] I promise this rap shit gone take off for me.”

That promise has been fulfilled in quite spectacular fashion. The 26-year-old, born Megan Jovon Ruth Pete, is now one of the world’s most famous and respected rap stars, with her three Grammy awards at last weekend’s ceremony marking the peak of her career thus far.

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Beyoncé’s 30 greatest songs – ranked!

After she became the most awarded woman in Grammys history this week, we attempt to whittle down the best of her wildly varied and brilliant catalogue

As far removed as you can get from the innovations of the Beyoncé album or Lemonade, The Closer I Get to You is a slick cover of a 1977 Roberta Flack-Donny Hathaway duet, with Luther Vandross filling the Hathaway role. It’s lovely: a great song, beautifully sung, with Beyoncé admirably uncowed by the presence of a soul titan.

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Russia’s Eurovision entry to be investigated for ‘illegal’ lyrics

Manizha’s song Russian Woman incites hatred towards men and should be banned from the contest, say critics

Russian investigators said they will examine the lyrics of the country’s entry to this year’s Eurovision song contest after it angered conservative groups who accused its Tajikistan-born singer of inciting hatred towards men.

Manizha Sangin, known as Manizha, is set to perform the song Russian Woman at Eurovision in the Netherlands in May. The song praises the strength of Russian women, urging them to be more independent and to resist sexist views on beauty, age and bearing children.

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Why bands are disappearing: ‘Young people aren’t excited by them’

Maroon 5’s Adam Levine was scoffed at for suggesting there ‘aren’t any bands any more’ – but if you look at the numbers, he’s right. Wolf Alice, Maximo Park and industry insiders ask why

“The moment that we started a band was the best thing that ever happened,” sings Matty Healy on the 1975’s recent single Guys. The song is an ardent love letter to the band, and to the romance of bands in general: the camaraderie, the solidarity, the joyous fusion of creativity and friendship. It’s an old sentiment but an increasingly rare one.

“It’s funny, when the first Maroon 5 album came out [in 2002] there were still other bands,” the band’s frontman Adam Levine told Apple Music’s Zane Lowe this month. “I feel like there aren’t any bands any more … I feel like they’re a dying breed.” Levine was quick to clarify that he meant bands “in the pop limelight” but the internet doesn’t really do clarification, so his remarks sparked bemusement and outrage among the literal-minded, from aggrieved veterans such as Garbage (“What are we Adam Levine? CATS?!?!?”) to fans of newcomers such as Fontaines DC and Big Thief.

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Demi Lovato says she was raped as a teenager by someone she knew

In a new docuseries, the singer says she was assaulted as a teen and after telling somebody, the rapist ‘never got taken out of the movie they were in’

Demi Lovato has said she was raped as a teenager while working for the Disney Channel in the late 2000s by someone who faced no repercussions when she revealed what happened. The singer does not say who the offender was, only that she “had to see this person all the time” afterwards.

Related: Demi Lovato says she had three strokes and heart attack after 2018 overdose

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‘Mixture of Jane’s trendy records!!!’: discover readers’ cherished mixtapes

Following the death of Lou Ottens, creator of the cassette tape, Guardian readers share the romances, friendships and discoveries his invention generated

In 1992 I started a degree in civil engineering at the University of Surrey. I had no idea until the day I arrived that I would be sharing a room with Carol, also a civil engineering student. We had very different tastes in music. I loved the Cure and Led Zeppelin and Carol loved dance music. We created a mixtape of songs that we both liked – no mean feat, but we had to do something as I kept playing 29 Palms by Robert Plant and it drove Carol mad.

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