TV stay home: all hail the medium that kept us entertained in 2020

We’ve watched more telly than ever this year. Our standards may have dropped – but then Covid does cause loss of taste

I know it is tedious to look back on 2020 and force everything through the prism of coronavirus – “Hey, remember that absolute horrorshow of a year we all just-about lived through? Well, let’s look back on the horror again, shall we?” – but it is slightly unavoidable when recapping what is arguably the weirdest year in television since the format was invented. We have, each of us, watched more TV in the last nine months than at any other time in our lives. And yet, with so little of it being newly produced, there has been an odd staleness to our viewing habits. I’m bored of live TV and I’m bored of box sets, so what else is there to do? Read a book? Behave.

The first thing we need to confront is the short-lived Zoom era of Lockdown 1.0, which wasn’t very good. It’s harsh of me to single people out, but The Steph Show on Channel 4 was an early example of form clattering up against need, as a cheery Steph McGovern tried to hold together a light magazine show from the comfort of her own home. Yes, it was rubbish (and the less-constrained Steph’s Packed Lunch studio variation shows that the desperately-broadcasting-from-a-house was the faulty part, not the rest of the show’s format), but crucially it started airing on 30 March – the date we still thought we’d all be back at work within a couple of weeks – and the sheer fact that someone tried to launch a magazine show to keep us all entertained in the middle of a history-shaping global emergency is something to be commended.

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Regé-Jean Page on Bridgerton: ‘We’re seeing this Regency romance through a feminist lens’

The actor reflects on the diverse casting of the Netflix period drama, facing up to British history and how the pandemic has made him find new ways to ‘make my skills useful to other people’

“As an artist, you have to constantly ask yourself: ‘Why this story? Why now?’”, says Regé-Jean Page. The 30-year-old actor is video-calling from his apartment in Los Angeles and expounding on his latest role as the rakishly debonair Duke of Hastings in the Regency-era romance Bridgerton.

A frothy period drama bolstered by a lavish Netflix budget might not seem like the most pressing nor most relevant of artistic choices for Page to be making. Yet, he sees the eight-part series as a subversive act, because of its diverse cast injecting multiculturalism and a boundary-breaking sense of sexual intensity into a traditionally white, staid setting.

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Olivia Colman on acting: ‘Take your job seriously and not yourself’

Star of The Crown and Peep Show opens up on her career, revealing she is plagued by self-doubt

She won an Oscar for her performance as Queen Anne in The Favourite, and is a household name thanks to roles as wide-ranging as Sophie in Peep Show and Queen Elizabeth in The Crown. But, despite such success, Olivia Colman has revealed she is plagued by self-doubt and a fear of unemployment, having never forgotten the pain of repeated rejection at the start of her career.

Colman, 46, graduated from the Bristol Old Vic theatre school more than two decades ago, but still recalls her early struggles and “the horrible feeling” of no one calling after she went up for acting jobs. “All those hundreds of auditions I did in the first two years. They don’t just say ‘sorry, no thank you’. You don’t hear anything. That’s heartbreaking.”

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‘Boys can be fairies – it’s the 21st century’: How Fate: The Winx Saga finds the reality in fantasy

The writer and star of the new Netflix series explain the myriad challenges of turning a manga-style kids’ cartoon into a live-action teen drama

How do you make teen TV magic? You call Brian Young. The writer cut his teeth on The Vampire Diaries, a supernatural teen drama that emerged from the Twilight era of sexy-horror fandoms, but it soon established its own identity, resulting in a successful eight seasons. So, when Netflix wanted to turn Winx Club – the hit Italian cartoon about fairies – into a live-action fantasy series for young adults, they recruited Young.

To him, the challenge of re-imagining the Winx world for a more mature audience was clear: “Tone. It’s trying to figure out how we ground this show in real character moments, things that any audience member would relate to. And this is coming from a massive fantasy fan – I had my Dungeons & Dragons character when I was a kid – but it is very easy to spiral off into absurdity with stuff like this.”

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Craig Revel Horwood: ‘I’m a baddie in panto but on Strictly I’m just being honest’

The Strictly Come Dancing judge reveals which contestant surprised him the most and why he’s looking forward to getting booed twice a day in Robin Hood

You’re a panto regular – what do you enjoy most about it?
I love live theatre – it’s where I started my career back home in Australia and I got into it as soon as I arrived in the UK. As much as I love my screen career, you simply can’t beat helping an audience to suspend their disbelief for a few hours and enjoy a shared experience live and in real time. While we all take it seriously and it’s hard work, panto is fun, festive and lets me show audiences what I can do when I’m not sitting behind my Strictly desk.

Panto has never fully been exported to Australia. When did you first see one?
The first ever pantomime I was in! Our producers, Qdos Entertainment, once called offering me the job of directing one of their productions, but due to filming commitments I couldn’t make it work. They called back five minutes later and asked me if I wanted to be in the panto instead and I jumped at the chance. It was a baptism of fire – wearing a dress, ridiculously high heels and getting booed twice a day. But I loved it, and I still do.

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Scottie Pippen: ‘I told Michael Jordan I wasn’t too pleased with The Last Dance’

The ex-Chicago Bulls star won new fans in the acclaimed Netflix documentary. He talks about his special relationship with MJ – and basketball’s equality problem

Born in Arkansas in 1965, the youngest of 12 children, Scottie Pippen is one of basketball’s all-time greats. He played alongside Michael Jordan for the Chicago Bulls when they dominated the sport in the 1990s, winning six NBA championships. (He also won two Olympic gold medals.) That period, the Bulls’ and, in particular Jordan’s, extraordinary achievements are the focus of the 10-part, critically acclaimed Netflix docuseries The Last Dance, which has been a major hit in 2020.

You and Michael Jordan seemed to have a special bond in the film. When you were both on your game, it seemed like the team was going to win. Was that the case?
Yeah, that relationship, we established that we felt like that in the late 80s, playing against the Pistons, just starting to grow and mature and have each other’s backs. We grew up together and we defended each other. That respect we had on the court, that competitiveness we took through to the top – it was special. That was the respect we had for each other, because we had to be on the court to do what we did. We had to be dominant.

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Carole Baskin: ‘After Tiger King, my phone rang every two minutes for months’

The animal sanctuary owner was catapulted to fame by the Netflix series – and became an unlikely fashion trendsetter

Carole Baskin watched the Netflix documentary series Tiger King as many of us did: she binged it, devouring all seven episodes in one sitting as soon as it was released in March. “It was like watching a dumpster fire, you just couldn’t turn away from it,” says Baskin on a video call. “It was just mesmerising that there could be this many crazy people doing so many wretched things to animals.”

Of course, one of the “crazy people”, the show implied, was her. Baskin, a 59-year-old owner of the Big Cat Rescue sanctuary in Florida, she she had been told by the film-makers that Tiger King would be an exposé of the mistreatment of the animals by private owners in America. Instead, the series mainly focused on a long-running feud between Baskin and Joseph Maldonado-Passage, a mulleted, polygamous, country music-loving zoo owner from Oklahoma who calls himself “Joe Exotic”.

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Helena Bonham Carter says The Crown should stress to viewers it’s a drama

Actor who plays Princess Margaret adds her voice to calls for Netflix to add a disclaimer

Helena Bonham Carter has said The Crown has a “moral responsibility” to tell viewers that it is a drama, rather than historical fact, in the wake of calls for a “health warning” for people watching the series.

The actor, who played Princess Margaret in series three and four of the Netflix hit drama, told an official podcast for the show that there was an important distinction between “our version”, and the “real version”.

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Hugh Grant’s Undoing: how romcom leading men embraced the dark side

No more Mr Nice Guys! With his role in the HBO miniseries, Grant – like Richard Gere and Vince Vaughn – has swapped charm for smarm, reflecting a changing society

Hugh Grant made his name in the 90s as a squeaky-clean charmer, but anyone who has been keeping tabs on his career will not have been surprised to see him show up in the HBO miniseries The Undoing as an unhinged philanderer, attacking a man with his bare teeth in a prison-yard brawl. For a while now, the actor who used to warm our hearts has been doing his best to chill our blood. And he has been doing it pretty well: as a scheming politician in A Very English Scandal, as a scheming investigator in The Gentlemen and, best of all, as a scheming theatre impresario in Paddington 2. As mid-career renewals go, Grant’s has been one of the best and The Undoing, six hours of top-notch trash that wraps up tonight, has made the most of its newly depraved star.

The reinvention of the romantic lead is hardly a new phenomenon – it is more than 75 years since Murder, My Sweet turned Dick Powell from a fresh-faced musical star to a whisky-addled noir antihero, but in recent years it has become an especially popular trope. Richard Gere, who, like Grant, found screen stardom by flirting faux-modestly with flattered young ladies, has lately gone to great pains to show off his ugly side. He forged a career from playing wealthy, winsome suitors, but his recent turns as a hedge-fund magnate (Arbitrage), a moneyed philanthropist (The Benefactor), a high-flying politician (The Dinner) and a Murdoch-esque media mogul (MotherFatherSon) have all helped to flip the twinkly-eyed archetype on its head. Gere’s message is clear: I’m not the white knight you all thought I was.

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Culture secretary to ask Netflix to play ‘health warning’ that The Crown is fictional

Oliver Dowden says younger viewers might take historical drama’s portrayal as fact

The culture secretary plans to write to Netflix and request a “health warning” is played before The Crown so viewers are aware that the historical drama is a work of fiction, he said in an intervention that prompted criticism.

Oliver Dowden said that without the caveat younger viewers who did not live through the events might “mistake fiction for fact” following complaints that the fourth series of the drama had abused its artistic licence and fabricated events.

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BBC’s A Suitable Boy rankles ‘love jihad’ conspiracy theorists in India

BJP reaction to depiction of Hindu-Muslim romance follows recent rows over interfaith marriages

When the BBC’s adaptation of Vikram’s Seth’s novel A Suitable Boy recently landed on Indian Netflix it did not take long for the fanfare to turn to controversy.

The series, it was claimed by politicians from the ruling Bharatiya Janata party (BJP), had “hurt religious sentiments” of Hindus by depicting the lead character, a Hindu girl called Lata, passionately kissing a Muslim boy against the backdrop of a temple.

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How the Late Late Toy Show became an unlikely Irish TV institution

Annual special – where garish sweaters meet unrestrained children – airs on Friday evening

It is possibly the most anticipated moment in Ireland’s cultural calendar, a television event that draws huge ratings, unites the diaspora and is parsed as a barometer for the mood of the nation.

Expectation builds months in advance, rumours about the theme, leaks about participants, sometimes alarm that the formula may change.

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Italian state TV’s ‘sexy shopping’ tutorial for women sparks outrage

Episode of Detto Fatto told women how to push a trolley and reach for items in an alluring way

A tutorial aired on public television that gave women tips on how to “shop in a sexy way” has sparked outrage in Italy.

The guide was transmitted during Detto Fatto, a programme on the state broadcaster’s Rai 2 channel, and featured the ballerina and pole dance teacher Emily Angelillo advising women on how to look sensual in the supermarket.

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The Great British Bake Off final review – flawed gems worth celebrating

In a series where being put in a Covid bubble meant a reduction in the talent available, it was the failures that stood out

  • This article contains spoilers

This year needed The Great British Bake Off like never before, and The Great British Bake Off delivered. The programme has always been comfort food but, at times this year, it almost transcended television. It felt like a hug. It felt like medicine.

I have a theory about this. The context of this year’s series – with all the participants agreeing to abandon their loved ones and bubble up in a hotel – meant that the talent pool was smaller than usual. And this meant that the contestants weren’t quite as good as usual. And this meant that we got to witness more mistakes than usual. This wasn’t a demonstration of wall-to-wall technical wizardry by any means. Instead, what we got this year was a presentation of well-meaning but flawed humanity. And that’s what we’ve all been crying out for.

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Police investigate I’m a Celebrity over fears non-native bugs may be escaping

Rogue creatures from bushtucker trials including ‘ultimate survivor’ cockroaches could threaten Welsh countryside

Police are investigating I’m a Celebrity … Get Me Out of Here! over concerns non-native wildlife could have escaped into the Welsh countryside during bushtucker trials, the Guardian can reveal.

Rural crime officers from north Wales police are looking into complaints that non-native creatures such as cockroaches, maggots, spiders and worms could threaten wildlife in the 100-hectare (250-acre) estate surrounding Gwrych Castle in north Wales, where the show is being held this year.

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‘Biggest sin in the programme’: How a coat from The Undoing divided the internet

The ugly green coat in the HBO drama The Undoing has usurped a starry cast that includes Nicole Kidman and Hugh Grant. But what are the show’s makers trying to say, exactly?

The real star of The Undoing, HBO’s absurd marital melodrama, is not Hugh Grant, the Manhattan skyline or even the pair of David Hockneys hanging inside a vast penthouse in episode one. It’s a coat.

Sludge-green, calf-length, with wide lapels and a hood, this coat is worn again and again by Nicole Kidman’s character, a gnomic therapist called Grace, as she floats down Madison Avenue, through Central Park and even into the prison on Rikers Island, brooding over her marriage to a man who may, or may not, have just murdered his lover with a lump hammer.

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Enlightened: Laura Dern’s best role was smart, brave and ahead of its time

The series was cancelled in 2013 but its biggest crime was being born too soon. Now streaming in Australia, here’s hoping it gets the audience it deserves

What happens when an annoying narcissist has a spiritual awakening? Do they become different? Better? Or does real change require much more than learning how to meditate?

Enlightened, starring Laura Dern, aired for two seasons on HBO from 2011 to 2013. Critics loved it, a third season was on the cards – but it never got the mainstream viewership it deserved and was cancelled due to poor ratings.

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Could Steve McQueen start a lovers rock revival with Small Axe?

Streaming services expect rise in searches for the 70s pop-reggae genre, a staple of the blues parties that shaped UK music

One of the most memorable moments in Steve McQueen’s Lovers Rock – the latest film in his five-part anthology series Small Axe – comes when a room full of young revellers sing Janet Kay’s classic Silly Games with their eyes closed, lost in the music, as they imitate her signature falsetto.

A staple of the lovers rock genre, which emerged in the 70s and was a blend of pop, reggae and disco, Kay’s song is the centre piece of McQueen’s film, which is itself an ode to the house parties, or “blues”, that his auntie attended as a young woman.

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Laurence Llewelyn-Bowen: ‘I’ve been trying to get sacked from television for years’

Changing Rooms’ flamboyant master of maximalism has made a great living out of being himself. But is lockdown altering him? Is he suddenly dressing down, or brooding on the tragedy that marked his childhood? And does he have any decor tips for our interviewer?

If curating your surroundings for a Zoom call is an art, then Laurence Llewelyn-Bowen is its maximalist master. Immersed in the dark colours of his 17th-century manor-house living room, he sits with enviable poise, one arm cocked and propped on his thigh, as though modelling for a portrait. Flanked by a medley of blue velvet and patterned cushions, the latter matching his William Morris-inspired sofa, he is lit by an assortment of lamps.

It is a stark contrast to my more modest framing – a single pine bookshelf and a large houseplant. I show him the rest of my living room: pale blue walls, a navy/charcoal sofa, a single cushion with Julianne Moore’s face, a coffee table, a few more palms and a TV unit. Britain’s best-known interior designer doesn’t spare my feelings.

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Michael J Fox: ‘Every step now is a frigging math problem, so I take it slow’

After living with Parkinson’s for 30 years, the actor still counts himself a lucky man. He reflects on what his diagnosis has taught him about hope, acting, family and medical breakthroughs

The last time I spoke to Michael J Fox, in 2013, in his office in New York, he was 90% optimistic and 10% pragmatic. The former I expected; the latter was a shock. Ever since 1998, when Fox went public with his diagnosis of early-onset Parkinson’s disease, he has made optimism his defining public characteristic, because of, rather than despite, his illness. He called his 2002 memoir Lucky Man, and he told interviewers that Parkinson’s is a gift, “albeit one that keeps on taking”.

During our interview, surrounded by the memorabilia (guitars, Golden Globes) he has accrued over the course of his career, he talked about how it had all been for the best. Parkinson’s, he said, had made him quit drinking, which in turn had probably saved his marriage. Being diagnosed at the heartbreakingly young age of 29 had also knocked the ego out of his career ambitions, so he could do smaller things he was proud of – Stuart Little, the TV sitcom Spin City – as opposed to the big 90s comedies, such as Doc Hollywood, that were too often a waste of his talents. To be honest, I didn’t entirely buy his tidy silver linings, but who was I to cast doubt on whatever perspective Fox had developed to make a monstrously unjust situation more bearable? So the sudden dose of pragmatism astonished me. Finding a cure for Parkinson’s, he said, “is not something that I view will happen in my lifetime”. Previously, he had talked about finding “a cure within a decade”. No more. “That’s just the way it goes,” he said quietly. It was like a dark cloud had partly obscured the sun.

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