Do the Saigon twist! Meet Phuong Tâm, Vietnam’s first rock’n’roll star

Playing raucous American pop in 1960s Vietnam, Phuong Tâm became a sensation – but turned her back on singing after emigrating to the US. Now she’s 76 and her incredible music can finally be heard after her daughter tracked it down

In early 1960s Saigon, Nguyễn Thi Tâm would appear on stage in the city’s vibrant phòng trà (tearooms) and nightclubs. She embodied quintessential young womanhood, with long, straight black hair and wearing a white áo dài, an elegant Vietnamese dress. But instead of traditional songs, she would belt out music that recalled American hot rods, hip-swinging dance crazes and even teenage abandon: using the stage name Phuong Tâm, she was one of Vietnam’s first rock’n’roll singers. “Back then, everyone was singing Vietnamese, some French, but no one else was singing American music,” says Tâm, now 76. “Just me.”

Lost for decades, 25 of the brilliantly crafted songs she recorded – all rich in verve and atmosphere – can now be found on Magical Nights, a landmark compilation that required an international collective effort to recover a lost era of early Vietnamese rock. Tâm and I speak in Vietnamese, logging on from our homes in two of the world’s largest Vietnamese-diaspora communities: she is in San José, California; I am in Sydney, Australia. Given that we are talking about events from more than half a century ago, I’m astonished by her vivid recall. “Of course, these are precious memories. I was lucky. I sang every night.”

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Mark Strong on acting, insecurity and life without a father: ‘I got angry as I got older. It took years to fix’

After three decades on the stage and screen, the star is still worrying about where his next job will come from. Meanwhile, at home, he frets about letting down his family

Mark Strong has a good face for villainy – spare and inscrutable, with thin lips and “eyes like tunnels”, as Arthur Miller might have put it. On camera, he gives a sort of fractional disclosure, expressions altering in tiny increments, so that watching him perform is often an exercise in judging how much good can reasonably be seen in the bad. He specialises in antiheroes and authority figures, from gangsters (Kick-Ass, The Long Firm) to heads of intelligence (The Imitation Game, Body of Lies, Zero Dark Thirty). His latest incarnation – as a surgeon who operates in the criminal underground in the TV drama Temple, now in its second series – melds these roles as he crosses and recrosses the line between conscientious and cruel.

Although highly regarded for his work across stage, film and TV, Strong is not a big winner of awards (though he earned an Olivier for his outstanding portrayal of Eddie Carbone in Miller’s A View from the Bridge in 2015). He comes across as somehow outside the system. He is reputable rather than starry, plays parts rather than leads and has retained the air of a jobbing actor. Surely at 58, after 30 years of nearly constant work and more than 100 screen credits, with a voice so sonorous and distinctive it draws you to the depths, he deserves a bigger breakthrough. Is he frustrated by the lack of leading parts?

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‘You’ve got long hair, I’ve got long hair!’ The loud, joyful community of rock bars

With strong drinks and stronger music, rock bars are fiercely independent havens for UK metalheads, who have been donating thousands to keep them alive after Covid

It’s Friday night in north London’s Black Heart, a rock and metal bar tucked away on a Camden side street. The walls and ceiling are – inevitably – painted black, the beer taps are furnished with antlers, and the speakers are blasting out Metallica’s Enter Sandman. As the chorus hits, the whole bar breaks into song, and the bartender turns down the volume so all that can be heard is a room full of joyous metalheads belting out: “We’re off to never-never land!”

As pints splash and voices echo, the scene feels poignant: pandemic lockdowns left rock fans wondering when they might have moments like this again, with the Black Heart nearly closing down until it was saved by a crowdfunding campaign with prize draws that raised more than £150,000 in seven weeks.

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The greatest songs about the climate crisis – ranked!

As Cop26 opens in Glasgow, we provide the soundtrack, ranging from Gojira’s metal fury to gorgeous environmental paeans by Childish Gambino, Neil Young and Joni Mitchell

From its cover shot of a submerged bedroom down, 2019’s Titanic Rising feels like an album informed by the climate crisis, but the lyrics seldom address it explicitly. Something to Believe is the perfect example: a plea not to feel overwhelmed by or nihilistic about the challenges faced, beautifully steeped in the lush sound of early 70s Los Angeles.

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Last Night in Soho review | Peter Bradshaw’s film of the week

Thomasin McKenzie, Anya Taylor-Joy and Matt Smith star in a horror-thriller that takes a trip to the sleazy heart of London’s past

A trip to the dark heart of London’s unswinging 60s is what’s on offer in this entertaining, if uneven, film from screenwriter Krysty Wilson-Cairns and director Edgar Wright, serving up a gorgeous soundtrack and some marvellous re-creations of sleazy Soho and the West End. There’s a tremendous image of the marquee for the 1965 Thunderball premiere in Coventry Street, and a show-stopping crane shot of Soho Square, apparently filmed from where the 20th Century Fox sign is now no longer to be found atop that company’s former premises.

Last Night in Soho is a doppelganger horror-thriller about a wide-eyed fashion student called Eloise (Thomasin McKenzie) who has brought her mum’s old Dansette record player and Cilla Black and Petula Clark LPs up to London from Cornwall on the train. Eloise has a fetish for the lost innocent glamour of the 60s but, moping all alone in her manky bedsit, finds herself stricken with neon phantasms. Like a ghost from the future, Eloise dreams her way through a portal in time back into 60s London clubland, where she witnesses Sandie (Anya Taylor-Joy), a blonde singer – exactly the kind of retro showbiz princess Eloise moonily idolises – who is being forced by her slick-haired manager Jack (Matt Smith) into having sex for money with creepy old men. Gradually, Eloise feels her identity merging with Sandie’s. Is she having a breakdown, or is this nightmare really happening?

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Rust shooting: officials say single bullet likely caused injury and death after Alec Baldwin fired gun on set

Officers say Alec Baldwin is ‘active part’ of investigation but have yet to determine if they’ll bring charges against the actor or others

Officials confirmed on Wednesday that live bullets, including the round it is believed killed cinematographer Halyna Hutchins and injured director Joel Souza, were found on the set of the movie Rust last week after actor Alec Baldwin fired a gun during a rehearsal – but no decisions have been made yet about any criminal charges.

“We believe that we have, in our possession, the firearm that was fired by Mr Baldwin. This is the firearm we believe discharged the bullet,” said Santa Fe’s county sheriff, Adan Mendoza, said at a press conference on Wednesday.

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Two lovers kiss behind a tree: Clifford Prince King’s best photograph

‘It’s a private moment but in a wide open public space. It made me think about how queer Black men struggle to be seen for our true selves’

In 2018, I was visiting my cousin in Dallas when I remembered that a friend from Portland had moved there. I hadn’t seen him in a while and heard he had a new partner, so I asked if he wanted to catch up. The minute I saw him and his boyfriend, I wanted to photograph them. They were both wearing similar clothes, and something about the matching colour palette made them feel like a pair. We took a walk through Como Park, where I spotted this tree. I asked them to stand behind it and embrace each other, with their faces obscured.

What struck me was the interplay of intimacy and anonymity. It’s this tender moment, slightly hidden. We can see that it’s an embrace, but we can’t see who it is. It’s a private moment but in a wide open public space. It made me think about how they – and I – as queer Black men, struggle to be seen for our true selves in different spaces.

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‘Joyously subversive sex goddesses’: the artists who gave witches a spellbinding makeover

Thousands of women were slain after being accused of witchcraft. Don’t they deserve more than the evil cackling hag stereotype? A powerful new book blows away the satanic baby-eating myths

We all know what a witch looks like. A gnarled old face full of warts with teeth missing and bright green skin. Then there’s the long black coat, the tall black hat and let’s not forget the sizable crooked nose, sniffing the fumes rising from a bubbling cauldron in a room festooned with cobwebs.

But that’s not what witches look like at all, or at least not according a hefty new art book being published in time for Halloween. In this compendium of witchy women, from Renaissance paintings to modern Wicca, the caricature of the evil hag is turned upside down. Witchcraft, the latest volume in Taschen’s Library of Esoterica, finds evidence from artists as diverse as Auguste Rodin and Kiki Smith for its revisionist view that witches are typically young, glamorous practitioners of highly sexualised magick. The cover painting, by Victorian artist JW Waterhouse, depicts the ancient enchantress Circe in pale, red-lipped pre-Raphaelite ecstasy – and the fun just keeps coming. The witches here are powerful feminist sex goddesses whose rites and incantations are joyously subversive.

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Gil Scott-Heron changed my life – and his humane message still resonates

The ‘godfather of rap’ is being inducted into the Rock and Roll Hall of Fame this week alongside Jay Z and LL Cool J, and remains an inspiration for how he lifted up the downtrodden

In 1986, as the Rock and Roll Hall of Fame was being inaugurated in Cleveland, Ohio, I was touring Europe with the artist, poet, author and civil rights activist Gil Scott-Heron. At that time, you wouldn’t have readily associated someone like Gil with the term rock’n’roll. In fact, people were struggling to find any genre name that could encapsulate this urban griot’s unique and diverse repertoire. Gil would often joke that if you wanted to find his music in the record store, “look for a category that says miscellaneous”; true innovators don’t fit into established genres but create them.

Nevertheless, Gil is being inducted this year, a mark of how the Rock and Roll Hall of Fame has diversified and incorporated other musical forms, including hip-hop. Public Enemy were inducted in 2013 and this year Jay-Z and LL Cool J will join the ranks along with Gil.

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World exclusive: Super troupers! Abba on fame, stress, ageing backwards – and why they’ve returned to rescue 2021

World exclusive: Here we go again! After nearly 40 years, Benny, Björn, Agnetha and Anni-Frid are back together. We get the inside story of the greatest reunion in pop

It started with a mysterious image on billboards all over the world (and the internet). The sun rising above four dark planets; the only words Abba: Voyage. By the time an announcement was made on 2 September, it had fair claim to call itself the most anticipated comeback in pop history.

And the details exceeded expectations. Not only was there a new album, Voyage, the first in 40 years: 10 new songs that brought the original band together in the studio for the first time since a split that had been precipitated by the couples in the band divorcing. Not only that, but there was to be a new “immersive live experience”, in a bespoke stadium in London – nobody seemed to have noticed the planning application being published online – featuring futuristic de-aged “Abbatars” playing a potentially never-ending series of gigs. In the depths of a miserable year, it seemed, Abba were coming to rescue 2021.

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Rust film set shooting: prosecutor says criminal charges possible

Santa Fe county district attorney tells New York Times weapon Alec Baldwin fired was ‘legit’ antique gun

Criminal charges have not been ruled out in the fatal accidental shooting by Alec Baldwin on the Rust film set, the local district attorney handling the case has said in an interview.

Speaking with the New York Times on Tuesday, the Santa Fe county district attorney, Mary Carmack-Altwies, also said it was incorrect to refer to the firearm used in the incident as a “prop gun”, as media reports have.

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Donnie Darko at 20: the soulful student favourite comes of age

Richard Kelly’s unusual sci-fi drama made a star of Jake Gyllenhaal and introduced emo teens to a brave new world

Midway through Donnie Darko, a creative young English teacher played by Drew Barrymore repeats the old maxim – recycled over the years by linguists, scholars and writers including JRR Tolkien – that the simple, banal phrase “cellar door” is the most purely, pleasingly harmonious combination of words in the English language. There’s something to be said for that, but one wonders if writer-director Richard Kelly was offering a challenge to the claim by naming his protagonist Donnie Darko – an irresistible, perfectly ridiculous name for an ordinary suburban schoolboy that nonetheless encapsulates his fey, eccentric aura. His new girlfriend says the name aloud, lolling it like a mint in her mouth, before observing that it makes him sound like “some kind of superhero”. “What makes you think I’m not?” he replies, deadpan.

Well, what indeed. Kelly’s sci-fi-tinted tale of adolescent isolation came out six months before Spider-Man, the film that kick-started the now all-consuming superhero movie revival, and the two have more in common than you might initially assume: both are stories of an awkward teenage boy coming to terms with what appear to be otherworldly abilities, and assuming responsibility for the world around them. For plucky Peter Parker, that means standard-issue feats of derring-do and defeating evil; for downcast Donnie Darko, it means ending and altering the very timeline in which he exists, ultimately dying so that others may live. As superhero origin stories go, it doesn’t have much franchise potential: Donnie’s legend begins and ends in one fell swoop. But it has an eerie, enduring power: would that many comic-book heroes’ stories were so noble and haunting and finite.

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The last laugh: is the television sitcom really dead?

From Friends to The Thick Of It, the TV sitcom has evolved – but it’s no longer in rude health. Enter offbeat shows like Stath Lets Flats, bringing joy and potential redemption

The sitcom has a long history of being dead. According to the former NBC president of entertainment, Warren Littlefield, in the early 1980s many people believed the sitcom was over. In 1999, Entertainment Weekly noted the genre’s demise. In 2005, so did Victoria Wood. The following year, the former ITV director of programmes, David Liddiment, made a programme called Who Killed the Sitcom? In the decade and a half since, similar questions have been posed repeatedly by publications on both sides of the Atlantic. Declaring the sitcom dead now seems more like an annual ritual than a convincing take on the state of comedy. But what if this time it’s actually true?

There are a few reasons why the sitcom seems, if not comprehensively deceased, then at least less responsive than it has ever been. In terms of the comedy zeitgeist, the sadcom – a frequently bleak drama hybrid – continues to rule (see: I May Destroy You, Feel Good, This Way Up, Insecure). Streaming giants increasingly shape our viewing habits, and they don’t tend to make sitcoms (their discrete episodic plots mean they are not very bingeworthy, for a start). The newly established National Comedy Awards, meanwhile, doesn’t include a sitcom category, while Bafta dropped its sitcom award in 2015 and replaced it with one for scripted comedy: this year’s winner, the comedy-horror anthology Inside No 9, in no way fits the sitcom mould.

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Sex: Unzipped review – perverse Sesame Street is a TV disgrace

In this fascinatingly terrible Netflix show, presenter Saweetie cannot contain her cringing as sex-positive puppets masturbate constantly in front of her. What an agonising watch

I blame myself, really. I have made repeated pleas in these pages that British people be entirely kept away from any shows about sex or anything remotely sex-adjacent, because of our inability to face cameras or genitals without collapsing in mortal embarrassment. In doing so, I implied that Americans were better suited to the job. I apologise unreservedly. For Sex: Unzipped, billed erroneously by Netflix as a comedy special and presented by rapper Saweetie, has been inflicted upon us all to give the lie to my under-researched claim.

Saweetie is, especially for someone used to performing, fascinatingly terrible as a presenter. Uncomfortable, self-conscious and with a relentlessly flat delivery – it’s quite agonising. Perhaps she would be better off without the sex-positive puppets? Then again, perhaps we all would.

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Why people believe Covid conspiracy theories: could folklore hold the answer?

Researchers use AI – and witchcraft folklore – to map the coronavirus conspiracy theories that have sprung up

Researchers have mapped the web of connections underpinning coronavirus conspiracy theories, opening a new way of understanding and challenging them.

Using Danish witchcraft folklore as a model, the researchers from UCLA and Berkeley analysed thousands of social media posts with an artificial intelligence tool and extracted the key people, things and relationships.

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Halyna Hutchins mourned amid anger at Hollywood ‘cutting corners’ on sets

Somber vigil charged with subdued rage over conditions that many lower-paid crew believe were linked to cinematographer’s death

A public vigil for the slain cinematographer Halyna Hutchins in Los Angeles on Sunday evening served both as an unofficial memorial event and an outlet for anger over working conditions in Hollywood that many lower-paid crew believe were linked to the 42-year old mother’s death.

Several hundred colleagues gathered outside the local union office for the International Alliance of Theatrical Stage Employees (IATSE) which represents workers on film and TV sets, who had been poised to go on strike to protest about pay, long hours and dangers on sets just days before Hutchins was fatally shot by Alec Baldwin on the New Mexico set of the desert western film Rust last week.

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Curb Your Enthusiasm review – Larry’s back, and funnier than ever

The return of the angriest yet most comforting comedy on television brings the perfect formula of celebrity cameos, snark and screaming

After the 10th season of Curb Your Enthusiasm debuted in January 2020, it seemed like all anyone could talk about was Larry David’s deployment of a red Maga cap as a tool to conveniently repel people in liberal Los Angeles. Surely season 11, the first of the Covid era, would feature a spin on pandemic life no one could see coming, right? Well, there’s never been anything about this show that’s been predictable; you can practically hear Larry David shrug an “eh” at the thought of tackling such an obvious issue.

Which isn’t to say the season premiere, airing 21 years after the series premiered as an hour-long HBO special, won’t be considered an instant classic to many. Indeed, we now live in a world where Jon Hamm has spoken Yiddish on television, a true hallelujah moment for an admittedly small percentage of the world’s population, but a gift wrapped in a bow to Larry David’s most dedicated core. (We knew Hanukkah was coming early this year, but not this early.)

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Hooked on Squid Game? Here are 10 of the best K-dramas to watch next

From a shocking drama set in the cut-throat world of Korea’s elite universities to a thriller about a time-travelling walkie talkie, here’s what to binge

Reply 1988 begins in the year South Korea hosted the Olympics and follows the lives of five friends in the neighbourhood of Ssangmun-dong in northern Seoul: carefree Deok-sun, fellow trouble-maker Dong-ryong, model student Sun-woo, grumpy Jung-hwan and Choi Taek, a reserved Baduk (Go) player.

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Six jailed in Spain for selling fakes of Goya and other artists online

Valencia police seized 27 paintings by various artists being sold for €1.2m, 18 of which were crude forgeries

Six people have been jailed in the eastern Spanish region of Valencia after police broke up a criminal gang that was using the internet to sell crudely forged paintings attributed to artists including Francisco de Goya, José Benlliure y Gil and Nicolás Falcó.

The investigation, carried out by officers from the historical heritage group of the Valencian police, began when doubts arose over the provenance of Falcó’s The Adoration of the Three Wise Men, which had been bought for €18,000 (£15,000) and was being resold for €45,000.

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Alec Baldwin was pointing gun at camera when it went off, director says

Joel Souza says actor was practising a scene at time of accidental shooting of Halyna Hutchins

Alec Baldwin was practising a scene that involved him pointing a gun “towards the camera lens” when it accidentally went off, killing his director of photography, according to a written statement by the film’s director.

The director, Joel Souza, said he heard what “sounded like a whip and then a loud pop”. He said he saw the cinematographer Halyna Hutchins clutch her midriff and stumble backwards. Souza noticed that he himself was bleeding from the right shoulder.

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