Los Lobos: ‘La Bamba gave us an identity crisis’

Best known for their global No 1 in 1987, the Los Angeleno band first emerged through the phlegm of the punk movement and are now returning to their roots

Los Lobos reached pop’s pinnacle in 1987 when their cover of La Bamba, recorded for a film of the same name, reached No 1 around the world. On their way up, and indeed back down the other side, the Los Angeles roots-rockers have mastered multiple musical styles during nearly 50 years together – from traditional Mexican folk to jump blues and avant-rock – and have earned 11 Grammy nominations (with three wins), working or appearing with Paul Simon, the Clash, film-maker Robert Rodriguez and more along the way.

Now, to move forward, Los Lobos decided to look back. Native Sons, their 17th studio album, is a wide-ranging celebration of the LA artists that inspired the band early on. With covers of well-known pop tunes by the Beach Boys (Sail on Sailor) and Buffalo Springfield (For What It’s Worth) sitting alongside rare cuts from 60s garage rockers Thee Midniters and Latin jazz legend Willie Bobo, it’s the perfect polyglot collection for this multi-faceted ensemble. “You wouldn’t run into [these artists] at the same party,” says guitarist Louie Pérez Jr. “But once they all got to the party, everyone in the band thought, ‘Hey, this is kind of fun.’”

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‘A malignant narcissist’: uncovering the dark side of John DeLorean

The defining car mogul’s ego and criminality are explored in the eye-opening new Netflix docuseries Myth & Mogul: John DeLorean

In Northern Ireland, many still revere the automotive magnate John DeLorean as a local hero for situating his car factory in Belfast at the height of the Troubles, a time of extreme economic deprivation during which the influx of jobs came as a godsend. Others – his family, his personal confidantes, his colleagues, the FBI officials responsible for his eventual arrest – remember the business tycoon as a greedy, flagrantly unethical megalomaniac. The new miniseries Myth & Mogul: John DeLorean triangulates the truth in hiding somewhere between these two characterizations.

Related: Myth & Mogul: John DeLorean review – how years of lies felled an automotive giant

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How we made: Relax by Frankie Goes to Hollywood

‘The Sex Mix got so many complaints – even some gay clubs found it offensive’

I wanted to be provocative with the way Frankie Goes to Hollywood looked and for the lyrical content to be modern and edgy. We had been living through a politically charged time, the Sex Pistols and Bow Wow Wow had made headlines, and I knew we had to do the same to make an impact. I had a vision of something that merged punk and disco. I was always badgering the drummer to just play a four-on-the-floor bass drum.

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Jessie Cave on body image, bereavement and being relentless: ‘I don’t have any secrets’

The actor, comic and writer talks about her bestselling debut novel, the cruelty of costume fittings, how it felt to be in the Harry Potter franchise – and finding hope in small things

As a compulsive diary writer – she has kept one since she was eight – Jessie Cave knows that, unless it gets written down, life gets forgotten. She is glad, then, that she wrote her debut novel, Sunset, because the way she felt at the time “would have just gone, and then you’re in a different place and you don’t remember”. This book, says Cave, was “absolutely the only thing I could write during that period”.

In March 2019, her younger brother Ben died in an accident aged 27. Her book was written in the aftermath, that manic feeling that sometimes comes with grief pushing her on. It went straight to No 1 on the Sunday Times’ bestseller list after being published in June. “I don’t know if I would have that energy now,” she says.

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Doggerland: Lost ‘Atlantis’ of the North Sea gives up its ancient secrets

The land mass that linked Britain to continental Europe was rich in early human life until it flooded

The idea of a “lost Atlantis” under the North Sea connecting Britain by land to continental Europe had been imagined by HG Wells in the late 19th century, with evidence of human inhabitation of the forgotten world following in 1931 when the trawler Colinda dredged up a lump of peat containing a spear point.

But it is only now, after a decade of pioneering research and the extraordinary finds of an army of amateur archaeologists scouring the Dutch coastline for artefacts and fossils, that a major exhibition is able to offer a window into Doggerland, a vast expanse of territory submerged following a tsunami 8,000 years ago, cutting the British Isles off from modern Belgium, the Netherlands and southern Scandinavia.

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Eimear McBride: ‘Women grapple with shame because we’re held to a higher standard’

The novelist on her first book of nonfiction – about women and disgust – and the complexities of prize culture

Eimear McBride, 44, is the bestselling author of three novels: A Girl Is a Half-Formed Thing, which won the Women’s prize for fiction and the Goldsmith’s prize, The Lesser Bohemians and Strange Hotel. Her first work of nonfiction, Something Out of Place: Women and Disgust, is the result of an invitation by the Wellcome Collection to explore its museum and library, housed on Euston Road in London. She lives in east London with her family.

How did your new book come about?
Wellcome was a place where I was a temp, back in the old days before I was a full-time writer. I worked in the library: I was the stack monkey. So when I was asked about doing this, I was very open to the idea; I’ve always been fond of Wellcome. I didn’t go to university, so I’d never had the experience of spending a lot of time just reading.

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Listen up: why indie podcasts are in peril

As big spenders such as Amazon and Spotify fill our ears with more commercial, celebrity-driven fare, can grassroots, diverse shows survive?

The British Podcast Awards were different this year. Held in a south London park, they had a boutique festival feel, with wristbands and tokens for drinks, an open-sided tent for the actual awards, and people lounging on blankets in front of the stage. There were also sponsor areas – those small, picket-fenced areas where invitees could drink and mix with brand bigwigs. Awards are expensive to stage, and to give any sort of a professional sheen, money is needed. In 2017, the BPA sponsors included Radioplayer and Whistledown, an independent audio creator. In 2021, the BPA was “powered by Amazon Music”. Spotify, Stitcher, Audible, Acast, Global, BBC Sounds, Podfollow and Sony Music also dipped into their sponsorship pockets. Clearly, podcasting has gone up in the world.

Over the past 18 months, podcasting has hit the corporate big time. Apple, long the most recognisable name in podcasting, its iTunes chart being the public measure of any show’s success, is attempting, clumsily, to move from being a neutral platform that hosts shows into one that makes money from podcasting (by, for example, charging creators for highlighted spots).

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Shailene Woodley: ‘Authenticity is my love language’

Despite being only 29, Shailene Woodley already has 25 years’ acting experience under her belt. Here, the star of Big Little Lies and Divergent talks about being free-willed, her hippy passions and her late-night calls with Kate Winslet

The one and only time Shailene Woodley beams during our time together – a long conversation over Zoom, on a bright weekday morning – is when my young son sneaks into the room in which I’m bent over a laptop, points at the stranger appearing on-screen, and asks, not quietly, “Who’s that?”

There is nothing to do but introduce them.

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Lily Allen: from chart-topping handbag kid to the heart of London’s West End

The singer is back in front of a live audience this week, playing ‘a woman with a real point of view’ in a spooky new play, 2:22 – A Ghost Story

There, in the background, wearing drop pearl earrings, is 13-year-old Lily Allen dressed up as a little lady-in-waiting. Cinema audiences watching Cate Blanchett as Elizabeth when the film of that name came out in 1998 might have been concentrating on the queen’s courtly dancing in the middle of the frame, but yes, it really was Allen playing a mini royal favourite in director Shekhar Kapur’s lavish production.

Now, more than two decades later, the 36-year-old singer-songwriter is taking centre stage as an actress in the West End, appearing in a spooky new play, 2:22 – A Ghost Story, which opens this week.

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Jimmy Savile: 10 years on, what has changed in uncovering abuse?

As TV revisits the scandal, the author of an acclaimed play about it asks what the media and key institutions have learned – and whether survivors are now treated any better

Journalistic parlour game question: what are the most significant news stories of the past decade? Few would argue with the pandemic and Brexit. Not far behind, perhaps, is the Jimmy Savile scandal.

Not many stories change our world. This one did. It transformed how we deal with allegations of sexual assault. We reassessed our attitude to celebrity. We saw more clearly than ever how morally corrupt institutions could be. It was the harbinger of the #MeToo movement.

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Revealed: the secret trauma that inspired German literary giant

WG Sebald’s writing on the Holocaust was driven by the anger and distress he felt over his father’s service in Hitler’s army

His books are saturated with despair. Over and over again, his emotionally traumatised characters are caught – inescapably – in plots that doom them to a life of anguish. Often, they kill themselves.

Now, the psychological wounds and suicidal thoughts that blighted WG Sebald’s own life and secretly inspired him to begin writing fiction are to be laid bare for the first time in a forthcoming biography.

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On my radar: Domhnall Gleeson’s cultural highlights

The actor on an exhibition that’s like a rave, the best crispy chicken and why he’s having to take a break from Kazuo Ishiguro’s latest

Domhnall Gleeson was born in Dublin in 1983. Following his father, Brendan, into acting, he broke through in 2010 with small but memorable roles in Never Let Me Go, Harry Potter and the Deathly Hallows Part 1 (as Bill Weasley) and True Grit. He played the lead in Frank and a romantic interest in Brooklyn, though he is probably best known as General Hux in the latest Star Wars trilogy. From 4 to 29 August, Gleeson stars in Enda Walsh’s new play, Medicine, at the Traverse theatre as part of the Edinburgh fnternational festival. He lives in Dublin.

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Clubbers shun reopened venues in England amid confusion over Covid safety

Owners blame ‘low consumer confidence’ and confused government messages for poor post-‘freedom day’ attendances

Nightclubs in England have seen low attendances and been forced to cancel events as the pandemic continues to disrupt the nightlife industry almost two weeks on from “freedom day”.

Many operators blamed “low consumer confidence” in the face of confusing government messages about whether it was safe to attend.

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Baxter Dury: ‘Everything was about Dad. It was the only way he knew how to survive’

The musician talks about growing up with a pop star dad, escaping his shadow – and the 6ft 7in drug dealer who lived with them

• Read an exclusive extract from Chaise Longue: ‘After a certain point of drinking, Dad’s behaviour became a lottery’

Baxter Dury strolls up to the pub, casually dressed and apologetic. The indie musician, known for his stylish suits, is wearing a white vest and unbuttoned denim shirt. His face is even whiter than the vest. Food poisoning. He ate oysters the other day, and has never been so sick. He orders a pineapple juice and soda water, sheepishly. “That’s going to be the headline, isn’t it?” The 2010 biopic about his father was named Sex & Drugs & Rock & Roll – after one of Ian Dury’s most celebrated songs, and a fair summary of his life.

But we’re not here to talk about Dad, says Baxter, a successful musician in his own right. It’s 21 years since his father died, and 19 since Baxter recorded his debut album, the fabulously titled Len Parrot’s Memorial Lift. Don’t get me wrong, he says, he loved the old man, but he’s got Ian Dury fatigue. He’s tired of the comparisons – their music, voice, looks and lifestyle.

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Sarah Perry: As an author, I felt useless in the pandemic. So I trained to be a vaccinator

Inspired by a desire to be good and help others during the pandemic, novelist Sarah Perry trained to vaccinate people. But what does it mean to be good when there is so much bad faith?

Earlier this year – lockdown three: no sign of spring – I travelled to an airport to try to be good. Dogged for months by the sense of my own uselessness, and having wept with relief and accumulated sorrow when the first Covid-19 vaccine was approved, I’d joined an organisation training volunteers to deliver vaccinations, and so arrived at a desolate Stansted shortly after dawn. Here I sat in the basement of a hotel fallen almost out of use, and in the company of a hundred strangers – though alone and masked in a square of carpet marked out with black tape – learned how to treat fainting fits, panic attacks and anaphylactic shock. In our number were a circus performer, a firefighter, a consultant of some kind; and having been starved of unfamiliar faces for so long we were all, I think, happy to be there (putting a woman in the recovery position I apologised for what seemed a shocking intimacy; but she said what a pleasure it was, after all that time, to be touched). Then we attached sponges to our upper arms, and learned how to insert the needle at 45 degrees, stretching the skin to avoid a bleed; how to depress the plunger, and then remove the needle without doing ourselves a mischief. Then, observed by the nurse, who’d hurried out of retirement to train us, we demonstrated our prowess, were awarded a certificate, and went home to await deployment.

Related: Sarah Perry: what good are books, in a situation like this?

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How Games Workshop grew to become more profitable than Google

Tabletop gaming, based on a mix of science fiction and fantasy worlds, has seen sales surge during lockdown

It started in a small flat in west London, with three friends selling board games and a fanzine via mail order; now Games Workshop is worth more than Marks & Spencer and Asos and is more profitable than Google.

This week the Nottingham-based company, which produces the Warhammer fantasy role-playing brand, announced all of its workers would get a £5,000 bonus after sales and profits surged during the pandemic.

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Billie Eilish: ‘To always try to look good is such a loss of joy and freedom’

In an exclusive interview, Gen Z’s biggest pop star talks about body image, oversharing with fans and what she’s missed most since becoming famous

Billie Eilish is making me nervous. She has called, as arranged, bang on time – 11pm in Los Angeles – but, she admits, she is not quite ready to speak: “This is a mess, I’m so sorry!” Her pale face and platinum hair loom from her phone screen, surrounded by darkness. Her head is at a funny angle and… oh God, she’s driving, her mobile apparently balanced on the car’s dashboard.

Help! I don’t want to inadvertently cause the death of one of the world’s most gifted and valuable pop stars; to watch as a generation-defining musician at the top of her game crashes her car.

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Bob Odenkirk says he had small heart attack but vows ‘I’ll be back soon’

US actor, 58. makes first public statement since collapsing on set of Better Call Saul earlier this week

Bob Odenkirk, the actor and star of Better Call Saul, said Friday that he “had a small heart attack” but will “be back soon”.

Related: Nobody review – Bob Odenkirk is a blast in action man mode

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First image revealed of Imelda Staunton as the Queen in The Crown

Actor best known for Vera Drake takes over from Olivia Colman for fifth series about the UK royal family

The first image of Imelda Staunton in character as the Queen in season five of The Crown has been revealed.

Staunton has taken over from the Golden Globe winner Olivia Colman, as the fresh series ushers in a new era for the royal family. Netflix gave fans a first glimpse of Staunton as the monarch while she was still filming the next instalment of the Netflix show.

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‘I never saw my guitar again’: readers on belongings they lost in a breakup

Long after two people have gone their separate ways, some partings still rankle. Readers reflect on the beloved items they left behind

Even though my breakup was amicable, I felt a lot of guilt – so when I moved out I said: “Keep it all.” But, in the years since, there have been a few items of kitchenware that I wish I’d held on to: a Le Creuset casserole dish, my favourite mug, a digital cooking thermometer, the plastic bowl attachment for my stick blender (the blender itself I retained at her insistence, but I forgot all the accessories that came with it). There never seemed like a good time to ask for any of it back – I hope she’s at least getting some use out of them. Anonymous, Australia

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