‘The Yanomami could disappear’ – photographer Claudia Andujar on a people under threat in Brazil

Andujar lived with the tribe and fights for them. A timely show of her images comes to London soon


It is more than 50 years since Claudia Andujar began photographing the Yanomami, the people of the Amazon rainforest near Brazil’s border with Venezuela. Now 89, she is using her archive to increase their visibility, at a time when their survival is under renewed threat.

“The question of indigenous people should be more respected, more widely known. This is very important as it’s the only way the present [Brazilian] government will come to recognise their rights as human beings to occupy their land,” says Andujar, speaking from São Paulo. “This government isn’t interested in their rights.”

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‘So much pressure to look a certain way’: why eating disorders are rife in pop music

A documentary series about Demi Lovato shows how brutally controlled the singer’s diet once was, and, as other pop performers attest, it’s control that underpins damaging behaviour

For eight years of her life, Demi Lovato was served a watermelon cake for her birthday. This wasn’t a watermelon-flavoured version of a proper cake with all the good stuff like butter, sugar and flour, but rather an actual watermelon with some icing on top.

The reason for this was that her team at the time were “trying to keep her weight down”, according to Lovato’s best friend Matthew Scott Montgomery, who is interviewed as part of Demi Lovato: Dancing With the Devil, the YouTube documentary series premiering this week. Her team would police what she ate, he says, and those she was with were also required to eat only when Lovato ate, with no snacking outside of meals, in an attempt to “keep her well” and avoid triggering a relapse into the restrictive eating disorders she struggled with as a teenager.

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Covid curfew and clock change threaten to call time on Spain’s drive-in cinemas

Country’s oldest autocine is calling for exemption from 10pm rule so it can survive summer’s later sunsets

At 7.30 on Friday evening, Godzilla and King Kong are scheduled to converge on a large lot in eastern Spain to trade blows and bellows, rip fistfuls of fur and scales off each other and generally wreak CGI havoc for an appreciative, car-bound audience.

Their titanic sparring, however, could be short-lived. This weekend, the wading reptilian metaphor for atomic warfare and the conflicted, skyscraper-bothering ape could find themselves cowed by the setting sun, the changing of the clocks and the local coronavirus curfew.

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British black power: stars of BBC documentary reflect on UK activism

As a new film on 60s and 70s resistance is released, its subjects discuss what progress, if any, has been made

When Zainab Abbas, a renowned activist and former member of the Black Liberation Front, was asked if things had improved for black people in the UK over the past 50 years, she didn’t hesitate with her response.

“I don’t think it’s got better, I really don’t,” she said, pointing to rates of stop and search, black unemployment and rising hate crimes. “It’s important to remember that things haven’t changed because they were able to wipe out our history.”

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Oscars ‘no Zoom’ policy proving a headache for overseas nominees

Publicists and studio executives have reportedly complained about logistics, costs and quarantine issues

The “no Zoom” policy for this year’s Oscars ceremony is proving a headache for multiple nominees who live outside the United States and who are still under pandemic restrictions, according to Hollywood publications.

Variety and Deadline Hollywood reported on Wednesday that publicists and some studio executives have complained to the film academy about logistics, costs and quarantine issues raised by the decision to bar nominees from taking part in the ceremony remotely.

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The beluga whale who became famous: Aleksander Nordahl’s best photograph

‘He was called Hvaldimir and he would play in front of crowds at Hammerfest harbour in Norway. One woman dropped her phone and he fetched it for her’

In April 2019, a beluga whale appeared alongside fishing boats off the coast of Norway. He was wearing a harness. A fisherman called Joar Hesten freed him, and saw the harness had stamped on it “equipment of St Petersburg”. The media went crazy, with talk of a “spy whale”, and the creature was named Hvaldimir, a combination of hval, the Norwegian word for whale, and Vladimir, a nod to Russia’s President Putin.

The whale became famous. There were Instagram videos of him playing in Hammerfest harbour in front of crowds. One woman dropped her phone in the water and the whale fetched it for her. He would bring up bones from the depths to show people, almost like little gifts. It became this huge moment on social media: everyone in the country fell in love with the whale. Even the hardcore fishing villages melted for Hvaldimir.

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System of a Down’s Serj Tankian: ‘If something is true, it should be said’

System of a Down’s political activism helped change the course of Armenian history. But – facing censorship, assassination threats and a divided band – at what price for its frontman?

Of all the nights Serj Tankian has stood on stage surveying a crowd of 50,000 faces roaring his own words back at him, there is one that the System of a Down frontman will never forget. On 23 April 2015, the metal band gave a two-and-half hour, 37-song set to a rapturous audience in Republic Square, in the heart of the Armenian capital Yerevan. For a band formed in the diaspora community of Los Angeles’ Little Armenia in 1994, the occasion could not have been more significant: they had been invited to perform in the country for the first time as part of events marking the centenary of the Armenian genocide, in which an estimated 1.5 million Armenians were killed between 1915 and 1922. “The overwhelming feeling was of belonging,” says Tankian, 53, speaking from his airy home studio in Los Angeles. “It felt like we were created 21 years earlier so we could be there that night.”

For Tankian, whose outspoken political activism often animates his songwriting, seeking international recognition of the Armenian genocide has been a lifelong and personal campaign. On stage that night in Yerevan he told the story of his grandfather Stepan Haytayan, who was just five years old when he saw his father murdered in the atrocities; he later went blind from hunger. Between songs, Tankian railed against Barack Obama’s resistance to using the term “genocide” to describe the atrocities after taking office, before turning his ire on Armenia’s authoritarian president, Serzh Sargsyan. “We’ve come a long way, Armenia, but there’s still a lot of fucking work to do,” Tankian told the audience, before calling out the “institutional injustice” of Sargsyan’s administration and demanding the introduction of an “egalitarian civil society”.

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Nobody review – Bob Odenkirk betters John Wick in fun action caper

The Better Call Saul star gets a furiously entertaining star vehicle playing a suburban father who finds himself up against the Russian mob

For any vaguely fit actor over the age of 50, being given your own Taken was briefly seen as an enviable career boost, a chance to relive former glories, a slickly choreographed leap from an early Hollywood grave back to the sandlot. Ever since Liam Neeson swapped emoting for punching back in 2008, Kevin Costner, Sean Penn, John Travolta, Pierce Brosnan and Guy Pearce all tried to do the same but audiences wisely stayed away from their sub-par shoot-em-ups and execs were forced to realise that, duh, it’s the star rather than the sub-genre that people are magnetically drawn to. Because Neeson’s shtick was continuing to bring in solid crowds while his peers were flailing and in 2014, Keanu Reeves found a similar sweet spot with John Wick, kicking off a hugely profitable new series with a Taken-adjacent combination of simple action plot and much-loved actor.

Related: Chaos Walking review – cursed YA adaptation stumbles into view

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‘Downton Abbey is ludicrous’: the biggest TV hits we’ve never seen – until now

Continuing our series on a year of bumper pandemic viewing, our critics finally watch the shows that had passed them by, from Downton to Twin Peaks

As with my experience of so many modern cultural touchstones, I first came to 24 via a Simpsons parody. Being only seven years old in 2001, when the 24-episode “real time” thriller first aired, my knowledge of Kiefer Sutherland’s exhausting counter-terror mission to stop the assassination of a presidential hopeful came from a 2007 Simpsons episode starring Lisa and Bart in a split-screen chase to hold off the detonation of a powerful stink bomb at Springfield Elementary.

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‘What appointments did these dogs have to keep?’: long lunches and brief liaisons in a radical new dogumentary

To mark National Puppy Day, Elizabeth Lo’s acclaimed film Stray gives humans rare insight into the canine gaze, courtesy of homeless mutts in Istanbul

From the moment Zeytin makes her first appearance in Elizabeth Lo’s feature Stray, there is no doubt you are in the presence of a unique spirit. As she surveys an Istanbul side street at dawn, her features are alert, her gaze is uncompromising and her deep, dark eyes sparkle with intelligence. There’s something of Katharine Hepburn in The African Queen about her, or maybe Brad Pitt in one of his less kempt moments. But non-dog comparisons don’t do her justice. This is one indomitable bitch.

Lo first encountered Zeytin and her friend Nazar on a 2017 casting trip to Turkey, and knew immediately that she had found the star she was looking for – which is to say, a dog who could carry a human film. “We were wandering through a busy underground tunnel filled with people when suddenly these two giant stray dogs streaked past us,” she says. “They were running with such a sense of purpose and it was so intriguing. What appointments did these dogs have to keep?”

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Thomas Bernhard was a ‘demon’, half-brother reveals in bestseller

Memoir by Peter Fabjan, an acclaimed hit in Bernhard’s native Austria, describes a tormented man who flitted between ‘affection and icy contempt’

In public, he could be gregarious. His charm was legendary. For the great Austrian novelist and playwright Thomas Bernhard, life was a kind of production. But as his half-brother Peter Fabjan remembers him in his new book, A Life Alongside Thomas Bernhard: A Report, published in German in January, there was another side to Bernhard. “My life was a life with a phantom – indeed a demon – at my side,” he writes.

A Top 10 bestseller in Austria, and labelled a must-read by Germany’s Die Welt, Fabjan’s book marks what would have been Bernhard’s 90th year, were it not for his premature death in 1989 at the age of 58. It has been widely acclaimed by critics; behind Fabjan’s sentences, Marc Reichwein wrote in Welt am Sonntag, one feels “the wounds of a sibling’s entire life”.

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Serpentwithfeet: ‘Nobody can take my joy. Not the government, not a random white person’

With his new album, Deacon, the US singer-songwriter has finally left heartbreak and anger behind. It’s been a journey

Across the long stretch of the pandemic, with formal face-to-face interviews replaced by cosy conversations over phones and laptops, we have become used to images of kitchens, living rooms and carefully selected bookshelves. For today’s conversation, though, singer-songwriter Serpentwithfeet has offered up a far more novel setting in the current locked-down climate: an airport. After struggling to connect, he appears, most of his face covered with a mask, his neck tattoos just visible through the compressed video image. “Can you hear me?” he asks, before a disembodied voice interrupts to announce that a flight is now boarding.

Related: The Guide: Staying In – sign up for our home entertainment tips

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Coming of age in a pandemic: 24 photography exhibition 2021 – in pictures

Eighteen years ago, 24 photographers agreed to document New Year’s Day for 24 years. Each was allocated one hour of the day to record what was going on around them and each moves forward one hour every year. Here is a selection of their work, which will be displayed in Soho Square, London, from 24 March until 16 April at one of the first exhibitions to reopen in the UK after a series of coronavirus lockdowns

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Waiting for a Star to Fall: Boy Meets Girl on how they made a pop classic

‘We were at a Whitney Houston concert in LA. I glanced up and saw a shooting star. It felt like a sign from the heavens’

We’d written How Will I Know and I Wanna Dance With Somebody (Who Loves Me) for Whitney Houston, so were given tickets when she played the Greek Theatre in Los Angeles on her first tour in 1986. After she sang How Will I Know, I glanced up and there was a shooting star in the night sky above the amphitheatre. I pulled out my notebook and wrote down: “Waiting for a star to fall.” It felt like a sign from the heavens.

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Nawal El Saadawi, trailblazing Egyptian writer, dies aged 89

Award-winning feminist author of more than 55 books was a resolute challenger to Egyptian governments

Egypt’s trailblazing writer Nawal El Saadawi died on Sunday at the age of 89, after a lifetime spent fighting for women’s rights and equality.

The feminist author of more than 55 books first spotlighted the issue of female genital mutilation (FGM) with The Hidden Face of Eve in 1980. A trained doctor, El Saadawi also campaigned against women wearing the veil, polygamy and inequality in Islamic inheritance rights between men and women.

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‘We needed to rescue the nation from despair’: culture’s year of Covid

Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

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‘A light at the end of the tunnel’: Australian theatres launch 2021 seasons as the rest of the world stays dark

Sydney Theatre Company is the latest to launch this year’s season, as Broadway and the West End look to Australia as the pandemic pioneer

“Australia has become a test case for the rest of the performing arts world,” the Washington Post proclaimed last month, as theatres across the country prepared to move to full capacity, while throughout most of Europe and the US they remain dark.

So yeah, no pressure there, says Sydney Theatre Company’s artistic director Kip Williams, two days out from launching the company’s complete 2021 season – the largest season the STC has seen since 2017.

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‘I have picked people up on the street’: the secret life of architect Alvar Aalto

He built wild, magical buildings and furniture that is still thrilling today. But a new film suggests the celebrated Finn was also a domineering philanderer deeply indebted to his talented wives

Wonky lumps of misshapen, scorched bricks burst from a block of student flats in Cambridge, Massachusetts, giving a warty look to the long wall that winds its way along the Charles River. “The lousiest bricks in the world,” is how Finnish architect Alvar Aalto described the local New England materials he used for his Baker House dorms at the Massachusetts Institute of Technology in 1947. It was meant as a compliment – he loved their twisted, blackened, brutish texture, which gave the walls the look of coarse tweed.

The pockmarked wall is one of many such strange and beautiful things covered in a new feature-length documentary film about Aalto, Finland’s most famous designer export and one of the most celebrated architects of the 20th century, who built a career on his obsessive attention to material details. Always thinking about the human experience of moving through a building, he considered everything from the feel of a leather-wrapped door handle to the pleasure of a misshapen brick.

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Inside Vogue, where women have the top jobs but men still rule

A new account of life at the fashion bible claims that female staff have been undermined and humiliated for decades. The author reveals why she wrote it

As a fashion-obsessed teenager, I dreamed of working for Vogue. What girl didn’t? This was in the 2000s, and smartphones weren’t everywhere yet, so we’d leaf through the latest copy hungrily at the back of the class. I loved the pictures, the clothes, even the adverts. But most of all I loved the masthead and the index. Who were these glamorous humans with lovely-sounding names and exotic job titles?

Mostly, of course, they were women. That’s the thing about a place like Vogue. It’s a huge global corporation with a lot of soft power, yet unlike most such companies, it has always had women at the top. But not right at the top.

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Gerhard Richter gives Holocaust art to Berlin

Germany’s greatest living painter donates 100 works, including his Birkenau series, to capital’s new museum

Fans of the German painter Gerhard Richter are expected to flock to Berlin to view 100 works that he has in effect donated in a long-term loan to a new museum of modern art. The works include a series of paintings addressing the Holocaust that he has vowed never to sell.

The donation by the 89-year-old, who is one of the world’s highest-priced living artists, is destined for the Museum der Moderne, which is under construction in the German capital.

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