David Bailey: ‘Deneuve said it’s great we’re divorced – now we can be lovers!’

As he powers into his 80s, the photographer recalls shooting everyone from Kate Moss to Andy Warhol, shares his regrets over voting leave – and reveals how Gordon Brown pulled a fast one on him

‘You look knackered,” says David Bailey, greeting me at his studio. It’s up a small mews and sprawls so casually across two floors that it still feels like the 60s inside. “Look at you,” he says. “Your buttons aren’t even done up right.” I look down at my jacket: that bit is true. But I tell him: “I’m not tired!”

“I was watching you walking along the street,” he says. “I thought, ‘That must be the journalist, she looks knackered.’” The combination of acuity (he must be right: he is, after all, the one who makes a living with his eyes) and demonic overfamiliarity (by this point, we are holding hands; I have no idea who started it) is disarming. If this is his shtick, it’s working on me, totally and overwhelmingly. Or maybe he has a tailored shtick for everyone he meets.

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Disney seals $71bn deal for 21st Century Fox as it prepares to take on Netflix

The acquisition of Rupert Murdoch’s film and TV studio business will boost Disney as it enters the TV streaming market

Disney has closed its $71bn (£54bn) acquisition of Rupert Murdoch’s entertainment business in a deal that unites franchises including Cinderella, The Simpsons and Star Wars under one corporate roof to create a media behemoth of unprecedented scale.

The Walt Disney Company closed its acquisition of 21st Century Fox shortly after midnight New York time on Wednesday.

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‘Flintstone’ house sparks lawsuit from California town: ‘It’s an eyesore’

The quirky home features dinosaurs and a sign proclaiming ‘Yabba-dabba-doo’, but neighbors aren’t amused

California architecture has captured the world’s imagination with its classic midcentury bungalows and beach houses. But one architectural landmark in the state has gone a distinctively different route, and it’s not to the town’s liking.

The “Flintstones” home in northern California appears to take its architectural cues from the town of Bedrock. The experimental house was built in the 1970s using a technique that involved spraying concrete to create curved walls. The result is a building where Fred and Wilma would feel at home, and it has become a landmark for drivers passing on I-280.

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Yuli: this portrait of Carlos Acosta and Cuba is a dance film like no other

Ballet and film complement each other perfectly in a biopic of the superstar dancer that captures life under Castro’s rule

Dance on film can have many functions. It might act as a showstopping decoration to the drama (most movie musicals), a shorthand for its protagonist’s obsession or madness (Black Swan, The Red Shoes) or a blunt tool for illustrating cultural difference (Step Up, Save the Last Dance and every other ballet-girl-meets-hip-hop-boy movie). But, aside from Jerome Robbins’ masterpiece West Side Story, it doesn’t often work as a narrative device – an alternative script. That’s how it functions in Yuli, a new biopic of Cuban ballet star Carlos Acosta, by Spanish director Icíar Bollaín and writer Paul Laverty (I, Daniel Blake).

In Yuli (the title is Acosta’s father’s nickname for him), the concept sounds overcomplicated: a biopic played in flashbacks, mixed with real footage of the dancer on stage, framed by the conceit that “current” Carlos is creating an autobiographical dance piece in which he also performs as his own father. But it works. It really works.

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Arabs: A 3,000-Year History by Tim Mackintosh-Smith – review

A richly detailed chronicle of Arab language and culture offers thought-provoking parallels between past and present

Outside the window of Tim Mackintosh-Smith’s home in Sana’a, the Yemeni capital, are reminders of the long sweep of Arab history – child soldiers mourning martyrs of the country’s ongoing war, rocket salvoes, sectarian rivalries, hypnotic slogans and a mosque dating back to the seventh century and the rise of Islam in the Arabian peninsula.

The view is simultaneously rich, bleak and thought-provoking: for three millennia, dynasties have come and gone, from the Sabaeans and Himyaris to the Umayyads of Damascus and the Abbasids of Baghdad. Later came the al Saud – the family that gave its name to a still powerful kingdom. Interactions between desert (badu) and town (hadar), semi-nomadic tribes and settled peoples, strong men and weak institutions, are a constant theme. Language, faith, and loyalty come together in complex and far-flung combinations.

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Good enough to eat? The toxic truth about modern food

We are now producing and consuming more food than ever, and yet our modern diet is killing us. How can we solve this bittersweet dilemma?

Pick a bunch of green grapes, wash it, and put one in your mouth. Feel the grape with your tongue, observe how cold and refreshing it is: the crisp flesh, and the jellylike interior with its mild, sweet flavour.

Eating grapes can feel like an old pleasure, untouched by change. The ancient Greeks and Romans loved to eat them, as well as to drink them in the form of wine. The Odyssey describes “a ripe and luscious vine, hung thick with grapes”. As you pull the next delicious piece of fruit from its stalk, you could easily be plucking it from a Dutch still life of the 17th century, where grapes are tumbled on a metal platter with oysters and half-peeled lemons.

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El Norte review: an epic and timely history of Hispanic North America

Carrie Gibson has written an exhaustive corrective to historians who seek to whitewash a story of settlement and conflict

The subtitle of Carrie Gibson’s book is The Epic and Forgotten Story of Hispanic North America. El Norte lives up to it.

Related: These Truths review: Jill Lepore's Lincolnian American history

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Michael Jackson fan groups to sue accusers for ‘sullying his memory’

Robson Wade and James Safechuck, who in HBO documentary accuse Jackson of child sex abuse, face legal action in France

Three Michael Jackson fan groups are suing his alleged victims in France for “sullying his memory” by taking part in the Leaving Neverland documentary, the fans’ lawyer told Agence France-Presse on Friday.

The Michael Jackson Community – which claims to be the “official fan club forum” – and the MJ Street and On The Line groups accuse Robson Wade and James Safechuck of “lynching” Jackson.

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‘Thai Banksy’ tests boundaries with gallery show before election

Headache Stencil’s work portrays Thai democracy as a game for the ruling elite

His works began appearing overnight on the streets of Bangkok and Chiang Mai five years ago, incendiary satirical depictions of the military officials who took power in Thailand in the 2014 coup.

The authorities worked quickly to erase all trace of the graffiti, but there was no stopping the artist, who calls himself Headache Stencil and is often referred to as the Banksy of Thailand. Pictures of his works portraying the Thai prime minister, Prayut Chan-o-cha, as Dr Evil from Austin Powers or the deputy prime minister on the face of a Rolex have been shared millions of times on social media.

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Preet Bharara: ‘I didn’t call Trump back and it’s one of the best decisions I ever made’

Fired by the president, the former US attorney has written his first book. He talks about if and when Trump will face justice – and why he fears for his own safety

Preet Bharara is used to dealing with bullies. When he was the US attorney for the southern district of New York, the premier law enforcement body in America, his office prosecuted Osama bin Laden’s son-in-law, Crips and Bloods gang leaders and mafia bosses. For going after the infamous arms dealer Viktor Bout he was banned from Russia, and the Turkish president Recep Tayyip Erdoğan once tried to persuade the then US vice-president, Joe Biden, to sack him (he didn’t). The TV series Billions is loosely based on his legal battles with a hedge-fund billionaire. As he puts it himself: “Neither I nor anyone I know was too afraid to prosecute rich men in suits.”

So when Bharara says that even he is now feeling apprehensive about his personal safety, and that his fears relate not to al-Qaida or the Gambino family, but to the president of the United States, it comes as a jolt. “I used to have great confidence that my government would protect me,” he says. “You understood that if you were an American citizen like me, or resident like Jamal Khashoggi, you weren’t going to be rendered somewhere, you didn’t think that if you travelled to Madrid, say, and a BS red notice was issued for you, you’d be on your own. I’m a citizen of the United States and I served my country for 17 years, yet I don’t have that confidence any more. I don’t know that the government at its highest level thinks of Americans first – it’s whether you are on his side, or not on his side.”

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Italian police reveal ‘€3m painting’ stolen from church was a copy

Masterpiece by 17th-century artist Brueghel the Younger was swapped to foil heist

The heist appeared to have gone entirely according to plan. The thieves broke into the display case in an Italian church on Wednesday morning and made off with a €3m painting by the 17th-century Flemish artist Pieter Brueghel the Younger.

But police revealed that night there had been one hitch – the snatched artwork was a copy.

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Anish Kapoor: ‘If I was a young Muslim, would I feel angry enough to join Isis? I would at least think about it’

Britain has gone through the looking glass and the artist’s new show follows it into the abyss. He talks about the upsurge in racism, fighting for Shamima Begum – and his clash with France’s president

At 7.30 on the morning after Britain voted to leave the European Union, Anish Kapoor left his London flat for an appointment with his analyst. On the street, he heard two men talking. “Bet he doesn’t even speak English,” said one. “I turned around and they were talking about me. I was so furious.”

Sir Anish Mikhail Kapoor, CBE, RA, the 65-year-old, Turner prize-winning, Mumbai-born British-Indian artist, who has lived in London since the early 1970s and (though this is hardly the point) speaks better English than most of his countrymen, had woken up in a new land. “Since then permission has been given for difference, rather than being celebrated, to be undermined.”

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K-pop scandal widens as singer admits sharing secretly filmed sex videos

Jung Joon-young apologises and says he will retire, one day after singer Seungri was charged with running a prostitution ring

A sex scandal swirling around South Korea’s K-pop industry has deepened after a singer and TV celebrity admitted he had secretly filmed himself having sex with women and sharing the footage online without their consent.

Jung Joon-young, who rose to fame after coming second in a TV talent show, said he would retire from show business and admitted he had shared footage of several women in a group chatroom.

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‘K-pop’s Great Gatsby’: Seungri charged over prostitution ring

Big Bang singer Seungri retires to clear his name, saying ‘scandal is too big’

Seungri’s taste for the high life earned him the nickname the Great Gatsby of Korea. But now the singer, a member of one of South Korea’s biggest K-pop bands, is facing charges that he procured prostitutes for businessmen in some of Seoul’s most fashionable nightclubs.

The youngest member of Big Bang has announced he will retire to fight the charges and to spare his management agency, YG Entertainment, and fellow band members further embarrassment, according to South Korea’s Yonhap news agency. The decision came after news of the scandal spread on social media on Monday.

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R Kelly: tape ‘showing sexual abuse’ handed to law enforcement

  • Gloria Allred client ‘disgusted and horrified’ by find
  • Singer is facing 10 counts of aggravated sexual abuse

A Pennsylvania man was cleaning out an old videotape collection when he found what he thought was a recording of R&B singer R Kelly in concert, but instead turned out to show a man who appeared to be Kelly sexually abusing girls, he and his attorney said on Sunday.

Related: R Kelly and the art of the male meltdown | Arwa Mahdawi

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Africa’s film awards still glitter, but few of its big screens are left

‘Video clubs’ and watching on mobile is taking over from the joyful experience of going to the cinema

Three riders on horseback canter up a dusty road in Ouagadougou to deliver the top prize, a golden horse, to the awards ceremony of Africa’s most important film festival. Dressed head to toe in glitter, film-themed wax fabric and flowing silks, celebrities of African cinema settle down, Rwanda’s national ballet performs and the presidents of Burkina Faso, Rwanda and Mali look on from golden chairs as gongs, cheques and conical Fulani grass hats are handed out for more than three hours.

The pan-African film and television festival of Ouagadougou (Fespaco) is celebrating its 50th anniversary, and the ceremony was the culmination of two weeks of screenings, parties and debates over the future of African cinema.

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